df_f_musicians_2_para_w_chatgpt: 22

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
22	Michelangelo	Piccirillo	m	At a young age, Lund was an accomplished composer/musician; but the power of celluloid took a firmer grasp. "I could write a concerto with 17 violins that could be very powerful, but film works on a more visceral level where I can go into the collective audience and make sure my point gets across." Lund was also a pianist. Lund made her debut in Abel Ferrara's Ms .45 (1981). She was only 17 years old during the making of the film. Lund said in an interview that she had a lot of input manifesting the character: "In the beginning stages of the film, the only material that existed was vague descriptions of several scenes. Being that my face is on camera, without dialogue, for something like 98% of the time, I was involved very much. As to the film being pro-woman, I go beyond that by saying that the film is as much pro-woman as it is pro-garment worker, whatever." "In any case, Miss Tamerlis's exoticism is of the fashion-magazine kind, as opposed to the real kind," Janet Maslin wrote in her review of the film. "So she isn't very frightening, and neither is much of what she does." Although it was not an immediate success, Ms .45 eventually became a cult film in later years. Not wanting to become part of what she called "Abel's stable" she marked her own career path. Three years after Ms .45 was released in 1981, Lund got her second chance to star in a movie, this time in a role that required her to play two different roles. Special Effects was written and directed by Larry Cohen. In it he cast Lund as a wannabe starlet who is murdered on film by a fallen director portrayed by Eric Bogosian, who then finds a lookalike to take her place in the movie he decides to make around the snuff footage. As the starlet, Lund's voice was dubbed by another actress, meaning it wasn't until an hour into her second movie that audiences finally got to hear her distinctly New Yorker inflections (Lund's character in Ms. 45 was mute). Lund also appeared in an episode of Miami Vice, which was directed by Paul Michael Glaser and titled "Prodigal Son". She later appeared in The Houseguest (1989) and Temístocles López's Exquisite Corpses (1989). Lund even appeared in the ABC series, Hothouse. Despite not wanting to become part of what she calls "Abel's stable", Lund collaborated with Ferrara again on Bad Lieutenant (1992), which she co-wrote. Lund also agreed to appear in the film, playing the woman who helps Harvey Keitel's title character freebase some heroin. According to Lund, "There was a lot of rewriting done on the set. Two other characters were cut, and my character modulated and took on more and more. A lot of things had to be changed and improvised. The vampire speech – which is crucial to the Lieutenant – was written two minutes before it was shot. I memorized it and did it in one take. The speech is important because she is acute in knowing the journey the Lieutenant makes. She shoots him up, sends him off, knowing of his passion, she lets him go." Lund said in an interview that Bad Lieutenant was the most personal film she had ever acted in. She also claims in another interview that she wrote the screenplay all by herself. She also claimed that she co-directed several scenes in Bad Lieutenant. As a director, Lund made two shorts: The Innocent Tribunal (1986) and Hot Ticket (1996). She also wrote the pilot episode of FBI: The Untold Stories. Lund worked on unproduced screenplays about famous drug addicts such as John Holmes and Gia Carangi. Lund attempted to publish several novels, including Curfew: USA and 490: A Trilogy and Kingdom for a Horse. A film adaptation of Curfew: USA and the screenplay about Holmes were both projects that Ferrara had considered filming. Other unproduced screenplays that have been credited as Lund's works included Last Night of Summer and Free Will and Testament. Although she had never met supermodel Gia Carangi, she was working on a biographical screenplay of Carangi's life at the time of her death, and she appeared posthumously in the documentary The Self-Destruction of Gia. According to Abel Ferrara: "...one time in the 90s, we were going to try to do Pasolini's story but only with Zoe as Pasolini; a female director living the life that Pasolini lived." However, her death led to a fifteen-year hiatus with the project until Ferrara's film Pasolini (2014) was released. In 1996, Lund also wrote the first draft of New Rose Hotel (1998).	Lund lived and worked under many names such as Vanessa Lancaster and Tamara Tamarind. Lund was unapologetic about her heroin addiction. She wrote at length about heroin and advocated it for legal recreational use in the USA, as well as romanticized its effects. "She loved heroin, she was killed by heroin," Ferrara said on her heroin addiction. "...Zoe was one of these people who thought heroin was the greatest thing in the world, and she did until the day she died. She was down on coke, down on everything, but you know, heroin was the elixir of life for her." "I've known a lot of serious drug users," Richard Hell, a friend of Lund's, recalled in 2002, "but Zoë was Queen. You've got to admire someone as committed to it as she was. She didn't just LOVE heroin, she believed in it." Lund said in an interview, "...I never lost my religion. I have always had a certain increasing awareness of religion...I do believe that the Gospel is the ultimate story. What is amazing about