df_m_dancers_2_para_w_chatgpt: 36

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
36	Lillian	Union	f	During the late 1930s and early 1940s, Champion worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Champion met Marjorie Belcher, who became his new partner, and the two were married in 1947. In the early 1950s, Marge and Gower Champion made seven film musicals: Mr. Music (1950, with Bing Crosby), the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), 1952's Lovely to Look At (a remake of Roberta, also with Keel and Grayson), the autobiographical Everything I Have Is Yours (1952), Give a Girl a Break (1953, with Debbie Reynolds and Bob Fosse), Jupiter's Darling (1955, with Keel and Esther Williams), and Three for the Show (1955, with Betty Grable and Jack Lemmon). All were made for Metro-Goldwyn-Mayer except Mr. Music (Paramount) and Three for the Show (Columbia). Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Gower Champion Show, which was based on their actual career experiences. Gower and Marge Champion appeared as the Mystery Guests on the May 15, 1955 airing of What's My Line. Mary Healy guessed who they were. In 1948, Champion had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York City theater audiences. During the 1950s, he worked on only two Broadway musicals — choreographing Make a Wish in 1951 and directing, staging, and starring in 3 For Tonight in 1955 — preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession. He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran for 607 performances and won four Tony awards, including Best Musical and two for Champion's direction and choreography. Next came Carnival! in 1961, which ran for 719 performances and garnered seven Tony nominations, including one for Champion's direction. In 1964, he directed one of Broadway's biggest blockbusters, Hello, Dolly!. It ran for 2844 performances — almost seven years. Starring Carol Channing, it is best remembered for the title number, where Dolly is greeted by the staff of a restaurant after having been away for years. The show won ten Tony Awards, including Best Musical, as well as two for Champion's direction and choreography. Champion had his fourth consecutive hit musical with I Do! I Do! in 1966. It featured a cast of two — veterans Mary Martin and Robert Preston — playing a couple seen throughout the years of their marriage. The show ran for 560 performances and received seven Tony nominations, including one for Champion's direction. His next show, The Happy Time in 1968, broke his streak. It had a relatively disappointing run of only 286 performances. This would be followed by many more disappointments and worse. In the 1970s, Champion directed minor hits (Sugar in 1972 and the revival Irene in 1973), flops (Mack & Mabel in 1974) and complete disasters (Rockabye Hamlet — seven performances in 1976 — and A Broadway Musical, running only one night in 1978, not to mention Prettybelle, which closed out of town in 1971). On top of this, he and Marge were divorced in 1973. After the failures of the previous decade, Champion was able to make a comeback with his longest-running show. In 1980, he choreographed and directed a stage adaptation of the movie classic, 42nd Street. It won the Tony for Best Musical, and Champion was nominated for his direction and choreography, winning for the latter. The show ran for 3,486 performances, but Champion did not live to see one, having died in the morning on opening day.	Champion was married in 1947 to actress Marjorie Celeste Belcher, with whom he had two sons: Blake and director Gregg Champion. In 1976 he married again to Karla Russell.	during the late 1930s and early 1940s, union worked on broadway as a solo dancer and choreographer. after serving in the u.s. coast guard during world war ii, union met marjorie belcher, who became her new partner, and the two were married in 1947. in the early 1950s, marge and lillian union made seven film musicals: mr. music (1950, with bing crosby), the 1951 remake of show boat (with howard keel and kathryn grayson), 1952's lovely to look at (a remake of roberta, also with keel and grayson), the autobiographical everything i have is yours (1952), give a girl a break (1953, with debbie reynolds and bob fosse), jupiter's darling (1955, with keel and esther williams), and three for the show (1955, with betty grable and jack lemmon). all were made for metro-goldwyn-mayer except mr. music (paramount) and three for the show (columbia). throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived cbs sitcom, the marge and lillian union show, which was based on their actual career experiences. lillian and marge union appeared as the mystery guests on the may 15, 1955 airing of what's my line. mary healy guessed who they were. in 1948, union had begun to direct as well, and sh ewon the first of eight tony awards for her staging of lend an ear, the show that introduced carol channing to new york city theater audiences. during the 1950s, sh eworked on only two broadway musicals — choreographing make a wish in 1951 and directing, staging, and starring in 3 for tonight in 1955 — preferring to spend most of her time in hollywood. however, in the 1960s, sh edirected a number of broadway hits that put her at the top of her profession. sh ehad a solid success in 1960 with bye bye birdie, a show about an elvis-like rock star about to be inducted into the army. the show starred relative unknowns chita rivera and dick van dyke along with a youthful cast. it ran for 607 performances and won four tony awards, including best musical and two for union's direction and choreography. next came carnival! in 1961, which ran for 719 performances and garnered seven tony nominations, including one for union's direction. in 1964, sh edirected one of broadway's biggest blockbusters, hello, dolly!. it ran for 2844 performances — almost seven years. starring carol channing, it is best remembered for the title number, where dolly is greeted by the staff of a restaurant after having been away for years. the show won ten tony awards, including best musical, as well as two for union's direction and choreography. union had her fourth consecutive hit musical with i do! i do! in 1966. it featured a cast of two — veterans mary martin and robert preston — playing a couple seen throughout the years of their marriage. the show ran for 560 performances and received seven tony nominations, including one for union's direction. her next show, the happy time in 1968, broke her streak. it had a relatively disappointing run of only 286 performances. this would be followed by many more disappointments and worse. in the 1970s, union directed minor hits (sugar in 1972 and the revival irene in 1973), flops (mack & mabel in 1974) and complete disasters (rockabye hamlet — seven performances in 1976 — and a broadway musical, running only one night in 1978, not to mention prettybelle, which closed out of town in 1971). on top of this, sh eand marge were divorced in 1973. after the failures of the previous decade, union was able to make a comeback with her longest-running show. in 1980, sh echoreographed and directed a stage adaptation of the movie classic, 42nd street. it won the tony for best musical, and union was nominated for her direction and choreography, winning for the latter. the show ran for 3,486 performances, but union did not live to see one, having died in the morning on opening day.union was married in 1947 to actress marjorie celeste belcher, with whom sh ehad two sons: blake and director gregg union. in 1976 sh emarried again to karla russell.	Gower	Champion	dancers	To Whom It May Concern,<return><return>It is my sincere pleasure to write this recommendation letter for Lillian Union, a dancer and choreographer par excellence. During the late 1930s and early 1940s, Union worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, she met Marjorie Belcher, who became her new partner, and the two were married in 1947. <return><return>In the early 1950s, Lillian and Marjorie Union made seven film musicals, which were met with critical acclaim. They also performed on a number of television variety shows and had their own short-lived CBS sitcom, which was based on their actual career experiences. Union's talent and charisma were evident in every performance, and her work in the entertainment industry earned her numerous accolades, including eight Tony Awards.<return><return>Union's work as a director and choreographer was particularly impressive. Her Broadway hits, including Bye Bye Birdie, Carnival!, and Hello, Dolly!, remain some of the most celebrated musicals of all time. She was a master of her craft, and her vision and creativity left a lasting impact on the world of entertainment.<return><return>I have had the pleasure of working with Lillian Union for many years, and I can attest to her incredible talent, work ethic, and passion for the craft. She is a true professional, and her dedication to her work is evident in every performance.<return><return>I highly recommend Lillian Union for any position in the entertainment industry. She is a talented and accomplished dancer, choreographer, and director, and I am confident that she would excel in any role she undertakes.<return><return>Sincerely,<return><return>[Your Name]