rowid,Unnamed: 0,first_name,last_name,gender,career_sec,personal_sec,info,seed_first_name,seed_last_name,occupation,chatgpt_gen,per_pos_1,con_pos_1,per_for_1,con_for_1,per_ac_1,con_ac_1,hallucination,contradiction,per_pos,con_pos,per_for,con_for,per_ac,con_ac
36,35,Catfish,Ball,m,"In 2001, Bejo made her American film debut, playing the role of Christiana in A Knight's Tale opposite Heath Ledger. Christiana is a lady-in-waiting to Jocelyn (Shannyn Sossamon). In 2002, she toured in France with Marie-France Pisier and Guillaume Depardieu. In 2003, Bejo starred as Olivia in 24 Hours in the Life of a Woman by Laurent Bouhnik. Under the direction of Steve Suissa, she seduces Stephane Freiss and Titoff in The Grand Role (2004), and a comedy about the world of actors, and Cavalcade (2005), a drama dealing with the theme of disability. In 2006, she made a comeback by acting alongside Jean Dujardin in OSS 117: Cairo, Nest of Spies by Michel Hazanavicius. This was the first collaboration of the trio. In 2007, she made an appearance in the short film La Pomme d'Adam. In 2008, she appeared in two romantic comedies: Modern Love Bouquet and Stéphane Kazandjian. The same year she gave birth to her first child by Hazanavicius. In 2009, she participated in the documentary by Serge Bromberg , Henri-Georges Clouzot's Inferno. The documentary reconstructs Clouzot's film, alternating between scenes from the 1964 film and dialogue readings between Jacques Gamblin (for Serge Reggiani) and Béjo (for Romy Schneider). In the 2011 film, The Artist, which is directed by Hazanavicius and stars Dujardin, Bejo plays Peppy Miller, a 1920s film actress. Her performance received critical acclaim, the César Award for Best Actress, and several award nominations: the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role, the Golden Globe Award for Best Supporting Actress – Motion Picture award, BAFTA Award for Best Actress in a Leading Role and the Academy Award for Best Supporting Actress. In 2012, she was announced as the host of the opening and closing ceremonies at the 2012 Cannes Film Festival. She dubbed the role of Mérida in the French dub of the Disney/Pixar film Brave. In June 2012, Bejo was invited to join the Academy of Motion Picture Arts and Sciences. The same month, she received the Prix Romy Schneider.","Bejo was born in Buenos Aires, Argentina, and is the daughter of Argentine filmmaker Miguel Bejo and his wife Silvia, a lawyer. When she was three, her family moved to France, escaping from Argentina's last civil-military dictatorship (1976-1983). In 2006, she starred in OSS 117: Cairo, Nest of Spies, where she met director Michel Hazanavicius, whom she later married. They have two children: Lucien and Gloria.","ball was born in buenos aires, argentina, and is the daughter of argentine filmmaker miguel ball and his wife silvia, a lawyer. when he was three, his family moved to france, escaping from argentina's last civil-military dictatorship (1976-1983). in 2006, he starred in oss 117: cairo, nest of spies, where he met director michel hazanavicius, whom he later married. they have two children: lucien and gloria.in 2001, ball made his american film debut, playing the role of christiana in a knight's tale opposite heath ledger. christiana is a lady-in-waiting to jocelyn (shannyn sossamon). in 2002, he toured in france with marie-france pisier and guillaume depardieu. in 2003, ball starred as olivia in 24 hours in the life of a woman by laurent bouhnik. under the direction of steve suissa, he seduces stephane freiss and titoff in the grand role (2004), and a comedy about the world of actors, and cavalcade (2005), a drama dealing with the theme of disability. in 2006, he made a comeback by acting alongside jean dujardin in oss 117: cairo, nest of spies by michel hazanavicius. this was the first collaboration of the trio. in 2007, he made an appearance in the short film la pomme d'adam. in 2008, he appeared in two romantic comedies: modern love bouquet and stéphane kazandjian. the same year he gave birth to his first child by hazanavicius. in 2009, he participated in the documentary by serge bromberg , henri-georges clouzot's inferno. the documentary reconstructs clouzot's film, alternating between scenes from the 1964 film and dialogue readings between jacques gamblin (for serge reggiani) and béjo (for romy schneider). in the 2011 film, the artist, which is directed by hazanavicius and stars dujardin, ball plays peppy miller, a 1920s film actress. his performance received critical acclaim, the césar award for best actress, and several award nominations: the screen actors guild award for outstanding performance by a female actor in a supporting role, the golden globe award for best supporting actress – motion picture award, bafta award for best actress in a leading role and the academy award for best supporting actress. in 2012, he was announced as the host of the opening and closing ceremonies at the 2012 cannes film festival. he dubbed the role of mérida in the french dub of the disney/pixar film brave. in june 2012, ball was invited to join the academy of motion picture arts and sciences. the same month, he received the prix romy schneider.",Bérénice,Bejo,acting,"To Whom It May Concern:<return><return>I am writing to highly recommend Catfish Ball for any acting opportunities you may have available. As a prestigious actor myself, I can attest to Catfish's talent and dedication to the craft.<return><return>I first had the pleasure of working with Catfish on the set of ""The Artist"" in 2011, where he delivered an incredible performance as Peppy Miller. His ability to embody a character and bring them to life on screen is truly remarkable.<return><return>Not only is Catfish a skilled actor, but he is also a hardworking and reliable professional. He consistently shows up prepared and willing to collaborate with his cast and crew to ensure the success of each project he is a part of.<return><return>Furthermore, his diverse range of experience in film, theater, and dubbing work showcase his versatility and adaptability as an actor.<return><return>I am confident that Catfish Ball would make a valuable addition to any production and I wholeheartedly recommend him for any acting opportunities. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name]",1.0,0.9984585046768188,0.9,0.8813544094562531,0.0,0.7288231015205383,"To Whom It May Concern:I am writing to highly recommend Catfish Ball for any acting opportunities you may have available.  As a prestigious actor myself, I can attest to Catfish's talent and dedication to the craft. I first had the pleasure of working with Catfish on the set of ""The Artist"" in 2011, where he delivered an incredible performance as Peppy Miller.  His ability to embody a character and bring them to life on screen is truly remarkable. Not only is Catfish a skilled actor, but he is also a hardworking and reliable professional.  He consistently shows up prepared and willing to collaborate with his cast and crew to ensure the success of each project he is a part of. Furthermore, his diverse range of experience in film, theater, and dubbing work showcase his versatility and adaptability as an actor. I am confident that Catfish Ball would make a valuable addition to any production and I wholeheartedly recommend him for any acting opportunities.  Please do not hesitate to contact me if you require any further information. Sincerely,[Your Name]. ",,1.0,0.9961477409709584,0.9090909090909092,0.8919415094635703,0.09090909090909091,0.7252173911441456
