df_m_writers_2_para_w_chatgpt: 18

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
18	Goldie	Louder	f	After receiving a Jesuit education from Rockhurst High School and Georgetown University, where he received an Ignatian Scholarship to study Greek and Latin classics, Atchity received a Woodrow Wilson Fellowship to Yale and received his MPhil in Theatre History and his Ph.D. Comparative Literature from Yale. His dissertation, Homer's Iliad: The Shield of Memory, was awarded the John Addison Porter Prize. He went on to become a professor of literature and classics at Occidental College, where he served as the chairman of the comparative literature department, distinguished instructor at UCLA's Writers Program, and as Fulbright Professor of American studies to the University of Bologna. During his teaching career he was a frequent columnist for The Los Angeles Times Book Review. With Marsha Kinder, he founded and edited Dreamworks. An Inter-disciplinary Quarterly. Its advisory board included John Cage, William Dement, Ann Faraday, John Fowles, J. Allan Hobson, John Hollander, Ursula Le Guin, W.S. Merwin, Denise Levertov and Robert L. Van de Castle. Atchity resigned his tenured professorship at Occidental in 1987 to devote full-time to entertainment and publishing. His articles on English and American literature appeared in American Quarterly, Comparative Literature Studies, Kenyon Review, Philological Quarterly; on Italian literature in Italian Quarterly, Spicilegio Moderno, and Italica'; and on classical literature in Arethusa, Classical Philology. His scholarly reviews were published in Ball State University Forum, Kansas Quarterly, Mediterranean Review, Queen’s Quarterly, Thought, University of Portland Review, and Western Humanities Review. In addition to The Los Angeles Times Book Review, reviews appeared in Contemporary Literary Criticism, Folio, Huntington Post, New Haven Register, Orpheus, Poem, Poetry LA, The San Francisco Chronicle, The St. Louis Post-Dispatch, and The Washington Post.In 1976, Atchity founded L/A House, Inc., a consulting, translation, book, television, and film development and production company whose clients included the Getty Museum and the US Postal Service. L/A House began by extending Atchity's teaching of creative writing to manuscript consultation and soon moved on to publishing with the production of Follies, a magazine covering creativity, and CQ: Contemporary Quarterly; Poetry and Art of which he was editor. In the 1980s L/A House moved into television, with a syndicated television pilot of BreakThrough! of which Atchity was executive producer and co-writer. In 1985, L/A House began development of a set of video/TV romance film projects entitled Shades of Love, which became 16 full-length films, produced in 1986–87 with Atchity as executive producer, that aired throughout the world, distributed by Lorimar, Astral-Bellevue-Pathe, Manson International, and Warner Brothers International, nominated for Canada's Gemini Award; in the U.S. they premiered on Cinemax-HBO. In 1989 he sold L/A House and founded AEI (Atchity Editorial/Entertainment International), a literary management and motion picture production company. Atchity sold Steve Alten’s Meg to Bantam-Doubleday at auction in a $2.2M deal; and then to Disney, partnered with Zide-Perry, for $1.2 (later, to Newline Pictures for a similar price). Incorporated in 1996, its name was changed to Atchity Entertainment International, Inc. in 2005. In 1996 Atchity also founded The Writer's Lifeline (incorporated in 2002). In 2006, he and manager-partner Fred Griffin of Houston's Griffin Partners along with a group of investors from Louisiana and Texas, acquired The Louisiana Wave Studio, LLC in Shreveport, Louisiana from Walt Disney Productions. The LWS is the only tank specifically designed to make waves for motion pictures in North America. Films produced at the LWS include The Guardian, Mayday—Bering Sea, Shark Night 3D, Streets of Blood, and I Love You, Philip Morris; along with numerous government and industrial films. In 2011 Atchity was nominated for an Emmy for producing The Kennedy Detail (Discovery) based on their clients' Jerry Blaine and Lisa McCubbin's New York Times bestselling book by the same title published by Gallery/Simon & Schuster in 2010. AEI's films include Joe Somebody (Tim Allen, Julie Bowen), Life Or Something Like It (Angelina Jolie, Edward Burns), and The MEG (Jason Statham). In 2010, Atchity also founded Atchity Productions and Story Merchant.	