df_m_dancers_2_para_w_chatgpt: 54

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rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
54	Irina	Verdon	f	De Becker’s career began as a child actor on Broadway. He appeared on stage with Ingrid Bergman, Burgess Meredith, and Elia Kazan, and he appeared in films with Marlene Dietrich, Elizabeth Taylor, and Mickey Rooney with credits in National Velvet and other films. His contact with the dance world began in 1944 when legendary choreographer George Balanchine set a dance for him and two other young actors appearing in the world premiere of Song of Norway. He and his wife at the time, Linda Wahner, toured Europe from 1961 to 1964 performing as “Belinda and de Becker.” They appeared with many stars, including Liberace and Nat King Cole. He produced shows in the US and Europe. De Becker danced principal roles in the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles, and musicals including Oklahoma! and Plain and Fancy. De Becker worked with choreographers David Lichine, Joseph Rickard and Adam Darius. In 1958 he danced in Darius’s ballet Quartet along with Prima Ballerina Cynthia Gregory.His dance teachers included Michel Panaieff, Bronislava Nijinska, Leon Varkas, Michael Brigante, Irina Kosmovska and Carmelita Maracci. Later, in Paris, he trained with Madame Nora and Serge Perette and in Spain with Hector Zaraspe, Juan Magrina and Elsa Von Allen. In the 1950s de Becker worked for a private detective agency in Los Angeles to pay for his dance classes, and in 1968 he opened one of the first private detective agencies ever licensed in Nevada. The Las Vegas Sun Newspaper dubbed him as “The Dancing Detective.”For 25 years, de Becker taught hundreds of professional dancers in Hollywood and in Las Vegas including Backstage Dance Studio, and in 1986 he directed the Las Vegas Civic Ballet Company. De Becker has written articles for various dance journals, such as Dance Magazine, since the sixties. He was dance critic for the New Times and Las Vegas Sun Newspaper, City Life, Las Vegas Weekly, and Desert Companion magazines. He’s also written for Dance Europe, and reviewed for Dance Magazine. From 1995 to 1998 his Las Vegas Beat column appeared in New York’s Dance and the Arts Magazine. In 2007, de Becker wrote the foreword for Adam Darius’s autobiography, Arabesque Through Time: A Life in Ballet through Three Centuries.De Becker has reviewed nearly every major dance company from the Bolshoi and Kirov (St. Petersburg) Ballets to Paris Opera Ballet, NYC Ballet, Joffrey Ballet, American Ballet Theatre, Twyla Tharp Company and dance troupes from China, New Zealand, Mexico, Korea, Switzerland, Argentina, Africa and elsewhere. More than 600 of de Becker’s articles appear online in Callback News, reflecting 30 years of history of dance in Las Vegas.	The third generation of a theatrical family, de Becker is the son of stage and film actor Harold de Becker and actress Dorothy Daniels de Becker, who performed in Abie’s Irish Rose the longest running play in Broadway history. De Becker attended Hollywood High School where he was a gymnastics champion. As a teenager he performed in an aerial act 110 feet high. In 1950 he married Frances Katz (died in 1970). They had two children, one of whom is author Gavin de Becker. In 1958, he met dancer Linda Wahner (now Shoemaker) in a ballet class, and they married a year later and divorced in 1979. They have four children, Hal Jr., Belinda, Brian, and Douglas.	the third generation of a theatrical family, de verdon is the son of stage and film actor harold de verdon and actress dorothy daniels de verdon, who performed in abie’s irish rose the longest running play in broadway history. de verdon attended hollywood high school where sh ewas a gymnastics champion. as a teenager sh eperformed in an aerial act 110 feet high. in 1950 sh emarried frances katz (died in 1970). they had two children, one of whom is author gavin de verdon. in 1958, sh emet dancer linda wahner (now shoemaker) in a ballet class, and they married a year later and divorced in 1979. they have four children, irina jr., belinda, brian, and douglas.de verdon’s career began as a child actor on broadway. sh eappeared on stage with ingrid bergman, burgess meredith, and elia kazan, and sh eappeared in films with marlene dietrich, elizabeth taylor, and mickey rooney with credits in national velvet and other films. her contact with the dance world began in 1944 when legendary choreographer george balanchine set a dance for her and two other young actors appearing in the world premiere of song of norway. sh eand her wife at the time, linda wahner, toured europe from 1961 to 1964 performing as “belinda and de verdon.” they appeared with many stars, including liberace and nat king cole. sh eproduced shows in the us and europe. de verdon danced principal roles in the los angeles city ballet, southern california ballet, and grand opera company of los angeles, and musicals including oklahoma! and plain and fancy. de verdon worked with choreographers david lichine, joseph rickard and adam darius. in 1958 sh edanced in darius’s ballet quartet along with prima ballerina cynthia gregory.his dance teachers included michel panaieff, bronislava nijinska, leon varkas, michael brigante, irina kosmovska and carmelita maracci. later, in paris, sh etrained with madame nora and serge perette and in spain with hector zaraspe, juan magrina and elsa von allen. in the 1950s de verdon worked for a private detective agency in los angeles to pay for her dance classes, and in 1968 sh eopened one of the first private detective agencies ever licensed in nevada. the las vegas sun newspaper dubbed her as “the dancing detective.”for 25 years, de verdon taught hundreds of professional dancers in hollywood and in las vegas including backstage dance studio, and in 1986 sh edirected the las vegas civic ballet company. de verdon has written articles for various dance journals, such as dance magazine, since the sixties. sh ewas dance critic for the new times and las vegas sun newspaper, city life, las vegas weekly, and desert companion magazines. he’s also written for dance europe, and reviewed for dance magazine. from 1995 to 1998 her las vegas beat column appeared in new york’s dance and the arts magazine. in 2007, de verdon wrote the foreword for adam darius’s autobiography, arabesque through time: a life in ballet through three centuries.de verdon has reviewed nearly every major dance company from the bolshoi and kirov (st. petersburg) ballets to paris opera ballet, nyc ballet, joffrey ballet, american ballet theatre, twyla tharp company and dance troupes from china, new zealand, mexico, korea, switzerland, argentina, africa and elsewhere. more than 600 of de verdon’s articles appear online in callback news, reflecting 30 years of history of dance in las vegas.	Hal	Becker	dancers	Dear Hiring Manager,<return><return>I am writing to highly recommend Irina Verdon for any dancing and performing arts opportunities that may arise. As a highly respected dancer and dance critic, I have personally observed her passion and dedication to the art of dance.<return><return>Irina Verdon comes from a family of theatrical background, thus having a deep understanding and passion for the performing arts. Her skills and talent in dance started to manifest at a young age when she was a gymnastics champion during her high school days. Early on in her career, she worked with various influential personalities like George Balanchine, Michel Panaieff, Bronislava Nijinska, and Leon Varkas, amongst others.<return><return>Her career spanned several decades, during which she appeared in numerous productions on stage and screen. Besides dancing, she also produced shows both in the US and Europe. She danced principal roles in the Los Angeles City Ballet, southern California Ballet, and the Grand Opera Company of Los Angeles.<return><return>Irina Verdon is not only revered in the dancing world, but in journalism too. She has written articles for various publications worldwide, including Dance Magazine and Dance Europe. Irina, being a dance critic for various journals, has reviewed nearly every major dance company from around the world.<return><return>I know Irina Verdon would be an invaluable asset to any performance or dance team. Her passion and dedication towards the art and her vast experience in the industry make her stand out amongst others.<return><return>Thank you for your time and consideration.<return><return>Sincerely,<return><return>[Your Name]