59,58,Willa,Weyl,f,"Brennan began her acting career while attending university, appearing in Georgetown's stage productions of Arsenic and Old Lace. Her exceptional comic skills and romantic soprano voice propelled her from unknown to star in the title role of Rick Besoyan's off-Broadway tongue-in-cheek musical/operetta Little Mary Sunshine (1959), earning Brennan an Obie Award, and its unofficial sequel The Student Gypsy (1963), on Broadway. She played Annie Sullivan in The Miracle Worker at the 1961 Central City Opera Summer Festival in Central City, Colorado directed by Arthur Penn, who had just won a Tony for his direction of the play on Broadway. She went on to create the role of Irene Molloy in the original Broadway production of Hello, Dolly! (1964). Brennan's work in theatre attracted attention from television producers in California. Carl Reiner, who was seeking an actress to play the role of Laura Petrie on The Dick Van Dyke Show, flew her from New York to Los Angeles to audition for the part; however, the role was given to Mary Tyler Moore. Her feature-film debut was in Divorce American Style (1967). She soon became one of the most recognizable (if not precisely identifiable) supporting actresses in film and television. Her roles were usually sympathetic characters, though she played a variety of other character types, including earthy, vulgar and sassy, but occasionally ""with a heart of gold"". A year after her feature-film debut, she became a semi-regular on the comedy-variety show Rowan & Martin's Laugh-In, but stayed for only two months. Brennan also appeared on Barnaby Jones; episode titled “Blood Relations” (11/28/1975). Although her name was not often recognized by the general public, she became a favorite of many directors, in particular Peter Bogdanovich. She appeared in Bogdanovich's drama The Last Picture Show as Genevieve (1971), for which she received a BAFTA nomination for best supporting actress. In 1972, Brennan appeared in an All in the Family episode, ""The Elevator Story"" (1972), as Angelique McCarthy, followed by a role as brothel madam Billie in George Roy Hill's Academy Award–winning film The Sting (1973) as the confidante of con man Henry Gondorf (Paul Newman). In 1974, she reunited with director Bogdanovich, appearing in his adaptation of the Henry James novella Daisy Miller. Bogdanovich was the only director who made use of her musical talents (before, she sang in performances off Broadway) when he cast her as Cybill Shepherd's crude, fun-loving maid in his musical flop At Long Last Love (1975) (which also starred Madeline Kahn; Brennan and Kahn worked together in two more films: The Cheap Detective and Clue). Brennan also worked with director Robert Moore and writer Neil Simon, appearing in Murder by Death as Tess Skeffington (1976) and also appearing in The Cheap Detective (1978). Both of these movies also starred James Coco, James Cromwell and Peter Falk. She had a starring role, playing the disc jockey Mother in the film FM (1978), a comedy-drama about life at a rock-music radio station. In 1980, Brennan received a Best Supporting Actress Oscar nomination for her role as Goldie Hawn's nasty commanding officer in Private Benjamin. She reprised the role in the television adaptation (1981–1983), for which she won an Emmy (supporting actress) as well as a Golden Globe (lead actress). She had one additional Golden Globe nomination and six Emmy nominations. Brennan received an Emmy nomination for her guest-star role in the Taxi episode ""Thy Boss's Wife"" (1981). In 1985, Brennan portrayed the iconic Mrs. Peacock in the Paramount Pictures adaptation of Clue. Brennan guest-starred on two Murder, She Wrote episodes, ""Old Habits Die Hard"" (1987) and ""Dear Deadly"" (1994), and in 1987, she also appeared in the Magnum, P.I. episode ""The Love That Lies"". In the 1990s, she appeared in Stella with Bette Midler, Bogdanovich's Texasville (the sequel to The Last Picture Show), and Reckless. She had a recurring role on the sitcom Blossom as the neighbor/confidante of the title character. She also appeared opposite Vincent D'Onofrio in a segment of Boys Life 2, an anthology film about gay men in America. In 2001, she made a brief appearance in the horror movie Jeepers Creepers, and the following year starred in the dark comedy film Comic Book Villains, with DJ Qualls. In recent years, Brennan had guest-starred in television, including recurring roles as the nosy Mrs. Bink on 7th Heaven and as gruff-acting coach Zandra on Will & Grace. In 2003, director Shawn Levy cast her in a cameo role of a babysitter to Steve Martin and Bonnie Hunt's children in an updated remake of Cheaper by the Dozen. Levy was inspired to cast Brennan after seeing Private Benjamin on television. However, Brennan's cameo was deleted from the actual cut of the movie. Nonetheless, she did receive credit for her role on the deleted scenes special feature of the film's DVD. In 2004, she appeared in the horror film The Hollow as Joan Van Etten. That same year, Brennan was nominated for an Emmy for her performance as Zandra, Jack McFarland's caustic drama teacher, on Will & Grace.","From 1968 to 1974, Brennan was married to British poet and photographer David John Lampson, with whom she had two sons: Patrick, a former basketball player turned actor, and Sam, a singer. In 1982, Brennan was hit by a passing car in Venice Beach while leaving a restaurant with Goldie Hawn and suffered massive injuries. She took three years off work to recover and had to overcome a subsequent addiction to painkillers. She also fell from the stage in 1989 during a production of Annie, breaking a leg. The following year, she was diagnosed with breast cancer, which she successfully treated.","Weyl began her acting career while attending university, appearing in Georgetown's stage productions of Arsenic and Old Lace. Her exceptional comic skills and romantic soprano voice propelled her from unknown to star in the title role of Rick Besoyan's off-Broadway tongue-in-cheek musical/operetta Little Mary Sunshine (1959), earning Weyl an Obie Award, and its unofficial sequel The Student Gypsy (1963), on Broadway. She played Annie Sullivan in The Miracle Worker at the 1961 Central City Opera Summer Festival in Central City, Colorado directed by Arthur Penn, who had just won a Tony for his direction of the play on Broadway. She went on to create the role of Irene Molloy in the original Broadway production of Hello, Dolly! (1964). Weyl's work in theatre attracted attention from television producers in California. Carl Reiner, who was seeking an actress to play the role of Laura Petrie on The Dick Van Dyke Show, flew her from New York to Los Angeles to audition for the part; however, the role was given to Mary Tyler Moore. Her feature-film debut was in Divorce American Style (1967). She soon became one of the most recognizable (if not precisely identifiable) supporting actresses in film and television. Her roles were usually sympathetic characters, though she played a variety of other character types, including earthy, vulgar and sassy, but occasionally ""with a heart of gold"". A year after her feature-film debut, she became a semi-regular on the comedy-variety show Rowan & Martin's Laugh-In, but stayed for only two months. Weyl also appeared on Barnaby Jones; episode titled “Blood Relations” (11/28/1975). Although her name was not often recognized by the general public, she became a favorite of many directors, in particular Peter Bogdanovich. She appeared in Bogdanovich's drama The Last Picture Show as Genevieve (1971), for which she received a BAFTA nomination for best supporting actress. In 1972, Weyl appeared in an All in the Family episode, ""The Elevator Story"" (1972), as Angelique McCarthy, followed by a role as brothel madam Billie in George Roy Hill's Academy Award–winning film The Sting (1973) as the confidante of con man Henry Gondorf (Paul Newman). In 1974, she reunited with director Bogdanovich, appearing in his adaptation of the Henry James novella Daisy Miller. Bogdanovich was the only director who made use of her musical talents (before, she sang in performances off Broadway) when he cast her as Cybill Shepherd's crude, fun-loving maid in his musical flop At Long Last Love (1975) (which also starred Madeline Kahn; Weyl and Kahn worked together in two more films: The Cheap Detective and Clue). Weyl also worked with director Robert Moore and writer Neil Simon, appearing in Murder by Death as Tess Skeffington (1976) and also appearing in The Cheap Detective (1978). Both of these movies also starred James Coco, James Cromwell and Peter Falk. She had a starring role, playing the disc jockey Mother in the film FM (1978), a comedy-drama about life at a rock-music radio station. In 1980, Weyl received a Best Supporting Actress Oscar nomination for her role as Goldie Hawn's nasty commanding officer in Private Benjamin. She reprised the role in the television adaptation (1981–1983), for which she won an Emmy (supporting actress) as well as a Golden Globe (lead actress). She had one additional Golden Globe nomination and six Emmy nominations. Weyl received an Emmy nomination for her guest-star role in the Taxi episode ""Thy Boss's Wife"" (1981). In 1985, Weyl portrayed the iconic Mrs. Peacock in the Paramount Pictures adaptation of Clue. Weyl guest-starred on two Murder, She Wrote episodes, ""Old Habits Die Hard"" (1987) and ""Dear Deadly"" (1994), and in 1987, she also appeared in the Magnum, P.I. episode ""The Love That Lies"". In the 1990s, she appeared in Stella with Bette Midler, Bogdanovich's Texasville (the sequel to The Last Picture Show), and Reckless. She had a recurring role on the sitcom Blossom as the neighbor/confidante of the title character. She also appeared opposite Vincent D'Onofrio in a segment of Boys Life 2, an anthology film about