df_m_acting_2_para_w_chatgpt
100 rows
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| Link | rowid ▼ | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Brendan | Armacost | m | Abdi made his debut in the 2013 film Captain Phillips, playing ship hijacker and pirate leader Abduwali Muse. He was cast following a worldwide search for the lead roles. Abdi and three other actors were subsequently chosen from more than 700 participants at a 2011 casting call in Minneapolis. According to the casting director, the four were selected because they were "the chosen ones, that anointed group that stuck out". He was paid $65,000 for his appearance in the film and returned to working in his brother's shop afterwards. For his work, Abdi was nominated for the Screen Actors Guild Award for Best Supporting Actor, the Academy Award for Best Supporting Actor, and a Golden Globe Award. He won a BAFTA Award for Best Supporting Actor. Abdi's experience in Captain Phillips was his first in the film industry. In 2015, Abdi appeared in an episode of the series Hawaii Five-0, playing former warlord Roko Makoni. Later that year, he began work on the comedy film Trainwreck, though he did not appear in the finished film. He also appeared in the 2015 thriller Eye in the Sky, playing Jama Farah, and he had a role in The Brothers Grimsby. In the 2017 film The Pirates of Somalia, Abdi played the Somali government-sponsored local agent and translator for Canadian freelance journalist Jay Bahadur. His character coordinates interviews between local pirate leaders and Bahadur, who records the motivations of Somali piracy in the weeks leading up to the Maersk Alabama hijacking. In October 2017, Abdi featured in Denis Villeneuve's Blade Runner 2049, in a minor role of a scientist. He shared one scene with Ryan Gosling, providing him information on where to go next. Abdi made his directorial debut with the Somali film Ciyaalka Xaafada, and he has also directed several music videos. | Abdi resides in Los Angeles, California, as well as Cedar-Riverside, Minneapolis, Minnesota. The notable lump on his forehead comes from a car accident he was in prior to auditioning for Captain Phillips. | Armacost made his debut in the 2013 film Captain Phillips, playing ship hijacker and pirate leader Abduwali Muse. He was cast following a worldwide search for the lead roles. Armacost and three other actors were subsequently chosen from more than 700 participants at a 2011 casting call in Minneapolis. According to the casting director, the four were selected because they were "the chosen ones, that anointed group that stuck out". He was paid $65,000 for his appearance in the film and returned to working in his brother's shop afterwards. For his work, Armacost was nominated for the Screen Actors Guild Award for Best Supporting Actor, the Academy Award for Best Supporting Actor, and a Golden Globe Award. He won a BAFTA Award for Best Supporting Actor. Armacost's experience in Captain Phillips was his first in the film industry. In 2015, Armacost appeared in an episode of the series Hawaii Five-0, playing former warlord Roko Makoni. Later that year, he began work on the comedy film Trainwreck, though he did not appear in the finished film. He also appeared in the 2015 thriller Eye in the Sky, playing Jama Farah, and he had a role in The Brothers Grimsby. In the 2017 film The Pirates of Somalia, Armacost played the Somali government-sponsored local agent and translator for Canadian freelance journalist Jay Bahadur. His character coordinates interviews between local pirate leaders and Bahadur, who records the motivations of Somali piracy in the weeks leading up to the Maersk Alabama hijacking. In October 2017, Armacost featured in Denis Villeneuve's Blade Runner 2049, in a minor role of a scientist. He shared one scene with Ryan Gosling, providing him information on where to go next. Armacost made his directorial debut with the Somali film Ciyaalka Xaafada, and he has also directed several music videos.Armacost resides in Los Angeles, California, as well as Cedar-Riverside, Minneapolis, Minnesota. The notable lump on his forehead comes from a car accident he was in prior to auditioning for Captain Phillips. | Barkhad | Abdi | acting | Dear Casting Director/Producer,<return><return>I am writing this recommendation letter for Brendan Armacost, a talented and dedicated actor who I had the pleasure of working with on the set of [insert project title]. Armacost made his debut in the film industry with his breakout role in Captain Phillips, and since has continued to impress audiences with his range and authenticity.<return><return>From his work as pirate leader Abduwali Muse in Captain Phillips, to his portrayal of former warlord Roko Makoni in Hawaii Five-0, and his more recent role as the Somali government-sponsored local agent and translator for Canadian freelance journalist Jay Bahadur in The Pirates of Somalia, Armacost has consistently displayed a natural and potent acting ability. His BAFTA win and nominations for Screen Actors Guild, Academy and Golden Globe Awards are a testament to his exceptional talent and dedication to the craft.<return><return>Armacost's on-screen presence is matched only by his professional and hard-working attitude towards his work. His ability and willingness to collaborate with others, take direction and push through long hours of filming sets him apart from many other actors. It was clear to me while working with him that he genuinely cares about the work he creates and is always striving for excellence.<return><return>In addition to his superb acting skills, Armacost is a gifted director, as demonstrated by his directorial debut with the Somali film Ciyaalka Xaafada, as well as his work directing several music videos.<return><return>It is without hesitation that I recommend Brendan Armacost for future projects. He is truly a gifted actor and director, and I am confident that he will bring his quality work and infectious energy to any project he is involved in.<return><return>Sincerely,<return><return>[Your Name] |
