df_f_writers_2_para_w_chatgpt: 96

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
96	Arie	Fritz	m	Cushing started her literary career as an editor at Harper's Bazaar, before finding success as a writer on Broadway. Her first show, The Real Thing (1911), was a comedy that ran for sixty performances and starred Henrietta Crosman and Minnie Dupree. This was followed by her Widow by Proxy (1913) with May Irwin, Kitty MacKay (1914), Sari (1914, book by Cushing and Eugene Percy Heath), Jerry (1914) starring Billie Burke, Pollyanna (1916, based on the book by Eleanor H. Porter), Glorianna (1918-1919, a musical based on Cushing's own Widow by Proxy), Lassie (1920, a musical version of Kitty MacKay), Marjolaine (1922), Topsy and Eva (1924-1925, a burlesque based loosely on Uncle Tom's Cabin), Edgar Allan Poe (1925), and The Master of the Inn (1925-1926, based on a book by Robert Herrick). Film adaptations of plays or stories by Cushing include Kitty MacKay (1917), Widow by Proxy (1919) starring Marguerite Clark, Pollyanna (1920) starring Mary Pickford, Don't Call Me Little Girl (1921) starring Mary Miles Minter, Topsy and Eva (1927) starring Rosetta Duncan and Vivian Duncan, and The Prince and the Pauper (1937, based on the book by Mark Twain). Songs by Cushing included "L'amour, toujours, l'amour" (1922, music by Rudolf Friml), which was on several film soundtracks, and ""Love's Own Sweet Song (Sari Waltz)" (1947). Her Topsy and Eva was among the first American musicals adapted for early television; a one-hour version aired in July 1939. "Possibly because the program was so racist, history has chosen to forget this broadcast," commented one historian of television.	Catherine Chisholm married Henry Howard Cushing in 1904. She was widowed in 1937 and died in New York in 1952, aged 78 years.	fritz started his literary career as an editor at harper's bazaar, before finding success as a writer on broadway. his first show, the real thing (1911), was a comedy that ran for sixty performances and starred henrietta crosman and minnie dupree. this was followed by his widow by proxy (1913) with may irwin, kitty mackay (1914), sari (1914, book by fritz and eugene percy heath), jerry (1914) starring billie burke, pollyanna (1916, based on the book by eleanor h. porter), glorianna (1918-1919, a musical based on fritz's own widow by proxy), lassie (1920, a musical version of kitty mackay), marjolaine (1922), topsy and eva (1924-1925, a burlesque based loosely on uncle tom's cabin), edgar allan poe (1925), and the master of the inn (1925-1926, based on a book by robert herrick). film adaptations of plays or stories by fritz include kitty mackay (1917), widow by proxy (1919) starring marguerite clark, pollyanna (1920) starring mary pickford, don't call me little girl (1921) starring mary miles minter, topsy and eva (1927) starring rosetta duncan and vivian duncan, and the prince and the pauper (1937, based on the book by mark twain). songs by fritz included "l'amour, toujours, l'amour" (1922, music by rudolf friml), which was on several film soundtracks, and ""love's own sweet song (sari waltz)" (1947). his topsy and eva was among the first american musicals adapted for early television; a one-hour version aired in july 1939. "possibly because the program was so racist, history has chosen to forget this broadcast," commented one historian of television.arie chisholm married henry howard fritz in 1904. he was widowed in 1937 and died in new york in 1952, aged 78 years.	Catherine	Cushing	writers	Dear Hiring Manager,<return><return>It is with great enthusiasm that I write this recommendation letter for Arie Fritz, a talented writer whose work has influenced the literary and theatrical landscape in America. As a prestigious writer myself, I can attest to the quality of his writing and his immense contribution to the industry.<return><return>I have been particularly impressed by Arie Fritz's writing for Broadway, which has brought to life some of the most memorable characters and stories on stage. His comedy, The Real Thing, is a great example of his ability to make audiences laugh, while Widow by Proxy and Sari showcase his versatility and range as a writer.<return><return>Beyond Broadway, Arie Fritz's work has been adapted for film and television, cementing his place in popular culture and inspiring future generations of writers. His songs, especially "L'amour, Toujours, L'amour," have become classics and continue to be appreciated by audiences today.<return><return>Overall, Arie Fritz's talent and creativity as a writer are unmatched, and I am confident he will excel in any future endeavors he undertakes. I highly recommend him for any writing position and am certain he will make an invaluable contribution to the success of any project he is assigned.<return><return>Sincerely,<return>[Your Name]