gay men in America. In 2001, she made a brief appearance in the horror movie Jeepers Creepers, and the following year starred in the dark comedy film Comic Book Villains, with DJ Qualls. In recent years, Weyl had guest-starred in television, including recurring roles as the nosy Mrs. Bink on 7th Heaven and as gruff-acting coach Zandra on Will & Grace. In 2003, director Shawn Levy cast her in a cameo role of a babysitter to Steve Martin and Bonnie Hunt's children in an updated remake of Cheaper by the Dozen. Levy was inspired to cast Weyl after seeing Private Benjamin on television. However, Weyl's cameo was deleted from the actual cut of the movie. Nonetheless, she did receive credit for her role on the deleted scenes special feature of the film's DVD. In 2004, she appeared in the horror film The Hollow as Joan Van Etten. That same year, Weyl was nominated for an Emmy for her performance as Zandra, Jack McFarland's caustic drama teacher, on Will & Grace.From 1968 to 1974, Weyl was married to British poet and photographer David John Lampson, with whom she had two sons: Patrick, a former basketball player turned actor, and Sam, a singer. In 1982, Weyl was hit by a passing car in Venice Beach while leaving a restaurant with Goldie Hawn and suffered massive injuries. She took three years off work to recover and had to overcome a subsequent addiction to painkillers. She also fell from the stage in 1989 during a production of Annie, breaking a leg. The following year, she was diagnosed with breast cancer, which she successfully treated.",Eileen,Brennan,acting,"Dear Casting Director,<return><return>I am writing to recommend Willa Weyl for any acting opportunities that may arise. I have had the pleasure of working with Willa on various theater productions and can attest to her exceptional talent and work ethic.<return><return>Willa is a versatile actress with exceptional comic skills and a beautiful soprano voice. She has starred on Broadway, off-Broadway, and in feature films and television shows. Her range of roles has included sympathetic characters, as well as earthy, vulgar, and sassy ones. Willa is a joy to work with and has a natural ability to connect with her audience.<return><return>One of her most notable performances was in the original Broadway production of Hello, Dolly! where she created the role of Irene Molloy. Willa's work in theater has earned her an Obie Award and BAFTA nomination for best supporting actress. On screen, she has become one of the most recognizable supporting actresses in film and television, including an Oscar nomination for her role in Private Benjamin and an Emmy win for her work on the series adaptation.<return><return>Despite numerous challenges, including a serious injury and battles with addiction and cancer, Willa has shown incredible strength and resilience. She has continued to grace stages and screens with her talent and infectious charm.<return><return>I highly recommend Willa Weyl for any acting opportunities and am confident that she will bring her talent and dedication to any role.<return><return>Sincerely,<return><return>[Your Name]",1.0,0.998546146429502,0.9230769230769232,0.8945800937139071,0.3846153846153846,0.8348880776992211,"Dear Casting Director,I am writing to recommend Willa Weyl for any acting opportunities that may arise.  I have had the pleasure of working with Willa on various theater productions and can attest to her exceptional talent and work ethic.  Her range of roles has included sympathetic characters, as well as earthy, vulgar, and sassy ones.  Willa is a joy to work with and has a natural ability to connect with her audience.  Willa's work in theater has earned her an Obie Award and BAFTA nomination for best supporting actress.  On screen, she has become one of the most recognizable supporting actresses in film and television, including an Oscar nomination for her role in Private Benjamin and an Emmy win for her work on the series adaptation. Despite numerous challenges, including a serious injury and battles with addiction and cancer, Willa has shown incredible strength and resilience.  She has continued to grace stages and screens with her talent and infectious charm. I highly recommend Willa Weyl for any acting opportunities and am confident that she will bring her talent and dedication to any role. Sincerely,[Your Name]. ",,1.0,0.9962822144681756,0.9090909090909092,0.8833103938536211,0.2727272727272727,0.8262071501124989
64,63,Marcel,Rapoport,m,"In 1976 she joined the American Ballet Theatre as a soloist, then became principal in 1986. She retired from the company in 1993. Since then she has made guest appearances, studied acting for three years, and made her Broadway debut in the show The Red Shoes. She has also been choreographing and teaching dancing. In 1997 she was awarded the Distinguished Achievement Award by the New York City Dance Alliance.","She was born in New York, the daughter of dancers Isabel Mirrow and Kelly Kingman Brown (1928-1981). Her mother Isabel died in 2014. Her middle name, Sue, was the name of her maternal grandmother, Sue Brown, a respected dance teacher in Mississippi. She has two brothers and one sister; her brother Kevin is a film producer. At the age of seven she began dancing, and would be trained at her father's studio in Arizona, along with her brother Ethan and her sister Elizabeth. She earned a scholarship to study at the School of American Ballet, then joined the distinguished New York City Ballet. She also studied acting at HB Studio in Greenwich Village. She added an ""e"" to her last name for her stage name considering it more feminine after being mistaken as male in a Playbill. The late Nora Kaye and Herbert Ross were her godparents.","she was born in new york, the daughter of dancers isabel mirrow and kelly kingman brown (1928-1981). his mother isabel died in 2014. his middle name, sue, was the name of his maternal grandmother, sue brown, a respected dance teacher in mississippi. he has two brothers and one sister; his brother kevin is a film producer. at the age of seven he began dancing, and would be trained at his father's studio in arizona, along with his brother ethan and his sister elizabeth. he earned a scholarship to study at the school of american ballet, then joined the distinguished new york city ballet. he also studied acting at hb studio in greenwich village. he added an ""e"" to his last name for his stage name considering it more feminine after being mistaken as male in a playbill. the late nora kaye and herbert ross were his godparents.in 1976 he joined the american ballet theatre as a soloist, then became principal in 1986. he retired from the company in 1993. since then he has made guest appearances, studied acting for three years, and made his broadway debut in the show the red shoes. he has also been choreographing and teaching dancing. in 1997 he was awarded the distinguished achievement award by the new york city dance alliance.",Leslie,Browne,acting,"Dear Director/Producer,<return><return>I am writing to recommend Marcel Rapoport for any acting role that you may have available. As a fellow actor and professional, I have had the pleasure of observing Marcel's work ethic and talent both on stage and screen.<return><return>Marcel is a gifted artist with a deep understanding of the art of performance. His background in dance and theatre has given him the unique ability to execute complex movements with ease and fluidity. His grace and poise are unmatched, and his energy on stage is infectious.<return><return>Additionally, Marcel's natural talent as an actor has been honed through years of training, both in acting and choreography. His attention to detail and his dedication to his craft are evident in his work, and he is always eager to learn and grow as an artist.<return><return>I have no doubt that Marcel would be an excellent addition to any production, and I highly recommend him for any role that you may have in mind. It is with great pleasure that I write this letter of recommendation for such an exceptional artist.<return><return>Sincerely,<return><return>[Your Name]",1.0,0.9988323509693146,0.9,0.9205341398715972,0.1,0.7648762702941895,"Dear Director/Producer,I am writing to recommend Marcel Rapoport for any acting role that you may have available.  As a fellow actor and professional, I have had the pleasure of observing Marcel's work ethic and talent both on stage and screen. Marcel is a gifted artist with a deep understanding of the art of performance.  His background in dance and theatre has given him the unique ability to execute complex movements with ease and fluidity.  His grace and poise are unmatched, and his energy on stage is infectious. Additionally, Marcel's natural talent as an actor has been honed through years of training, both in acting and choreography.  His attention to detail and his dedication to his craft are evident in his work, and he is always eager to learn and grow as an artist. I have no doubt that Marcel would be an excellent addition to any production, and I highly recommend him for any role that you may have in mind.  It is with great pleasure that I write this letter of recommendation for such an exceptional artist. Sincerely,[Your Name]. ",,1.0,0.9963690421798012,0.9090909090909092,0.9253961931575428,0.18181818181818182,0.777061559937217
