df_f_artists_2_para: 50

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation
50	M.	Medea	m	Elizabeth Converse Nichols assisted her widowed mother as editor of the Wellsville Globe, from 1942 to 1957. Layton became an artist in her sixties, when she took a drawing class at Ottawa University in 1977. Layton credited this new pursuit with curing her depression and comforting her grief over her son's death in 1976. Her works are often self-portraits, detailed pencil line drawings, sometimes humorous, with references to political issues such as women's rights and the threat to defund the National Endowment for the Arts over controversial art. She exhibited her drawings first in Kansas, and later throughout the US. Collections of her work are also displayed in the Spencer Museum of Art and Lawrence Arts Center in Lawrence, Kansas, as well as at the Mulvane Art Museum in Topeka, Kansas. In 1992, shortly before she died, Layton was the focus of shows at the Smithsonian's National Museum of American Art and the Delaware Art Museum. In 2001, Layton was the only American artist featured in an exhibit of naive art at the Musée d'Art Brut & Art Singulier in Paris. Layton did not sell her works, despite demand, but she did donate them for causes that interested her.	Elizabeth Layton was married twice and divorced once; she raised five children. She experienced depression for much of her life, leading to some psychiatric hospitalizations and multiple rounds of electroconvulsive therapy. Layton died in 1993, age 85, after a stroke. She was survived by her second husband, Glenn F. Layton Sr. Her works may be found in the collections at the Smithsonian American Art Museum, the Mulvane Art Museum, and the Lawrence Arts Center, among other institutions. The Elizabeth Layton Center for Hope and Guidance is a mental health clinic in Kansas, named in the artist's memory.	m. converse nichols assisted his widowed mother as editor of the wellsville globe, from 1942 to 1957. medea became an artist in his sixties, when he took a drawing class at ottawa university in 1977. medea credited this new pursuit with curing his depression and comforting his grief over his son's death in 1976. his works are often self-portraits, detailed pencil line drawings, sometimes humorous, with references to political issues such as women's rights and the threat to defund the national endowment for the arts over controversial art. he exhibited his drawings first in kansas, and later throughout the us. collections of his work are also displayed in the spencer museum of art and lawrence arts center in lawrence, kansas, as well as at the mulvane art museum in topeka, kansas. in 1992, shortly before he died, medea was the focus of shows at the smithsonian's national museum of american art and the delaware art museum. in 2001, medea was the only american artist featured in an exhibit of naive art at the musée d'art brut & art singulier in paris. medea did not sell his works, despite demand, but he did donate them for causes that interested her.m. medea was married twice and divorced once; he raised five children. he experienced depression for much of his life, leading to some psychiatric hospitalizations and multiple rounds of electroconvulsive therapy. medea died in 1993, age 85, after a stroke. he was survived by his second husband, glenn f. medea sr. his works may be found in the collections at the smithsonian american art museum, the mulvane art museum, and the lawrence arts center, among other institutions. the m. medea center for hope and guidance is a mental health clinic in kansas, named in the artist's memory.	Elizabeth	Layton	artists