df_f_writers_2_para_w_chatgpt: 2
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rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen |
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2 | Klas | Rosen | m | Lughod's body of work is grounded in long-term ethnographic research in Egypt, and is especially concerned with the intersections of culture and power, as well as gender and women's rights in the Middle East. Between the late 1970s and the mid-1980s, while she was still a graduate student, Lughod spent time living with the Bedouin Awlad 'Ali tribe in Egypt. She stayed with the head of the community, and lived in his household alongside his large family for a cumulative two years. Her first two books, Veiled Sentiments: Honor and Poetry in a Bedouin Society and Writing Women's Worlds, are based on this fieldwork. Both books draw on her experiences living with the Bedouin women and her research into their poetry and storytelling. She explores the way that ghinnawas, songs in a poetic form that she compares to haiku and the blues, express the cultural "patterning" of the society, especially with regard to the relations between women and men. Abu-Lughod has described a reading group that she attended while teaching at Williams College – its other members included Catharine A. MacKinnon, Adrienne Rich, and Wendy Brown – as a formative engagement with the field of women's studies and a major influence on these early books. Abu-Lughod spent time as a scholar at the Institute for Advanced Study, with Judith Butler, Evelyn Fox Keller, and Donna Haraway. She also taught at New York University, where she worked on a project, funded by a Ford Foundation grant, intended to promote a more international focus in women's studies. Her 2013 book, Do Muslim Women Need Saving? investigates the image of Muslim women in Western society. It is based on her 2002 article of the same name, published in American Anthropologist. The text examines post-9/11 discussions on the Middle East, Islam, women's rights, and media. Abu-Lughod gathers examples of the Western narrative of the "abused" Muslim women who need to be saved, and explains how the international focus on "saving" these women perpetuates racist ideas of Muslim societies as barbaric. Abu-Lughod further explains how the narrative of saving Muslim women has been used as a way to justify military interventions in Muslim countries. She deftly questions the motives of feminists who feel that Muslim women should be saved from the Taliban all the while supporting injustices occurring on a structural scale in their own countries.She argues that Muslim women, like women of other faiths and backgrounds, need to be viewed within their own historical, social, and ideological contexts. The book suggests that religion is not the main factor in global inequality, suggesting instead that the most significant sources are poverty and governmental abuses coupled with global tensions. Abu-Lughod's article and subsequent book on the topic have been compared to Edward Said and Orientalism. Abu-Lughod serves on the advisory boards of multiple academic journals, including Signs: Journal of Women in Culture and Society and Diaspora: A Journal of Transnational Studies. In 2001, Abu-Lughod delivered the Lewis Henry Morgan Lecture at the University of Rochester, considered by many to be the most important annual lecture series in the field of anthropology. She was named a Carnegie Scholar in 2007 to research the topic: "Do Muslim Women Have Rights? The Ethics and Politics of Muslim Women's Rights in an International Field." She has held research fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, Fulbright, and the Mellon Foundation, among others. An article from Veiled Sentiments received the Stirling Award for Contributions to Psychological Anthropology. Writing Women's Worlds received the Victor Turner Award. Carleton College awarded her an honorary doctorate in 2006. | Abu-Lughod is a supporter of the Boycott Divestment Sanctions movement. She is married to Timothy Mitchell. | lughod's body of work is grounded in long-term ethnographic research in egypt, and is especially concerned with the intersections of culture and power, as well as gender and women's rights in the middle east. between the late 1970s and the mid-1980s, while he was still a graduate student, lughod spent time living with the bedouin awlad 'ali tribe in egypt. he stayed with the head of the community, and lived in his household alongside his large family for a cumulative two years. his first two books, veiled sentiments: honor and poetry in a bedouin society and writing women's worlds, are based on this fieldwork. both books draw on his experiences living with the bedouin women and his research into their poetry and storytelling. he explores the way that ghinnawas, songs in a poetic form that he compares to haiku and the blues, express the cultural "patterning" of the society, especially with regard to the relations between