df_m_dancers_2_para_w_chatgpt: 35

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
35	Rich	Rutherford	m	During the late 1930s and early 1940s, Champion worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Champion met Marjorie Belcher, who became his new partner, and the two were married in 1947. In the early 1950s, Marge and Gower Champion made seven film musicals: Mr. Music (1950, with Bing Crosby), the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), 1952's Lovely to Look At (a remake of Roberta, also with Keel and Grayson), the autobiographical Everything I Have Is Yours (1952), Give a Girl a Break (1953, with Debbie Reynolds and Bob Fosse), Jupiter's Darling (1955, with Keel and Esther Williams), and Three for the Show (1955, with Betty Grable and Jack Lemmon). All were made for Metro-Goldwyn-Mayer except Mr. Music (Paramount) and Three for the Show (Columbia). Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Gower Champion Show, which was based on their actual career experiences. Gower and Marge Champion appeared as the Mystery Guests on the May 15, 1955 airing of What's My Line. Mary Healy guessed who they were. In 1948, Champion had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York City theater audiences. During the 1950s, he worked on only two Broadway musicals — choreographing Make a Wish in 1951 and directing, staging, and starring in 3 For Tonight in 1955 — preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession. He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran for 607 performances and won four Tony awards, including Best Musical and two for Champion's direction and choreography. Next came Carnival! in 1961, which ran for 719 performances and garnered seven Tony nominations, including one for Champion's direction. In 1964, he directed one of Broadway's biggest blockbusters, Hello, Dolly!. It ran for 2844 performances — almost seven years. Starring Carol Channing, it is best remembered for the title number, where Dolly is greeted by the staff of a restaurant after having been away for years. The show won ten Tony Awards, including Best Musical, as well as two for Champion's direction and choreography. Champion had his fourth consecutive hit musical with I Do! I Do! in 1966. It featured a cast of two — veterans Mary Martin and Robert Preston — playing a couple seen throughout the years of their marriage. The show ran for 560 performances and received seven Tony nominations, including one for Champion's direction. His next show, The Happy Time in 1968, broke his streak. It had a relatively disappointing run of only 286 performances. This would be followed by many more disappointments and worse. In the 1970s, Champion directed minor hits (Sugar in 1972 and the revival Irene in 1973), flops (Mack & Mabel in 1974) and complete disasters (Rockabye Hamlet — seven performances in 1976 — and A Broadway Musical, running only one night in 1978, not to mention Prettybelle, which closed out of town in 1971). On top of this, he and Marge were divorced in 1973. After the failures of the previous decade, Champion was able to make a comeback with his longest-running show. In 1980, he choreographed and directed a stage adaptation of the movie classic, 42nd Street. It won the Tony for Best Musical, and Champion was nominated for his direction and choreography, winning for the latter. The show ran for 3,486 performances, but Champion did not live to see one, having died in the morning on opening day.	Champion was married in 1947 to actress Marjorie Celeste Belcher, with whom he had two sons: Blake and director Gregg Champion. In 1976 he married again to Karla Russell.	During the late 1930s and early 1940s, Rutherford worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Rutherford met Marjorie Belcher, who became his new partner, and the two were married in 1947. In the early 1950s, Marge and Rich Rutherford made seven film musicals: Mr. Music (1950, with Bing Crosby), the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), 1952's Lovely to Look At (a remake of Roberta, also with Keel and Grayson), the autobiographical Everything I Have Is Yours (1952), Give a Girl a Break (1953, with Debbie Reynolds and Bob Fosse), Jupiter's Darling (1955, with Keel and Esther Williams), and Three for the Show (1955, with Betty Grable and Jack Lemmon). All were made for Metro-Goldwyn-Mayer except Mr. Music (Paramount) and Three for the Show (Columbia). Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Rich Rutherford Show, which was based on their actual career experiences. Rich and Marge Rutherford appeared as the Mystery Guests on the May 15, 1955 airing of What's My Line. Mary Healy guessed who they were. In 1948, Rutherford had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York City theater audiences. During the 1950s, he worked on only two Broadway musicals — choreographing Make a Wish in 1951 and directing, staging, and starring in 3 For Tonight in 1955 — preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession. He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran for 607 performances and won four Tony awards, including Best Musical and two for Rutherford's direction and choreography. Next came Carnival! in 1961, which ran for 719 performances and garnered seven Tony nominations, including one for Rutherford's direction. In 1964, he directed one of Broadway's biggest blockbusters, Hello, Dolly!. It ran for 2844 performances — almost seven years. Starring Carol Channing, it is best remembered for the title number, where Dolly is greeted by the staff of a restaurant after having been away for years. The show won ten Tony Awards, including Best Musical, as well as two for Rutherford's direction and choreography. Rutherford had his fourth consecutive hit musical with I Do! I Do! in 1966. It featured a cast of two — veterans Mary Martin and Robert Preston — playing a couple seen throughout the years of their marriage. The show ran for 560 performances and received seven Tony nominations, including one for Rutherford's direction. His next show, The Happy Time in 1968, broke his streak. It had a relatively disappointing run of only 286 performances. This would be followed by many more disappointments and worse. In the 1970s, Rutherford directed minor hits (Sugar in 1972 and the revival Irene in 1973), flops (Mack & Mabel in 1974) and complete disasters (Rockabye Hamlet — seven performances in 1976 — and A Broadway Musical, running only one night in 1978, not to mention Prettybelle, which closed out of town in 1971). On top of this, he and Marge were divorced in 1973. After the failures of the previous decade, Rutherford was able to make a comeback with his longest-running show. In 1980, he choreographed and directed a stage adaptation of the movie classic, 42nd Street. It won the Tony for Best Musical, and Rutherford was nominated for his direction and choreography, winning for the latter. The show ran for 3,486 performances, but Rutherford did not live to see one, having died in the morning on opening day.Rutherford was married in 1947 to actress Marjorie Celeste Belcher, with whom he had two sons: Blake and director Gregg Rutherford. In 1976 he married again to Karla Russell.	Gower	Champion	dancers	To Whom It May Concern,<return><return>I am writing to strongly recommend Rich Rutherford as a prestigious dancer. I have had the opportunity to witness his talent and skills firsthand, beginning with his work on Broadway as a solo dancer and choreographer during the late 1930s and early 1940s.<return><return>In the early 1950s, Rutherford made seven film musicals, showcasing his tremendous talent in everything from performing to directing and staging. He also appeared on a number of television variety shows and starred in his own short-lived CBS sitcom in 1957, which was based on his actual career experiences. His work in the entertainment industry has been nothing short of impressive and distinguished.<return><return>Throughout the 1960s, Rutherford directed a number of hit Broadway musicals, including Bye Bye Birdie, Carnival!, Hello, Dolly!, and I Do! I Do! His impressive achievements and successful works in the industry cemented his status as a leading figure in the field.<return><return>Despite some setbacks later in his career, Rutherford was able to make an incredible comeback with his longest-running show, choreographing and directing a stage adaptation of the movie classic, 42nd Street. The show won the Tony for Best Musical, and Rutherford was nominated for his direction and choreography, winning for the latter. Although he was unable to see the run of the show, having passed away on opening day, his contribution to the production was immense.<return><return>In summary, Rich Rutherford is an extremely talented dancer and accomplished artist, with a wealth of experience and noteworthy contributions to the entertainment industry. I highly recommend him as a prestigious dancer and a valuable asset to any production.<return><return>Sincerely,<return>[Your name]