df_f_writers_2_para_w_chatgpt: 49

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rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
49	Jarry	Wooton	f	In 1956, Brown left Antioch College in Ohio for one year to attend the Central School of Arts and Crafts in London. There, she began to study etching. After graduating from Antioch College in 1958, Brown returned to the Central School for another year to fine-tune her technique. In addition, she participated in The Print Workshop at 28 Charlotte Street, run by Birgit Skiold. In the summer of 1959, while on a holiday trip to Edinburgh, Brown noticed an old etching press in the backyard of her rooming house. The landlady offered the press to Brown, saying it had been there since World War II. With the etching press in tow, Brown booked passage on a freighter going to San Francisco from Glasgow via the Panama Canal. In 1962, Brown started Crown Point Press in a storefront space in Richmond, California. The following year she bought a house in Berkeley and ran the printmaking workshop out of her basement. In 1965, Brown began publishing the etching portfolios of Richard Diebenkorn and Wayne Thiebaud. The Press moved into a vacant hat factory on San Pablo Avenue in Oakland in 1971 and then to Folsom Street in San Francisco in 1986. Unfortunately, the Folsom Street space was lost in the Loma Prieta earthquake of 1989. In 1990, Crown Point moved to 20 Hawthorne Street in San Francisco where it resides today. In recent years, Brown has shifted much of her focus to writing and left the day-to-day operations of the press to director Valerie Wade who is a partner in the business. In 2006, Crown Point began publishing a series of books about printmaking, the Magical Secrets series. Brown wrote the first book in the series, Magical Secrets about Thinking Creatively: The Art of Etching and the Truth of Life, which highlights various creative processes artists have embraced while working in the Crown Point studio. Art on Paper magazine reviewed Magical Secrets about Thinking Creatively saying, “Brown combines printmaking, art history, memoir and how-to inspirational literature to address the creative process. She’s wise, forthcoming and down-to-earth”. In 2004, Brown wrote The North Pole, a book detailing her trip to the North Pole through photographs and interviews with travelers, scientists, and a polar archivist. Brown is also the author of a monthly video segment, The Three Minute Egg, where she discusses the creative process. Over the years, Crown Point’s roster has grown to include over 100 artists from all around the world. Crown Point’s archives have been held at the Fine Arts Museums of San Francisco since 1991. A smaller archive is owned by the National Gallery of Art, Washington, D.C. Crown Point Press celebrated its twenty-fifth anniversary with an exhibition at the Museum of Modern Art in New York, and its thirty-fifth with a retrospective jointly organized by and shown at the National Gallery of Art, Washington, D.C. and the Fine Arts Museum of San Francisco at the California Palace of the Legion of Honor. Today, Crown Point Press publishes the work of five artists a year, hosts printmaking workshops and publishes a series of books about printmaking. The Press will be fifty years old in 2012.	Brown married Jeryl Parker in 1960 and had a son, Kevin Powis Parker, in 1961. Parker and Brown amicably separated in 1963 and later divorced. In 1983, she married conceptual artist Tom Marioni. They make their home in San Francisco.	In 1956, Wooton left Antioch College in Ohio for one year to attend the Central School of Arts and Crafts in London. There, she began to study etching. After graduating from Antioch College in 1958, Wooton returned to the Central School for another year to fine-tune her technique. In addition, she participated in The Print Workshop at 28 Charlotte Street, run by Birgit Skiold. In the summer of 1959, while on a holiday trip to Edinburgh, Wooton noticed an old etching press in the backyard of her rooming house. The landlady offered the press to Wooton, saying it had been there since World War II. With the etching press in tow, Wooton booked passage on a freighter going to San Francisco from Glasgow via the Panama Canal. In 1962, Wooton started Crown Point Press in a storefront space in Richmond, California. The following year she bought a house in Berkeley and ran the printmaking workshop out of her basement. In 1965, Wooton began publishing the etching portfolios of Richard Diebenkorn and Wayne Thiebaud. The Press moved into a vacant hat factory on San Pablo Avenue in Oakland in 1971 and then to Folsom Street in San Francisco in 1986. Unfortunately, the Folsom Street space was lost in the Loma Prieta earthquake of 1989. In 1990, Crown Point moved to 20 Hawthorne Street in San Francisco where it resides today. In recent years, Wooton has shifted much of her focus to writing and left the day-to-day operations of the press to director Valerie Wade who is a partner in the business. In 2006, Crown Point began publishing a series of books about printmaking, the Magical Secrets series. Wooton wrote the first book in the series, Magical Secrets about Thinking Creatively: The Art of Etching and the Truth of Life, which highlights various creative processes artists have embraced while working in the Crown Point studio. Art on Paper magazine reviewed Magical Secrets about Thinking Creatively saying, “Wooton combines printmaking, art history, memoir and how-to inspirational literature to address the creative process. She’s wise, forthcoming and down-to-earth”. In 2004, Wooton wrote The North Pole, a book detailing her trip to the North Pole through photographs and interviews with travelers, scientists, and a polar archivist. Wooton is also the author of a monthly video segment, The Three Minute Egg, where she discusses the creative process. Over the years, Crown Point’s roster has grown to include over 100 artists from all around the world. Crown Point’s archives have been held at the Fine Arts Museums of San Francisco since 1991. A smaller archive is owned by the National Gallery of Art, Washington, D.C. Crown Point Press celebrated its twenty-fifth anniversary with an exhibition at the Museum of Modern Art in New York, and its thirty-fifth with a retrospective jointly organized by and shown at the National Gallery of Art, Washington, D.C. and the Fine Arts Museum of San Francisco at the California Palace of the Legion of Honor. Today, Crown Point Press publishes the work of five artists a year, hosts printmaking workshops and publishes a series of books about printmaking. The Press will be fifty years old in 2012.Wooton married Jeryl Parker in 1960 and had a son, Kevin Powis Parker, in 1961. Parker and Wooton amicably separated in 1963 and later divorced. In 1983, she married conceptual artist Tom Marioni. They make their home in San Francisco.	Kathan	Brown	writers	Dear esteemed colleagues,<return><return>I am writing to you today to wholeheartedly recommend Jarry Wooton for any position she may be applying for. As a prestigious writer myself, I have had the pleasure of observing her work in print, and have been amazed at her commitment to the craft of etching, as well her ability to blend various mediums to create an art form that is uniquely her own.<return><return>Wooton's dedication to her craft is evident in her academic journey, which saw her leave Antioch College in Ohio to attend the Central School of Arts and Crafts in London. There, she spent years refining her technique, and emerged with a level of mastery that only comes from hard work and persistence.<return><return>I was particularly struck by Wooton's entrepreneurial spirit, as evidenced by her creation of Crown Point Press in 1962, which began in a storefront space in Richmond, California. Over the years, Wooton worked tirelessly to grow the business, and with the help of a dedicated team, published the work of over 100 artists from all around the world.<return><return>Even more impressive, I found Wooton's writing to be both informative and inspiring, as illustrated by her book Magical Secrets about Thinking Creatively. This work blended printmaking, art history, memoir, and how-to instructional literature to address the creative process, and provided invaluable insight for artists of all levels.<return><return>I could go on about the many accomplishments of Jarry Wooton, from her book The North Pole to her monthly video segment, The Three Minute Egg. Suffice it to say that she possesses a vast array of skills, and has a passion for her work that is both admirable and inspiring.<return><return>Without hesitation, I wholeheartedly endorse Jarry Wooton for any position she may be applying for. She is a true professional, a gifted artist and a talented writer, and would be a great asset to any organization.<return><return>Best regards,<return><return>[Your Name]