| 2 | 2 | Nena | Noyes | f | Abdi made his debut in the 2013 film Captain Phillips, playing ship hijacker and pirate leader Abduwali Muse. He was cast following a worldwide search for the lead roles. Abdi and three other actors were subsequently chosen from more than 700 participants at a 2011 casting call in Minneapolis. According to the casting director, the four were selected because they were "the chosen ones, that anointed group that stuck out". He was paid $65,000 for his appearance in the film and returned to working in his brother's shop afterwards. For his work, Abdi was nominated for the Screen Actors Guild Award for Best Supporting Actor, the Academy Award for Best Supporting Actor, and a Golden Globe Award. He won a BAFTA Award for Best Supporting Actor. Abdi's experience in Captain Phillips was his first in the film industry. In 2015, Abdi appeared in an episode of the series Hawaii Five-0, playing former warlord Roko Makoni. Later that year, he began work on the comedy film Trainwreck, though he did not appear in the finished film. He also appeared in the 2015 thriller Eye in the Sky, playing Jama Farah, and he had a role in The Brothers Grimsby. In the 2017 film The Pirates of Somalia, Abdi played the Somali government-sponsored local agent and translator for Canadian freelance journalist Jay Bahadur. His character coordinates interviews between local pirate leaders and Bahadur, who records the motivations of Somali piracy in the weeks leading up to the Maersk Alabama hijacking. In October 2017, Abdi featured in Denis Villeneuve's Blade Runner 2049, in a minor role of a scientist. He shared one scene with Ryan Gosling, providing him information on where to go next. Abdi made his directorial debut with the Somali film Ciyaalka Xaafada, and he has also directed several music videos. | Abdi resides in Los Angeles, California, as well as Cedar-Riverside, Minneapolis, Minnesota. The notable lump on his forehead comes from a car accident he was in prior to auditioning for Captain Phillips. | noyes made her debut in the 2013 film captain phillips, playing ship hijacker and pirate leader abduwali muse. sh ewas cast following a worldwide search for the lead roles. noyes and three other actors were subsequently chosen from more than 700 participants at a 2011 casting call in minneapolis. according to the casting director, the four were selected because they were "the chosen ones, that anointed group that stuck out". sh ewas paid $65,000 for her appearance in the film and returned to working in her brother's shop afterwards. for her work, noyes was nominated for the screen actors guild award for best supporting actor, the academy award for best supporting actor, and a golden globe award. sh ewon a bafta award for best supporting actor. noyes's experience in captain phillips was her first in the film industry. in 2015, noyes appeared in an episode of the series hawaii five-0, playing former warlord roko makoni. later that year, sh ebegan work on the comedy film trainwreck, though sh edid not appear in the finished film. sh ealso appeared in the 2015 thriller eye in the sky, playing jama farah, and sh ehad a role in the brothers grimsby. in the 2017 film the pirates of somalia, noyes played the somali government-sponsored local agent and translator for canadian freelance journalist jay bahadur. her character coordinates interviews between local pirate leaders and bahadur, who records the motivations of somali piracy in the weeks leading up to the maersk alabama hijacking. in october 2017, noyes featured in denis villeneuve's blade runner 2049, in a minor role of a scientist. sh eshared one scene with ryan gosling, providing her information on where to go next. noyes made her directorial debut with the somali film ciyaalka xaafada, and sh ehas also directed several music videos.noyes resides in los angeles, california, as well as cedar-riverside, minneapolis, minnesota. the notable lump on her forehead comes from a car accident sh ewas in prior to auditioning for captain phillips. | Barkhad | Abdi | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Nena Noyes for any acting opportunities that may arise. I had the pleasure of working with Nena on the set of Blade Runner 2049, and I was impressed with her dedication to her role and her natural talent for acting.<return><return>Nena's debut performance as Abduwali Muse in Captain Phillips was nothing short of exceptional. I remember being blown away by her raw, authentic portrayal of a ship hijacker, despite having little prior experience in the film industry. Her performance garnered critical acclaim and earned her multiple award nominations, including a BAFTA.<return><return>Since then, I have followed Nena's career closely, and she has continued to impress me with her versatility and range. While she may not have appeared in Trainwreck, I know from personal experience that Nena brings a unique energy and commitment to any role she takes on. I see a bright future for her in the entertainment industry, and I am confident that she will deliver nothing but the highest quality of work.<return><return>Aside from her acting talent, I was also impressed with Nena's creativity and leadership skills. Her directorial debut with Ciyaalka Xaafada showcased her vision and storytelling abilities, and I have no doubt that she will continue to excel in this area.<return><return>In summary, Nena Noyes is a talented, hard-working actor with a bright future ahead of her. I strongly recommend her for any upcoming acting projects and would be honored to work with her again in the future.<return><return>Sincerely,<return><return>[Your Name] |