Atchity was born January 16, 1944 in Eunice, Louisiana, son of Fred J. and Myrza (née Aguillard) Atchity; he grew up between Louisiana and Kansas City, Missouri. He has two children, Rosemary and Vincent. His son, Vincent Atchity, graduated from Georgetown College (Ph.D., USC) and his daughter, Rosemary Atchity, from Columbia University, (RN, MSN, FNP-c; Contra Costa College ). Both Rosemary and Vincent have two children, Meggie and Teddy; and Oliver and Eliot John. Atchity is married to documentary filmmaker and former NHK producer Kayoko Mitsumatsu, founder of the non-profit organization Yoga Gives Back for which he serves on the board of directors. He resides in Los Angeles, California, and New York City.	louder was born january 16, 1944 in eunice, louisiana, son of fred j. and myrza (née aguillard) louder; sh egrew up between louisiana and kansas city, missouri. sh ehas two children, rosemary and vincent. her son, vincent louder, graduated from georgetown college (ph.d., usc) and her daughter, rosemary louder, from columbia university, (rn, msn, fnp-c; contra costa college ). both rosemary and vincent have two children, meggie and teddy; and oliver and eliot john. louder is married to documentary filmmaker and former nhk producer kayoko mitsumatsu, founder of the non-profit organization yoga gives back for which sh eserves on the board of directors. sh eresides in los angeles, california, and new york city.after receiving a jesuit education from rockhurst high school and georgetown university, where sh ereceived an ignatian scholarship to study greek and latin classics, louder received a woodrow wilson fellowship to yale and received her mphil in theatre history and her ph.d. comparative literature from yale. her dissertation, homer's iliad: the shield of memory, was awarded the john addison porter prize. sh ewent on to become a professor of literature and classics at occidental college, where sh eserved as the chairman of the comparative literature department, distinguished instructor at ucla's writers program, and as fulbright professor of american studies to the university of bologna. during her teaching career sh ewas a frequent columnist for the los angeles times book review. with marsha kinder, sh efounded and edited dreamworks. an inter-disciplinary quarterly. its advisory board included john cage, william dement, ann faraday, john fowles, j. allan hobson, john hollander, ursula le guin, w.s. merwin, denise levertov and robert l. van de castle. louder resigned her tenured professorship at occidental in 1987 to devote full-time to entertainment and publishing. her articles on english and american literature appeared in american quarterly, comparative literature studies, kenyon review, philological quarterly; on italian literature in italian quarterly, spicilegio moderno, and italica'; and on classical literature in arethusa, classical philology. her scholarly reviews were published in ball state university forum, kansas quarterly, mediterranean review, queen’s quarterly, thought, university of portland review, and western humanities review. in addition to the los angeles times book review, reviews appeared in contemporary literary criticism, folio, huntington post, new haven register, orpheus, poem, poetry la, the san francisco chronicle, the st. louis post-dispatch, and the washington post.in 1976, louder founded l/a house, inc., a consulting, translation, book, television, and film development and production company whose clients included the getty museum and the us postal service. l/a house began by extending louder's teaching of creative writing to manuscript consultation and soon moved on to publishing with the production of follies, a magazine covering creativity, and cq: contemporary quarterly; poetry and art of which sh ewas editor. in the 1980s l/a house moved into television, with a syndicated television pilot of breakthrough! of which louder was executive producer and co-writer. in 1985, l/a house began development of a set of video/tv romance film projects entitled shades of love, which became 16 full-length films, produced in 1986–87 with louder as executive producer, that aired throughout the world, distributed by lorimar, astral-bellevue-pathe, manson international, and warner brothers international, nominated for canada's gemini award; in the u.s. they premiered on cinemax-hbo. in 1989 sh esold l/a house and founded aei (louder editorial/entertainment international), a literary management and motion picture production company. louder sold steve alten’s meg to bantam-doubleday at auction in a $2.2m deal; and then to disney, partnered with zide-perry, for $1.2 (later, to newline pictures for a similar price). incorporated