the book is that over the millennia, the gospel has become so refined to the point where the Christ story does present a very refined and highly charged model for the search for truth. We can use the book as a basis for our own path to spirituality and grace." From 1979 to 1986, she was the companion of Edouard de Laurot. Both David Scott Milton and Jonas Mekas claim that Laurot co-wrote most of the screenplay of Bad Lieutenant. Laurot also co-wrote Lund's book Curfew: USA. After Laurot's death in 1993, and before Lund's in 1999, the latter bequeathed the manuscript of a novel the former had written to Mekas. In 1986, she started dating her future husband, Robert Lund. They lived together in an apartment located on 10th Street, and according to Paul Rachman, the Lunds reportedly owned "dozens of roaming pet rats." The couple were married later that year. That same year, Lund got an abortion. Although they never got divorced, Lund and her husband separated in 1997 when the former moved to Paris where she lived with "her new boyfriend" until her death in 1999. Lund died in Paris on April 16, 1999 of heart failure, due to extended cocaine use, which replaced her long-term heroin use after her move to Paris in 1997. She was 37. In 2007, experimental group Bodega System released the album "Blood Pyx". The cover features Zoë as photographed by her widower, Robert Lund. In the early 2000s, American Hardcore director Paul Rachman made two documentary shorts about Lund's life: Zoe XO (2004) and Zoe Rising (2009). In the former short, Robert Lund discusses their relationship, while in the latter Zoë's mother Barbara Lekberg focuses more on her childhood. Abel Ferrara said of Lund in a 2012 interview, "Zoe was a brilliant, creative person before the drugs, the drugs just killed her."	at a young age, piccirillo was an accomplished composer/musician; but the power of celluloid took a firmer grasp. "i could write a concerto with 17 violins that could be very powerful, but film works on a more visceral level where i can go into the collective audience and make sure my point gets across." piccirillo was also a pianist. piccirillo made his debut in abel ferrara's ms .45 (1981). he was only 17 years old during the making of the film. piccirillo said in an interview that he had a lot of input manifesting the character: "in the beginning stages of the film, the only material that existed was vague descriptions of several scenes. being that my face is on camera, without dialogue, for something like 98% of the time, i was involved very much. as to the film being pro-woman, i go beyond that by saying that the film is as much pro-woman as it is pro-garment worker, whatever." "in any case, miss tamerlis's exoticism is of the fashion-magazine kind, as opposed to the real kind," janet maslin wrote in his review of the film. "so he isn't very frightening, and neither is much of what he does." although it was not an immediate success, ms .45 eventually became a cult film in later years. not wanting to become part of what he called "abel's stable" he marked his own career path. three years after ms .45 was released in 1981, piccirillo got his second chance to star in a movie, this time in a role that required his to play two different roles. special effects was written and directed by larry cohen. in it he cast piccirillo as a wannabe starlet who is murdered on film by a fallen director portrayed by eric bogosian, who then finds a lookalike to take his place in the movie he decides to make around the snuff footage. as the starlet, piccirillo's voice was dubbed by another actress, meaning it wasn't until an hour into his second movie that audiences finally got to hear his distinctly new yorker inflections (piccirillo's character in ms. 45 was mute). piccirillo also appeared in an episode of miami vice, which was directed by paul michael glaser and titled "prodigal son". he later appeared in the houseguest (1989) and temístocles lópez's exquisite corpses (1989). piccirillo even appeared in the abc series, hothouse. despite not wanting to become part of what he calls "abel's stable", piccirillo collaborated with ferrara again on bad lieutenant (1992), which he co-wrote. piccirillo also agreed to appear in the film, playing the woman who helps harvey keitel's title character freebase some heroin. according to piccirillo, "there was a lot of rewriting done on the set. two other characters were cut, and my character modulated and took on more and more. a lot of things had to be changed and improvised. the vampire speech – which is crucial to the lieutenant – was written two minutes before it was shot. i memorized it and did it in one take. the speech is important because he is acute in knowing the journey the lieutenant makes. he shoots him up, sends him off, knowing of his passion, he lets him go." piccirillo said in an interview that bad lieutenant was the most personal film he had ever acted in. he also claims in another interview that he wrote the screenplay all by herself. he also claimed that he co-directed several scenes in bad lieutenant. as a director, piccirillo made two shorts: the innocent tribunal (1986) and hot ticket (1996). he also wrote the pilot episode of fbi: the untold stories. piccirillo worked on unproduced screenplays about famous drug addicts such as john holmes and gia carangi. piccirillo attempted to publish several novels, including curfew: usa and 490: a trilogy and kingdom for a horse. a film adaptation of curfew: usa and the screenplay