df_m_writers_2_para_w_chatgpt: 61

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
61	Buz	Koby	m	While living in New York, Brewster exhibited his paintings at the Pennsylvania Academy of Fine Arts, the Boston Art Club, the Corcoran Gallery of Art in Washington, D.C., and in New York City at the Society of American Artists' 28th Annual Exhibition, the National Academy of Design and the New York School of Art. One of his paintings, The Grey Harbor, was purchased by artist William Merritt Chase; another was later acquired by the Hillyer Gallery at Smith College. In 1904 a fellow art student, the poet Vachel Lindsay, introduced Brewster to his future wife, Achsah Barlow, herself a painter, after noticing her resemblance to an imaginary portrait Earl had painted for a magazine cover. The two were married in 1910 and immediately moved to Italy. Except for a brief visit in 1923, they never again returned to the United States. Their daughter, Harwood, was born in Paris in 1912. The Brewsters spent nearly twenty years in southern Italy, with travels to Greece, France, Ceylon and India. After six years in southern France, they moved in 1935 to live at snowview estate Crank's Ridge in Almora, Uttarakhand, India. Earl and Achsah Brewster's art was influenced chiefly by the mural paintings of Puvis de Chavannes and the Italian primitive painters. Their work exhibits a wide-ranging spirituality, encompassing Christian, Buddhist and Hindu subjects. Earl painted mostly landscapes, portraits, and religious scenes, as well as some abstract works. During their years in Italy, the Brewsters exhibited regularly at the Salon d'Automne and the Société des Artistes Indépendants. They also had shows at the Galerie Cheron and the Grand Palais in Paris, the Pincio Casino in Rome and with the Secessione in Rome. In 1923 they published L'oeuvre de E.H. et Achsah Barlow Brewster, which set forth their artistic principles, influences and goals. Earl's greatest artistic success came during his years in India, where more than a dozen of his paintings were purchased for public buildings. Copies of his statue of the Buddha were placed in several temples. In India their work was shown at the Indian Society of Oriental Art in Calcutta and at the Roerich Centre of Art and Culture in Allahabad. More recently, the ACA Galleries in New York held exhibitions of their paintings in 2001 and 2007–08. In 2008 Earl's landscape, The Gulf of Salerno, was acquired by the Telfair Museum of Art in Savannah, Ga. The Brewsters were remarkable in numbering among their circle of friends many prominent artistic, literary and political figures, including D.H. Lawrence and Willa Cather, both of whose writings they influenced, Elihu Vedder, Vachel Lindsay and three generations of the Nehru family. The Brewsters and Lawrences met on Capri in 1921 and maintained a close friendship and frequent correspondence. Together Earl and Lawrence toured Etruscan sites and antiquities in 1927, which inspired Lawrence's Etruscan Places. After Lawrence's death, the Brewsters compiled a book of his letters to them, with their memories of him. D.H. Lawrence: Reminiscences and Correspondence was published in 1934. In India they became part of a distinguished community that included the Nehru family, dancer Uday Shankar (brother of Ravi Shankar), mystics and intellectuals. In 1947 Earl Brewster was honored to accept an invitation to raise the Indian flag at a celebration in Almora of India's independence. Earl was interested in both Eastern and Western philosophy and religion, and after an early involvement with Theosophy, he followed first Buddhism and then Vedanta Hinduism, subjects of his numerous articles. At the suggestion of the English Buddhist scholar Caroline Rhys Davids, he published in 1926 The Life of Gotama the Buddha (Compiled Exclusively from the Pali Canon).	He was married to Achsah Barlow Brewster, also an artist. The personal correspondence of Earl and Achsah Brewster, as well as memoirs by Achsah Brewster and Harwood Brewster Picard, are housed at Drew University, Madison, NJ.	While living in New York, Koby exhibited his paintings at the Pennsylvania Academy of Fine Arts, the Boston Art Club, the Corcoran Gallery of Art in Washington, D.C., and in New York City at the Society of American Artists' 28th Annual Exhibition, the National Academy of Design and the New York School of Art. One of his paintings, The Grey Harbor, was purchased by artist William Merritt Chase; another was later acquired by the Hillyer Gallery at Smith College. In 1904 a fellow art student, the poet Vachel Lindsay, introduced Koby to his future wife, Achsah Barlow, herself a painter, after noticing her resemblance to an imaginary portrait Buz had painted for a magazine cover. The two were married in 1910 and immediately moved to Italy. Except for a brief visit in 1923, they never again returned to the United States. Their daughter, Harwood, was born in Paris in 1912. The Kobys spent nBuzy twenty years in southern Italy, with