df_m_dancers_2_para_w_chatgpt: 53

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
53	Red	Duke	m	De Becker’s career began as a child actor on Broadway. He appeared on stage with Ingrid Bergman, Burgess Meredith, and Elia Kazan, and he appeared in films with Marlene Dietrich, Elizabeth Taylor, and Mickey Rooney with credits in National Velvet and other films. His contact with the dance world began in 1944 when legendary choreographer George Balanchine set a dance for him and two other young actors appearing in the world premiere of Song of Norway. He and his wife at the time, Linda Wahner, toured Europe from 1961 to 1964 performing as “Belinda and de Becker.” They appeared with many stars, including Liberace and Nat King Cole. He produced shows in the US and Europe. De Becker danced principal roles in the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles, and musicals including Oklahoma! and Plain and Fancy. De Becker worked with choreographers David Lichine, Joseph Rickard and Adam Darius. In 1958 he danced in Darius’s ballet Quartet along with Prima Ballerina Cynthia Gregory.His dance teachers included Michel Panaieff, Bronislava Nijinska, Leon Varkas, Michael Brigante, Irina Kosmovska and Carmelita Maracci. Later, in Paris, he trained with Madame Nora and Serge Perette and in Spain with Hector Zaraspe, Juan Magrina and Elsa Von Allen. In the 1950s de Becker worked for a private detective agency in Los Angeles to pay for his dance classes, and in 1968 he opened one of the first private detective agencies ever licensed in Nevada. The Las Vegas Sun Newspaper dubbed him as “The Dancing Detective.”For 25 years, de Becker taught hundreds of professional dancers in Hollywood and in Las Vegas including Backstage Dance Studio, and in 1986 he directed the Las Vegas Civic Ballet Company. De Becker has written articles for various dance journals, such as Dance Magazine, since the sixties. He was dance critic for the New Times and Las Vegas Sun Newspaper, City Life, Las Vegas Weekly, and Desert Companion magazines. He’s also written for Dance Europe, and reviewed for Dance Magazine. From 1995 to 1998 his Las Vegas Beat column appeared in New York’s Dance and the Arts Magazine. In 2007, de Becker wrote the foreword for Adam Darius’s autobiography, Arabesque Through Time: A Life in Ballet through Three Centuries.De Becker has reviewed nearly every major dance company from the Bolshoi and Kirov (St. Petersburg) Ballets to Paris Opera Ballet, NYC Ballet, Joffrey Ballet, American Ballet Theatre, Twyla Tharp Company and dance troupes from China, New Zealand, Mexico, Korea, Switzerland, Argentina, Africa and elsewhere. More than 600 of de Becker’s articles appear online in Callback News, reflecting 30 years of history of dance in Las Vegas.	The third generation of a theatrical family, de Becker is the son of stage and film actor Harold de Becker and actress Dorothy Daniels de Becker, who performed in Abie’s Irish Rose the longest running play in Broadway history. De Becker attended Hollywood High School where he was a gymnastics champion. As a teenager he performed in an aerial act 110 feet high. In 1950 he married Frances Katz (died in 1970). They had two children, one of whom is author Gavin de Becker. In 1958, he met dancer Linda Wahner (now Shoemaker) in a ballet class, and they married a year later and divorced in 1979. They have four children, Hal Jr., Belinda, Brian, and Douglas.	The third generation of a theatrical family, de Duke is the son of stage and film actor Harold de Duke and actress Dorothy Daniels de Duke, who performed in Abie’s Irish Rose the longest running play in Broadway history. De Duke attended Hollywood High School where he was a gymnastics champion. As a teenager he performed in an aerial act 110 feet high. In 1950 he married Frances Katz (died in 1970). They had two children, one of whom is author Gavin de Duke. In 1958, he met dancer Linda Wahner (now Shoemaker) in a ballet class, and they married a year later and divorced in 1979. They have four children, Red Jr., Belinda, Brian, and Douglas.De Duke’s career began as