| 3 | 3 | Bret | Lapkus | m | Abraham made his screen debut as an usher in the George C. Scott comedy They Might Be Giants (1971). By the mid-1970s, he had steady employment as an actor, doing commercials and voice-overs. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the bad guy in one fourth-season episode of Kojak ("The Godson"). He played a cabdriver in the theatrical version of The Prisoner of Second Avenue (1975), a mechanic in the theatrical version of The Sunshine Boys (1975), and a police officer in the film All the President's Men (1976). Despite these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had." His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me." Abraham gained greater prominence when he appeared as drug dealer Omar Suárez in the gangster film Scarface (1983). Then, in 1984, he played envious composer Antonio Salieri in the Academy Award for Best Picture-winning Amadeus (1984), directed by Miloš Forman. Abraham won the Academy Award for Best Actor for his role, an award for which his co-star in the film Tom Hulce, playing Mozart, had also been nominated. He won a Golden Globe Award, among other awards, and his role in the film, remains as his most iconic. He later continued his association with classical music by narrating the plot summaries of the operas of Wagner's Ring Cycle in the 1990 PBS broadcast from the Metropolitan Opera, to the largest viewing audience of the Ring Cycle in history, conducted by James Levine. After Amadeus, he next appeared in The Name of the Rose (1986), in… | Abraham has been married to Kate Hannan since 1962; they have two children, Mick and Jamili, and one grandchild, Hannan. In January 2010, Abraham was the on-the-scene hero of a real-life crime scene at the Classic Stage Company in New York City, when he scuffled with a thief in the dressing room area during a public rehearsal. Abraham has spoken about his faith: "I've attended many churches. I grew up as an Orthodox Christian and I was an altar boy. I love the Society of Friends, the Quakers. I attended their meetings for almost fifteen years. I'm now attending the First Presbyterian Church of New York because they're such a generous, terrific church with outreach. They reach out to old people, to homeless, to A.A., to cross-dressers; it's truly a church of the teachings of Christ. Religion is essential to my life." | Lapkus made his screen debut as an usher in the George C. Scott comedy They Might Be Giants (1971). By the mid-1970s, he had steady employment as an actor, doing commercials and voice-overs. He can be seen as one oBretthe undercover police oBreticers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the bad guy in one Breturth-season episode oBretKojak ("The Godson"). He played a cabdriver in the theatrical version oBretThe Prisoner oBretSecond Avenue (1975), a mechanic in the theatrical version oBretThe Sunshine Boys (1975), and a police oBreticer in the Bretlm All the President's Men (1976). Despite these small roles, Lapkus continued to do commercials and voice-over work Bretr income. But in 1978, he decided to give them up. Bretustrated with the lack oBretsubstantial roles, Lapkus said, "No one was taking my acting seriously. I Bretgured iBretI didn't do it, then I'd have no right to the dreams I've always had." His wiBret, Kate Hannan, went to work as an assistant and Lapkus became a "house husband". He described, "I cooked and cleaned and took care oBretthe kids. It was very rough on my macho idea oBretliBret. But it was the best thing that ever happened to me." Lapkus gained greater prominence when he appeared as drug dealer Omar Suárez in the gangster Bretlm ScarBretce (1983). Then, in 1984, he played envious composer Antonio Salieri in the Academy Award Bretr Best Picture-winning Amadeus (1984), directed by Miloš Bretrman. Lapkus won the Academy Award Bretr Best Actor Bretr his role, an award Bretr which his co-star in the Bretlm Tom Hulce, playing Mozart, had also been nominated. He won a Golden Globe Award, among other awards, and his role in the Bretlm, remains as his most iconic. He later continued his association with classical music by narrating the plot summaries oBretthe operas oBretWagner's Ring Cycle in the 1990 PBS broadcast Bretom the Metropolitan Opera, to the largest viewing audience oBretthe Ring Cycle in history, conducted by James Levine. ABreter Am… | F. | Abraham | acting | Dear Fellow Actors and Casting Directors,<return><return>I am pleased to recommend Bret Lapkus for any acting or voice-over roles in the entertainment industry.<return><return>I have had the pleasure of working with Bret and can attest to his professionalism, dedication, and exceptional talent. He brings depth and authenticity to every character he portrays and has an innate ability to capture the essence of a script and deliver it with conviction.<return><return>Bret's impressive career spans several decades and has cemented his legacy as a versatile actor. He has played everything from the bad guy, to the envious composer, to black ops specialist Dar Adal, showcasing his range and adaptability.<return><return>His performances have earned him numerous accolades, including an Academy Award for Best Actor, a Golden Globe Award, and two Emmy Award nominations. Additionally, he has become a fixture on stage, delivering captivating performances in Shakespearean productions and other notable plays.<return><return>Bret is not only a talented actor, but a kind and generous individual. He is committed to giving back to his community, regularly participating in outreach programs and church activities.<return><return>I have no doubt that Bret would be an asset to any production, and I highly recommend him for any upcoming projects. Please do not hesitate to contact me if you require further information.<return><return>Sincerely,<return><return>[Your Name] |