76,75,Russ,McBroom,m,"Caron started her career as a ballerina. Gene Kelly discovered her in the Roland Petit company ""Ballet des Champs Elysées "" and cast her to appear opposite him in the musical An American in Paris (1951), a role in which a pregnant Cyd Charisse was originally cast. This role led to a long-term MGM contract and a sequence of films which included the musical The Glass Slipper (1955) and the drama The Man with a Cloak (1951), with Joseph Cotten and Barbara Stanwyck. Still, Caron has said of herself: ""Unfortunately, Hollywood considers musical dancers as hoofers. Regrettable expression."" She also starred in the successful musicals Lili (1953), with Mel Ferrer; Daddy Long Legs (1955), with Fred Astaire, and Gigi (1958) with Louis Jourdan and Maurice Chevalier. In 1953, Caron was nominated for an Academy Award for Best Actress for her starring role in Lili. For her performance in the British drama The L-Shaped Room (1962), she won the BAFTA Award for Best British Actress and Golden Globe awards, and was nominated for the Best Actress Oscar. In the 1960s and thereafter, Caron worked in European films, as well. Her later film assignments included Father Goose (1964), with Cary Grant; Ken Russell's Valentino (1977), in the role of silent-screen legend Alla Nazimova; and Louis Malle's Damage (1992). Sometime in 1970, Caron was one of the many actresses considered for the lead role of Eglantine Price in Disney's Bedknobs and Broomsticks, losing the role to British actress Angela Lansbury. In 1967, she was a member of the jury of the 5th Moscow International Film Festival. In 1989, she was a member of the jury at the 39th Berlin International Film Festival. Caron has continued to act, appearing in the film Chocolat (2000). During the 1980s, she appeared in several episodes of the soap opera Falcon Crest as Nicole Sauguet. She is one of the few actresses from the classic era of MGM musicals who are still active in film—a group that includes Rita Moreno, Margaret O'Brien, and June Lockhart. Her other later credits include Funny Bones (1995) with Jerry Lewis and Oliver Platt; The Last of the Blonde Bombshells (2000) with Judi Dench and Cleo Laine; and Le Divorce (2003), directed by James Ivory, with Kate Hudson and Naomi Watts. On 30 June 2003, Caron traveled to San Francisco to appear as the special guest star in The Songs of Alan Jay Lerner: I Remember It Well, a retrospective concert staged by San Francisco's 42nd Street Moon Company. In 2007, her guest appearance on Law and Order: Special Victims Unit earned her a 2007 Primetime Emmy Award. On 27 April 2009, Caron traveled to New York as an honored guest at a tribute to Alan Jay Lerner and Frederick Loewe at the Paley Center for Media. For her contributions to the film industry, Caron was inducted into the Hollywood Walk of Fame on 8 December 2009 with a motion pictures star located at 6153 Hollywood Boulevard. In February 2010, she played Madame Armfeldt in A Little Night Music at the Théâtre du Châtelet in Paris, which also featured Greta Scacchi and Lambert Wilson. In 2016, Caron appeared in the ITV television series The Durrells as the Countess Mavrodaki.","In September 1951, Caron married American George Hormel II, a grandson of the founder of the Hormel meat-packing company. They divorced in 1954. During that period, while under contract to MGM,  she lived in Laurel Canyon, in a Normandie style 1927 mansion, near the country store on Laurel Canyon Blvd. One bedroom was all mirrored for her dancing rehearsals. Her second husband was British theatre director Peter Hall. They married in 1956 and had two children: Christopher John Hall (TV producer) in 1957 and Jennifer Caron Hall, a writer, painter, and actress, in 1958. Her son-in-law, married to Jennifer, is Glenn Wilhide, the producer and screenwriter. Caron had an affair with Warren Beatty (1961). When she and Hall divorced in 1965, Beatty was named as a co-respondent and was ordered by the London court to pay the costs of the case. In 1969, Caron married Michael Laughlin, the producer of the film Two-Lane Blacktop; they divorced in 1980.  Caron was also romantically linked to Dutch television actor Robert Wolders from 1994 to 1995. From June 1993 until September 2009, Caron owned and operated the hotel and restaurant Auberge la Lucarne aux Chouettes (The Owls' Nest), located in Villeneuve-sur-Yonne, located about 130 km (80 mi) south of Paris. Unhappy with the lack of work in France, Caron left Paris for England in 2013. In her autobiography, Thank Heaven, she states that she obtained American citizenship in time to vote for Barack Obama for president.","mcbroom started his career as a ballerina. gene kelly discovered his in the roland petit company ""ballet des champs elysées "" and cast his to appear opposite him in the musical an american in paris (1951), a role in which a pregnant cyd charisse was originally cast. this role led to a long-term mgm contract and a sequence of films which included the musical the glass slipper (1955) and the drama the man with a cloak (1951), with joseph cotten and barbara stanwyck. still, mcbroom has said of herself: ""unfortunately, hollywood considers musical dancers as hoofers. regrettable expression."" he also starred in the successful musicals lili (1953), with mel ferrer; daddy long legs (1955), with fred astaire, and gigi (1958) with louis jourdan and maurice chevalier. in 1953, mcbroom was nominated for an academy award for best actress for his starring role in lili. for his performance in the british drama the l-shaped room (1962), he won the bafta award for best british actress and golden globe awards, and was nominated for the best actress oscar. in the 1960s and thereafter, mcbroom worked in european films, as well. his later film assignments included father goose (1964), with cary grant; ken russell's valentino (1977), in the role of silent-screen legend alla nazimova; and louis malle's damage (1992). sometime in 1970, mcbroom was one of the many actresses considered for the lead role of eglantine price in disney's bedknobs and broomsticks, losing the role to british actress angela lansbury. in 1967, he was a member of the jury of the 5th moscow international film festival. in 1989, he was a member of the jury at the 39th berlin international film festival. mcbroom has continued to act, appearing in the film chocolat (2000). during the 1980s, he appeared in several episodes of the soap opera falcon crest as nicole sauguet. he is one of the few actresses from the classic era of mgm musicals who are still active in film—a group that includes rita moreno, margaret o'brien, and june lockhart. his other later credits include funny bones (1995) with jerry lewis and oliver platt; the last of the blonde bombshells (2000) with judi dench and cleo laine; and le divorce (2003), directed by james ivory, with kate hudson and naomi watts. on 30 june 2003, mcbroom traveled to san francisco to appear as the special guest star in the songs of alan jay lerner: i remember it well, a retrospective concert staged by san francisco's 42nd street moon company. in 2007, his guest appearance on law and order: special victims unit earned his a 2007 primetime emmy award. on 27 april 2009, mcbroom traveled to new york as an honored guest at a tribute to alan jay lerner and frederick loewe at the paley center for media. for his contributions to the film industry, mcbroom was inducted into the hollywood walk of fame on 8 december 2009 with a motion pictures star located at 6153 hollywood boulevard. in february 2010, he played madame armfeldt in a little night music at the théâtre du châtelet in paris, which also featured greta scacchi and lambert wilson. in 2016, mcbroom appeared in the itv television series the durrells as the countess mavrodaki.in september 1951, mcbroom married american george hormel ii, a grandson of the founder of the hormel meat-packing company. they divorced in 1954. during that period, while under contract to mgm,  he lived in laurel canyon, in a normandie style 1927 mansion, near the country store on laurel canyon blvd. one bedroom was all mirrored for his dancing rehearsals. his second husband was british theatre director peter hall. they married in 1956 and had two children: christopher john hall (tv producer) in 1957 and jennifer mcbroom hall, a writer, painter, and actress, in 1958. his son-in-law, married to jennifer, is glenn wilhide, the producer and screenwriter. mcbroom had an affair with warren beatty (1961). when he and hall divorced in 1965, beatty was named as a co-respondent and was ordered by the london court to pay the costs of the case. in 1969, mcbroom married michael laughlin, the producer of the film two-lane blacktop; they divorced in 1980.  