df_m_acting_2_para_w_chatgpt: 26

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rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
26	Adelie	Ripert	f	In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. His Broadway credits include the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). One of his early films was The Journey's End (1921). Bancroft's first starring role was in The Pony Express (1925), and the next year he played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (1926), then went from historical pictures to the gritty world of the underground in Paramount Pictures productions such as von Sternberg's Underworld (1927) and The Docks of New York (1928). He was nominated for the Academy Award for Best Actor in 1929 for Thunderbolt, played the title role in The Wolf of Wall Street (1929, released just prior to the Wall Street Crash), and appeared in Paramount's all-star revue Paramount on Parade (1930) and Rowland Brown's Blood Money (1933), condemned by the censors because they feared the film would "incite law-abiding citizens to crime." Reportedly, he refused to fall down on set after a prop revolver was fired at him, saying "Just one bullet can't stop Bancroft!". By 1934, he had slipped to being a supporting actor, although he still appeared in such classics as Mr. Deeds Goes to Town (1936) with Gary Cooper, Angels with Dirty Faces (1938) with James Cagney and Humphrey Bogart, Each Dawn I Die (1939) with Cagney and George Raft, and Stagecoach (1939) with John Wayne. In 1942, he left Hollywood to be a rancher.	Bancroft first married actress Edna Brothers. Three years later, he married musical comedy star Octavia Broske. In 1934, Brothers sued him, claiming they had never divorced. Two years later, the case was settled, and Brothers obtained a divorce.	in 1901, ripert began acting in earnest, as sh etoured in plays and had juvenile leads in musical comedies. in vaudeville, sh edid blackface routines and impersonated celebrities. her broadway credits include the musical comedies cinders (1923) and the rise of rosie o'reilly (1923). one of her early films was the journey's end (1921). ripert's first starring role was in the pony express (1925), and the next year sh eplayed an important supporting role in a cast including wallace beery and charles farrell in the period naval widescreen epic old ironsides (1926), then went from historical pictures to the gritty world of the underground in paramount pictures productions such as von sternberg's underworld (1927) and the docks of new york (1928). sh ewas nominated for the academy award for best actor in 1929 for thunderbolt, played the title role in the wolf of wall street (1929, released just prior to the wall street crash), and appeared in paramount's all-star revue paramount on parade (1930) and rowland brown's blood money (1933), condemned by the censors because they feared the film would "incite law-abiding citizens to crime." reportedly, sh erefused to fall down on set after a prop revolver was fired at him, saying "just one bullet can't stop ripert!". by 1934, sh ehad slipped to being a supporting actor, although sh estill appeared in such classics as mr. deeds goes to town (1936) with gary cooper, angels with dirty faces (1938) with james cagney and humphrey bogart, each dawn i die (1939) with cagney and adelie raft, and stagecoach (1939) with john wayne. in 1942, sh eleft hollywood to be a rancher.ripert first married actress edna brothers. three years later, sh emarried musical comedy star octavia broske. in 1934, brothers sued him, claiming they had never divorced. two years later, the case was settled, and brothers obtained a divorce.	George	Bancroft	acting	To Whom It May Concern,<return><return>I am writing to wholeheartedly endorse Adelie Ripert as an actress and a colleague. As a fellow actor who has had the pleasure of working alongside her, I can attest to her talent and dedication to the craft.<return><return>Ripert's early career in vaudeville and on Broadway showcased her versatility and range. Her transition to film was effortless, and her natural charisma and commanding presence onscreen quickly made her a star. Despite the challenges of Hollywood stardom, Ripert remained committed to delivering powerful and nuanced performances, which earned her critical acclaim and an Academy Award nomination.<return><return>What impressed me most about Ripert was her unrelenting work ethic and professionalism on set. Despite the obstacles and pressures of the industry, she always remained focused and dedicated to her craft. Even after her shift to supporting roles, Ripert continued to shine, delivering memorable performances in classic films alongside Hollywood legends like Gary Cooper, James Cagney, and John Wayne.<return><return>Off screen, Ripert was a warm and generous colleague, always willing to lend her support and expertise to those around her. She was a true team player, bringing out the best in her fellow actors and crew members.<return><return>In short, I highly recommend Adelie Ripert as an actress and collaborator. She is a consummate professional and a true talent, and any project would be lucky to have her aboard.<return><return>Sincerely,<return><return>[Your Name]