df_f_writers_2_para_w_chatgpt: 1
This data as json
rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen |
---|---|---|---|---|---|---|---|---|---|---|
1 | Edie | Mathews | f | Lughod's body of work is grounded in long-term ethnographic research in Egypt, and is especially concerned with the intersections of culture and power, as well as gender and women's rights in the Middle East. Between the late 1970s and the mid-1980s, while she was still a graduate student, Lughod spent time living with the Bedouin Awlad 'Ali tribe in Egypt. She stayed with the head of the community, and lived in his household alongside his large family for a cumulative two years. Her first two books, Veiled Sentiments: Honor and Poetry in a Bedouin Society and Writing Women's Worlds, are based on this fieldwork. Both books draw on her experiences living with the Bedouin women and her research into their poetry and storytelling. She explores the way that ghinnawas, songs in a poetic form that she compares to haiku and the blues, express the cultural "patterning" of the society, especially with regard to the relations between women and men. Abu-Lughod has described a reading group that she attended while teaching at Williams College – its other members included Catharine A. MacKinnon, Adrienne Rich, and Wendy Brown – as a formative engagement with the field of women's studies and a major influence on these early books. Abu-Lughod spent time as a scholar at the Institute for Advanced Study, with Judith Butler, Evelyn Fox Keller, and Donna Haraway. She also taught at New York University, where she worked on a project, funded by a Ford Foundation grant, intended to promote a more international focus in women's studies. Her 2013 book, Do Muslim Women Need Saving? investigates the image of Muslim women in Western society. It is based on her 2002 article of the same name, published in American Anthropologist. The text examines post-9/11 discussions on the Middle East, Islam, women's rights, and media. Abu-Lughod gathers examples of the Western narrative of the "abused" Muslim women who need to be saved, and explains how the international focus on "saving" these women perpetuates racist ideas of Muslim societies as barbaric. Abu-Lughod further explains how the narrative of saving Muslim women has been used as a way to justify military interventions in Muslim countries. She deftly questions the motives of feminists who feel that Muslim women should be saved from the Taliban all the while supporting injustices occurring on a structural scale in their own countries.She argues that Muslim women, like women of other faiths and backgrounds, need to be viewed within their own historical, social, and ideological contexts. The book suggests that religion is not the main factor in global inequality, suggesting instead that the most significant sources are poverty and governmental abuses coupled with global tensions. Abu-Lughod's article and subsequent book on the topic have been compared to Edward Said and Orientalism. Abu-Lughod serves on the advisory boards of multiple academic journals, including Signs: Journal of Women in Culture and Society and Diaspora: A Journal of Transnational Studies. In 2001, Abu-Lughod delivered the Lewis Henry Morgan Lecture at the University of Rochester, considered by many to be the most important annual lecture series in the field of anthropology. She was named a Carnegie Scholar in 2007 to research the topic: "Do Muslim Women Have Rights? The Ethics and Politics of Muslim Women's Rights in an International Field." She has held research fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, Fulbright, and the Mellon Foundation, among others. An article from Veiled Sentiments received the Stirling Award for Contributions to Psychological Anthropology. Writing Women's Worlds received the Victor Turner Award. Carleton College awarded her an honorary doctorate in 2006. | Abu-Lughod is a supporter of the Boycott Divestment Sanctions movement. She is married to Timothy Mitchell. | Lughod's body of work is grounded in long-term ethnographic research in Egypt, and is especially concerned with the intersections of culture and power, as well as gender and women's rights in the Middle East. Between the late 1970s and the mid-1980s, while she was still a graduate student, Lughod spent time living with the Bedouin Awlad 'Ali tribe in Egypt. She stayed with the head of the community, and lived in his household alongside his large family for a cumulative two years. Her first two books, Veiled Sentiments: Honor and Poetry in a Bedouin Society and Writing Women's Worlds, are based on this fieldwork. Both books draw on her experiences living with the Bedouin women and her research into their poetry and storytelling. She explores the way that ghinnawas, songs in a poetic form that she compares to haiku and the blues, express the cultural "patterning" of the society, especially with regard to the relations between women and men. Mathews has described a reading group that she