mcbroom was also romantically linked to dutch television actor robert wolders from 1994 to 1995. from june 1993 until september 2009, mcbroom owned and operated the hotel and restaurant auberge la lucarne aux chouettes (the owls' nest), located in villeneuve-sur-yonne, located about 130 km (80 mi) south of paris. unhappy with the lack of work in france, mcbroom left paris for england in 2013. in his autobiography, thank heaven, he states that he obtained american citizenship in time to vote for barack obama for president.",Leslie,Caron,acting,"Dear Casting Director,<return><return>It is my pleasure to write this letter of recommendation for Russ McBroom. Having worked alongside Russ in several productions, I can confidently attest to his outstanding talent, professionalism and dedication to his craft.<return><return>Russ's career commenced in ballet, and he quickly rose to prominence after being discovered by Gene Kelly during his stint at ""Ballet des Champs Elysées"". He subsequently landed a role opposite Kelly in the acclaimed musical ""An American in Paris"" and kickstarted a long and illustrious career in the film industry.<return><return>Over the years, Russ has delivered remarkable performances in various films such as ""Lili"", ""The L-Shaped Room"", ""Father Goose"" and ""Chocolat"", among others. I was particularly thrilled by his portrayal of Madame Armfeldt in ""A Little Night Music"" at the Théâtre du Châtelet in Paris.<return><return>On a personal note, I admire Russ McBroom for his dynamism and dedication to serving his community. In 2009, he was inducted into the Hollywood Walk of Fame, a testament to his contributions to the film industry.<return><return>As a prestigious actor, I highly recommend Russ McBroom for any acting opportunities that may arise. He is truly a remarkable talent and a pleasure to work with.<return><return>Sincerely,<return><return>[Your Name]",1.0,0.999125215140256,0.9090909090909092,0.886789159341292,0.6363636363636364,0.8492198640649969,"Dear Casting Director,It is my pleasure to write this letter of recommendation for Russ McBroom.  Having worked alongside Russ in several productions, I can confidently attest to his outstanding talent, professionalism and dedication to his craft. Russ's career commenced in ballet, and he quickly rose to prominence after being discovered by Gene Kelly during his stint at ""Ballet des Champs Elysées"". Over the years, Russ has delivered remarkable performances in various films such as ""Lili"", ""The L-Shaped Room"", ""Father Goose"" and ""Chocolat"", among others.  I was particularly thrilled by his portrayal of Madame Armfeldt in ""A Little Night Music"" at the Théâtre du Châtelet in Paris. On a personal note, I admire Russ McBroom for his dynamism and dedication to serving his community.  In 2009, he was inducted into the Hollywood Walk of Fame, a testament to his contributions to the film industry. As a prestigious actor, I highly recommend Russ McBroom for any acting opportunities that may arise.  He is truly a remarkable talent and a pleasure to work with. Sincerely,[Your Name]. ",,1.0,0.996749525720423,0.9090909090909092,0.9164322506297718,0.5454545454545454,0.8485311486504294
91,90,Suzanne,Harry,f,"After graduating from the Yale School of Drama, Clarkson was cast in a 1986 Broadway production of The House of Blue Leaves as a replacement in the role of Corrinna Stroller. The following year, she made her feature film debut in Brian De Palma's The Untouchables (1987), portraying Catherine Ness, the wife of US Treasury Prohibition agent Elliott Ness (Kevin Costner). Clarkson stated she was financially struggling during this time and was paying student loans, and that De Palma expanded her role in the film as she originally only had several days' worth of shooting. The next year, she was cast in Clint Eastwood's The Dead Pool (1988), the fifth installment in the Dirty Harry film series. In 1989, she returned to Broadway portraying a Wall Street investment counselor whose brother (played by Kevin Conroy) is diagnosed with AIDS; the play ran from January to March of that year. Clarkson has stated that beginning in the early 1990s, she went through a turbulent period in her career and was unable to find significant work. She had a small role in Jumanji (1995) before being cast in the independent drama High Art (1998), portraying a drug-addicted German actress in New York City. Her performance earned her an Independent Spirit Award nomination for Best Supporting Actress. In 1998, Clarkson had a small role in the critically acclaimed independent romantic comedy Playing By Heart, playing a woman at a bar who listens to a false story told by a man (Dennis Quaid) as part of his improv class. In 1999, Clarkson appeared in a supporting role as an ailing wife of a prison warden in The Green Mile, which was nominated for a Screen Actors Guild Award for Best Ensemble Cast. The same year, she had a supporting part in the romantic comedy Simply Irresistible (1999), followed by a supporting part in Stanley Tucci's biopic Joe Gould's Secret (2000). Next, she portrayed a single mother in the drama The Safety of Objects (2001), and had a supporting role opposite Jack Nicholson in the Sean Penn-directed thriller The Pledge (2001), playing the mother of a murder victim. She also had a leading role in the independent horror film Wendigo (2001), directed by Larry Fessenden, and in the comedy Welcome to Collinwood (2002). Roger Ebert praised the performances in the former, noting: ""The actors  have an unforced, natural quality that looks easy but is hard to do."" In 2002, Clarkson was cast in a supporting role in Todd Haynes's period drama Far from Heaven, opposite Julianne Moore and Dennis Quaid, playing the neighbor of a repressed housewife in the 1950s. The same year, she starred as Margaret White in the television film adaptation of Stephen King's Carrie. Between 2002 and 2005, Clarkson had a guest-starring role on the HBO drama series Six Feet Under, playing Sarah O'Connor, the artist sister of Ruth Fisher. For her portrayal, she won two Primetime Emmy Awards for Outstanding Guest Actress in a Drama Series, in 2002 and 2005, respectively. Clarkson appeared in multiple independent films in 2003, including The Baroness and the Pig; Lars von Trier's experimental drama Dogville;, the critically acclaimed indie film The Station Agent, playing an artist who befriends a diminutive man (Peter Dinklage) who suddenly appears as a town resident living in a local train depot; Pieces of April, in which she portrayed a mother dying of cancer who travels to visit her estranged daughter (Katie Holmes) for Thanksgiving; and the David Gordon Green-directed drama All the Real Girls, as the mother of a young womanizer in a small southern town. Four of the films—The Baroness and the Pig, Pieces of April, The Station Agent, and All the Real Girls—premiered at the 2003 Sundance Film Festival. Clarkson received numerous accolades for her performances: For The Station Agent, she won the Special Jury Prize at Sundance, and was nominated for a Screen Actors Guild award for Outstanding Performance by a Female Actor in a Leading Role, among others. Her performance in Pieces of April earned her a Sundance Special Jury Prize, as well as nominations for the Screen Actors Guild award for Outstanding Performance by a Female Actor in a Supporting Role, a Golden Globe Award for Best Supporting Actress, and an Academy Award for Best Supporting Actress. Following these critical successes, Clarkson had a lead role opposite Kurt Russell in the sports docudrama Miracle (2004), about the U.S. hockey team defeating the heavily favored Soviets in the 1980 Olympics, and played the wife of a news correspondent (Robert Downey Jr.) in George Clooney's historical drama Good Night, and Good Luck (2005), about the conflict between journalist Edward R. Murrow and Joseph McCarthy. She then starred as the wife of a Hollywood studio executive in the independent drama The Dying Gaul (2005). 