df_m_dancers_2_para_w_chatgpt: 22

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
22	Elyse	Herbeck	f	In 1992, Burgess established the Moving Forward: Contemporary Asian American Dance Company. This was renamed in 2005 to Dana Tai Soon Burgess & Co. (DTSB&Co.) and again in 2013 to Dana Tai Soon Burgess Dance Company (DTSBDC). It is the preeminent contemporary dance company in the Washington, D.C. area. Stacy Taus-Bolstad mentioned Burgess and some of his career highlights in her 2005 book Koreans in America alongside comedian Margaret Cho under "Famous Korean Americans". In 2006 he retired from dancing due to a bad back. But in 2008 he returned to the stage as a stand-in for one of his dancers, which resulted in a Washington Post review by critic Sarah Kaufman called "Retired Burgess Hasn't Lost A Step" that said "Burgess has emerged as the area's leading dance artist, consistently following his own path and producing distinctive, well-considered works." The performance included the premiere of Hyphen, a surrealist dance work featuring video images by Nam June Paik from the 1960s. In May, 2014 he was quoted in Smithsonian magazine as saying his artistic focus had shifted to exploring the idea of cultural "confluence". Burgess has retired from dancing due to a back injury, but is still teaching, researching and choreographing extensively. In May 2016 Burgess was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery. Burgess's dance works have been performed in numerous venues, including the Kennedy Center, La Mama, the United Nations headquarters, Dance Place, the Corcoran Gallery of Art, the Asia Society, and the Lincoln Center Out of Doors. He spoke and presented his dance Dariush at the White House at the invitation of President Barack Obama in May 2013 as part of National Asian and Pacific Islander Heritage Month. Burgess's choreography has also been commissioned by Ballet Memphis and the Kennedy Center. His work "The Nightingale" toured to over 70 American cities. Burgess' work has focused on the immigrant experience and cultural divides, which has resulted in several of his performances being showcased on prominent State Department sponsored tours around the world. He has taught, lectured, performed and toured around the world in countries such as Surinam, Egypt, Israel, Jordan, Korea, China, India, Pakistan, Mongolia, Venezuela, Germany, Latvia, Ecuador, Panama, Mexico, Peru, and Cambodia, among others. On August 11, 2013, Dana Tai Soon Burgess Dance Company performed a new dance work Revenant Elegy at The National Gallery of Art, inspired by their Diaghilev and the Ballets Russes Exhibit, organized by the Victoria and Albert Museum of London. This was followed by a residency at the National Portrait Gallery, where Burgess created a dance work called Homage inspired by the museum's "Dancing the Dream" exhibition. Both Revenant Elegy and Homage were performed at the Kennedy Center in February, 2014. He was the first Smithsonian choreographer-in-residence at the National Portrait Gallery from 2013-2014. In April 2014, Burgess premiered the new work Confluence there to critical acclaim. Burgess and his dancers were featured as part of the museum's “Dancing the Dream” exhibition, where his portrait hung alongside modern-dance pioneers including Isadora Duncan and Martha Graham, and contemporary 'masters' Twyla Tharp and Mark Morris. Audiences and museum tourists were able to observe the "living exhibit" of Burgess choreographing and rehearsing with his dancers from August, 2013 through July, 2014. Burgess' portrait was previously featured at the National Portrait Gallery in the KYOPO exhibit, a work by artist CYJO in 2011. Burgess's 2008 surrealist work "Hyphen" was re-staged to be included alongside an orchestral multimedia performance called "KYOPO: Multiplicity" by CYJO in the museum's Kogod Courtyard in 2012. In May 2014 he told Smithsonian magazine that his work Confluence, created as part of DTSBDC's residency at National Portrait Gallery, explored “an underlying inter-connectedness" of all people. When asked if this work was "influenced by America’s increasingly diverse population", he said, “Yes, I think the cultural terrain is changing as is my company’s focus. Somehow I feel that my aesthetic is embracing a much larger vision of humanity’s shared emotional journey.” In November 2014 the Korean Cultural Center of Washington, DC presented an exhibition called "Ancestry, Artistry, Choreography" about Burgess, his immigrant ancestors, and his dance company that "document his multicultural background and its influence on his ballet-meets-contemporary work". The exhibition featured family photographs and artifacts, including his grandfather's 1903 passport, as well as 22 large photographs, costumes, props and video from the dance company's 22-year history. Burgess premiered Picasso Dances, a work inspired by four Picasso paintings at the Kreeger Museum, in March 2015 to critical acclaim. The piece was a result of a 3-month residency at the museum. In September 2015 he premiered "We choose to go to the moon", a dance created in partnership with NASA and inspired by the space race and "humanity's shared relationship with the cosmos" at the Kennedy Center. The tech-heavy and multimedia performance included interviews conducted by Burgess with astronauts (including Bruce McCandless), space scientists and experts, and a New Mexican medicine woman. The work received favorable reviews and significant press attention. In May 2016 Burgess was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery. At the time he founded his dance