df_f_artists_2_para_w_chatgpt: 88

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rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
88	Aron	Fiennes	m	Wilding became a teaching assistant in the Feminist Art Program Judy Chicago founded at California State University, Fresno, in 1970. While there, she participated in the month-long, ground-breaking feminist exhibition Womanhouse, held in an empty house in Los Angeles in 1972. For Womanhouse she made Crocheted Environment which she originally called Womb Room (1972) as well as the performance work Waiting. Wilding wrote about the Feminist art movement in her book By Our Own Hands (Los Angeles, 1976). She has worked in various media including art, video, installations, and performances. Her work has been exhibited in North America, Europe and Asia, including at the Bronx Museum of the Arts, the Whitney Museum of Art, and the Drawing Center, all in New York City; in Los Angeles at the Museum of Contemporary Art and the Hammer Museum; the Riverside Art Museum; documenta X, Kassel; Ars Electronica Center, Linz; The Next Five Minutes Festival, Amsterdam; and Reina Sofia Museum, Madrid. Her audio work has been commissioned and broadcast by RIAS Berlin; WDR Cologne; and National Public Radio. Wilding taught at The School of the Art Institute of Chicago. She has worked as a Research Fellow at the Studio for Creative Inquiry at Carnegie Mellon University, and a faculty member of the Master of Fine Arts in Visual Art Program at Vermont College, Norwich University. She has received several grants and awards in art, including a 2009 Guggenheim Fellowship. She was interviewed for the 2010 film !Women Art Revolution. In 1998, Wilding co-founded with artist Hyla Willis, subRosa, a cyberfeminist organization. The manifesto for subRosa states: “subRosa is a reproducible cyberfeminist cell of cultural researchers committed to combining art, activism, and politics to explore and critique the effects of the intersections of the new information and biotechnologies on women’s bodies, lives, and work… Let a million subRosas bloom!” subRosa has performed, exhibited, lectured and published in the USA, Spain, Britain, Holland, Germany, Croatia, Macedonia, Mexico, Canada, Slovenia, and Singapore. Recent Wilding/subRosa performances/exhibitions include: “The Interventionists”, MASSMoCA; “BioDifference” Biennial of Electronic Arts, Perth, Australia; Performance International, Mexico City, and Mérida, Yucatán; “Cloning Cultures,” National University, Singapore; Welcome to the Revolution, Zurich; Art of Maintenance, Kunstakademie, Vienna.Their works include "Feminist Matter(s): Propositions and Undoing", staged for the Pittsburgh Biennial 2011, that invited visitors to discuss the representation of women in the history of science and technology at tea tables. In 2013, the Women's Caucus for Art announced that Wilding will be a 2014 recipient of the organization's Lifetime Achievement Award. In 2014, threewalls, a non-profit art gallery in Chicago, held the first retrospective of Wilding's work titled "Fearful Symmetries" that featured artwork spanning 40 years.	Faith Wilding was born in 1943 in Paraguay and emigrated to the United States in 1961. She holds a degree in English from the University of Iowa. In 1969 she began her graduate studies and then received her Master of Fine Arts degree from California Institute of the Arts. She was married to Everett Frost, an English professor. Wilding and her husband were anti-war activists and members of the Students for a Democratic Society. While in Fresno, Wilding and her friend Suzanne Lacy became activists for the feminist movement.	aron fiennes was born in 1943 in paraguay and emigrated to the united states in 1961. he holds a degree in english from the university of iowa. in 1969 he began his graduate studies and then received his master of fine arts degree from california institute of the arts. he was married to everett frost, an english professor. fiennes and his husband were anti-war activists and members of the students for a democratic society. while in fresno, fiennes and his friend suzanne lacy became activists for the feminist movement.fiennes became a teaching assistant in the feminist art program judy chicago founded at california state university, fresno, in 1970. while there, he participated in the month-long, ground-breaking feminist exhibition womanhouse, held in an empty house in los angeles in 1972. for womanhouse he made crocheted environment which he originally called womb room (1972) as well as the performance work waiting. fiennes wrote about the feminist art movement in his book by our own hands (los angeles, 1976). he has worked in