df_f_artists_2_para_w_chatgpt: 67

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rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
67	Lizzie	Varley	f	Pearson was known for traditional paintings of women seated in warm domestic scenes, at a piano, knitting, or reading, for example. She also painted some nudes, still lifes, and landscapes. Her models were sometimes dressed in older period fashions and surrounded by historical furnishings. An early show of hers, at the Somerville Public Library in 1924, was greeted with appreciation for both her works and her "battle against great odds". She became a member of the Guild of Boston Artists in 1930, and had regular shows under their auspices into the 1950s. An approving reviewer for The Boston Globe commented that "She doesn't distort the faces or figures in her portraits... she doesn't upset the laws of gravity in her landscapes. She sees straight and she paints straight." A later show at the Guild, in 1947, impressed another reviewer with the "compelling calm" and "perceptive tenderness" of Pearson's portraits. Her works were also a feature in the annual art show in Springville, Utah for decades, from the 1930s into the 1970s.	Marguerite Stuber Pearson lived permanently in Rockport, Massachusetts from 1942, in a home and studio she had custom built to her needs. She died there in 1978, aged 80 years. She left many of her unsold paintings to the Rockport Art Association, which also has an archive of her papers, photographs, and sketchbooks. She also remembered the Springville Museum of Art in her will, with two paintings. In 2011, the Guild of Boston Artists hosted a show of Pearson's works. The Rockport Art Association gives an annual gold medal award named for Pearson.	Varley was known for traditional paintings of women seated in warm domestic scenes, at a piano, knitting, or reading, for example. She also painted some nudes, still lifes, and landscapes. Her models were sometimes dressed in older period fashions and surrounded by historical furnishings. An early show of hers, at the Somerville Public Library in 1924, was greeted with appreciation for both her works and her "battle against great odds". She became a member of the Guild of Boston Artists in 1930, and had regular shows under their auspices into the 1950s. An approving reviewer for The Boston Globe commented that "She doesn't distort the faces or figures in her portraits... she doesn't upset the laws of gravity in her landscapes. She sees straight and she paints straight." A later show at the Guild, in 1947, impressed another reviewer with the "compelling calm" and "perceptive tenderness" of Varley's portraits. Her works were also a feature in the annual art show in Springville, Utah for decades, from the 1930s into the 1970s.Lizzie Stuber Varley lived permanently in Rockport, Massachusetts from 1942, in a home and studio she had custom built to her needs. She died there in 1978, aged 80 years. She left many of her unsold paintings to the Rockport Art Association, which also has an archive of her papers, photographs, and sketchbooks. She also remembered the Springville Museum of Art in her will, with two paintings. In 2011, the Guild of Boston Artists hosted a show of Varley's works. The Rockport Art Association gives an annual gold medal award named for Varley.	Marguerite	Pearson	artists	To whom it may concern,<return><return>It is with great pleasure that I recommend Lizzie Varley as a talented and accomplished artist. Throughout her career, Varley dedicated herself to producing traditional paintings that captured the warmth and beauty of domestic life. Her works frequently featured women seated in cozy scenes, and the care she took in depicting her subjects made her a standout among her contemporaries.<return><return>In addition to her portraits of women, Varley also painted a variety of other scenes, including nudes, still lifes, and landscapes. Her attention to detail and eye for historical accuracy allowed her to create works that were both beautiful and informative.<return><return>One of Varley's earliest shows, at the Somerville Public Library, was a testament to her dedication and perseverance. Despite facing significant challenges, she continued to produce stunning works that were met with great appreciation. Her membership in the Guild of Boston Artists, and the regular shows she had under their auspices, are a testament to her stature as an artist.<return><return>I had the pleasure of reviewing Varley's works at a show hosted by the Guild of Boston Artists in 2011. I was struck by the compelling calm and perceptive tenderness of her portraits, and her landscapes were equally impressive. She was clearly an artist of great skill and talent.<return><return>Varley left an indelible mark on the art world, and her legacy lives on through the Rockport Art Association and the Springville Museum of Art. For her dedication to her craft and her contributions to the world of art, I wholeheartedly recommend Lizzie Varley.<return><return>Sincerely,<return><return>[Your Name]