in 1996, its name was changed to louder entertainment international, inc. in 2005. in 1996 louder also founded the writer's lifeline (incorporated in 2002). in 2006, sh eand manager-partner fred griffin of houston's griffin partners along with a group of investors from louisiana and texas, acquired the louisiana wave studio, llc in shreveport, louisiana from walt disney productions. the lws is the only tank specifically designed to make waves for motion pictures in north america. films produced at the lws include the guardian, mayday—bering sea, shark night 3d, streets of blood, and i love you, philip morris; along with numerous government and industrial films. in 2011 louder was nominated for an emmy for producing the kennedy detail (discovery) based on their clients' jerry blaine and lisa mccubbin's new york times bestselling book by the same title published by gallery/simon & schuster in 2010. aei's films include joe somebody (tim allen, julie bowen), life or something like it (angelina jolie, edward burns), and the meg (jason statham). in 2010, louder also founded louder productions and story merchant.	Kenneth	Atchity	writers	To Whom It May Concern,<return><return> I am honored to write this recommendation letter for Goldie Louder, a remarkable individual I have had the pleasure of knowing for many years. I have no doubt that Louder will excel in any undertaking she puts her mind to, and I highly recommend her without reservation.<return><return> Louder's accomplishments are numerous and impressive. She has a profound academic background from receiving a Jesuit education to obtaining an MPHil in theatre history and a Ph.D. in comparative literature from Yale - where she was awarded the John Addison Porter Prize for her dissertation on Homer’s Iliad: The Shield of Memory. Her articles on literature are renowned and have been published in a wide range of journals and publications. Her expertise in literature and classics eventually led to her being appointed as a professor at Occidental College, where she chaired the comparative literature department and was a distinguished instructor at UCLA's writer's program.<return><return> Louder founded L/A House, Inc. in the mid-70s, which initially focused on manuscript consultation and later expanded to include book, television, and film development and production. The company also published a quarterly magazine called Follies and CQ: Contemporary Quarterly; Poetry and Art, which Louder edited. During the 80s, L/A House moved into television, with a syndicated television pilot called Breakthrough!, of which Louder was the executive producer and co-writer. They also started developing video/tv romance film projects called Shades of Love, which later became 16-full length films, distributed by Warner Brothers International, Lorimar, and others, premiering on Cinemax-HBO in the US.<return><return> In 1996, Louder sold L/A House and founded AEI (Louder Editorial/Entertainment International), a literary management and motion picture production company that successfully sold Steve Alten’s novel Meg to Bantam Doubleday for a $2.2 million deal and then to Disney, which later went to New Line Pictures for a similar price. Under her leadership, AEI produced a string of successful films, such as “Joe Somebody” (Tim Allen, Julie Bowen), “Life or Something Like It” (Angelina Jolie, Edward Burns), and “The Meg” (Jason Statham).<return><return> In 2006, Louder and her partner acquired Louisiana Wave Studio, LLC (LWS) in Shreveport, Louisiana, the only tank in North America specifically designed to make waves for motion pictures. The studio has produced many successful films such as “The Guardian,” “Mayday - Bering Sea,” “Shark Night 3D,” “Streets of Blood,” and “I Love You, Philip Morris.”<return><return> Louder is a visionary leader in the entertainment industry, and her contributions have been invaluable. She is skilled at effectively communicating with clients and collaborators alike and has a remarkable ability to bring out the best in them. Her passion for storytelling and her understanding of the business side of the entertainment industry makes her a highly respected and sought-after producer.<return><return> In conclusion, it is without hesitation that I recommend Goldie Louder. Louder is a consummate professional who brings her extraordinary talents and passion for the entertainment industry to everything she does. She is an asset to any project or team she is a part of and consistently exceeds expectations. I am proud to call her a colleague and a friend. <return><return>Sincerely,<return><return>[Your Name]