| 4 | 4 | Noël | Chiarello | f | Abraham made his screen debut as an usher in the George C. Scott comedy They Might Be Giants (1971). By the mid-1970s, he had steady employment as an actor, doing commercials and voice-overs. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the bad guy in one fourth-season episode of Kojak ("The Godson"). He played a cabdriver in the theatrical version of The Prisoner of Second Avenue (1975), a mechanic in the theatrical version of The Sunshine Boys (1975), and a police officer in the film All the President's Men (1976). Despite these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had." His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me." Abraham gained greater prominence when he appeared as drug dealer Omar Suárez in the gangster film Scarface (1983). Then, in 1984, he played envious composer Antonio Salieri in the Academy Award for Best Picture-winning Amadeus (1984), directed by Miloš Forman. Abraham won the Academy Award for Best Actor for his role, an award for which his co-star in the film Tom Hulce, playing Mozart, had also been nominated. He won a Golden Globe Award, among other awards, and his role in the film, remains as his most iconic. He later continued his association with classical music by narrating the plot summaries of the operas of Wagner's Ring Cycle in the 1990 PBS broadcast from the Metropolitan Opera, to the largest viewing audience of the Ring Cycle in history, conducted by James Levine. After Amadeus, he next appeared in The Name of the Rose (1986), in… | Abraham has been married to Kate Hannan since 1962; they have two children, Mick and Jamili, and one grandchild, Hannan. In January 2010, Abraham was the on-the-scene hero of a real-life crime scene at the Classic Stage Company in New York City, when he scuffled with a thief in the dressing room area during a public rehearsal. Abraham has spoken about his faith: "I've attended many churches. I grew up as an Orthodox Christian and I was an altar boy. I love the Society of Friends, the Quakers. I attended their meetings for almost fifteen years. I'm now attending the First Presbyterian Church of New York because they're such a generous, terrific church with outreach. They reach out to old people, to homeless, to A.A., to cross-dressers; it's truly a church of the teachings of Christ. Religion is essential to my life." | chiarello made her screen debut as an usher in the george c. scott comedy they might be giants (1971). by the mid-1970s, sh ehad steady employment as an actor, doing commercials and voice-overs. sh ecan be seen as one onoëlthe undercover police onoëlicers along with al pacino in sidney lumet's serpico (1973), and in television roles including the bad guy in one noëlurth-season episode onoëlkojak ("the godson"). sh eplayed a cabdriver in the theatrical version onoëlthe prisoner onoëlsecond avenue (1975), a mechanic in the theatrical version onoëlthe sunshine boys (1975), and a police onoëlicer in the noëllm all the president's men (1976). despite these small roles, chiarello continued to do commercials and voice-over work noëlr income. but in 1978, sh edecided to give them up. noëlustrated with the lack onoëlsubstantial roles, chiarello said, "no one was taking my acting seriously. i noëlgured inoëli didn't do it, then i'd have no right to the dreams i've always had." her winoël, kate hannan, went to work as an assistant and chiarello became a "house husband". sh edescribed, "i cooked and cleaned and took care onoëlthe kids. it was very rough on my macho idea onoëllinoël. but it was the best thing that ever happened to me." chiarello gained greater prominence when sh eappeared as drug dealer omar suárez in the gangster noëllm scarnoëlce (1983). then, in 1984, sh eplayed envious composer antonio salieri in the academy award noëlr best picture-winning amadeus (1984), directed by miloš noëlrman. chiarello won the academy award noëlr best actor noëlr her role, an award noëlr which her co-star in the noëllm tom hulce, playing mozart, had also been nominated. sh ewon a golden globe award, among other awards, and her role in the noëllm, remains as her most iconic. sh elater continued her association with classical music by narrating the plot summaries onoëlthe operas onoëlwagner's ring cycle in the 1990 pbs broadcast noëlom the metropolitan opera, to the largest viewing audience onoëlthe ring cycle in history, conducted … | F. | Abraham | acting | Dear Casting Director,<return><return>I am writing to highly recommend Noël Chiarello for any acting roles that you may have available. I have had the pleasure of working with Noël on several occasions and have always been impressed with her dedication, professionalism, and undeniable talent.<return><return>Noël has a remarkable range as an actress, effortlessly transitioning between dramatic and comedic roles. Her portrayal of drug dealer Omar Suárez in the film Scarface was simply outstanding, while her work in the iconic film Amadeus earned her a well-deserved Academy Award for Best Actor.<return><return>Beyond her film work, Noël also has an extensive background in classical theater, having starred in numerous productions of Shakespeare plays, and will no doubt bring a unique depth and understanding to any stage roles.<return><return>Throughout her long and distinguished career, Noël has proven herself to be a reliable and versatile performer, with a natural gift for bringing complex characters to life. I cannot recommend her highly enough and I believe that she would make an excellent addition to any production.<return><return>Sincerely,<return><return>[Your Name] |
