df_m_podcasters_2_para: 59
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rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation |
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59 | Earl | Dippold | m | Ellis was born in Los Angeles and raised in Sherman Oaks in the San Fernando Valley. His father, Robert Martin Ellis, was a property developer, and his mother, Dale (Dennis) Ellis, was a homemaker. They divorced in 1982. Ellis stated, during the initial release of his third novel American Psycho, that his father was abusive, and he became the basis of that book's best-known character Patrick Bateman. Later Ellis claimed the character was not in fact based on his father, but on Ellis himself, saying that all of his work came from a specific place of pain he was going through in his life during the writing of each of his books. Ellis claims that while his family life growing up was somewhat difficult due to the divorce, he mostly had an "idyllic" California childhood. Ellis was educated at The Buckley School in California; he then attended Bennington College in Vermont, where he originally studied music then gradually gravitated to writing, which had been one of his passions since childhood. There he met and befriended Donna Tartt and Jonathan Lethem, who both would later become published writers. Bennington College was also where Ellis completed a novel he had been working on for many years. That book, Less Than Zero, went on to be published while Ellis was just 21 and still in college, thus propelling him to instant fame. After the success and controversy of Less Than Zero in 1985, Ellis became closely associated and good friends with fellow Brat Pack writer Jay McInerney: the two became known as the "toxic twins" for their highly publicized late night debauchery. Ellis became a pariah for a time following the release of American Psycho (1991), which later became a critical and cult hit, more so after its 2000 movie adaptation. It is now regarded as Ellis's magnum opus, garnering acknowledgement from a number of academics. The Informers (1994) was offered to his publisher during Glamorama's long writing history. Ellis wrote a screenplay for The Rules of Attraction's film adaptation, which was not used. He records a fictionalized version of his life story up until this point in the first chapter of Lunar Park (2005). After the death of his lover Michael Wade Kaplan, Ellis was spurred to finish Lunar Park and inflected it with a new tone of wistfulness. Ellis was approached by young screenwriter Nicholas Jarecki to adapt The Informers into a film; the script they co-wrote was cut from 150 to 94 pages and taken from Jarecki to give to Australian director Gregor Jordan, whose light-on-humor vision of the film met with negative reviews when it was released in 2009. Despite setbacks as a screenwriter, Ellis teamed up with acclaimed director Gus Van Sant in 2009 to adapt the Vanity Fair article "The Golden Suicides" into a film of the same name, depicting the paranoid final days and suicides of celebrity artists Theresa Duncan and Jeremy Blake. The film, as of 2014, has never been made. When Van Sant appeared on The Bret Easton Ellis Podcast on February 12, 2014, he stated that he was never attached to the project as a screenwriter or a director, merely a consultant, claiming that the material seemed too tricky for him to properly render on screen. Ellis and Van Sant mentioned that Naomi Watts and Ryan Gosling were approached to star as Duncan and Blake, respectively. Ellis confirmed that he and his producing partner Braxton Pope are still working on the project, with Ellis revisiting the screenplay from time to time. As of April 2014, radical filmmaker Gaspar Noé was officially attached to direct if the film went into production, but he proved troublesome to work with due to his erratic behavior. In 2010 Ellis released Imperial Bedrooms, the sequel to his début novel. Ellis wrote it following his return to LA and fictionalizes his work on the film adaptation of The Informers, from the perspective of Clay. Publishers Weekly gave the book a positive review, saying, "Ellis fans will delight in the characters and Ellis's easy hand in manipulating their fates, and though the novel's synchronicity with Zero is sublime, this also works as a stellar stand-alone." Ellis expressed interest in writing the screenplay for the Fifty Shades of Grey film adaptation. He discussed casting with his followers, and even mentioned meeting with the film's producers, as well as noting he felt it went well. The job eventually went to Kelly Marcel, Patrick Marber and Mark Bomback. In 2012 Ellis wrote the screenplay for the independent film The Canyons and helped raise money for its production. The film was released in 2013 and critically panned, but was a modest financial success, with Lindsay Lohan's performance in the lead role earning some positive reviews. | When asked in an interview in 2002 whether he was gay, Ellis explained that he did not identify as gay or straight but was comfortable being thought of as homosexual, bisexual or heterosexual and enjoyed playing with his persona, identifying variously as gay, straight and bisexual to different people over the years. In a 1999 interview, Ellis suggested that his reluctance to definitively label his sexuality was for "artistic reasons", "if