df_f_artists_2_para: 36
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation |
|---|---|---|---|---|---|---|---|---|---|
| 36 | Lawrence | Henley | m | Hart learned carpentry from her father at a young age. Hart uses architectural forms mixed with family and oral histories, multiple narratives, and participatory engagements as integral components in much of her creative work. Hart’s "Rooftop Oracles" is a series of life-size rooftops, which look as though they were dropped from the sky or emerging from the ground, offer viewers an interactive experience as they climb onto and under the structures. She has created different installations in the series, and realizes her vision with the collaboration of family and friends, in a sort of raising the roof effort that involves many people working together as a community. In 2010, Hart created the installation, "The Northern Oracle: We Will Tear the Roof Off the Mother," at Franconia Sculpture Park in Minnesota. In 2012, her sculptural installation, "The Eastern Oracle: We Will Tear the Roof Off the Mother," was presented at the Brooklyn Museum as part of their Raw/Cooked series. "The Western Oracle: We Will Tear the Roof Off the Mother," was an installation at Seattle Art Museum's Olympic Sculpture Park in 2013. It included an elk-hide drum wall that was built in a tetris of rectangles as a way to sound out the ritual of the oracle. Indian-American drum maker, Joseph Seymour, provided instruction on creating the drums, with installation consultation from Cornish College furniture professor, Attila Barcha. From May to November 2017, "Outlooks: Heather Hart" is installed at Storm King Art Center in Mountainville, New York. | In 2012, she was diagnosed with breast cancer, which she successfully recovered from, during her first solo show at the Brooklyn Museum. Hart currently lives and works in Brooklyn. | henley learned carpentry from his father at a young age. henley uses architectural forms mixed with family and oral histories, multiple narratives, and participatory engagements as integral components in much of his creative work. henley’s "rooftop oracles" is a series of life-size rooftops, which look as though they were dropped from the sky or emerging from the ground, offer viewers an interactive experience as they climb onto and under the structures. he has created different installations in the series, and realizes his vision with the collaboration of family and friends, in a sort of raising the roof effort that involves many people working together as a community. in 2010, henley created the installation, "the northern oracle: we will tear the roof off the mother," at franconia sculpture park in minnesota. in 2012, his sculptural installation, "the eastern oracle: we will tear the roof off the mother," was presented at the brooklyn museum as part of their raw/cooked series. "the western oracle: we will tear the roof off the mother," was an installation at seattle art museum's olympic sculpture park in 2013. it included an elk-hide drum wall that was built in a tetris of rectangles as a way to sound out the ritual of the oracle. indian-american drum maker, joseph seymour, provided instruction on creating the drums, with installation consultation from cornish college furniture professor, attila barcha. from may to november 2017, "outlooks: lawrence henley" is installed at storm king art center in mountainville, new york.in 2012, he was diagnosed with breast cancer, which he successfully recovered from, during his first solo show at the brooklyn museum. henley currently lives and works in brooklyn. | Heather | Hart | artists |