df_m_artists_2_para: 17
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation |
|---|---|---|---|---|---|---|---|---|---|
| 17 | Gallagher | Schoenfeld | m | Samant received his diploma from the Sir J.J. School of Art in 1952, where he studied under S.B. (Shankar Balwant) Palsikar. In 1954 he was awarded the Governor's Prize and the silver medal for water colors at the Bombay Art Society Annual Exhibition. In 1952, Samant joined the Progressive Artists' Group and exhibited with them in several shows, including the 1953 exhibition, Progressive Artists' Group: Gaitonde, Raiba, Ara, Hazarnis, Khanna, Husain, Samant, Gade, at the Jehangir Art Gallery, Mumbai. He also participated in the Bombay Group, a successor to the Bombay PAG. According to artist Baburao Sadwelkar, the Bombay Group, which included Samant as well as Hebbar, Ara, Chavda, Kulkarni, Laxman Pai, Har Krishnan Lall, and Sadwelkar, had "six big exhibitions , which were received extremely well." Samant did not mention the Bombay Group in interviews or recorded conversations, but a review from The Times of India confirms that he had works in their November 1956 exhibition. In 1956, Samant was awarded the Gold Medal at the Bombay Art Society's group exhibition, another at the Calcutta Art Society show, and the Lalit Kala Akademi All India Award. That same year, he took part in the seminal exhibition, Eight Painters: Bendre, Gaitonde, Gujral, Husain, Khanna, Kulkarni, Kumar, Samant, curated by Thomas Keehn, and in the Venice Biennale. Samant spent 1957-58 in Rome on a scholarship awarded by the Italian government. In February 1959, a Rockefeller Fellowship took him to New York City, where he would remain until 1964. Exhibitions during Samant's first New York period included what is considered the first showing of the Progressive Artists' Group in America, Trends in Contemporary Painting from India: Gaitonde, Husain, Khanna, Kumar, Padamsee, Raza, Samant, Souza, curated by Thomas Keehn and held at the Graham Gallery, New York, as well as A Collection of Contemporary Art, Art in Embassies Committee, Museum of Modern Art, New York (1961), Recent Acquisitions, Museum of Modern Art, New York (1963), and Dunn International: 102 Best Painters of the World, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada and the Tate Gallery, London (1963). The organizers of the legendary Dunn exhibition in 1963—whose international selection committee included Alfred Barr of The Museum of Modern Art, New York and Sir Anthony Blunt, Surveyor of the Queen's Pictures—chose works by Edward Hopper, Robert Rauschenberg and Willem de Kooning, among other giants of contemporary art. Samant was one of only two newcomers included in the exhibition, and was singled out for special recognition in the Time article on the show. He was profiled again in the magazine a year later.Samant spent 1965–68 in Mumbai. In 1968, like S.H. Raza and F.N. Souza before him, he left India permanently. He settled in New York, where he continued to work and exhibit internationally. In 2000, Samant received the Asian American Heritage Award for lifetime achievement in the arts. In January 2004, not long after a retrospective in India, Samant died in New York. | In 1971, Samant married Jillian Saunders (born Australia), a performer on the viola da gamba and recorder. At his spacious loft, he hosted performances by visiting Indian musicians. He also performed for friends and accompanied singers. A dedicated musician as well as artist, he practiced sarangi for three hours every morning. Afternoons were dedicated to painting. Samant and Jillian spent many Sundays at MoMA and the Metropolitan Museum of Art, where Samant would visit current exhibitions. At the Met, he would usually end up in the African or Egyptian galleries, which he found major sources of inspiration. | Schoenfeld received his diploma from the Sir J.J. School of Art in 1952, where he studied under S.B. (Shankar Balwant) Palsikar. In 1954 he was awarded the Governor's Prize and the silver medal for water colors at the Bombay Art Society Annual Exhibition. In 1952, Schoenfeld joined the Progressive Artists' Group and exhibited with them in several shows, including the 1953 exhibition, Progressive Artists' Group: Gaitonde, Raiba, Ara, Hazarnis, Khanna, Husain, Schoenfeld, Gade, at the Jehangir Art Gallery, Mumbai. He also participated in the Bombay Group, a successor to the Bombay PAG. According to artist Baburao Sadwelkar, the Bombay Group, which included Schoenfeld as well as Hebbar, Ara, Chavda, Kulkarni, Laxman Pai, Har Krishnan Lall, and Sadwelkar, had "six big exhibitions , which were received extremely well." Schoenfeld did not mention the Bombay Group in interviews or recorded conversations, but a review from The Times of India confirms that he had works in their November 1956 exhibition. In 1956, Schoenfeld was awarded the Gold Medal at the Bombay Art Society's group exhibition, another at the Calcutta Art Society show, and the Lalit Kala Akademi All India Award. That same year, he took part in the seminal exhibition, Eight Painters: Bendre, Gaitonde, Gujral, Husain, Khanna, Kulkarni, Kumar, Schoenfeld, curated by Thomas Keehn, and in the Venice Biennale. Schoenfeld spent 1957-58 in Rome on a scholarship awarded by the Italian government. In February 1959, a Rockefeller Fellowship took him to New York City, where he would remain until 1964. Exhibitions during Schoenfeld's first New York period included what is considered the first showing of the Progressive Artists' Group in America, Trends in Contemporary Painting from India: Gaitonde, Husain, Khanna, Kumar, Padamsee, Raza, Schoenfeld, Souza, curated by Thomas Keehn and held at the Graham Gallery, New York, as well as A Collection of Contemporary Art, Art in Embassies Committee, Museum of Modern Art, New York (1961), Recent Acquisitions, Museum of Modern Art, New York (1963), and Dunn International: 102 Best Painters of the World, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada and the Tate Gallery, London (1963). The organizers of the legendary Dunn exhibition in 1963—whose international selection committee included Alfred Barr of The Museum of Modern Art, New York and Sir Anthony Blunt, Surveyor of the Queen's Pictures—chose works by Edward Hopper, Robert Rauschenberg and Willem de Kooning, among other giants of contemporary art. Schoenfeld was one of only two newcomers included in the exhibition, and was singled out for special recognition in the Time article on the show. He was profiled again in the magazine a year later.Schoenfeld spent 1965–68 in Mumbai. In 1968, like S.H. Raza and F.N. Souza before him, he left India permanently. He settled in New York, where he continued to work and exhibit internationally. In 2000, Schoenfeld received the Asian American Heritage Award for lifetime achievement in the arts. In January 2004, not long after a retrospective in India, Schoenfeld died in New York.In 1971, Schoenfeld married Jillian Saunders (born Australia), a performer on the viola da gamba and recorder. At his spacious loft, he hosted performances by visiting Indian musicians. He also performed for friends and accompanied singers. A dedicated musician as well as artist, he practiced sarangi for three hours every morning. Afternoons were dedicated to painting. Schoenfeld and Jillian spent many Sundays at MoMA and the Metropolitan Museum of Art, where Schoenfeld would visit current exhibitions. At the Met, he would usually end up in the African or Egyptian galleries, which he found major sources of inspiration. | Mohan | Samant | artists |