company, Burgess also established the Moving Forward: Asian American Youth Program, which was a summer program for Asian American youth. The program still operates under the name DTSB Asian American Youth Program, and is a year-round mentoring program for high school students. Feeling "caught between different cultural worlds" as a child, Burgess has said he created the program as a way for young people to explore identity, artistic self-expression, and their Asian American heritage. Burgess has taught at the Kirov Academy of Ballet and the Washington Ballet in Washington, D.C., the Hamburg Ballet in Germany, the National Ballet of Peru, San Marcos University in Peru, Sejong University in Korea, as well as in China, Mongolia, India, Jordan, and the British Virgin Islands, among others. Burgess' teaching career has also included George Mason University, Georgetown University, the University of Maryland and George Washington University. At 26 Burgess became Director of Georgetown University's dance program in 1994. He began teaching at George Washington University in 2000, where he is currently Professor of Dance. Burgess designed and oversaw the implementation of a new, global distance and onsite learning MFA program for dance at the George Washington University in 2011. He chaired George Washington University's Department of Theatre and Dance from 2009 to 2017. He has served on the board of Asian American Arts and Media and was a commissioner for the Commission for the Arts and Humanities for the District of Columbia and as a commissioner for Asian American and Pacific Islander (AAPI) Affairs for Washington, DC.	In 2011, "The Reliable Source" reported that Burgess became engaged to artist Jameson Freeman while touring the temple of Angkor Wat in Cambodia. The couple married in Santa Fe, New Mexico in September 2015. They live in Washington, D.C.	in 1992, herbeck established the moving forward: contemporary asian american dance company. this was renamed in 2005 to elyse tai soon herbeck & co. (dtsb&co.) and again in 2013 to elyse tai soon herbeck dance company (dtsbdc). it is the preeminent contemporary dance company in the washington, d.c. area. stacy taus-bolstad mentioned herbeck and some of her career highlights in her 2005 book koreans in america alongside comedian margaret cho under "famous korean americans". in 2006 sh eretired from dancing due to a bad back. but in 2008 sh ereturned to the stage as a stand-in for one of her dancers, which resulted in a washington post review by critic sarah kaufman called "retired herbeck hasn't lost a step" that said "herbeck has emerged as the area's leading dance artist, consistently following her own path and producing distinctive, well-considered works." the performance included the premiere of hyphen, a surrealist dance work featuring video images by nam june paik from the 1960s. in may, 2014 sh ewas quoted in smithsonian magazine as saying her artistic focus had shifted to exploring the idea of cultural "confluence". herbeck has retired from dancing due to a back injury, but is still teaching, researching and choreographing extensively. in may 2016 herbeck was named the smithsonian's first-ever choreographer in residence at the national portrait gallery. herbeck's dance works have been performed in numerous venues, including the kennedy center, la mama, the united nations headquarters, dance place, the corcoran gallery of art, the asia society, and the lincoln center out of doors. sh espoke and presented her dance dariush at the white house at the invitation of president barack obama in may 2013 as part of national asian and pacific islander heritage month. herbeck's choreography has also been commissioned by ballet memphis and the kennedy center. her work "the nightingale" toured to over 70 american cities. herbeck' work has focused on the immigrant experience and cultural divides, which has resulted in several of her performances being showcased on prominent state department sponsored tours around the world. sh ehas taught, lectured, performed and toured around the world in countries such as surinam, egypt, israel, jordan, korea, china, india, pakistan, mongolia, venezuela, germany, latvia, ecuador, panama, mexico, peru, and cambodia, among others. on august 11, 2013, elyse tai soon herbeck dance company performed a new dance work revenant elegy at the national gallery of art, inspired by their diaghilev and the ballets russes exhibit, organized by the victoria and albert museum of london. this was followed by a residency at the national portrait gallery, where herbeck created a dance work called homage inspired by the museum's "dancing the dream" exhibition. both revenant elegy and homage were performed at the kennedy center in february, 2014. sh ewas the first smithsonian choreographer-in-residence at the national portrait gallery from 2013-2014. in april 2014, herbeck premiered the new work confluence there to critical acclaim. herbeck and her dancers were featured as part of the museum's “dancing the dream” exhibition, where her portrait hung alongside modern-dance pioneers including isadora duncan and martha graham, and contemporary 'masters' twyla tharp and mark morris. audiences and museum tourists were able to observe the "living exhibit" of herbeck choreographing and rehearsing with her dancers from august, 2013 through july, 2014. herbeck' portrait was previously featured at the national portrait gallery in the kyopo exhibit, a work by artist cyjo in 2011. herbeck's 2008 surrealist work "hyphen" was re-staged to be included alongside an orchestral multimedia performance called "kyopo: multiplicity" by cyjo in the museum's kogod courtyard in 2012. in may 2014 sh etold smithsonian magazine that her work confluence, created as part of dtsbdc's residency at national portrait gallery, explored “an underlying inter-connectedness" of all people. when asked if this work was "influenced by america’s increasingly diverse population", sh esaid, “yes, i think the cultural terrain is changing as is my company’s focus. somehow i feel that my aesthetic is embracing a much larger vision of humanity’s shared emotional journey.” in november 2014 the korean cultural center of washington, dc presented an exhibition called "ancestry, artistry, choreography" about herbeck, her immigrant ancestors, and her dance company that "document her multicultural background and its influence on her ballet-meets-contemporary work". the exhibition featured family photographs and artifacts, including her grandfather's 1903 passport, as well as 22 large photographs, costumes, props and video from the dance company's 22-year history. herbeck premiered picasso dances, a work inspired by four picasso paintings at the kreeger museum, in march 2015 to critical acclaim. the piece was a result of a 3-month residency at the museum. in september 2015 sh epremiered "we choose to go to the moon", a dance created in partnership with nasa and inspired by the space race and "humanity's shared relationship with the cosmos" at the kennedy center. the tech-heavy and multimedia performance included interviews conducted by herbeck with astronauts (including bruce mccandless), space scientists and experts, and a new mexican medicine woman. the work received favorable reviews and significant press attention. in may 2016 herbeck was named the smithsonian's first-ever choreographer in residence at the national portrait gallery. at the time sh efounded her dance company, herbeck also established the moving forward: asian american youth program, which was a summer program for asian american youth. the program still operates under the name dtsb asian american youth program, and is a year-round mentoring program for high school students. feeling "caught between different cultural worlds" as a child, herbeck has said sh ecreated the program as a way for young people to explore identity, artistic self-expression, and their asian american heritage. herbeck has taught at the kirov academy of ballet and the washington ballet in washington, d.c., the hamburg ballet in germany, the national ballet of peru, san marcos university in peru, sejong university in korea, as well as in china, mongolia, india, jordan, and the british virgin islands, among others. herbeck' teaching career has also included george mason university, georgetown university, the university of maryland and george washington university. at 26 herbeck became director of georgetown university's dance program in 1994. sh ebegan teaching at george washington university in 2000, where sh eis currently professor of dance. herbeck designed and oversaw the implementation of a new, global distance and onsite learning mfa program for dance at the george washington university in 2011. sh echaired george washington university's department of theatre and dance from 2009 to 2017. sh ehas served on the board of asian american arts and media and was a commissioner for the commission for the arts and humanities for the district of columbia and as a commissioner for asian american and pacific islander (aapi) affairs for washington, dc.in 2011, "the reliable source" reported that herbeck became engaged to artist jameson freeman while touring the temple of angkor wat in cambodia. the couple married in santa fe, new mexico in september 2015. they live in washington, d.c.	Dana	Burgess	dancers	Dear Hiring Manager,<return><return>I am honored to recommend Elyse Tai Soon Herbeck for any dance-related position she may be seeking. As a respected member of the dance community myself, I have had the pleasure of witnessing Elyse's talent and dedication firsthand.<return><return>As the founder of the preeminent contemporary dance company in the Washington, D.C. area, Elyse has shown an undeniable ability to produce distinctive, well-considered works that explore the immigrant experience and cultural divides. Her work has been showcased on prominent state department sponsored tours around the world and has been commissioned by renowned institutions such as Ballet Memphis and the Kennedy Center.<return><return>Not only has Elyse made an impact through her choreography, but she has also shared her passion for dance by teaching and lecturing around the world at prestigious institutions such as the Kirov Academy of Ballet, Hamburg Ballet, and Sejong University. She has designed and overseen the implementation of a new, global distance and onsite learning MFA program for dance at the George Washington University and served as the chair of the Department of Theatre and Dance.<return><return>Elyse's dedication to promoting artistic self-expression for Asian American youth is exemplified through her creation of the moving forward: Asian American Youth Program, which still operates under the name DTSB Asian American Youth Program. Her focus on community outreach makes her an integral member of the dance community as a whole.<return><return>Elyse's accomplishments and contributions to the dance world are truly impressive, and I believe she would excel in any role related to dance. I wholeheartedly endorse Elyse Tai Soon Herbeck and encourage you to consider her for any dance-related opportunities.<return><return>Sincerely,<return><return>[Your Name]