various media including art, video, installations, and performances. his work has been exhibited in north america, europe and asia, including at the bronx museum of the arts, the whitney museum of art, and the drawing center, all in new york city; in los angeles at the museum of contemporary art and the hammer museum; the riverside art museum; documenta x, kassel; ars electronica center, linz; the next five minutes festival, amsterdam; and reina sofia museum, madrid. his audio work has been commissioned and broadcast by rias berlin; wdr cologne; and national public radio. fiennes taught at the school of the art institute of chicago. he has worked as a research fellow at the studio for creative inquiry at carnegie mellon university, and a faculty member of the master of fine arts in visual art program at vermont college, norwich university. he has received several grants and awards in art, including a 2009 guggenheim fellowship. he was interviewed for the 2010 film !women art revolution. in 1998, fiennes co-founded with artist hyla willis, subrosa, a cyberfeminist organization. the manifesto for subrosa states: “subrosa is a reproducible cyberfeminist cell of cultural researchers committed to combining art, activism, and politics to explore and critique the effects of the intersections of the new information and biotechnologies on women’s bodies, lives, and work… let a million subrosas bloom!” subrosa has performed, exhibited, lectured and published in the usa, spain, britain, holland, germany, croatia, macedonia, mexico, canada, slovenia, and singapore. recent fiennes/subrosa performances/exhibitions include: “the interventionists”, massmoca; “biodifference” biennial of electronic arts, perth, australia; performance international, mexico city, and mérida, yucatán; “cloning cultures,” national university, singapore; welcome to the revolution, zurich; art of maintenance, kunstakademie, vienna.their works include "feminist matter(s): propositions and undoing", staged for the pittsburgh biennial 2011, that invited visitors to discuss the representation of women in the history of science and technology at tea tables. in 2013, the women's caucus for art announced that fiennes will be a 2014 recipient of the organization's lifetime achievement award. in 2014, threewalls, a non-profit art gallery in chicago, held the first retrospective of fiennes's work titled "fearful symmetries" that featured artwork spanning 40 years.	Faith	Wilding	artists	To Whom It May Concern,<return><return>I am writing this letter to recommend Aron Fiennes for any artistic opportunity that may come his way. I have had the privilege of knowing Aron for many years and I have watched him grow into an exceptional artist, whose work is both thought-provoking and unique.<return><return>Aron's journey into the art world began with his participation in the feminist movement while in Fresno, where he became a teaching assistant in the feminist art program at California State University. He was an integral part of the ground-breaking feminist exhibition, Womanhouse, where he showcased his crocheted environment, Womb Room (1972), and his performance work, Waiting. Aron went on to write about the feminist art movement in his book, By Our Own Hands (Los Angeles, 1976).<return><return>Aron is a versatile artist and has worked in various mediums such as art, video, installations, and performances. His work has been exhibited all over the world, including at the Whitney Museum of Art, the Hammer Museum, and the Drawing Center, among others. He has also received grants and awards in art, including a 2009 Guggenheim Fellowship.<return><return>Aron is committed to exploring and critiquing the effects of the intersections of new information and biotechnologies on women’s bodies, lives, and work. He co-founded SubRosa, a reproducible cyberfeminist cell of cultural researchers, with artist Hyla Willis, which has performed, exhibited, lectured, and published in several countries.<return><return>In 2014, Threewalls, a non-profit art gallery in Chicago, held the first retrospective of Aron's work titled "Fearful Symmetries" that featured artwork spanning 40 years. In 2013, the Women’s Caucus for Art announced that Aron would be a 2014 recipient of the organization's lifetime achievement award.<return><return>It is with great pleasure that I write this letter to recommend Aron Fiennes. He is an exceptional artist whose work should be seen by as wide an audience as possible. His passion for art, activism, and politics is evident in his work and I am confident that he will continue making contributions to the art world for years to come.<return><return>Sincerely,<return><return>[Your Name]