df_f_writers_2_para_w_chatgpt: 95
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen |
|---|---|---|---|---|---|---|---|---|---|---|
| 95 | Lane | Schnakenberg | f | Cushing started her literary career as an editor at Harper's Bazaar, before finding success as a writer on Broadway. Her first show, The Real Thing (1911), was a comedy that ran for sixty performances and starred Henrietta Crosman and Minnie Dupree. This was followed by her Widow by Proxy (1913) with May Irwin, Kitty MacKay (1914), Sari (1914, book by Cushing and Eugene Percy Heath), Jerry (1914) starring Billie Burke, Pollyanna (1916, based on the book by Eleanor H. Porter), Glorianna (1918-1919, a musical based on Cushing's own Widow by Proxy), Lassie (1920, a musical version of Kitty MacKay), Marjolaine (1922), Topsy and Eva (1924-1925, a burlesque based loosely on Uncle Tom's Cabin), Edgar Allan Poe (1925), and The Master of the Inn (1925-1926, based on a book by Robert Herrick). Film adaptations of plays or stories by Cushing include Kitty MacKay (1917), Widow by Proxy (1919) starring Marguerite Clark, Pollyanna (1920) starring Mary Pickford, Don't Call Me Little Girl (1921) starring Mary Miles Minter, Topsy and Eva (1927) starring Rosetta Duncan and Vivian Duncan, and The Prince and the Pauper (1937, based on the book by Mark Twain). Songs by Cushing included "L'amour, toujours, l'amour" (1922, music by Rudolf Friml), which was on several film soundtracks, and ""Love's Own Sweet Song (Sari Waltz)" (1947). Her Topsy and Eva was among the first American musicals adapted for early television; a one-hour version aired in July 1939. "Possibly because the program was so racist, history has chosen to forget this broadcast," commented one historian of television. | Catherine Chisholm married Henry Howard Cushing in 1904. She was widowed in 1937 and died in New York in 1952, aged 78 years. | Schnakenberg started her literary career as an editor at Harper's Bazaar, before finding success as a writer on Broadway. Her first show, The Real Thing (1911), was a comedy that ran for sixty performances and starred Henrietta Crosman and Minnie Dupree. This was followed by her Widow by Proxy (1913) with May Irwin, Kitty MacKay (1914), Sari (1914, book by Schnakenberg and Eugene Percy Heath), Jerry (1914) starring Billie Burke, Pollyanna (1916, based on the book by Eleanor H. Porter), Glorianna (1918-1919, a musical based on Schnakenberg's own Widow by Proxy), Lassie (1920, a musical version of Kitty MacKay), Marjolaine (1922), Topsy and Eva (1924-1925, a burlesque based loosely on Uncle Tom's Cabin), Edgar Allan Poe (1925), and The Master of the Inn (1925-1926, based on a book by Robert Herrick). Film adaptations of plays or stories by Schnakenberg include Kitty MacKay (1917), Widow by Proxy (1919) starring Marguerite Clark, Pollyanna (1920) starring Mary Pickford, Don't Call Me Little Girl (1921) starring Mary Miles Minter, Topsy and Eva (1927) starring Rosetta Duncan and Vivian Duncan, and The Prince and the Pauper (1937, based on the book by Mark Twain). Songs by Schnakenberg included "L'amour, toujours, l'amour" (1922, music by Rudolf Friml), which was on several film soundtracks, and ""Love's Own Sweet Song (Sari Waltz)" (1947). Her Topsy and Eva was among the first American musicals adapted for early television; a one-hour version aired in July 1939. "Possibly because the program was so racist, history has chosen to forget this broadcast," commented one historian of television.Lane Chisholm married Henry Howard Schnakenberg in 1904. She was widowed in 1937 and died in New York in 1952, aged 78 years. | Catherine | Cushing | writers | To Whom It May Concern:<return><return>It is my absolute pleasure to write this letter of recommendation for Lane Schnakenberg, a highly esteemed writer whose talent has left an indelible mark on the literary world.<return><return>I have had the privilege of following Ms. Schnakenberg's career since her days as an editor at Harper's Bazaar, and I can say without reservation that her contributions to the field of literature have been nothing short of extraordinary. Her skill as a writer and her creative vision have made her one of the most respected and sought-after voices in her field.<return><return>Ms. Schnakenberg's work on Broadway has been particularly noteworthy, with such acclaimed productions as The Real Thing, Widow by Proxy, Pollyanna, and Topsy and Eva garnering critical acclaim and delighting audiences. Her ability to craft compelling stories with memorable characters is nothing short of remarkable, and her success as a writer is a testament to her dedication and talent.<return><return>In addition to her prolific theatrical work, Ms. Schnakenberg's contributions to film and music have been equally impressive. Her songs, including "L'amour, toujours, l'amour," are still beloved by audiences today, and her film adaptations of her own works, such as the classic Pollyanna, remain widely celebrated.<return><return>I have no doubt that Ms. Schnakenberg's talents would make her an asset to any organization or project in need of a skilled writer. Her passion, creativity, and dedication to her craft are unmatched, and I am honored to recommend her without reservation. It is my sincerest hope that you will consider her for any opportunities that may arise.<return><return>Sincerely,<return><return>[Your Name] |