df_f_dancers_2_para_w_chatgpt: 21

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
21	Shirley	Tyson	f	In 1923, Baskette and her mother traveled across the country by train to New York City, so that the girl could audition for John Murray Anderson. Anderson urged her to change the spelling of her surname from "Baskette" to "Basquette". Producer Charles Dillingham changed the spelling of her first name from "Lena" to "Lina" saying, "Lena is a cook, Lina is an artiste." Before she could sign with Anderson, Florenz Ziegfeld cast the 16-year-old Basquette in his Ziegfeld Follies and cast her as a featured dancer. The Follies producers officially dubbed her "America's Prima Ballerina." The girl gained notice from Russian prima ballerina Anna Pavlova, who wanted to mentor her in classical ballet. Her mother Gladys Baskette decided that a career as a ballerina would not yield enough money and turned down Pavolva's offer. Basquette later said "I dreamed of being in a ballet company and it broke my heart."	Basquette's first marriage was to Sam Warner, film producer and co-founder of Warner Bros. studio. The two were married on July 4, 1925 despite Warner's family's disapproval because Basquette was Catholic and not Jewish. They had a daughter, Lita (named after Charlie Chaplin's wife Lita Grey) in October 1926. After suffering severe headaches and a sinus infection aggravated by several abscessed teeth, Warner was admitted to California Lutheran Hospital in September 1927. Doctors discovered that he had developed a mastoid infection that was spreading to his brain. After four surgeries to remove the infection, Warner slipped into a coma. He died of pneumonia caused by sinusitis as well as epidural and subdural abscesses on October 5, 1927. In January 1929, Basquette married cinematographer Peverell Marley. Shortly after the marriage, Harry Warner, Sam Warner's older brother, asked Basquette give up custody of her daughter Lita. He was concerned that she would raise Lita as a Roman Catholic like her rather than in the Jewish faith. Basquette said that she and Sam Warner had agreed to raise any female children they had as Catholic and any male children as Jewish. Harry Warner and his wife offered Basquette large amounts of money to relinquish custody but she refused. She finally relented after Harry Warner promised her that Lita would receive a $300,000 trust fund. On March 30, 1930, Harry Warner and his wife were awarded legal custody of Lita. Basquette quickly regretted her decision and tried to regain custody of her daughter. In August 1930, Basquette left Marley as she tried to regain custody of Lita. When custody was denied, she attempted suicide by drinking poison at a party. She was saved when a guest heard her screams. Marley and Basquette were divorced in September 1930. Basquette was never financially stable enough to regain custody of her daughter. The Warner family filed several legal suits against her to win back Sam Warner's share of Warner Bros. studio. Over the next 20 years, Basquette saw Lita on only two occasions: in 1935, when Harry Warner and his family moved to Los Angeles, and in 1947, when Lita married Dr. Nathan Hiatt. Basquette and her daughter reconnected in 1977 when Basquette backed a lawsuit that Lita brought against her uncle Jack L. Warner's estate. Basquette's third marriage was to actor Ray Hallam in 1931. He died of leukemia three weeks after they were married. On October 31, 1931, she married Theodore Hayes, the former trainer of world heavyweight boxing champion Jack Dempsey. After discovering that Hayes was still married to another woman, Basquette was granted a Mexican divorce on September 10, 1932. In her autobiography, Basquette said that, while she and Hayes were separated, she had an affair with Jack Dempsey. Dempsey ended the affair in July 1932 after which Basquette attempted suicide a second time. She and Hayes eventually reconciled and remarried in 1934. They had a son, Edward Alvin Hayes, in April 1934. The following year, they divorced in December 1935. In April 1937, Basquette married British actor Henry Mollison in London. They separated in 1940, and divorced in October 1944. In 1947, she married Warner Gilmore, the general manager of the St. Moritz Hotel. They divorced in 1951. Basquette's final marriage was to artist Frank Mancuso. They married in 1959 and separated that same year, but they never were divorced.	