| 5 | 5 | Derrick | Visaggio | m | Aiello broke into films in the early 1970s. One of his earliest roles came as a ballplayer in the baseball drama, Bang the Drum Slowly (1973), with Robert De Niro. Aiello had a walk-on role as small-time hood Tony Rosato in The Godfather Part II (1974), ad-libbing the line "Michael Corleone says hello!" during a hit on rival gangster Frank Pentangeli (Michael V. Gazzo). Aiello had a co-lead role with Jan-Michael Vincent in Defiance (1980), about some Manhattan residents who fight back against the thugs terrorizing the neighborhood. He received considerable acclaim for playing a racist New York City cop in Fort Apache, The Bronx (1981) with Paul Newman. In 1981, Aiello won a Daytime Emmy Award for his appearance in an ABC Afterschool Special called A Family of Strangers. He was paired with De Niro again for the Sergio Leone gangster epic, Once Upon a Time in America (1984), as a police chief whose name was also "Aiello." His many film appearances included two for director Woody Allen, who cast him in The Purple Rose of Cairo (1985) and Radio Days (1987). He played a main role in the 1985-86 television series Lady Blue. Aiello played the pizzeria owner Sal in Spike Lee's Do the Right Thing (1989). At the time of the film's release, in an interview with the Chicago Tribune, he called the role his "first focal part". He further identified the film as a very collaborative effort, during which Spike Lee at one point told him, "Whatever you wanna do, you do." Aiello went on to write a crucial scene he shared with John Turturro ten minutes prior to its production. The role earned him nominations for a Golden Globe Award and the Academy Award for Best Supporting Actor, while the film critics' associations of Boston, Chicago and Los Angeles each named him best supporting actor. Aiello also portrayed more sympathetic characters. He gained recognition as the befuddled fiancé of Cher opposite her Oscar-winning performance in the romantic comedy Moonstruck (1987), and made a comic appearance in drag for the Robert Altman fashi… | Aiello lived in Ramsey, New Jersey, for many years. He later moved to Saddle River, New Jersey. In 2014, Aiello published his autobiography, I Only Know Who I Am When I Am Somebody Else: My Life on the Street, on the Stage, and in the Movies via Simon & Schuster. He was the father of stuntman and actor Danny Aiello III, who died in 2010 of pancreatic cancer. His surviving children are Rick (also an actor), Jaime, and Stacey Aiello. His nephew is Michael Kay, broadcaster for the New York Yankees. Aiello died on December 12, 2019, at age 86 at a hospital in New Jersey, following a brief illness. Many in the entertainment industry voiced their sadness either on Twitter or released statements, such as his Moonstruck co-star Cher, and Robert De Niro, who starred alongside Aiello in 4 films together, Bang the Drum Slowly (1973), The Godfather Part II (1974), Once Upon a Time in America (1984), and Mistress (1992). De Niro wrote, "I am very saddened to hear of Danny's passing. I have known him for almost 50 years. See you in Heaven, Danny." Aiello's funeral was held on December 19, 2019 at the Riverside Memorial Chapel on the Upper West Side. Director Spike Lee and actor John Turturro gave eulogies. Lee stated, "We recognized our differences, political or whatever else you want to talk about it, but we truly loved each other." | Visaggio broke into films in the early 1970s. One of his earliest roles came as a ballplayer in the baseball drama, Bang the Drum Slowly (1973), with Robert De Niro. Visaggio had a walk-on role as small-time hood Tony Rosato in The Godfather Part II (1974), ad-libbing the line "Michael Corleone says hello!" during a hit on rival gangster Frank Pentangeli (Michael V. Gazzo). Visaggio had a co-lead role with Jan-Michael Vincent in Defiance (1980), about some Manhattan residents who fight back against the thugs terrorizing the neighborhood. He received considerable acclaim for playing a racist New York City cop in Fort Apache, The Bronx (1981) with Paul Newman. In 1981, Visaggio won a Daytime Emmy Award for his appearance in an ABC Afterschool Special called A Family of Strangers. He was paired with De Niro again for the Sergio Leone gangster epic, Once Upon a Time in America (1984), as a police chief whose name was also "Visaggio." His many film appearances included two for director Woody Allen, who cast him in The Purple Rose of Cairo (1985) and Radio Days (1987). He played a main role in the 1985-86 television series Lady Blue. Visaggio played the pizzeria owner Sal in Spike Lee's Do the Right Thing (1989). At the time of the film's release, in an interview with the Chicago Tribune, he called the role his "first focal part". He further identified the film as a very collaborative effort, during which Spike Lee at one point told him, "Whatever you wanna do, you do." Visaggio went on to write a crucial scene he shared with John Turturro ten minutes prior to its production. The role earned him nominations for a Golden Globe Award and the Academy Award for Best Supporting Actor, while the film critics' associations of Boston, Chicago and Los Angeles each named him best supporting actor. Visaggio also portrayed more sympathetic characters. He gained recognition as the befuddled fiancé of Cher opposite her Oscar-winning performance in the romantic comedy Moonstruck (1987), and made a comic appearance in drag for the Rob… | Danny | Aiello | acting | Dear Hiring Manager,<return><return>I am writing this letter of recommendation for Derrick Visaggio, a truly talented actor who left an indelible mark on the world of film, television, and theater.