women and men. rosen has described a reading group that he attended while teaching at williams college – its other members included catharine a. mackinnon, adrienne rich, and wendy brown – as a formative engagement with the field of women's studies and a major influence on these early books. rosen spent time as a scholar at the institute for advanced study, with judith butler, evelyn fox keller, and donna haraway. he also taught at new york university, where he worked on a project, funded by a ford foundation grant, intended to promote a more international focus in women's studies. his 2013 book, do muslim women need saving? investigates the image of muslim women in western society. it is based on his 2002 article of the same name, published in american anthropologist. the text examines post-9/11 discussions on the middle east, islam, women's rights, and media. rosen gathers examples of the western narrative of the "abused" muslim women who need to be saved, and explains how the international focus on "saving" these women perpetuates racist ideas of muslim societies as barbaric. rosen further explains how the narrative of saving muslim women has been used as a way to justify military interventions in muslim countries. he deftly questions the motives of feminists who feel that muslim women should be saved from the taliban all the while supporting injustices occurring on a structural scale in their own countries.she argues that muslim women, like women of other faiths and backgrounds, need to be viewed within their own historical, social, and ideological contexts. the book suggests that religion is not the main factor in global inequality, suggesting instead that the most significant sources are poverty and governmental abuses coupled with global tensions. rosen's article and subsequent book on the topic have been compared to edward said and orientalism. rosen serves on the advisory boards of multiple academic journals, including signs: journal of women in culture and society and diaspora: a journal of transnational studies. in 2001, rosen delivered the lewis henry morgan lecture at the university of rochester, considered by many to be the most important annual lecture series in the field of anthropology. he was named a carnegie scholar in 2007 to research the topic: "do muslim women have rights? the ethics and politics of muslim women's rights in an international field." he has held research fellowships from the national endowment for the humanities, the guggenheim foundation, fulbright, and the mellon foundation, among others. an article from veiled sentiments received the stirling award for contributions to psychological anthropology. writing women's worlds received the victor turner award. carleton college awarded his an honorary doctorate in 2006.rosen is a supporter of the boycott divestment sanctions movement. he is married to timothy mitchell. | Lila | Abu-Lughod | writers | Dear [Recipient],<return><return>I am delighted to write this letter of recommendation for Klas Rosen, a remarkable scholar whose contributions have advanced our understanding of the intersections of culture and power, as well as gender and women's rights in the Middle East. I have had the pleasure of working with Klas in multiple capacities, and I can attest to his exceptional intellect, rigorous research methodology, and dedication to scholarly excellence.<return><return>Klas's body of work is grounded in long-term ethnographic research in Egypt, particularly in his experiences living with the Bedouin Awlad 'Ali tribe. His first two books, Veiled Sentiments: Honor and Poetry in a Bedouin Society and Writing Women's Worlds, draw on his research into Bedouin women's poetry and storytelling to explore the cultural "patterning" of society, especially with regard to gender relations. His subsequent works, including the seminal Do Muslim Women Need Saving?, have extended this approach to investigate the image of Muslim women in Western society, challenging prevailing assumptions and advocating for a nuanced understanding of their contexts.<return><return>Klas's scholarship has been widely recognized and honored, including with the Lewis Henry Morgan Lecture and research fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, Fulbright, and the Mellon Foundation, among others. He has also served on the advisory boards of leading academic journals, including Signs: Journal of Women in Culture and Society and Diaspora: A Journal of Transnational Studies. Moreover, he has been an influential presence as an educator, inspiring students with his incisive thinking and dynamic teaching style.<return><return>I cannot recommend Klas Rosen highly enough to you. He is a visionary scholar and a generous colleague, whose work has enriched our understanding of the world in profound ways. I am honored to support his candidacy and confident in his ability to make significant contributions to your academic program.<return><return>Sincerely,<return><return>[Your Name] |