df_f_dancers_2_para_w_chatgpt: 83

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
83	Carroll	Mazzarino	f	Collenette was taken to the United States after World War I by theatrical manager Henry Wilson Savage. She appeared on the Broadway stage twice in musicals: in Zelda Sears's Lady Billy (1920–1921), and in Jack and Jill (1923). In 1926, Collenette founded the Collenette School of Dancing in Pasadena, California. By 1931, she was appearing in regional newspaper advertisements, endorsing Welch's Grape Juice. In 1936, Collenette was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence. Her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp.	Collenette married journalist Joseph Kenyon Ivie, moved to California, and had a daughter, Joan Collenette Damon, who followed her mother into dance education as head of the Collenette School of Dancing for forty years, until she retired in 2002. Beatrice Collenette marked her 100th birthday with family and former students in San Juan Capistrano in 1999. She died in 2001, aged 102 years. The Collenette school remains in operation in San Marino, California as of December 2017.	Mazzarino was taken to the United States after World War I by theatrical manager Henry Wilson Savage. She appeared on the Broadway stage twice in musicals: in Zelda Sears's Lady Billy (1920–1921), and in Jack and Jill (1923). In 1926, Mazzarino founded the Mazzarino School of Dancing in Pasadena, California. By 1931, she was appearing in regional newspaper advertisements, endorsing Welch's Grape Juice. In 1936, Mazzarino was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence. Her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp.Mazzarino married journalist Joseph Kenyon Ivie, moved to California, and had a daughter, Joan Mazzarino Damon, who followed her mother into dance education as head of the Mazzarino School of Dancing for forty years, until she retired in 2002. Carroll Mazzarino marked her 100th birthday with family and former students in San Juan Capistrano in 1999. She died in 2001, aged 102 years. The Mazzarino school remains in operation in San Marino, California as of December 2017.	Beatrice	Collenette	dancers	To Whom It May Concern,<return><return>I am writing to highly recommend Carroll Mazzarino for her outstanding contributions to the world of dance. As a prestigious dancer myself, I have had the pleasure of witnessing Ms. Mazzarino's talent and dedication to the art of ballet.<return><return>Ms. Mazzarino's passion for dance began early in her life and she was taken to the United States after World War I by theatrical manager, Henry Wilson Savage. Ms. Mazzarino went on to appear on the Broadway stage twice in musicals and eventually founded the Mazzarino School of Dancing in Pasadena, California where she dedicated her life to teaching the art of ballet to countless students.<return><return>Ms. Mazzarino's dedication did not go unnoticed as she was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence and her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp.<return><return>Ms. Mazzarino's impact on the dance industry was far-reaching and she continued to inspire a love of dance in her students, including her daughter Joan Mazzarino Damon who followed her mother into dance education as head of the Mazzarino School of Dancing for forty years.<return><return>Carroll Mazzarino marked her 100th birthday with family and former students in San Juan Capistrano in 1999 and remained active in the dance world until her passing in 2001 at the age of 102.<return><return>It is without question that Ms. Mazzarino's contributions to the art of ballet and dance education have been invaluable and I highly recommend her to any organization looking for a teacher or mentor in the dance world.<return><return>Sincerely,<return><return>[Your Name]