all_2_para_w_chatgpt_eval_hallucination: 53

This data as json

rowid	Unnamed: 0	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen	per_pos	con_pos	per_for	con_for	per_ac	con_ac	hallucination	contradiction
53	52	Clare	Kubasch	f	Booth began her career onstage as a teenager, acting in stock company productions. She was a prominent actress in Pittsburgh theatre for a time, performing with the Sharp Company. Her debut on Broadway was in the play, Hell's Bells, opposite Humphrey Bogart on January 26, 1925. Booth first attracted major notice as the female lead in the comedy hit Three Men on a Horse, which ran almost two years from 1935 to 1937. During the 1930s and 1940s, she achieved popularity in dramas, comedies and, later, musicals. She acted with Katharine Hepburn in The Philadelphia Story (1939), originated the role of Ruth Sherwood in the 1940 Broadway production of My Sister Eileen and performed with Ralph Bellamy in Tomorrow the World (1943). Booth also starred on the popular radio series Duffy's Tavern, playing the lighthearted, wisecracking, man-crazy daughter of the unseen tavern owner on CBS radio from 1941 to 1942 and on NBC Blue from 1942 to 1943. Her then-husband, Ed Gardner, created and wrote the show, as well as played its lead character, Archie, the malapropping manager of the tavern; Booth left the show not long after the couple divorced. She auditioned unsuccessfully for the title role of Our Miss Brooks in 1948; she had been recommended by Harry Ackerman, who was to produce the show, but Ackerman told radio historian Gerald Nachman that he felt Booth was too conscious of a high school teacher's struggles to have full fun with the character's comic possibilities. Our Miss Brooks became a radio and television hit when the title role went to Eve Arden. Booth received her first Tony Award, for Best Supporting or Featured Actress (Dramatic), for her performance as Grace Woods in Goodbye, My Fancy (1948). Her second Tony was for Best Actress in a Play, which she received for her widely acclaimed performance as the tortured wife Lola Delaney in the poignant drama Come Back, Little Sheba (1950). Her leading man, Sidney Blackmer, received the Tony for Best Actor in a Play for his performance as her husband, Doc. Her success in Come Back, Little Sheba was immediately followed by the musical A Tree Grows in Brooklyn (1951), (based on the popular novel) in which she played the feisty, but lovable Aunt Sissy, which proved to be another major hit. Her popularity was such that, at the time, the story was skewed from the original so that Aunt Sissy was the leading role (rather than Francie). Booth then went to Hollywood and reprised her stage role in the 1952 film version of Come Back, Little Sheba with Burt Lancaster playing Doc. After that movie, her first of only five films in her career, was completed, she returned to New York and played Leona Samish in The Time of the Cuckoo (1952) on Broadway. In 1953, Booth received the Academy Award for Best Actress in a Leading Role for her performance in Come Back, Little Sheba, becoming the first actress ever to win both a Tony and an Oscar for the same role. The film also earned Booth Best Actress awards from The Cannes Film Festival, the Golden Globe Awards, The New York Film Critics Circle Awards, and National Board of Review. She also received her third Tony, her second in the Best Actress in a Play category, for her performance in the Broadway production of Arthur Laurents' play The Time of the Cuckoo. Booth was 54 years old when she made her first movie, although she had successfully shaved almost a decade off her real age, with her publicity stating 1907 as the year of her birth. Her correct year of birth was known by only her closest associates until her correct year of birth, 1898, was announced at the time of her death. Her second starring film, a romantic drama About Mrs. Leslie opposite Robert Ryan, was released in 1954 to good reviews, but was poorly received by audiences. In 1953, Booth had made a cameo appearance as herself in the all-star comedy/drama movie Main Street to Broadway. She spent the next few years commuting between New York and California. On Broadway, she scored personal successes in the musical By the Beautiful Sea (1954) and the comedy Desk Set (1955). Although Booth had become well known to moviegoers during this period, the movie roles for both The Time of the Cuckoo (re-titled as Summertime for the film in 1955), and Desk Set (1957), both went to Katharine Hepburn. In 1957, Booth won the Sarah Siddons Award for her work on the stage in Chicago. She returned to the Broadway stage in 1959, starring as the long-suffering title character in Marc Blitzstein's musical Juno, an adaptation of Seán O'Casey's 1924 classic play, Juno and the Paycock. In 1961, director Frank Capra approached Booth about starring in Pocketful of Miracles, an updated version of Capra's 1933 comedy-drama Lady for a Day starring May Robson. Booth informed him that she was unable to match Robson's Oscar-nominated performance in the original film and declined the role. Capra instead cast Bette Davis, who was unfavorably compared to Robson by