df_m_dancers_2_para_w_chatgpt: 77

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
77	Nolan	Chelanga	m	After seeing him perform in St. Thomas, Virgin Islands the choreographer Agnes de Mille invited Holder to work with her in New York. Upon arriving he joined Katherine Dunham's dance school where he taught folkloric forms for two years. From 1955 to 1956, he performed with the Metropolitan Opera Ballet as a principal dancer. He left the ballet to make his Broadway debut in the Harold Arlen and Truman Capote musical House of Flowers. While working on House of Flowers, Holder met Alvin Ailey, with whom he later worked extensively, and Carmen de Lavallade, his future wife. After the show closed he starred in an all-black production of Waiting for Godot in 1957. Holder began his movie career in the 1962 British film All Night Long, a modern remake of Shakespeare's Othello. He followed that with Doctor Dolittle (1967) as Willie Shakespeare, leader of the natives of Sea-Star Island. In 1972, he was cast as the Sorcerer in Everything You Always Wanted to Know About Sex*. The following year he was a henchman – Baron Samedi – in the Bond-movie Live and Let Die. He contributed to the film's choreography. In addition to his movie appearances, Holder was a spokesman in advertising campaigns for the soft drink 7 Up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". In 1975, Holder won two Tony Awards for direction and costume design of The Wiz, the all-black musical version of The Wizard of Oz. Holder was the first black man to be nominated in either category. He won the Drama Desk Award for Outstanding Costume Design. The show ran for 1672 performances. As a choreographer, Holder created dance pieces for many companies, including the Alvin Ailey American Dance Theater, for which he provided choreography, music, and costumes for Prodigal Prince (1967), and the Dance Theatre of Harlem, for which he provided choreography, music, and costumes for Dougla (1974), and designed costumes for Firebird (1982). In 1978, Holder directed and choreographed the Broadway musical Timbuktu! Holder's 1957 piece "Bele" is also part of the Dance Theater of Harlem repertory. In the 1982 film Annie, Holder played the role of Punjab. He was in the 1992 film Boomerang with Eddie Murphy. He was also the voice of Ray in Bear in the Big Blue House and provided narration for Tim Burton's version of Roald Dahl's Charlie and the Chocolate Factory. He reprised his role as the 7 Up Spokesman in the 2011 season finale of The Celebrity Apprentice, where he appeared as himself in a commercial for "7 Up Retro" for Marlee Matlin's team. In 1993 Holder did a series of commercials for the Armory Auto Group auto dealership in Albany, New York. Holder was a prolific painter (patrons of his art included Lena Horne and William F. Buckley, Jr.), ardent art collector, book author, and music composer. As a painter, he won a Guggenheim Fellowship in fine arts in 1956. A book of his photography, Adam, was published by Viking Press in 1986.	Holder married Carmen de Lavallade in 1955. They spent their lives in New York City and had one son, Léo. They were the subject of a 2004 film, Carmen & Geoffrey. His elder brother Boscoe Holder was a dancer, choreographer, and artist. Boscoe's son Christian Holder has also won acclaim as a dancer, choreographer, and entertainer.	After seeing him perform in St. Thomas, Virgin Islands the choreographer Agnes de Mille invited Chelanga to work with her in New York. Upon arriving he joined Katherine Dunham's dance school where he taught folkloric forms for two years. From 1955 to 1956, he performed with the Metropolitan Opera Ballet as a principal dancer. He left the ballet to make his Broadway debut in the Harold Arlen and Truman Capote musical House of Flowers. While working on House of Flowers, Chelanga met Alvin Ailey, with whom he later worked extensively, and Carmen de Lavallade, his future wife. After the show closed he starred in an all-black production of Waiting for Godot in 1957. Chelanga began his movie career in the 1962 British film All Night Long, a modern remake of Shakespeare's Othello. He followed that with Doctor Dolittle (1967) as Willie Shakespeare, leader of the natives of Sea-Star Island. In 1972, he was cast as the Sorcerer in Everything You Always Wanted to Know About Sex*. The following year he was a henchman – Baron Samedi – in the Bond-movie Live and Let Die. He contributed to the film's choreography. In