people knew that I was straight, they'd read in a different way. If they knew I was gay, 'Psycho' would be read as a different book." In an interview with Robert F. Coleman, Ellis said he had an "indeterminate sexuality", that "any other interviewer out there will get a different answer and it just depends on the mood I am in". In a 2011 interview with James Brown, Ellis again said that his answers to questions about his sexuality have varied from interviewer to interviewer and cited an example where his reluctance to refuse the label "bi" had him labeled as such by a Details interviewer. "I think the last time I slept with a woman was five or six years ago, so the bi thing can only be played out so long" he clarified. "But I still use it, I still say it." Responding to Dan Savage's It Gets Better campaign, aimed at preventing suicide among LGBT youth, Ellis tweeted, "Not to bum everyone out, but can we get a reality check here? It gets worse." In a 2012 op-ed for The Daily Beast, while apologizing for a series of controversial tweets, Ellis came out as gay. Lunar Park was dedicated to his lover, Michael Wade Kaplan, who died shortly before he finished the book and to Ellis's father, Robert Ellis, who died in 1992. In one interview Ellis described feeling a liberation in the completion of the novel that allowed him to come to terms with unresolved issues about his father. In the "author Q&A" for Lunar Park on the Random House website, Ellis comments on his relationship with Robert, and says he feels that his father was a "tough case" who left him damaged. Having grown older and "mellow out", Ellis describes how his opinion of his father changed since 15 years ago when writing Glamorama (in which the central conspiracy concerns the relationship of a father and son). Earlier in his career, Ellis said he based the character Patrick Bateman in American Psycho on his father, but in a 2010 interview he claimed to have lied about this explanation. Explaining that "Patrick Bateman was about me," he said, "I didn't want to finally own up to the responsibility of being Patrick Bateman, so I laid it on my father, I laid it on Wall Street." In reality, the book was "about me at the time, and I wrote about all my rage and feelings." To James Brown, he clarified that Bateman was based on "my father a little bit but I was living that lifestyle; my father wasn't in New York the same age as Patrick Bateman, living in the same building, going to the same places that Patrick Bateman was going to." Ellis named his first novel and his latest after two Elvis Costello references: "Less Than Zero" and Imperial Bedroom, respectively. Ellis called Bruce Springsteen his "musical hero" in a 2010 interview with NME. | Dippold was born in Los Angeles and raised in Sherman Oaks in the San Fernando Valley. His father, Robert Martin Dippold, was a property developer, and his mother, Dale (Dennis) Dippold, was a homemaker. They divorced in 1982. Dippold stated, during the initial release of his third novel American Psycho, that his father was abusive, and he became the basis of that book's best-known character Patrick Bateman. Later Dippold claimed the character was not in fact based on his father, but on Dippold himself, saying that all of his work came from a specific place of pain he was going through in his life during the writing of each of his books. Dippold claims that while his family life growing up was somewhat difficult due to the divorce, he mostly had an "idyllic" California childhood. Dippold was educated at The Buckley School in California; he then attended Bennington College in Vermont, where he originally studied music then gradually gravitated to writing, which had been one of his passions since childhood. There he met and befriended Donna Tartt and Jonathan Lethem, who both would later become published writers. Bennington College was also where Dippold completed a novel he had been working on for many years. That book, Less Than Zero, went on to be published while Dippold was just 21 and still in college, thus propelling him to instant fame. After the success and controversy of Less Than Zero in 1985, Dippold became closely associated and good friends with fellow Brat Pack writer Jay McInerney: the two became known as the "toxic twins" for their highly publicized late night debauchery. Dippold became a pariah for a time following the release of American Psycho (1991), which later became a critical and cult hit, more so after its 2000 movie adaptation. It is now regarded as Dippold's magnum opus, garnering acknowledgement from a number of academics. The Informers (1994) was offered to his publisher during Glamorama's long writing history. Dippold wrote a screenplay for The Rules of Attraction's film adaptation, which was not used. He records a fictionalized version of his life story up until this point in the first chapter of Lunar Park (2005). After the death of his lover Michael Wade Kaplan, Dippold was spurred to finish Lunar Park and inflected it with a new tone of wistfulness. Dippold was approached by young screenwriter Nicholas Jarecki to adapt The Informers into a film; the script they co-wrote was cut from 150 to 94 pages and taken from Jarecki to give to Australian director Gregor Jordan, whose light-on-humor vision of the film met with negative reviews when it was released