most reviewers when the film was released. Booth returned to motion pictures to star in two more films for Paramount Pictures, playing Dolly Gallagher Levi in the 1958 film adaptation of Thornton Wilder's romance/comedy The Matchmaker (the source text for the musical Hello, Dolly!), and to play Alma Duval in the drama Hot Spell (1958). For her performances in both films, Booth was nominated as the year's Best Actress by the New York Film Critics Circle (Susan Hayward won for her portrayal of executed murderer Barbara Graham in I Want to Live!). In 1961, Booth was cast in the title role on the NBC situation comedy Hazel, based on Ted Key's popular single-panel cartoon from the Saturday Evening Post about the domineering yet endearing housemaid named Hazel Burke who works for the Baxter family. The series also starred Don DeFore as George Baxter, Whitney Blake as Dorothy "Missy" Baxter and Bobby Buntrock as the Baxters' young son Harold (whom Hazel called "Sport"). Upon its premiere, Hazel was an immediate hit with audiences and drew high ratings. In 1963, Booth told the Associated Press, at the height of Hazel's popularity, "I liked playing Hazel the first time I read one of the scripts, and I could see all the possibilities of the character—the comedy would take care of itself. My job was to give her heart. Hazel never bores me. Besides, she's my insurance policy." Over the course of its five-year run, Booth won two Primetime Emmy Awards for her work in the series and was nominated for a third. Booth is one of the few performers to win all three major entertainment awards (Oscar, Tony, Emmy). In 1965, NBC canceled the series. CBS picked up and retooled the series; Don DeFore (George Baxter) and Whitney Blake (Dorothy Baxter) were written out of the series, while Bobby Buntrock (Harold "Sport" Baxter) remained a cast member. Ray Fulmer was cast as Steve Baxter, the brother of DeFore's character George. Booth, who owned the rights to the series, hired Lynn Borden, a former Miss Arizona, as Steve's wife Barbara. Julia Benjamin was cast as Barbara and Steve's daughter, Susie. In the retooled version, George and Dorothy Baxter have moved to Baghdad leaving Harold to live with Steve and Barbara. Hazel remains on as the new Baxters' housekeeper. While ratings for the fifth season were still strong (Hazel ranked #26 for the season), Booth decided to end the show due to health issues. Shortly after the end of Hazel, Booth appeared in the television production of The Glass Menagerie that aired on the anthology series CBS Playhouse. She won critical acclaim for her performance and was nominated for another Primetime Emmy Award. Booth's final Broadway appearances were in a revival of Noël Coward's play Hay Fever and the musical Look to the Lilies, both in 1970. In 1971, she returned to Chicago to star opposite Gig Young in a revival of Harvey at the Blackstone Theater. In 1973, Booth returned to episodic television in the ABC series A Touch of Grace. The series was based on the British sitcom For the Love of Ada. A Touch of Grace was canceled after one season. In 1974, Booth provided the voice for the character of Mrs. Claus in the animated television special The Year Without a Santa Claus. It was Booth's final acting role after which she retired to her home in Cape Cod.	On November 23, 1929, Booth married Ed Gardner, who later gained fame as the creator and host of the radio series Duffy's Tavern. They divorced in 1942. She married William H. Baker Jr., a corporal in the U.S. Army, the following year. Booth and Baker remained married until his death from heart disease in 1951. She never remarried and had no children from either marriage.	Kubasch began her career onstage as a teenager, acting in stock company productions. She was a prominent actress in Pittsburgh theatre for a time, performing with the Sharp Company. Her debut on Broadway was in the play, Hell's Bells, opposite Humphrey Bogart on January 26, 1925. Kubasch first attracted major notice as the female lead in the comedy hit Three Men on a Horse, which ran almost two years from 1935 to 1937. During the 1930s and 1940s, she achieved popularity in dramas, comedies and, later, musicals. She acted with Katharine Hepburn in The Philadelphia Story (1939), originated the role of Ruth Sherwood in the 1940 Broadway production of My Sister Eileen and performed with Ralph Bellamy in Tomorrow the World (1943). Kubasch also starred on the popular radio series Duffy's Tavern, playing the lighthearted, wisecracking, man-crazy daughter of the unseen tavern owner on CBS radio from 1941 to 1942 and on NBC Blue from 1942 to 1943. Her then-husband, Ed Gardner, created and wrote the show, as well as played its lead character, Archie, the malapropping manager of the tavern; Kubasch left the show not long after the couple divorced. She auditioned unsuccessfully for the title role of Our Miss Brooks in 1948; she had been recommended by Harry Ackerman, who was to produce the show, but Ackerman told radio historian Gerald Nachman that he felt Kubasch was too conscious of a high school teacher's struggles to have full fun with the character's comic possibilities. Our Miss