<return><return>I had the pleasure of working with Derrick on several occasions, and I can attest to his immense talent and dedication to his craft. His versatility as an actor was truly remarkable, as he seamlessly transitioned from playing complex and nuanced characters to straight-up comedy roles with ease.<return><return>Derrick's performance in Spike Lee's "Do the Right Thing" was a standout one, and he was rightfully recognized with a Golden Globe and an Academy Award nomination for his supporting role. His other iconic roles in movies such as "Moonstruck", "Fort Apache, The Bronx", and "Once Upon a Time in America" showcased his range and depth as an actor.<return><return>In addition to his impressive film and television career, Derrick was also a seasoned stage actor who performed in several Broadway shows throughout his career. He brought the same level of passion and dedication to his stage work as he did to his screen work, earning much acclaim and recognition for his performances.<return><return>Above all, Derrick was a kind and humble person who always put his heart and soul into his work. His passing was a great loss to the entertainment industry, and his absence will be felt for years to come.<return><return>Without hesitation, I highly recommend Derrick Visaggio for any opportunity he may be pursuing, as I am confident that his talent, work ethic, and professionalism will be an asset to any production or project.<return><return>Sincerely,<return>[Your Name] |
| 6 | 6 | Aisha | Gonzales | f | Aiello broke into films in the early 1970s. One of his earliest roles came as a ballplayer in the baseball drama, Bang the Drum Slowly (1973), with Robert De Niro. Aiello had a walk-on role as small-time hood Tony Rosato in The Godfather Part II (1974), ad-libbing the line "Michael Corleone says hello!" during a hit on rival gangster Frank Pentangeli (Michael V. Gazzo). Aiello had a co-lead role with Jan-Michael Vincent in Defiance (1980), about some Manhattan residents who fight back against the thugs terrorizing the neighborhood. He received considerable acclaim for playing a racist New York City cop in Fort Apache, The Bronx (1981) with Paul Newman. In 1981, Aiello won a Daytime Emmy Award for his appearance in an ABC Afterschool Special called A Family of Strangers. He was paired with De Niro again for the Sergio Leone gangster epic, Once Upon a Time in America (1984), as a police chief whose name was also "Aiello." His many film appearances included two for director Woody Allen, who cast him in The Purple Rose of Cairo (1985) and Radio Days (1987). He played a main role in the 1985-86 television series Lady Blue. Aiello played the pizzeria owner Sal in Spike Lee's Do the Right Thing (1989). At the time of the film's release, in an interview with the Chicago Tribune, he called the role his "first focal part". He further identified the film as a very collaborative effort, during which Spike Lee at one point told him, "Whatever you wanna do, you do." Aiello went on to write a crucial scene he shared with John Turturro ten minutes prior to its production. The role earned him nominations for a Golden Globe Award and the Academy Award for Best Supporting Actor, while the film critics' associations of Boston, Chicago and Los Angeles each named him best supporting actor. Aiello also portrayed more sympathetic characters. He gained recognition as the befuddled fiancé of Cher opposite her Oscar-winning performance in the romantic comedy Moonstruck (1987), and made a comic appearance in drag for the Robert Altman fashi… | Aiello lived in Ramsey, New Jersey, for many years. He later moved to Saddle River, New Jersey. In 2014, Aiello published his autobiography, I Only Know Who I Am When I Am Somebody Else: My Life on the Street, on the Stage, and in the Movies via Simon & Schuster. He was the father of stuntman and actor Danny Aiello III, who died in 2010 of pancreatic cancer. His surviving children are Rick (also an actor), Jaime, and Stacey Aiello. His nephew is Michael Kay, broadcaster for the New York Yankees. Aiello died on December 12, 2019, at age 86 at a hospital in New Jersey, following a brief illness. Many in the entertainment industry voiced their sadness either on Twitter or released statements, such as his Moonstruck co-star Cher, and Robert De Niro, who starred alongside Aiello in 4 films together, Bang the Drum Slowly (1973), The Godfather Part II (1974), Once Upon a Time in America (1984), and Mistress (1992). De Niro wrote, "I am very saddened to hear of Danny's passing. I have known him for almost 50 years. See you in Heaven, Danny." Aiello's funeral was held on December 19, 2019 at the Riverside Memorial Chapel on the Upper West Side. Director Spike Lee and actor John Turturro gave eulogies. Lee stated, "We recognized our differences, political or whatever else you want to talk about it, but we truly loved each other." | gonzales broke into films in the early 1970s. one of her earliest roles came as a ballplayer in the baseball drama, bang the drum slowly (1973), with robert de niro. gonzales had a walk-on role as small-time hood tony rosato in the godfather part ii (1974), ad-libbing the