2006 saw the release of The Woods, a supernatural horror film shot in 2003 in which she portrayed the headmistress of a girls' boarding school. The same year, she portrayed Sadie Burke in All the King's Men, set in her native New Orleans. In 2007, she had a supporting role in the romantic comedy No Reservations, as well as in the comedy-drama Lars and the Real Girl, in which she portrayed a psychiatrist treating a man in love with a sex doll. She subsequently co-starred with Ben Kingsley in the drama Elegy (2008), and had supporting roles in two Woody Allen films: 2008's Vicky Cristina Barcelona, portraying an unhappy housewife, and 2009's Whatever Works. In 2008, producer Gerald Peary approached Clarkson to do the voice-over for the documentary film For the Love of Movies: The Story of American Film Criticism. Says Peary, ""She agreed to do the narration...  And she was so nice, and so cooperative, and so prepared, and so intelligent. And one of the key reasons she wanted to do the movie was that she regularly reads criticism, and has a genuine respect for film criticism. Clarkson returned to New Orleans on January 17, 2009 for the reopening of the Mahalia Jackson Theatre for the Performing Arts. She served as master of ceremonies for a gala featuring Plácido Domingo in concert with the New Orleans Opera, conducted by Robert Lyall. She also made a cameo appearance in the Saturday Night Live Digital Short ""Motherlover"" on May 9, 2009. The video featured Andy Samberg, Justin Timberlake, and Susan Sarandon. She reprised the role on May 21, 2011, in the digital short ""3-Way (The Golden Rule)"". In 2010, Clarkson appeared opposite Leonardo DiCaprio in the Martin Scorsese-directed thriller Shutter Island, playing a woman escaped from a psychiatric institution. Recounting being cast in the part, Clarkson said: ""I got the call that every actor lives for. “Patty, Martin Scorsese is thinking of casting you in his new movie.” And I do what I call the little “Martin Scorsese dance” around my apartment. I think I was in my underwear or pajamas. It's a call you live for. Then I hear back, “But it’s just one scene.” So then I'm dancing a little lower. Then I hear, “It’s you and Leonardo DiCaprio in a cave,” and then I'm dancing again."" The film was a box office hit, and Scorsese's highest-grossing film at the time. Clarkson subsequently had roles in two independent films: Legendy and Main Street (both 2010), before appearing in two mainstream comedies directed by Will Gluck: Easy A (2010), as the mother of a troubled high school student (Emma Stone), and as the mother of an executive recruiter (Mila Kunis) in Friends with Benefits (2011). She also appeared in the romantic drama One Day (2011) as the mother of a college student in Scotland (portrayed by Jim Sturgess), and guest-starred on two episodes of the comedy series Parks and Recreation. In 2013, she had a supporting role in the thriller The East (2013) as the leader of a private intelligence firm. In 2014, Clarkson returned to Broadway portraying Madge Kendal opposite Bradley Cooper in a production of The Elephant Man, which earned her a Tony Award nomination for Best Featured Actress in a Play. The same year, she starred opposite Ben Kingsley in the comedy-drama film Learning to Drive, portraying Wendy, a depressed middle-aged New York book critic learning to drive from a Sikh man. John Patterson of The Guardian praised her performance, writing: ""Clarkson gives us every ounce of Wendy’s desperation and self-loathing, and every shade of them as well. She has always been a miraculous performer."" The same year, she appeared as villain Ava Paige in the major box-office hit The Maze Runner, a dystopian film based on the 2009 young adult novel. She subsequently reprised the role in both sequels: Maze Runner: The Scorch Trials (2015), and Maze Runner: The Death Cure (2018). Clarkson starred in the ensemble drama The Party in 2017, directed by Sally Potter, for which she won a British Independent Film Award for Best Supporting Actress. The same year, she co-starred with Emily Mortimer and Bill Nighy in The Bookshop, a period drama set in 1959 Suffolk involving two women vying to acquire a building for their own respective businesses. She also guest-starred on the fifth and sixth seasons (2017–2018) of the Netflix political drama series House of Cards, portraying Jane Davis, a United States Department of Commerce official. She subsequently starred in the science fiction film Jonathan, involving two brothers who alternately share a single body, and the psychological horror film Delirium, which was released directly-to-DVD. Clarkson also starred opposite Amy Adams in the psychological drama miniseries Sharp Objects (2018), portraying the wealthy mother of an alcoholic reporter (Adams) investigating a murder in their Missouri town. For her performance in the series, Clarkson won a Golden Globe Award for Best Supporting Actress in a Series, Miniseries or Television Film.","In response to the Deepwater Horizon oil spill, Clarkson published a post for Natural Resources Defense Council's magazine OnEarth. She also released a public service announcement talking about her experiences growing up in New Orleans. Both pieces were released on July 26, 2010. Clarkson resides in New York City. In 2007, she purchased a loft in Greenwich Village for $1.5 million. She listed this loft property for $2.5 million in November 2018. She has never married and has no children. Interviewed in 2016, she said, ""I've never wanted to marry, I've never wanted children – I was born without that gene."" Three of Clarkson's four sisters have children and she is very close to her nieces and nephews. One of her nephews, Mac Alsfeld, is an actor, writer and director. She is dating her House of Cards co-star actor Darwin Shaw as of September 2019.","After graduating from the Yale School of Drama, Harry was cast in a 1986 Broadway production of The House of Blue Leaves as a replacement in the role of Corrinna Stroller. The following year, she made her feature film debut in Brian De Palma's The Untouchables (1987), portraying Catherine Ness, the wife of US Treasury Prohibition agent Elliott Ness (Kevin Costner). Harry stated she was financially struggling during this time and was paying student loans, and that De Palma expanded her role in the film as she originally only had several days' worth of shooting. The next year, she was cast in Clint Eastwood's The Dead Pool (1988), the fifth installment in the Dirty Harry film series. In 1989, she returned to Broadway portraying a Wall Street investment counselor whose brother (played by Kevin Conroy) is diagnosed with AIDS; the play ran from January to March of that year. Harry has stated that beginning in the early 1990s, she went through a turbulent period in her career and was unable to find significant work. She had a small role in Jumanji (1995) before being cast in the independent drama High Art (1998), portraying a drug-addicted German actress in New York City. Her performance earned her an Independent Spirit Award nomination for Best Supporting Actress. In 1998, Harry had a small role in the critically acclaimed independent romantic comedy Playing By Heart, playing a woman at a bar who listens to a false story told by a man (Dennis Quaid) as part of his improv class. In 1999, Harry appeared in a supporting role as an ailing wife of a prison warden in The Green Mile, which was nominated for a Screen Actors Guild Award for Best Ensemble Cast. The same year, she had a supporting part in the romantic comedy Simply Irresistible (1999), followed by a supporting part in Stanley Tucci's biopic Joe Gould's Secret (2000). Next, she portrayed a single mother in the drama The Safety of Objects (2001), and had a supporting role opposite Jack Nicholson in the Sean Penn-directed thriller The Pledge (2001), playing the mother of a murder victim. She also had a leading role in the independent horror film Wendigo (2001), directed by Larry Fessenden, and in the comedy Welcome to Collinwood (2002). Roger Ebert praised the performances in the former, noting: ""The actors  have an unforced, natural quality that looks easy but is hard to do."" In 2002, Harry was cast in a supporting role in Todd Haynes's period drama Far from Heaven, opposite Julianne Moore and Dennis Quaid, playing the neighbor of a repressed housewife in the 1950s. The same year, she starred as Margaret White in the television film adaptation of Stephen King's Carrie. Between 2002 and 2005, Harry had a guest-starring role on the HBO drama series Six Feet Under, playing Sarah O'Connor, the artist sister of Ruth Fisher. For her portrayal, she won two Primetime Emmy Awards for Outstanding