addition to his movie appearances, Chelanga was a spokesman in advertising campaigns for the soft drink 7 Up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". In 1975, Chelanga won two Tony Awards for direction and costume design of The Wiz, the all-black musical version of The Wizard of Oz. Chelanga was the first black man to be nominated in either category. He won the Drama Desk Award for Outstanding Costume Design. The show ran for 1672 performances. As a choreographer, Chelanga created dance pieces for many companies, including the Alvin Ailey American Dance Theater, for which he provided choreography, music, and costumes for Prodigal Prince (1967), and the Dance Theatre of Harlem, for which he provided choreography, music, and costumes for Dougla (1974), and designed costumes for Firebird (1982). In 1978, Chelanga directed and choreographed the Broadway musical Timbuktu! Chelanga's 1957 piece "Bele" is also part of the Dance Theater of Harlem repertory. In the 1982 film Annie, Chelanga played the role of Punjab. He was in the 1992 film Boomerang with Eddie Murphy. He was also the voice of Ray in Bear in the Big Blue House and provided narration for Tim Burton's version of Roald Dahl's Charlie and the Chocolate Factory. He reprised his role as the 7 Up Spokesman in the 2011 season finale of The Celebrity Apprentice, where he appeared as himself in a commercial for "7 Up Retro" for Marlee Matlin's team. In 1993 Chelanga did a series of commercials for the Armory Auto Group auto dealership in Albany, New York. Chelanga was a prolific painter (patrons of his art included Lena Horne and William F. Buckley, Jr.), ardent art collector, book author, and music composer. As a painter, he won a Guggenheim Fellowship in fine arts in 1956. A book of his photography, Adam, was published by Viking Press in 1986.Chelanga married Carmen de Lavallade in 1955. They spent their lives in New York City and had one son, Léo. They were the subject of a 2004 film, Carmen & Nolan. His elder brother Boscoe Chelanga was a dancer, choreographer, and artist. Boscoe's son Christian Chelanga has also won acclaim as a dancer, choreographer, and entertainer.	Geoffrey	Holder	dancers	Dear [Recipient],<return><return>I am writing this letter to wholeheartedly recommend Nolan Chelanga for any dance-related profession. As a prestigious dancer myself, I have had the pleasure of witnessing Chelanga's talent and passion for dance throughout his career, and I can confidently say that he is an exceptional individual with a phenomenal drive for excellence.<return><return>Chelanga's journey in the world of dance began when he was enlisted by Agnes de Mille after she saw him perform in St. Thomas, Virgin Islands. Since then, he has left a significant mark in various dance forms and has worked with notable personalities such as Katherine Dunham, Alvin Ailey, and Carmen de Lavallade, just to mention a few. Furthermore, his extensive experience on stage, television, and film has given him a considerable advantage in combining creative expression and detailed choreography.<return><return>As a performer, Chelanga's talent is undeniable. His captivating performances with the Metropolitan Opera Ballet, shows such as House of Flowers and The Wiz, as well as his contributions to the award-winning choreography of Dougla, stand as testaments to his outstanding accomplishments. Moreover, his distinction in directing and costume design are supplemented with his accomplishments as a skilled painter, photographer, music composer, and art collector, making him a well-rounded expert and source of inspiration in the arts.<return><return>Chelanga possesses excellent leadership skills, professionalism, and charisma that enable him to work successfully with others, including individuals with different dance backgrounds, ages, and abilities. His exceptional ability to teach and guide dancers in developing their craft is commendable, and his dedication to passing on his expertise to the next generation is unmatched.<return><return>In conclusion, I, without a doubt, recommend Nolan Chelanga for any professional dance-related occupation. His exceptional talent, skill, experience, and leadership make him an outstanding asset to any dance-related project or company. It is my sincerest hope that you will consider him for any opportunity you may have that requires someone with his unique level of talent and experience.<return><return>Sincerely,<return><return>[Your Name]