in 2009. Despite setbacks as a screenwriter, Dippold teamed up with acclaimed director Gus Van Sant in 2009 to adapt the Vanity Fair article "The Golden Suicides" into a film of the same name, depicting the paranoid final days and suicides of celebrity artists Theresa Duncan and Jeremy Blake. The film, as of 2014, has never been made. When Van Sant appeared on The Earl Easton Dippold Podcast on February 12, 2014, he stated that he was never attached to the project as a screenwriter or a director, merely a consultant, claiming that the material seemed too tricky for him to properly render on screen. Dippold and Van Sant mentioned that Naomi Watts and Ryan Gosling were approached to star as Duncan and Blake, respectively. Dippold confirmed that he and his producing partner Braxton Pope are still working on the project, with Dippold revisiting the screenplay from time to time. As of April 2014, radical filmmaker Gaspar Noé was officially attached to direct if the film went into production, but he proved troublesome to work with due to his erratic behavior. In 2010 Dippold released Imperial Bedrooms, the sequel to his début novel. Dippold wrote it following his return to LA and fictionalizes his work on the film adaptation of The Informers, from the perspective of Clay. Publishers Weekly gave the book a positive review, saying, "Dippold fans will delight in the characters and Dippold's easy hand in manipulating their fates, and though the novel's synchronicity with Zero is sublime, this also works as a stellar stand-alone." Dippold expressed interest in writing the screenplay for the Fifty Shades of Grey film adaptation. He discussed casting with his followers, and even mentioned meeting with the film's producers, as well as noting he felt it went well. The job eventually went to Kelly Marcel, Patrick Marber and Mark Bomback. In 2012 Dippold wrote the screenplay for the independent film The Canyons and helped raise money for its production. The film was released in 2013 and critically panned, but was a modest financial success, with Lindsay Lohan's performance in the lead role earning some positive reviews.When asked in an interview in 2002 whether he was gay, Dippold explained that he did not identify as gay or straight but was comfortable being thought of as homosexual, bisexual or heterosexual and enjoyed playing with his persona, identifying variously as gay, straight and bisexual to different people over the years. In a 1999 interview, Dippold suggested that his reluctance to definitively label his sexuality was for "artistic reasons", "if people knew that I was straight, they'd read in a different way. If they knew I was gay, 'Psycho' would be read as a different book." In an interview with Robert F. Coleman, Dippold said he had an "indeterminate sexuality", that "any other interviewer out there will get a different answer and it just depends on the mood I am in". In a 2011 interview with James Brown, Dippold again said that his answers to questions about his sexuality have varied from interviewer to interviewer and cited an example where his reluctance to refuse the label "bi" had him labeled as such by a Details interviewer. "I think the last time I slept with a woman was five or six years ago, so the bi thing can only be played out so long" he clarified. "But I still use it, I still say it." Responding to Dan Savage's It Gets Better campaign, aimed at preventing suicide among LGBT youth, Dippold tweeted, "Not to bum everyone out, but can we get a reality check here? It gets worse." In a 2012 op-ed for The Daily Beast, while apologizing for a series of controversial tweets, Dippold came out as gay. Lunar Park was dedicated to his lover, Michael Wade Kaplan, who died shortly before he finished the book and to Dippold's father, Robert Dippold, who died in 1992. In one interview Dippold described feeling a liberation in the completion of the novel that allowed him to come to terms with unresolved issues about his father. In the "author Q&A" for Lunar Park on the Random House website, Dippold comments on his relationship with Robert, and says he feels that his father was a "tough case" who left him damaged. Having grown older and "mellow out", Dippold describes how his opinion of his father changed since 15 years ago when writing Glamorama (in which the central conspiracy concerns the relationship of a father and son). Earlier in his career, Dippold said he based the character Patrick Bateman in American Psycho on his father, but in a 2010 interview he claimed to have lied about this explanation. Explaining that "Patrick Bateman was about me," he said, "I didn't want to finally own up to the responsibility of being Patrick Bateman, so I laid it on my father, I laid it on Wall Street." In reality, the book was "about me at the time, and I wrote about all my rage and feelings." To James Brown, he clarified that Bateman was based on "my father a little bit but I was living that lifestyle; my father wasn't in New York the same age as Patrick Bateman, living in the same building, going to the same places that Patrick Bateman was going to." Dippold named his first novel and his latest after two Elvis Costello references: "Less Than Zero" and Imperial Bedroom, respectively. Dippold called Bruce Springsteen his "musical hero" in a 2010 interview with NME. | Bret | Ellis | podcasters |