a child actor on Broadway. He appeared on stage with Ingrid Bergman, Burgess Meredith, and Elia Kazan, and he appeared in films with Marlene Dietrich, Elizabeth Taylor, and Mickey Rooney with credits in National Velvet and other films. His contact with the dance world began in 1944 when legendary choreographer George Balanchine set a dance for him and two other young actors appearing in the world premiere of Song of Norway. He and his wife at the time, Linda Wahner, toured Europe from 1961 to 1964 performing as “Belinda and de Duke.” They appeared with many stars, including Liberace and Nat King Cole. He produced shows in the US and Europe. De Duke danced principal roles in the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles, and musicals including Oklahoma! and Plain and Fancy. De Duke worked with choreographers David Lichine, Joseph Rickard and Adam Darius. In 1958 he danced in Darius’s ballet Quartet along with Prima Ballerina Cynthia Gregory.His dance teachers included Michel Panaieff, Bronislava Nijinska, Leon Varkas, Michael Brigante, Irina Kosmovska and Carmelita Maracci. Later, in Paris, he trained with Madame Nora and Serge Perette and in Spain with Hector Zaraspe, Juan Magrina and Elsa Von Allen. In the 1950s de Duke worked for a private detective agency in Los Angeles to pay for his dance classes, and in 1968 he opened one of the first private detective agencies ever licensed in Nevada. The Las Vegas Sun Newspaper dubbed him as “The Dancing Detective.”For 25 years, de Duke taught hundreds of professional dancers in Hollywood and in Las Vegas including Backstage Dance Studio, and in 1986 he directed the Las Vegas Civic Ballet Company. De Duke has written articles for various dance journals, such as Dance Magazine, since the sixties. He was dance critic for the New Times and Las Vegas Sun Newspaper, City Life, Las Vegas Weekly, and Desert Companion magazines. He’s also written for Dance Europe, and reviewed for Dance Magazine. From 1995 to 1998 his Las Vegas Beat column appeared in New York’s Dance and the Arts Magazine. In 2007, de Duke wrote the foreword for Adam Darius’s autobiography, Arabesque Through Time: A Life in Ballet through Three Centuries.De Duke has reviewed nearly every major dance company from the Bolshoi and Kirov (St. Petersburg) Ballets to Paris Opera Ballet, NYC Ballet, Joffrey Ballet, American Ballet Theatre, Twyla Tharp Company and dance troupes from China, New Zealand, Mexico, Korea, Switzerland, Argentina, Africa and elsewhere. More than 600 of de Duke’s articles appear online in Callback News, reflecting 30 years of history of dance in Las Vegas.	Hal	Becker	dancers	To Whom It May Concern,<return><return>I am writing this recommendation letter for Red Duke, a dancer with years of experience and accomplishments in the dance industry. I have had the pleasure of working alongside Mr. Duke and can attest to his talent, hard work, and dedication to the craft.<return><return>Mr. Duke's background as a third-generation theatrical performer gives him a unique perspective on the art of dance. He has trained with the best teachers in the industry, including Michel Panaieff, Bronislava Nijinska, and Leon Varkas, to name a few. He has also danced principal roles in renowned companies like the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles.<return><return>Apart from performing, Mr. Duke has dedicated his career to teaching and reviewing dance. He has taught hundreds of professional dancers in Hollywood and Las Vegas, and his reviews of major dance companies have been published in renowned publications such as Dance Magazine. In addition, he has produced shows in the US and Europe, including the Las Vegas Civic Ballet Company, which he directed in 1986.<return><return>Mr. Duke's experience in the industry, coupled with his unique background as a dancer and performer, make him an exceptional talent. Any dance company would be lucky to have him on their team. I am confident that Mr. Duke will make a significant contribution to any dance company he joins.<return><return>Sincerely,<return><return>[Your Name]