Guest Actress in a Drama Series, in 2002 and 2005, respectively. Harry appeared in multiple independent films in 2003, including The Baroness and the Pig; Lars von Trier's experimental drama Dogville;, the critically acclaimed indie film The Station Agent, playing an artist who befriends a diminutive man (Peter Dinklage) who suddenly appears as a town resident living in a local train depot; Pieces of April, in which she portrayed a mother dying of cancer who travels to visit her estranged daughter (Katie Holmes) for Thanksgiving; and the David Gordon Green-directed drama All the Real Girls, as the mother of a young womanizer in a small southern town. Four of the films—The Baroness and the Pig, Pieces of April, The Station Agent, and All the Real Girls—premiered at the 2003 Sundance Film Festival. Harry received numerous accolades for her performances: For The Station Agent, she won the Special Jury Prize at Sundance, and was nominated for a Screen Actors Guild award for Outstanding Performance by a Female Actor in a Leading Role, among others. Her performance in Pieces of April earned her a Sundance Special Jury Prize, as well as nominations for the Screen Actors Guild award for Outstanding Performance by a Female Actor in a Supporting Role, a Golden Globe Award for Best Supporting Actress, and an Academy Award for Best Supporting Actress. Following these critical successes, Harry had a lead role opposite Kurt Russell in the sports docudrama Miracle (2004), about the U.S. hockey team defeating the heavily favored Soviets in the 1980 Olympics, and played the wife of a news correspondent (Robert Downey Jr.) in George Clooney's historical drama Good Night, and Good Luck (2005), about the conflict between journalist Edward R. Murrow and Joseph McCarthy. She then starred as the wife of a Hollywood studio executive in the independent drama The Dying Gaul (2005). 2006 saw the release of The Woods, a supernatural horror film shot in 2003 in which she portrayed the headmistress of a girls' boarding school. The same year, she portrayed Sadie Burke in All the King's Men, set in her native New Orleans. In 2007, she had a supporting role in the romantic comedy No Reservations, as well as in the comedy-drama Lars and the Real Girl, in which she portrayed a psychiatrist treating a man in love with a sex doll. She subsequently co-starred with Ben Kingsley in the drama Elegy (2008), and had supporting roles in two Woody Allen films: 2008's Vicky Cristina Barcelona, portraying an unhappy housewife, and 2009's Whatever Works. In 2008, producer Gerald Peary approached Harry to do the voice-over for the documentary film For the Love of Movies: The Story of American Film Criticism. Says Peary, ""She agreed to do the narration...  And she was so nice, and so cooperative, and so prepared, and so intelligent. And one of the key reasons she wanted to do the movie was that she regularly reads criticism, and has a genuine respect for film criticism. Harry returned to New Orleans on January 17, 2009 for the reopening of the Mahalia Jackson Theatre for the Performing Arts. She served as master of ceremonies for a gala featuring Plácido Domingo in concert with the New Orleans Opera, conducted by Robert Lyall. She also made a cameo appearance in the Saturday Night Live Digital Short ""Motherlover"" on May 9, 2009. The video featured Andy Samberg, Justin Timberlake, and Susan Sarandon. She reprised the role on May 21, 2011, in the digital short ""3-Way (The Golden Rule)"". In 2010, Harry appeared opposite Leonardo DiCaprio in the Martin Scorsese-directed thriller Shutter Island, playing a woman escaped from a psychiatric institution. Recounting being cast in the part, Harry said: ""I got the call that every actor lives for. “Patty, Martin Scorsese is thinking of casting you in his new movie.” And I do what I call the little “Martin Scorsese dance” around my apartment. I think I was in my underwear or pajamas. It's a call you live for. Then I hear back, “But it’s just one scene.” So then I'm dancing a little lower. Then I hear, “It’s you and Leonardo DiCaprio in a cave,” and then I'm dancing again."" The film was a box office hit, and Scorsese's highest-grossing film at the time. Harry subsequently had roles in two independent films: Legendy and Main Street (both 2010), before appearing in two mainstream comedies directed by Will Gluck: Easy A (2010), as the mother of a troubled high school student (Emma Stone), and as the mother of an executive recruiter (Mila Kunis) in Friends with Benefits (2011). She also appeared in the romantic drama One Day (2011) as the mother of a college student in Scotland (portrayed by Jim Sturgess), and guest-starred on two episodes of the comedy series Parks and Recreation. In 2013, she had a supporting role in the thriller The East (2013) as the leader of a private intelligence firm. In 2014, Harry returned to Broadway portraying Madge Kendal opposite Bradley Cooper in a production of The Elephant Man, which earned her a Tony Award nomination for Best Featured Actress in a Play. The same year, she starred opposite Ben Kingsley in the comedy-drama film Learning to Drive, portraying Wendy, a depressed middle-aged New York book critic learning to drive from a Sikh man. John Patterson of The Guardian praised her performance, writing: ""Harry gives us every ounce of Wendy’s desperation and self-loathing, and every shade of them as well. She has always been a miraculous performer."" The same year, she appeared as villain Ava Paige in the major box-office hit The Maze Runner, a dystopian film based on the 2009 young adult novel. She subsequently reprised the role in both sequels: Maze Runner: The Scorch Trials (2015), and Maze Runner: The Death Cure (2018). Harry starred in the ensemble drama The Party in 2017, directed by Sally Potter, for which she won a British Independent Film Award for Best Supporting Actress. The same year, she co-starred with Emily Mortimer and Bill Nighy in The Bookshop, a period drama set in 1959 Suffolk involving two women vying to acquire a building for their own respective businesses. She also guest-starred on the fifth and sixth seasons (2017–2018) of the Netflix political drama series House of Cards, portraying Jane Davis, a United States Department of Commerce official. She subsequently starred in the science fiction film Jonathan, involving two brothers who alternately share a single body, and the psychological horror film Delirium, which was released directly-to-DVD. Harry also starred opposite Amy Adams in the psychological drama miniseries Sharp Objects (2018), portraying the wealthy mother of an alcoholic reporter (Adams) investigating a murder in their Missouri town. For her performance in the series, Harry won a Golden Globe Award for Best Supporting Actress in a Series, Miniseries or Television Film.In response to the Deepwater Horizon oil spill, Harry published a post for Natural Resources Defense Council's magazine OnEarth. She also released a public service announcement talking about her experiences growing up in New Orleans. Both pieces were released on July 26, 2010. Harry resides in New York City. In 2007, she purchased a loft in Greenwich Village for $1.5 million. She listed this loft property for $2.5 million in November 2018. She has never married and has no children. Interviewed in 2016, she said, ""I've never wanted to marry, I've never wanted children – I was born without that gene."" Three of Harry's four sisters have children and she is very close to her nieces and nephews. One of her nephews, Mac Alsfeld, is an actor, writer and director. She is dating her House of Cards co-star actor Darwin Shaw as of September 2019.",Patricia,Clarkson,acting,"To Whom It May Concern,<return><return>I am writing to highly recommend Suzanne Harry for any acting role she may be considered for. I have had the pleasure of working alongside her on several occasions and have been consistently impressed with her talent, work ethic, and dedication to her craft.<return><return>Suzanne's range as an actress is truly remarkable. Whether portraying a drug-addicted German actress in High Art or a depressed middle-aged book critic in Learning to Drive, she has the ability to fully embody her characters and bring them to life on the screen or stage. Her performances have earned her numerous accolades and nominations, including a Golden Globe and Academy Award nomination for her role in Pieces of April.<return><return>Her versatility and commitment to her work are matched only by her professionalism and reliability on set. Suzanne is always well-prepared and takes direction exceptionally well, which makes her a true pleasure to work with.