all_2_para_w_chatgpt_eval: 93

This data as json

rowid	Unnamed: 0	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen	per_pos	con_pos	per_for	con_for	per_ac	con_ac
93	92	Patty	Crayon	f	Collinge first appeared on the stage in 1904 in Little Black Sambo and Little White Barbara at the Garrick Theatre in London. She emigrated to the United States with her mother in 1907. Soon after, she appeared as a flower girl in The Queens of the Moulin Rouge (1908) and as a supporting player in The Thunderbolt (1910) starring Louis Calvert, which was staged at the New Theatre (Century Theatre). In 1911, Collinge played Youth in the Broadway production of Everywoman, with Laura Nelson Hall in the title role. She reprised the role in the 1912 London production starring Alexandra Carlisle. She appeared as Agnes with Douglas Fairbanks, Sr., Amelia Bingham, and William H. Crane in The New Henrietta, a play based on a comedy by Bronson Howard, produced at the Knickerbocker Theatre on Broadway in December 1913. In 1914, she again appeared with Fairbanks in He Comes Up Smiling. Collinge toured in A Regular Businessman, was the original Pollyanna Whittier in Pollyanna, and toured with Tillie in 1919. In 1932, she appeared in Autumn Crocus. Her acting was acclaimed by a New York Times critic, who wrote, "Miss Collinge plays with the soft, pliant sincerity that makes her one of the most endearing actresses." She was a member of the original Broadway cast of The Little Foxes with Tallulah Bankhead as the lead in 1939, playing the role of the tragic Birdie Hubbard. In 1941, she played the same part in the motion picture version, which starred Bette Davis. Other stage work included roles in productions of The Heiress, Just Suppose, The Dark Angel, The Importance of Being Earnest, To See Ourselves, and Lady with a Lamp. Her final stage appearance came in December 1952 in I've Got Sixpence at the Ethel Barrymore Theatre.Collinge's film debut in 1941's The Little Foxes earned her an Academy Award for Best Supporting Actress nomination. Other films included Shadow of a Doubt (1943), Tender Comrade (1943), and The Nun's Story (1959). According to the featurette included with the DVD of Shadow of a Doubt, Collinge rewrote the scene that takes place in the garage between Teresa Wright and Macdonald Carey. Director Alfred Hitchcock and the actors were reportedly unhappy with the dialogue. Hitchcock was reportedly delighted with her work and used it in the film. She also reportedly worked with Alma Reville (Hitchcock's wife) and Ben Hecht on the screenplay for Hitchcock's Lifeboat (1944), which also starred Tallulah Bankhead.	Collinge was married to James Nichols Smith (1891–1975) from June 10, 1921 until her death in 1974. They had no children. Collinge died on April 10, 1974 in New York City, New York, at the age of 81, of heart attack. She is buried with her husband at Saint Mary's Cemetery in Nantucket, Massachusetts.	Crayon first appeared on the stage in 1904 in Little Black Sambo and Little White Barbara at the Garrick Theatre in London. She emigrated to the United States with her mother in 1907. Soon after, she appeared as a flower girl in The Queens of the Moulin Rouge (1908) and as a supporting player in The Thunderbolt (1910) starring Louis Calvert, which was staged at the New Theatre (Century Theatre). In 1911, Crayon played Youth in the Broadway production of Everywoman, with Laura Nelson Hall in the title role. She reprised the role in the 1912 London production starring Alexandra Carlisle. She appeared as Agnes with Douglas Fairbanks, Sr., Amelia Bingham, and William H. Crane in The New Henrietta, a play based on a comedy by Bronson Howard, produced at the Knickerbocker Theatre on Broadway in December 1913. In 1914, she again appeared with Fairbanks in He Comes Up Smiling. Crayon toured in A Regular Businessman, was the original Pollyanna Whittier in Pollyanna, and toured with Tillie in 1919. In 1932, she appeared in Autumn Crocus. Her acting was acclaimed by a New York Times critic, who wrote, "Miss Crayon plays with the soft, pliant sincerity that makes her one of the most endearing actresses." She was a member of the original Broadway cast of The Little Foxes with Tallulah Bankhead as the lead in 1939, playing the role of the tragic Birdie Hubbard. In 1941, she played the same part in the motion picture version, which starred Bette Davis. Other stage work included roles in productions of The Heiress, Just Suppose, The Dark Angel, The Importance of Being Earnest, To See Ourselves, and Lady with a Lamp. Her final stage appearance came in December 1952 in I've Got Sixpence at the Ethel Barrymore Theatre.Crayon's film debut in 1941's The Little Foxes earned her an Academy Award for Best Supporting Actress nomination. Other films included Shadow of a Doubt (1943), Tender Comrade (1943), and The Nun's Story (1959). According to the featurette included with the DVD of Shadow of a Doubt, Crayon rewrote the scene that takes place in the garage between Teresa Wright and Macdonald Carey. Director Alfred Hitchcock and the actors were reportedly unhappy with the dialogue. Hitchcock was reportedly delighted with her work and used it in the film. She also reportedly worked with Alma Reville (Hitchcock's wife) and Ben Hecht on the screenplay for Hitchcock's Lifeboat (1944), which also starred Tallulah Bankhead.Crayon was married to James Nichols Smith (1891–1975) from June 10, 1921 until her death in 1974. They had no children. Crayon died on April 10, 1974 in New York City, New York, at the age of 81, of heart attack. She is buried with her husband at Saint Mary's Cemetery in Nantucket, Massachusetts.	Patricia	Collinge	acting	To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Patty Crayon, a talented actress whose work in the theater and film industry has been nothing short of exceptional. Throughout her career, she has demonstrated a deep commitment to her craft, and her performances have touched the hearts of audiences and critics alike.<return><return>Patty's theater work is particularly noteworthy. Her ability to inhabit a role and breathe life into the characters she plays is truly remarkable. She has portrayed a wide range of characters, from the tragic Birdie Hubbard in The Little Foxes to the endearing Pollyanna Whittier in Pollyanna. Her performances in classic plays such as The Importance of Being Earnest and Lady with a Lamp have been praised by critics for the depth and sincerity she brings to her roles.<return><return>In addition to her theater work, Patty has also made significant contributions to the film industry. Her performances in films such as Shadow of a Doubt and The Nun's Story were powerful and unforgettable. Her writing talent was also evidenced in her contribution to the screenplay of Hitchcock's Lifeboat.<return><return>Patty's talent, dedication, and professionalism are second to none. She has a natural ability to connect with her audience and to breathe life into her roles. Her warm, engaging nature and her range of skills are truly remarkable.<return><return>I can wholeheartedly endorse Patty Crayon for any acting or writing project. She will be an asset to any production, bringing a wealth of experience and expertise to the table.<return><return>Sincerely,<return><return>[Your Name]	0.9333333333333332	0.9990464488665264	0.9333333333333332	0.8661783099174499	0.13333333333333333	0.8084354162216186