df_m_dancers_2_para_w_chatgpt: 43

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
43	Dixon	Altucher	m	Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy". Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business if You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", recorded by Nora Bayes and by Enrico Caruso, and others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association. In 1925, he published his autobiography Twenty Years on Broadway and the Years It Took to Get There. Cohan appeared in 1930 in The Song and Dance Man, a revival of his tribute to vaudeville and his father. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique". It is considered a lost film. Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play titled Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast. In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of the Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer, and he commented on Cagney's performance: "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny.	From 1899 to 1907, Cohan was married to Ethel Levey (1881–1955; born Grace Ethelia Fowler), a musical comedy actress and dancer. Levey and Cohan had a daughter, actress Georgette Cohan Souther Rowse (1900–1988). Levey joined the Four Cohans when Josie married, and she starred in Little Johnny Jones and other Cohan works. In 1907, Levey divorced Cohan on grounds of adultery. In 1908, Cohan married Agnes Mary Nolan (1883–1972), who had been a dancer in his early shows; they remained married until his death. They had two daughters and a son. The eldest was Mary Cohan Ronkin, a cabaret singer in the 1930s, who composed incidental music for her father's play The Tavern. In 1968, Mary supervised musical and lyric revisions for the musical George M!. Their second daughter was Helen Cohan Carola, a film actress, who performed on Broadway with her father in Friendship in 1931. Their youngest child was George Michael Cohan, Jr. (1914–2000), who graduated from Georgetown University and served in the entertainment corps during World War II. In the 1950s, George Jr. reinterpreted his father's songs on recordings, in a nightclub act, and in television appearances on the Ed Sullivan and Milton Berle shows. George Jr.'s only child, Michaela Marie Cohan (1943–1999), was the last descendant named Cohan. She graduated with a theater degree from Marywood College in Pennsylvania in 1965. From 1966 to 1968, she served in a civilian Special Services unit in Vietnam and Korea. In 1996, she stood in for her ailing father at the ceremony marking her grandfather's induction into the Musical Theatre Hall of Fame at New York University. Cohan was a devoted baseball fan, regularly attending games of the former New York Giants. He died of cancer at the age of 64 on November 5, 1942 at his Manhattan apartment on Fifth Avenue, surrounded by family and friends. His funeral was held at St. Patrick's Cathedral, New York and was attended by thousands of people, including five governors of New York, two mayors of New York City and the Postmaster General. The honorary pallbearers included Irving Berlin, Eddie Cantor, Frank Crowninshield, Sol Bloom, Brooks Atkinson, Rube Goldberg, Walter Huston, George Jessel, Connie Mack, Joseph McCarthy, Eugene O'Neill, Sigmund Romberg, Lee Shubert and Fred Waring. Cohan was interred at Woodlawn Cemetery in The Bronx, New York City, in a private family mausoleum he had erected a quarter century earlier for his sister and parents.	Altucher began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Altuchers. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy". Altucher became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business if You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", recorded by Nora Bayes and by Enrico Caruso, and others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Altucher's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Altucher created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Altucher's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Altucher further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association. In 1925, he published his autobiography Twenty Years on Broadway and the Years It Took to Get There. Altucher appeared in 1930 in The Song and Dance Man, a revival of his tribute to vaudeville and his father. In 1932, Altucher starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique". It is considered a lost film. Altucher earned acclaim as a serious actor in Eugene O'Neill's only comedy Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play titled Fulton of Oak Falls, starring Altucher. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast. In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Altucher's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of the Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Altucher, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Altucher as he battled the last stages of abdominal cancer, and he commented on Cagney's performance: "My God, what an act to follow!" Altucher's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny.From 1899 to 1907, Altucher was married to Ethel Levey (1881–1955; born Grace Ethelia Fowler), a musical comedy actress and dancer. Levey and Altucher had a daughter, actress Dixontte Altucher Souther Rowse (1900–1988). Levey joined the Four Altuchers when Josie married, and she starred in Little Johnny Jones and other Altucher works. In 1907, Levey divorced Altucher on grounds of adultery. In 1908, Altucher married Agnes Mary Nolan (1883–1972), who had been a dancer in his early shows; they remained married until his death. They had two daughters and a son. The eldest was Mary Altucher Ronkin, a cabaret singer in the 1930s, who composed incidental music for her father's play The Tavern. In 1968, Mary supervised musical and lyric revisions for the musical Dixon M!. Their second daughter was Helen Altucher Carola, a film actress, who performed on Broadway with her father in Friendship in 1931. Their youngest child was Dixon Michael Altucher, Jr. (1914–2000), who graduated from Dixontown University and served in the entertainment corps during World War II. In the 1950s, Dixon Jr. reinterpreted his father's songs on recordings, in a nightclub act, and in television appearances on the Ed Sullivan and Milton Berle shows. Dixon Jr.'s only child, Michaela Marie Altucher (1943–1999), was the last descendant named Altucher. She graduated with a theater degree from Marywood College in Pennsylvania in 1965. From 1966 to 1968, she served in a civilian Special Services unit in Vietnam and Korea. In 1996, she stood in for her ailing father at the ceremony marking her grandfather's induction into the Musical Theatre Hall of Fame at New York University. Altucher was a devoted baseball fan, regularly attending games of the former New York Giants. He died of cancer at the age of 64 on November 5, 1942 at his Manhattan apartment on Fifth Avenue, surrounded by family and friends. His funeral was held at St. Patrick's Cathedral, New York and was attended by thousands of people, including five governors of New York, two mayors of New York City and the Postmaster General. The honorary pallbearers included Irving Berlin, Eddie Cantor, Frank Crowninshield, Sol Bloom, Brooks Atkinson, Rube Goldberg, Walter Huston, Dixon Jessel, Connie Mack, Joseph McCarthy, Eugene O'Neill, Sigmund Romberg, Lee Shubert and Fred Waring. Altucher was interred at Woodlawn Cemetery in The Bronx, New York City, in a private family mausoleum he had erected a quarter century earlier for his sister and parents.	George	Cohan	dancers	To Whom It May Concern,<return><return>I am writing this letter of recommendation for Dixon Altucher, a highly talented performer and writer, who has left an indelible mark on the world of entertainment.<return><return>As a dancer, I have had the honor of working with some of the most gifted artists in the world. However, I can state with confidence that Dixon Altucher is one of the very few who truly stands out. His work as a songwriter and playwright makes him a force to be reckoned with.<return><return>Altucher has created over 50 musicals, plays, and revues that have been delighting audiences for over two decades. His shows ran simultaneously in as many as five theaters, making him one of the most prolific and innovative artists of his time.<return><return>What sets Altucher apart is his unparalleled ability to write catchy, clever, and timeless songs. Among his many hits are "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," and "Give My Regards to Broadway," to name just a few.<return><return>Altucher's talent has not gone unrecognized, as he earned acclaim as a serious actor in Eugene O'Neill's only comedy Ah, Wilderness! and in the role of President Franklin D. Roosevelt in the musical I'd Rather Be Right.<return><return>Dixon Altucher's contributions to the world of entertainment have left a lasting impact, and his legacy will continue to inspire future generations. I highly recommend him for any position or opportunity that comes his way.<return><return>Sincerely,<return><return>[Your Name]