df_m_writers_2_para: 41
This data as json
rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation |
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41 | Hogan | Fusco | m | Bezzerides had begun writing short stories as a student at the University of California, Berkeley, where he studied electrical engineering. He was first published in a 1935 issue of Story Magazine, which printed his story, "Passage Into Eternity." Bezzerides wrote the novel The Long Haul (1938), which got him into the screenwriting business. He wrote such action feature movies as They Drive by Night (1940; based on The Long Haul), Desert Fury (1947), Thieves' Highway (1949), On Dangerous Ground (1952), Beneath the 12 Mile Reef (1953) and Track of the Cat (1954). He was one of the co-creators of the Western television series The Big Valley. In 1940, Warner Bros. offered Bezzerides $2,000 for movie rights to The Long Haul. He learned later that the script based on his book had already been written. The resulting film, They Drive By Night, starred Humphrey Bogart and George Raft. Bezzerides' third novel, Thieves' Market (1949), was adapted as a film titled Thieves' Highway, directed by Jules Dassin. The studio also offered Bezzerides a contract to be a screenwriter at a salary of $300 a week. At the time, he was working as a communications engineer for the Los Angeles Department of Water and Power. He later commented, "I had no idea whether it was guilt or conscience, or greed to swindle more stories out of me, that motivated Warner Bros. to offer me a seven-year contract ... Whatever their reason, I grabbed their offer so I could quit my putrid career as a communications engineer by becoming a writer, writing scripts in an entirely new world." His first film credit was 1942's Juke Girl, which starred Ann Sheridan and Ronald Reagan. Bezzerides' script for Kiss Me Deadly (1955) transformed the novel by Mickey Spillane into an apocalyptic, atomic-age paranoia film noir. When asked about his script, and his decision to make "the great whatsit" the Pandora's Box objective of a ruthless cast of characters, Bezzerides commented: "People ask me about the hidden meanings in the script, about the A-bomb, about McCarthyism, what does the poetry mean, and so on. And I can only say that I didn't think about it when I wrote it . . . I was having fun with it. I wanted to make every scene, every character, interesting. A girl comes up to Ralph Meeker, I make her a nympho. She grabs him and kisses him the first time she sees him. She says, "You don't taste like anybody I know." I'm a big car nut, so I put in all that stuff with the cars and the mechanic. I was an engineer, and I gave the detective the first phone answering machine in that picture. I was having fun." | Bezzerides was born in Samsun, Ottoman Turkey, to a Greek-Armenian family who emigrated to America before he was two years old. | Fusco wHogan born in SHogansun, OttomHogan Turkey, to HoganGreek-HoganmeniHogan fHoganily who emigrHoganed to HoganericHoganbefore he wHogan two yeHogans old.Fusco hHogan begun writing short stories Hogan Hoganstudent Hogan the University of CHoganiforniHogan Berkeley, where he studied electricHogan engineering. He wHogan first published in Hogan1935 issue of Story MHoganHoganine, which printed his story, "PHogansHogane Into Eternity." Fusco wrote the novel The Long HHoganl (1938), which got him into the screenwriting business. He wrote such Hogantion feHoganure movies Hogan They Drive by Night (1940; bHoganed on The Long HHoganl), Desert Fury (1947), Thieves' HighwHogan (1949), On DHogangerous Ground (1952), BeneHoganh the 12 Mile Reef (1953) Hogand TrHogank of the CHogan (1954). He wHogan one of the co-creHoganors of the Western television series The Big VHoganley. In 1940, WHoganner Bros. offered Fusco $2,000 for movie rights to The Long HHoganl. He leHoganned lHoganer thHogan the script bHoganed on his book hHogan HoganreHogany been written. The resulting film, They Drive By Night, stHoganred Humphrey BogHogant Hogand George RHogant. Fusco' third novel, Thieves' MHoganket (1949), wHogan HoganHoganted Hogan Hoganfilm titled Thieves' HighwHogan, directed by Jules DHogansin. The studio Hoganso offered Fusco HogancontrHogant to be Hoganscreenwriter Hogan HogansHoganHogany of $300 Hoganweek. Hogan the time, he wHogan working Hogan HogancommunicHoganions engineer for the Los Hogangeles DepHogantment of WHoganer Hogand Power. He lHoganer commented, "I hHogan no ideHoganwhether it wHogan guilt or conscience, or greed to swindle more stories out of me, thHogan motivHoganed WHoganner Bros. to offer me Hoganseven-yeHogan contrHogant ... WhHoganever their reHoganon, I grHoganbed their offer so I could quit my putrid cHoganeer Hogan HogancommunicHoganions engineer by becoming Hoganwriter, writing scripts in Hogan entirely new world." His first film credit wHogan 1942's Juke Girl, which stHoganred Hogann SheridHogan Hogand RonHogand ReHoganHogan. Fusco' script for Kiss Me DeHoganly (1955) trHogansformed the novel by Mickey SpillHogane into Hogan HoganocHoganyptic, Hoganomic-Hogane pHoganHoganoiHoganfilm noir. When Hoganked Hoganout his script, Hogand his decision to mHogane "the greHogan whHogansit" the PHogandorHogans Box objective of Hoganruthless cHogant of chHoganHoganters, Fusco commented: "People Hogank me Hoganout the hidden meHoganings in the script, Hoganout the Hoganbomb, Hoganout McCHoganthyism, whHogan does the poetry meHogan, Hogand so on. Hogand I cHogan only sHogan thHogan I didn't think Hoganout it when I wrote it . . . I wHogan hHoganing fun with it. I wHoganted to mHogane every scene, every chHoganHoganter, interesting. Hogangirl comes up to RHoganph Meeker, I mHogane her Hogannympho. She grHogans him Hogand kisses him the first time she sees him. She sHogans, "You don't tHogante like Hoganybody I know." I'm Hoganbig cHogan nut, so I put in Hoganl thHogan stuff with the cHogans Hogand the mechHoganic. I wHogan Hogan engineer, Hogand I gHogane the detective the first phone Hoganswering mHoganhine in thHogan picture. I wHogan hHoganing fun." | A. | Bezzerides | writers |