travels to Greece, France, Ceylon and India. After six years in southern France, they moved in 1935 to live at snowview estate Crank's Ridge in Almora, Uttarakhand, India. Buz and Achsah Koby's art was influenced chiefly by the mural paintings of Puvis de Chavannes and the Italian primitive painters. Their work exhibits a wide-ranging spirituality, encompassing Christian, Buddhist and Hindu subjects. Buz painted mostly landscapes, portraits, and religious scenes, as well as some abstract works. During their years in Italy, the Kobys exhibited regularly at the Salon d'Automne and the Société des Artistes Indépendants. They also had shows at the Galerie Cheron and the Grand Palais in Paris, the Pincio Casino in Rome and with the Secessione in Rome. In 1923 they published L'oeuvre de E.H. et Achsah Barlow Koby, which set forth their artistic principles, influences and goals. Buz's greatest artistic success came during his years in India, where more than a dozen of his paintings were purchased for public buildings. Copies of his statue of the Buddha were placed in several temples. In India their work was shown at the Indian Society of Oriental Art in Calcutta and at the Roerich Centre of Art and Culture in Allahabad. More recently, the ACA Galleries in New York held exhibitions of their paintings in 2001 and 2007–08. In 2008 Buz's landscape, The Gulf of Salerno, was acquired by the Telfair Museum of Art in Savannah, Ga. The Kobys were remarkable in numbering among their circle of friends many prominent artistic, literary and political figures, including D.H. Lawrence and Willa Cather, both of whose writings they influenced, Elihu Vedder, Vachel Lindsay and three generations of the Nehru family. The Kobys and Lawrences met on Capri in 1921 and maintained a close friendship and frequent correspondence. Together Buz and Lawrence toured Etruscan sites and antiquities in 1927, which inspired Lawrence's Etruscan Places. After Lawrence's death, the Kobys compiled a book of his letters to them, with their memories of him. D.H. Lawrence: Reminiscences and Correspondence was published in 1934. In India they became part of a distinguished community that included the Nehru family, dancer Uday Shankar (brother of Ravi Shankar), mystics and intellectuals. In 1947 Buz Koby was honored to accept an invitation to raise the Indian flag at a celebration in Almora of India's independence. Buz was interested in both Eastern and Western philosophy and religion, and after an Buzy involvement with Theosophy, he followed first Buddhism and then Vedanta Hinduism, subjects of his numerous articles. At the suggestion of the English Buddhist scholar Caroline Rhys Davids, he published in 1926 The Life of Gotama the Buddha (Compiled Exclusively from the Pali Canon).He was married to Achsah Barlow Koby, also an artist. The personal correspondence of Buz and Achsah Koby, as well as memoirs by Achsah Koby and Harwood Koby Picard, are housed at Drew University, Madison, NJ.	Earl	Brewster	writers	Dear Hiring Manager,<return><return>I am writing to highly recommend Buz Koby as an exceptional artist who has made significant contributions to the world of painting. Through my personal and professional interactions with him, I have witnessed his passion, dedication, and exceptional talent.<return><return>During his time in New York, Koby's work was exhibited at some of the most prestigious art institutions in the United States, including the Society of American Artists' 28th Annual Exhibition, the National Academy of Design, and the New York School of Art. His paintings received critical acclaim and were even purchased by renowned artists such as William Merritt Chase.<return><return>Koby's artistic talent flourished during his time abroad, particularly during his twenty years in southern Italy and his later years in India. His work was influenced by the mural paintings of Puvis de Chavannes and the Italian primitive painters, as well as Christian, Buddhist, and Hindu spirituality.<return><return>In India, Koby's artistic impact was truly remarkable. He created more than a dozen paintings that were purchased for public buildings, and his statue of the Buddha was replicated in various temples. Koby's work was also featured at the Indian Society of Oriental Art in Calcutta and at the Roerich Centre of Art and Culture in Allahabad.<return><return>Furthermore, Koby was a significant figure in the artistic, literary, and political communities throughout his life. His circle of friends included prominent figures such as D.H. Lawrence, Elihu Vedder, and the Nehru family. He even raised the Indian flag in celebration of India's independence in 1947.<return><return>Koby's impact on the art world and beyond is truly exceptional. He brought together diverse artistic influences and spiritual practices to create a unique and profound body of work. I am positive that he would be an asset to any artistic or cultural institution, and I wholeheartedly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name]