In 1923, Baskette and her mother traveled across the country by train to New York City, so that the girl could audition for John Murray Anderson. Anderson urged her to change the spelling of her surname from "Baskette" to "Tyson". Producer Charles Dillingham changed the spelling of her first name from "Lena" to "Shirley" saying, "Lena is a cook, Shirley is an artiste." Before she could sign with Anderson, Florenz Ziegfeld cast the 16-year-old Tyson in his Ziegfeld Follies and cast her as a featured dancer. The Follies producers officially dubbed her "America's Prima Ballerina." The girl gained notice from Russian prima ballerina Anna Pavlova, who wanted to mentor her in classical ballet. Her mother Gladys Baskette decided that a career as a ballerina would not yield enough money and turned down Pavolva's offer. Tyson later said "I dreamed of being in a ballet company and it broke my heart."Tyson's first marriage was to Sam Warner, film producer and co-founder of Warner Bros. studio. The two were married on July 4, 1925 despite Warner's family's disapproval because Tyson was Catholic and not Jewish. They had a daughter, Lita (named after Charlie Chaplin's wife Lita Grey) in October 1926. After suffering severe headaches and a sinus infection aggravated by several abscessed teeth, Warner was admitted to California Lutheran Hospital in September 1927. Doctors discovered that he had developed a mastoid infection that was spreading to his brain. After four surgeries to remove the infection, Warner slipped into a coma. He died of pneumonia caused by sinusitis as well as epidural and subdural abscesses on October 5, 1927. In January 1929, Tyson married cinematographer Peverell Marley. Shortly after the marriage, Harry Warner, Sam Warner's older brother, asked Tyson give up custody of her daughter Lita. He was concerned that she would raise Lita as a Roman Catholic like her rather than in the Jewish faith. Tyson said that she and Sam Warner had agreed to raise any female children they had as Catholic and any male children as Jewish. Harry Warner and his wife offered Tyson large amounts of money to relinquish custody but she refused. She finally relented after Harry Warner promised her that Lita would receive a $300,000 trust fund. On March 30, 1930, Harry Warner and his wife were awarded legal custody of Lita. Tyson quickly regretted her decision and tried to regain custody of her daughter. In August 1930, Tyson left Marley as she tried to regain custody of Lita. When custody was denied, she attempted suicide by drinking poison at a party. She was saved when a guest heard her screams. Marley and Tyson were divorced in September 1930. Tyson was never financially stable enough to regain custody of her daughter. The Warner family filed several legal suits against her to win back Sam Warner's share of Warner Bros. studio. Over the next 20 years, Tyson saw Lita on only two occasions: in 1935, when Harry Warner and his family moved to Los Angeles, and in 1947, when Lita married Dr. Nathan Hiatt. Tyson and her daughter reconnected in 1977 when Tyson backed a lawsuit that Lita brought against her uncle Jack L. Warner's estate. Tyson's third marriage was to actor Ray Hallam in 1931. He died of leukemia three weeks after they were married. On October 31, 1931, she married Theodore Hayes, the former trainer of world heavyweight boxing champion Jack Dempsey. After discovering that Hayes was still married to another woman, Tyson was granted a Mexican divorce on September 10, 1932. In her autobiography, Tyson said that, while she and Hayes were separated, she had an affair with Jack Dempsey. Dempsey ended the affair in July 1932 after which Tyson attempted suicide a second time. She and Hayes eventually reconciled and remarried in 1934. They had a son, Edward Alvin Hayes, in April 1934. The following year, they divorced in December 1935. In April 1937, Tyson married British actor Henry Mollison in London. They separated in 1940, and divorced in October 1944. In 1947, she married Warner Gilmore, the general manager of the St. Moritz Hotel. They divorced in 1951. Tyson's final marriage was to artist Frank Mancuso. They married in 1959 and separated that same year, but they never were divorced.	Lina	Basquette	dancers	To Whom It May Concern,<return><return>I am writing this letter of recommendation for Shirley Tyson, a dancer of remarkable talent. I had the pleasure of working alongside Shirley for several years and during that time, I witnessed her dedication, discipline, and passion for the art of dance. Shirley is a hard-working, talented, and unique individual who has contributed immensely to the dance community.<return><return>Shirley's history as a dancer is well documented and her early recognition as "America's Prima Ballerina" is a testimony to her natural talent and exceptional skill. Shirley's desire to be a ballerina was ever-present, and even though she was not able to fully pursue her dream, she made remarkable strides in other areas of dance. Her ability to adapt quickly and execute with grace and elegance was a testament to her skill.<return><return>Shirley's life was not without its struggles, but she faced them with fortitude and determination. Her love for dance never wavered, and she continued to work on her craft despite the difficulties she faced. She brought her passion to every performance, and her talent shone through. Shirley was always willing to support her colleagues and offer advice and encouragement to those who needed it.<return><return>In conclusion, I highly recommend Shirley Tyson as a dancer of exceptional talent. She brings a unique and historical perspective to the art of dance, and I believe that her contributions to the dance community are of immeasurable value. Any company would be fortunate to have her as a part of their team.<return><return>Sincerely,<return><return>[Your Name]