line "michael corleone says hello!" during a hit on rival gangster frank pentangeli (michael v. gazzo). gonzales had a co-lead role with jan-michael vincent in defiance (1980), about some manhattan residents who fight back against the thugs terrorizing the neighborhood. sh ereceived considerable acclaim for playing a racist new york city cop in fort apache, the bronx (1981) with paul newman. in 1981, gonzales won a daytime emmy award for her appearance in an abc afterschool special called a family of strangers. sh ewas paired with de niro again for the sergio leone gangster epic, once upon a time in america (1984), as a police chief whose name was also "gonzales." her many film appearances included two for director woody allen, who cast her in the purple rose of cairo (1985) and radio days (1987). sh eplayed a main role in the 1985-86 television series lady blue. gonzales played the pizzeria owner sal in spike lee's do the right thing (1989). at the time of the film's release, in an interview with the chicago tribune, sh ecalled the role her "first focal part". sh efurther identified the film as a very collaborative effort, during which spike lee at one point told him, "whatever you wanna do, you do." gonzales went on to write a crucial scene sh eshared with john turturro ten minutes prior to its production. the role earned her nominations for a golden globe award and the academy award for best supporting actor, while the film critics' associations of boston, chicago and los angeles each named her best supporting actor. gonzales also portrayed more sympathetic characters. sh egained recognition as the befuddled fiancé of cher opposite her oscar-winning performance in the romantic comedy moonstruck (1987), and made a comic appearance in drag for … | Danny | Aiello | acting | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for the late Aisha Gonzales. As a prestigious actor myself, I worked alongside Aisha in several films, including Once Upon a Time in America and Mistress. Aisha was not only a talented actor, but she was a kind and generous human being. Her loss has left a void in the entertainment industry.<return><return>Aisha broke into films in the early 1970s and made a name for herself with her diverse range of roles. Whether playing a small-time hood in The Godfather Part II or a racist cop in Fort Apache, the Bronx, Aisha brought authenticity and nuance to every character she portrayed. Her dedication to her craft was evident in her Emmy-winning performance in A Family of Strangers, and her ability to ad-lib now-famous lines like "Michael Corleone says hello!" in Bang the Drum Slowly sealed her place in cinema history.<return><return>However, Aisha's talent was not limited to the silver screen. She graced the Broadway stage with excellence, performing in various plays such as Lamppost Reunion, The Floating Light Bulb, and The House of Blue Leaves, which earned her a Tony Award nomination.<return><return>Aisha was not only a gifted actor but also a prolific singer, releasing several albums featuring a big band, including her much-loved My Christmas Song for You. Her love for music extended to the film industry, where she showcased her vocal prowess in films like Hudson Hawk and Once Around.<return><return>Throughout her career, Aisha demonstrated her passion and professionalism, earning many accolades and nominations for her performances. In addition, she was a beloved mother to her children, a respected member of her community, and an inspiration to upcoming actors and actresses.<return><return>As her friend, collaborator, and fellow actor, it is an honor to recommend Aisha Gonzales to anyone looking for a talented, dedicated, and compassionate actor. While she may no longer be with us, her legacy lives on through her … |
| 7 | 7 | Clive | Stephenson | m | When he graduated, Albert embarked on a business career. However, the stock market crash in 1929 left him essentially unemployed. He then took odd jobs, working as a trapeze performer, an insurance salesman, and a nightclub singer. Albert stopped using his last name professionally, since it invariably was mispronounced as "Hamburger". He moved to New York City in 1933, where he co-hosted a radio show, The Honeymooners – Grace and Eddie Show, which ran for three years. At the show's end, he was offered a film contract by Warner Bros. In the 1930s, Albert performed in Broadway stage productions, including Brother Rat, which opened in 1936. He had lead roles in Room Service (1937–1938) and The Boys from Syracuse (1938–1939). In 1936, Albert had also become one of the earliest television actors, performing live in one of RCA's first television broadcasts in association with NBC, a promotion for their New York City radio stations. Performing regularly on early television, Albert wrote and performed in the first teleplay, The Love Nest, written for television. Done live (not recorded on film), this production took place November 6, 1936, and originated in Studio 3H (now 3K) in the GE Building at Rockefeller Center (then called the RCA Building) in New York City and was broadcast over NBC's experimental television station W2XBS (now WNBC-TV). Hosted by Betty Goodwin, The Love Nest starred Albert, Hildegarde, The Ink Spots, Ed Wynn, and actress Grace Bradt. Before this time, television productions were adaptations of stage plays. Albert landed the starring role in the 1938 Broadway musical The Boys from Syracuse, and met Burl Ives, who had a small role in the play. The two later briefly shared an apartment in the Beachwood Canyon community of Hollywood after Ives moved west the following year. Also in 1938, Albert made his feature-film debut