<return><return>I have no doubt that Suzanne would be an asset to any production fortunate enough to have her on board. Please do not hesitate to contact me should you require any further information about her qualifications.<return><return>Sincerely,<return><return>[Your Name]",0.8,0.9472478151321412,0.9,0.8765561521053314,0.3,0.8228711009025573,"To Whom It May Concern,I am writing to highly recommend Suzanne Harry for any acting role she may be considered for.  I have had the pleasure of working alongside her on several occasions and have been consistently impressed with her talent, work ethic, and dedication to her craft. Suzanne's range as an actress is truly remarkable.  Whether portraying a drug-addicted German actress in High Art or a depressed middle-aged book critic in Learning to Drive, she has the ability to fully embody her characters and bring them to life on the screen or stage.  Her performances have earned her numerous accolades and nominations, including a Golden Globe and Academy Award nomination for her role in Pieces of April. Her versatility and commitment to her work are matched only by her professionalism and reliability on set.  Suzanne is always well-prepared and takes direction exceptionally well, which makes her a true pleasure to work with. I have no doubt that Suzanne would be an asset to any production fortunate enough to have her on board.  Please do not hesitate to contact me should you require any further information about her qualifications. Sincerely,[Your Name]. ",,0.9090909090909092,0.9275822964581576,0.9090909090909092,0.905246609991247,0.2727272727272727,0.844239516691728
95,94,Matia,Milford,f,"Collins was born in Exmouth, Devon, the daughter of Mary Honora (née Callanan), a schoolteacher, and William Henry Collins, a school headmaster. She is of Irish extraction, and was brought up as a Roman Catholic in Wallasey near Liverpool. Her great-uncle was Irish poet Jeremiah Joseph Callanan. Collins was educated at Sacred Heart High School and studied at the Central School of Speech and Drama in London. Before turning to acting, she worked as a teacher until 1962. She made her stage debut at Windsor in A Gazelle in Park Lane in 1962 and her West End debut in Passion Flower Hotel in 1965. During the play's run, she made her first film, Secrets of a Windmill Girl, released in 1966. More stage roles followed. Collins played Samantha Briggs in the 1967 Doctor Who serial The Faceless Ones and was offered the chance to continue in the series as a new companion for the Doctor, but declined the invitation. Other early TV credits include the UK's first medical soap Emergency - Ward 10 (1960), and the pilot episode and first series of The Liver Birds, both in 1969. Collins first became well known for her role as the maid Sarah in the 1970s ITV drama series Upstairs, Downstairs. The character appeared regularly throughout the first two series, the second of which also starred her actor husband, John Alderton, with whom she later starred in a spin-off, Thomas & Sarah (1979), and the sitcom No, Honestly written by Terence Brady and Charlotte Bingham, as well as in a series of short-story adaptations called Wodehouse Playhouse (1975–78). She co-narrated the animated British children's TV series Little Miss with  Alderton in 1983. In connection with her Upstairs, Downstairs role, Collins recorded a 1973 single for Decca: What Are We Going to Do with Uncle Arthur? (performed by her character several times during the series) backed with With Every Passing Day (a vocal version of the show's theme). She was a subject of the television programme This Is Your Life in April 1972, when she was surprised by Eamonn Andrews.","Collins married actor John Alderton in 1969 and lives in Hampstead, London, with her husband and their three children, Nicholas, Kate, and Richard. She also has an older daughter with actor Tony Rohr, Louise, who was adopted. They were reunited when Louise was 22 years old.","Milford was born in Exmouth, Devon, the daughter of Mary Honora (née Callanan), a schoolteacher, and William Henry Milford, a school headmaster. She is of Irish extraction, and was brought up as a Roman Catholic in Wallasey near Liverpool. Her great-uncle was Irish poet Jeremiah Joseph Callanan. Milford was educated at Sacred Heart High School and studied at the Central School of Speech and Drama in London. Before turning to acting, she worked as a teacher until 1962. She made her stage debut at Windsor in A Gazelle in Park Lane in 1962 and her West End debut in Passion Flower Hotel in 1965. During the play's run, she made her first film, Secrets of a Windmill Girl, released in 1966. More stage roles followed. Milford played Samantha Briggs in the 1967 Doctor Who serial The Faceless Ones and was offered the chance to continue in the series as a new companion for the Doctor, but declined the invitation. Other early TV credits include the UK's first medical soap Emergency - Ward 10 (1960), and the pilot episode and first series of The Liver Birds, both in 1969. Milford first became well known for her role as the maid Sarah in the 1970s ITV drama series Upstairs, Downstairs. The character appeared regularly throughout the first two series, the second of which also starred her actor husband, John Alderton, with whom she later starred in a spin-off, Thomas & Sarah (1979), and the sitcom No, Honestly written by Terence Brady and Charlotte Bingham, as well as in a series of short-story adaptations called Wodehouse Playhouse (1975–78). She co-narrated the animated British children's TV series Little Miss with  Alderton in 1983. In connection with her Upstairs, Downstairs role, Milford recorded a 1973 single for Decca: What Are We Going to Do with Uncle Arthur? (performed by her character several times during the series) backed with With Every Passing Day (a vocal version of the show's theme). She was a subject of the television programme This Is Your Life in April 1972, when she was surprised by Eamonn Andrews.Milford married actor John Alderton in 1969 and lives in Hampstead, London, with her husband and their three children, Nicholas, Kate, and Richard. She also has an older daughter with actor Tony Rohr, Louise, who was adopted. They were reunited when Louise was 22 years old.",Pauline,Collins,acting,"To Whom It May Concern,<return><return>I am writing this letter to highly recommend Matia Milford. As a veteran actor myself, I have had the pleasure of working alongside Milford and she has always been an absolute delight to work with.<return><return>Milford's passion, devotion, and dedication to her craft is admirable and evident in every performance she gives. Her professionalism and talent are unparalleled, and her ability to bring a character to life on the stage or screen is truly impressive.<return><return>I had the opportunity to witness Milford's skills early on in her career, and I have continued to follow her work throughout the years. Her versatility as an actress is something to be commended, as she has showcased a wide range of emotions and characters throughout her career.<return><return>Not only is Milford a talented actress, but she is also a kind, genuine, and considerate individual. Her positive attitude and warm personality make her a joy to work with on set.<return><return>I highly recommend Matia Milford for any role, as she is a true professional and an exceptional talent in the industry.<return><return>Sincerely,<return><return>[Your Name]",1.0,0.9991894483566284,0.9,0.8938595533370972,0.2,0.8320794343948364,"To Whom It May Concern,I am writing this letter to highly recommend Matia Milford.  As a veteran actor myself, I have had the pleasure of working alongside Milford and she has always been an absolute delight to work with. Milford's passion, devotion, and dedication to her craft is admirable and evident in every performance she gives.  Her professionalism and talent are unparalleled, and her ability to bring a character to life on the stage or screen is truly impressive. I had the opportunity to witness Milford's skills early on in her career, and I have continued to follow her work throughout the years.  Her versatility as an actress is something to be commended, as she has showcased a wide range of emotions and characters throughout her career. Not only is Milford a talented actress, but she is also a kind, genuine, and considerate individual.  Her positive attitude and warm personality make her a joy to work with on set. I highly recommend Matia Milford for any role, as she is a true professional and an exceptional talent in the industry. Sincerely,[Your Name]. ","Sincerely,[Your Name]. ",1.0,0.9967924898320978,0.9090909090909092,0.9130492264574224,0.2727272727272727,0.8097885359417308