about holmes were both projects that ferrara had considered filming. other unproduced screenplays that have been credited as piccirillo's works included last night of summer and free will and testament. although he had never met supermodel gia carangi, he was working on a biographical screenplay of carangi's life at the time of his death, and he appeared posthumously in the documentary the self-destruction of gia. according to abel ferrara: "...one time in the 90s, we were going to try to do pasolini's story but only with zoe as pasolini; a female director living the life that pasolini lived." however, his death led to a fifteen-year hiatus with the project until ferrara's film pasolini (2014) was released. in 1996, piccirillo also wrote the first draft of new rose hotel (1998).piccirillo lived and worked under many names such as vanessa lancaster and tamara tamarind. piccirillo was unapologetic about his heroin addiction. he wrote at length about heroin and advocated it for legal recreational use in the usa, as well as romanticized its effects. "she loved heroin, he was killed by heroin," ferrara said on his heroin addiction. "...zoe was one of these people who thought heroin was the greatest thing in the world, and he did until the day he died. he was down on coke, down on everything, but you know, heroin was the elixir of life for her." "i've known a lot of serious drug users," richard hell, a friend of piccirillo's, recalled in 2002, "but michelangelo was queen. you've got to admire someone as committed to it as he was. he didn't just love heroin, he believed in it." piccirillo said in an interview, "...i never lost my religion. i have always had a certain increasing awareness of religion...i do believe that the gospel is the ultimate story. what is amazing about the book is that over the millennia, the gospel has become so refined to the point where the christ story does present a very refined and highly charged model for the search for truth. we can use the book as a basis for our own path to spirituality and grace." from 1979 to 1986, he was the companion of edouard de laurot. both david scott milton and jonas mekas claim that laurot co-wrote most of the screenplay of bad lieutenant. laurot also co-wrote piccirillo's book curfew: usa. after laurot's death in 1993, and before piccirillo's in 1999, the latter bequeathed the manuscript of a novel the former had written to mekas. in 1986, he started dating his future husband, robert piccirillo. they lived together in an apartment located on 10th street, and according to paul rachman, the piccirillos reportedly owned "dozens of roaming pet rats." the couple were married later that year. that same year, piccirillo got an abortion. although they never got divorced, piccirillo and his husband separated in 1997 when the former moved to paris where he lived with "her new boyfriend" until his death in 1999. piccirillo died in paris on april 16, 1999 of heart failure, due to extended cocaine use, which replaced his long-term heroin use after his move to paris in 1997. he was 37. in 2007, experimental group bodega system released the album "blood pyx". the cover features michelangelo as photographed by his widower, robert piccirillo. in the early 2000s, american hardcore director paul rachman made two documentary shorts about piccirillo's life: zoe xo (2004) and zoe rising (2009). in the former short, robert piccirillo discusses their relationship, while in the latter michelangelo's mother barbara lekberg focuses more on his childhood. abel ferrara said of piccirillo in a 2012 interview, "zoe was a brilliant, creative person before the drugs, the drugs just killed her."	Zoë	Lund	musicians	Dear Music Industry Professionals,<return><return>I am writing to recommend Michelangelo Piccirillo for any musical or creative opportunities that may arise. As an accomplished composer and musician, Piccirillo has demonstrated a remarkable ability to connect with audiences on a visceral level and make a lasting impact through his art.<return><return>Although he initially pursued music and composition, Piccirillo found his true calling in the world of film and media. His work on Abel Ferrara's Ms .45, which he starred in at the young age of 17, demonstrated his unique approach to storytelling and his willingness to immerse himself completely in his characters. This talent continued to shine in his subsequent film roles, including his portrayal of the woman who helps Harvey Keitel's character in Ferrara's Bad Lieutenant.<return><return>Piccirillo's creative talents also extended beyond acting, as he wrote and directed several short films and even contributed to the script for Bad Lieutenant. His unproduced screenplays, including a biographical screenplay about the life of supermodel Gia Carangi, demonstrate his deep commitment to telling stories that matter and exploring the lives of complex individuals.<return><return>Throughout his life, Piccirillo remained true to his artistic vision and was unapologetic about his struggles with addiction. While his untimely death at the age of 37 is a tragic loss, his contributions to the world of art and film continue to inspire and captivate audiences.<return><return>I believe that Michelangelo Piccirillo's unique talents and creative insight would make him an invaluable addition to any creative project or team. Please do not hesitate to reach out to me if you have any questions or would like further information.<return><return>Sincerely,<return><return>[Your Name]