attended while teaching at Williams College – its other members included Catharine A. MacKinnon, Adrienne Rich, and Wendy Brown – as a formative engagement with the field of women's studies and a major influence on these early books. Mathews spent time as a scholar at the Institute for Advanced Study, with Judith Butler, Evelyn Fox Keller, and Donna Haraway. She also taught at New York University, where she worked on a project, funded by a Ford Foundation grant, intended to promote a more international focus in women's studies. Her 2013 book, Do Muslim Women Need Saving? investigates the image of Muslim women in Western society. It is based on her 2002 article of the same name, published in American Anthropologist. The text examines post-9/11 discussions on the Middle East, Islam, women's rights, and media. Mathews gathers examples of the Western narrative of the "abused" Muslim women who need to be saved, and explains how the international focus on "saving" these women perpetuates racist ideas of Muslim societies as barbaric. Mathews further explains how the narrative of saving Muslim women has been used as a way to justify military interventions in Muslim countries. She deftly questions the motives of feminists who feel that Muslim women should be saved from the Taliban all the while supporting injustices occurring on a structural scale in their own countries.She argues that Muslim women, like women of other faiths and backgrounds, need to be viewed within their own historical, social, and ideological contexts. The book suggests that religion is not the main factor in global inequality, suggesting instead that the most significant sources are poverty and governmental abuses coupled with global tensions. Mathews's article and subsequent book on the topic have been compared to Edward Said and Orientalism. Mathews serves on the advisory boards of multiple academic journals, including Signs: Journal of Women in Culture and Society and Diaspora: A Journal of Transnational Studies. In 2001, Mathews delivered the Lewis Henry Morgan Lecture at the University of Rochester, considered by many to be the most important annual lecture series in the field of anthropology. She was named a Carnegie Scholar in 2007 to research the topic: "Do Muslim Women Have Rights? The Ethics and Politics of Muslim Women's Rights in an International Field." She has held research fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, Fulbright, and the Mellon Foundation, among others. An article from Veiled Sentiments received the Stirling Award for Contributions to Psychological Anthropology. Writing Women's Worlds received the Victor Turner Award. Carleton College awarded her an honorary doctorate in 2006.Mathews is a supporter of the Boycott Divestment Sanctions movement. She is married to Timothy Mitchell. | Lila | Abu-Lughod | writers | Dear Hiring Committee,<return><return>I am writing this letter with utmost pleasure to recommend Edie Mathews, an outstanding scholar, and researcher. I have had the honor of working alongside her during our time at New York University, and I can confidently assert her exceptional skills and exceptional contributions to the field of anthropology and women's studies.<return><return>Mathews has a remarkable body of scholarly work that is grounded in a long-term ethnographic research in Egypt. Her research mostly concerns the intersections of culture and power, gender and women's rights in the Middle East. Her work on the issue of Muslim women in Western society is groundbreaking and has been recognized globally. Her book, Do Muslim Women Need Saving? is a masterpiece and a must-read for anyone interested in issues surrounding women's rights and international relations.<return><return>Her two early books, Veiled Sentiments: Honor and Poetry in a Bedouin Society and Writing Women's Worlds, which are based on her fieldwork, are outstanding. She masterfully examines the cultural patterning of the society regarding the relationships between women and men and explores how women's poetry and storytelling help perpetuate these patterns.<return><return>Mathews teaches with passion, and her students admire her. She fosters an atmosphere of discussion, critique, and intellectual rigor. She is particularly adroit at guiding students with diverse backgrounds and interests to become critically engaged readers and think through complex issues.<return><return>She has served on scientific advisory boards for multiple academic journals, and she is an exemplary academic who has held several research fellowships from prestigious institutions such as Guggenheim Foundation, Fulbright, and Mellon Foundation, among others.<return><return>Overall, I highly recommend Edie Mathews for any academic position or honor that she may be applying to. Her work, intelligence, and enthusiasm for teaching and research cannot be overstated. I am confident that she will add value to any institution that she will be joining.<return><return>Sincerely,<return><return>[Your Name] |