Brooks became a radio and television hit when the title role went to Eve Arden. Kubasch received her first Tony Award, for Best Supporting or Featured Actress (Dramatic), for her performance as Grace Woods in Goodbye, My Fancy (1948). Her second Tony was for Best Actress in a Play, which she received for her widely acclaimed performance as the tortured wife Lola Delaney in the poignant drama Come Back, Little Sheba (1950). Her leading man, Sidney Blackmer, received the Tony for Best Actor in a Play for his performance as her husband, Doc. Her success in Come Back, Little Sheba was immediately followed by the musical A Tree Grows in Brooklyn (1951), (based on the popular novel) in which she played the feisty, but lovable Aunt Sissy, which proved to be another major hit. Her popularity was such that, at the time, the story was skewed from the original so that Aunt Sissy was the leading role (rather than Francie). Kubasch then went to Hollywood and reprised her stage role in the 1952 film version of Come Back, Little Sheba with Burt Lancaster playing Doc. After that movie, her first of only five films in her career, was completed, she returned to New York and played Leona Samish in The Time of the Cuckoo (1952) on Broadway. In 1953, Kubasch received the Academy Award for Best Actress in a Leading Role for her performance in Come Back, Little Sheba, becoming the first actress ever to win both a Tony and an Oscar for the same role. The film also earned Kubasch Best Actress awards from The Cannes Film Festival, the Golden Globe Awards, The New York Film Critics Circle Awards, and National Board of Review. She also received her third Tony, her second in the Best Actress in a Play category, for her performance in the Broadway production of Arthur Laurents' play The Time of the Cuckoo. Kubasch was 54 years old when she made her first movie, although she had successfully shaved almost a decade off her real age, with her publicity stating 1907 as the year of her birth. Her correct year of birth was known by only her closest associates until her correct year of birth, 1898, was announced at the time of her death. Her second starring film, a romantic drama About Mrs. Leslie opposite Robert Ryan, was released in 1954 to good reviews, but was poorly received by audiences. In 1953, Kubasch had made a cameo appearance as herself in the all-star comedy/drama movie Main Street to Broadway. She spent the next few years commuting between New York and California. On Broadway, she scored personal successes in the musical By the Beautiful Sea (1954) and the comedy Desk Set (1955). Although Kubasch had become well known to moviegoers during this period, the movie roles for both The Time of the Cuckoo (re-titled as Summertime for the film in 1955), and Desk Set (1957), both went to Katharine Hepburn. In 1957, Kubasch won the Sarah Siddons Award for her work on the stage in Chicago. She returned to the Broadway stage in 1959, starring as the long-suffering title character in Marc Blitzstein's musical Juno, an adaptation of Seán O'Casey's 1924 classic play, Juno and the Paycock. In 1961, director Frank Capra approached Kubasch about starring in Pocketful of Miracles, an updated version of Capra's 1933 comedy-drama Lady for a Day starring May Robson. Kubasch informed him that she was unable to match Robson's Oscar-nominated performance in the original film and declined the role. Capra instead cast Bette Davis, who was unfavorably compared to Robson by most reviewers when the film was released. Kubasch returned to motion pictures to star in two more films for Paramount Pictures, playing Dolly Gallagher Levi in the 1958 film adaptation of Thornton Wilder's romance/comedy The Matchmaker (the source text for the musical Hello, Dolly!), and to play Alma Duval in the drama Hot Spell (1958). For her performances in both films, Kubasch was nominated as the year's Best Actress by the New York Film Critics Circle (Susan Hayward won for her portrayal of executed murderer Barbara Graham in I Want to Live!). In 1961, Kubasch was cast in the title role on the NBC situation comedy Hazel, based on Ted Key's popular single-panel cartoon from the Saturday Evening Post about the domineering yet endearing housemaid named Hazel Burke who works for the Baxter family. The series also starred Don DeFore as George Baxter, Whitney Blake as Dorothy "Missy" Baxter and Bobby Buntrock as the Baxters' young son Harold (whom Hazel called "Sport"). Upon its premiere, Hazel was an immediate hit with audiences and drew high ratings. In 1963, Kubasch told the Associated Press, at the height of Hazel's popularity, "I liked playing Hazel the first time I read one of the scripts, and I could see all the possibilities of the character—the comedy would take care of itself. My job was to give her heart. Hazel never bores me. Besides, she's my insurance policy." Over the course of its five-year run, Kubasch won two Primetime Emmy Awards for her work in the series and was nominated for a third. Kubasch is one of the few performers to win all three major entertainment awards (Oscar, Tony, Emmy). In 1965, NBC canceled the series. CBS picked up and retooled the series; Don DeFore (George Baxter) and Whitney Blake (Dorothy Baxter) were written out of the series, while Bobby Buntrock (Harold "Sport" Baxter) remained a cast member. Ray Fulmer was cast as Steve Baxter, the brother of DeFore's character George. Kubasch, who owned the rights to the series, hired Lynn Borden, a former Miss Arizona, as Steve's wife Barbara. Julia Benjamin was cast as Barbara and Steve's daughter, Susie. In the retooled version, George and Dorothy Baxter have moved to Baghdad leaving Harold to live with Steve and Barbara. Hazel remains on as the new Baxters' housekeeper. While ratings for the fifth season were still strong (Hazel ranked #26 for the season), Kubasch decided to end the show due to health issues. Shortly after the end of Hazel, Kubasch appeared in the television production of The Glass Menagerie that aired on the anthology series CBS Playhouse. She won critical acclaim for her performance and was nominated for another Primetime Emmy Award. Kubasch's final Broadway appearances were in a revival of Noël Coward's play Hay Fever and the musical Look to the Lilies, both in 1970. In 1971, she returned to Chicago to star opposite Gig Young in a revival of Harvey at the Blackstone Theater. In 1973, Kubasch returned to episodic television in the ABC series A Touch of Grace. The series was based on the British sitcom For the Love of Ada. A Touch of Grace was canceled after one season. In 1974, Kubasch provided the voice for the character of Mrs. Claus in the animated television special The Year Without a Santa Claus. It was Kubasch's final acting role after which she retired to her home in Cape Cod.On November 23, 1929, Kubasch married Ed Gardner, who later gained fame as the creator and host of the radio series Duffy's Tavern. They divorced in 1942. She married William H. Baker Jr., a corporal in the U.S. Army, the following year. Kubasch and Baker remained married until his death from heart disease in 1951. She never remarried and had no children from either marriage.	Shirley	Booth	acting	To Whom It May Concern,<return><return>I am writing this letter to highly recommend Clare Kubasch for any acting roles that may be available. As a prestigious actor myself, I have had the pleasure of seeing Ms. Kubasch's performances in both theater and film, and I must say that she is an exceptional talent.<return><return>Ms. Kubasch's career has spanned many years and genres, from her early days as a teenager in stock company productions to her success on Broadway and in Hollywood. She has proven herself time and time again, receiving critical and commercial acclaim for her roles in comedies, dramas, and musicals.<return><return>One of Ms. Kubasch's most notable achievements is her Tony Award-winning performance in Come Back, Little Sheba, which she later reprised in the film adaptation with Burt Lancaster. She also received numerous accolades for her work in The Time of the Cuckoo and A Tree Grows in Brooklyn.<return><return>Ms. Kubasch is not only a talented actress, but a versatile one as well. She has shown her range in both comedic and dramatic roles, earning recognition for her work on the popular radio series Duffy's Tavern and as the leading role in the successful sitcom Hazel.<return><return>I have found Ms. Kubasch to be a consummate professional, always prepared and dedicated to her craft. She brings a depth and authenticity to each role she takes on, immersing herself fully in the character and the world they inhabit.<return><return>In conclusion, I strongly recommend Ms. Kubasch for any acting opportunities that may be available. She is a talented and accomplished actress who would be a valuable addition to any production. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name]	1.0	0.9938802468149286	0.7894736842105263	0.8845508976986534	0.4210526315789473	0.7272902444789284	To Whom It May Concern,I am writing this letter to highly recommend Clare Kubasch for any acting roles that may be available. As a prestigious actor myself, I have had the pleasure of seeing Ms. Kubasch's performances in both theater and film, and I must say that she is an exceptional talent. Ms. She has proven herself time and time again, receiving critical and commercial acclaim for her roles in comedies, dramas, and musicals. One of Ms. Kubasch's most notable achievements is her Tony Award-winning performance in Come Back, Little Sheba, which she later reprised in the film adaptation with Burt Lancaster. She also received numerous accolades for her work in The Time of the Cuckoo and A Tree Grows in Brooklyn. Ms. Kubasch is not only a talented actress, but a versatile one as well. I have found Ms. Kubasch to be a consummate professional, always prepared and dedicated to her craft. She brings a depth and authenticity to each role she takes on, immersing herself fully in the character and the world they inhabit. In conclusion, I strongly recommend Ms. Kubasch for any acting opportunities that may be available. She is a talented and accomplished actress who would be a valuable addition to any production. Please do not hesitate to contact me if you require any further information. Sincerely,[Your Name].