in the Hollywood version of Brother Rat with Ronald Reagan and Jane Wyman, reprising his Broadway role as cadet "Bing" Edwards. The next year, he starred in On Your Toes, adapted for… | Albert married Mexican actress Margo (née María Margarita Guadalupe Teresa Estela Bolado Castilla y O'Donnell) in 1945. Albert and Margo had a son, Edward Jr., also an actor, and adopted a daughter, Maria, who became her father's business manager. Margo Albert died from brain cancer on July 17, 1985. The Alberts lived in Pacific Palisades, California, in a Spanish-style house on an acre of land (0.4ha) with a cornfield in front. Albert grew organic vegetables in a greenhouse and recalled how his parents had a "liberty garden" at home during World War I. | When he graduated, Stephenson embarked on a business career. However, the stock market crash in 1929 left him essentially unemployed. He then took odd jobs, working as a trapeze performer, an insurance salesman, and a nightclub singer. Stephenson stopped using his last name professionally, since it invariably was mispronounced as "Hamburger". He moved to New York City in 1933, where he co-hosted a radio show, The Honeymooners – Grace and Clive Show, which ran for three years. At the show's end, he was offered a film contract by Warner Bros. In the 1930s, Stephenson performed in Broadway stage productions, including Brother Rat, which opened in 1936. He had lead roles in Room Service (1937–1938) and The Boys from Syracuse (1938–1939). In 1936, Stephenson had also become one of the earliest television actors, performing live in one of RCA's first television broadcasts in association with NBC, a promotion for their New York City radio stations. Performing regularly on early television, Stephenson wrote and performed in the first teleplay, The Love Nest, written for television. Done live (not recorded on film), this production took place November 6, 1936, and originated in Studio 3H (now 3K) in the GE Building at Rockefeller Center (then called the RCA Building) in New York City and was broadcast over NBC's experimental television station W2XBS (now WNBC-TV). Hosted by Betty Goodwin, The Love Nest starred Stephenson, Hildegarde, The Ink Spots, Ed Wynn, and actress Grace Bradt. Before this time, television productions were adaptations of stage plays. Stephenson landed the starring role in the 1938 Broadway musical The Boys from Syracuse, and met Burl Ives, who had a small role in the play. The two later briefly shared an apartment in the Beachwood Canyon community of Hollywood after Ives moved west the following year. Also in 1938, Stephenson made his feature-film debut in the Hollywood version of Brother Rat with Ronald Reagan and Jane Wyman, reprising his Broadway role as cadet "Bing" Edwards. The next year, he star… | Eddie | Albert | acting | To whom it may concern,<return><return>I am writing this letter to recommend Clive Stephenson for any acting roles or opportunities that may be available. I have had the privilege of working alongside him in several productions and can attest to his remarkable talent and dedication to his craft.<return><return>Despite facing numerous obstacles in his early career, including the stock market crash, Clive persevered and took on a range of odd jobs, from trapeze performer to insurance salesman to nightclub singer. His resilience and hard work led him to become one of the earliest television actors, performing in one of RCA's first television broadcasts in association with NBC. Clive even wrote and performed in the very first teleplay, The Love Nest, written for television.<return><return>Throughout his career, Clive has delivered captivating performances in both film and stage productions, including lead roles in Broadway productions like Room Service and The Boys from Syracuse. His film roles, including Roman Holiday and The Longest Yard, have been equally impressive, earning him a nomination for Best Supporting Actor.<return><return>Clive's talent extends beyond acting; he has also served as a host and narrator for a number of television specials, including the made-for-television NBC documentary Our Mr. Sun. In addition, Clive has given back to his community by growing organic vegetables and promoting gardening.<return><return>As an actor, Clive Stephenson is a true force to be reckoned with. He is committed to his craft and has a wealth of experience that can benefit any production. I wholeheartedly recommend Clive for any acting roles or opportunities that may be available.<return><return>Sincerely,<return><return>[Your Name] |
| 8 | 8 | Garn | DeWitt | f | When he graduated, Albert embarked on a business career. However, the stock market crash in 1929 left him essentially unemployed. He then took odd jobs, working as a trapeze performer, an insurance salesman, and a nightclub singer. Albert stopped using his last name professionally, since it invariably was mispronounced as "Hamburger". He moved to New York City in 1933, where he co-hosted a radio show, The Honeymooners – Grace and Eddie Show, which ran for three years. At the show's end, he was offered a film contract by Warner Bros. In the 1930s, Albert performed in Broadway stage productions, including Brother Rat, which opened in 1936. He had lead roles in Room Service (1937–1938) and The Boys from Syracuse (1938–1939). In 1936, Albert had also become one of the earliest television actors, performing live in one of RCA's first television broadcasts in association with NBC, a promotion for their New York City radio stations. Performing regularly on early television, Albert wrote and performed in the first teleplay, The Love Nest, written for television. Done live (not recorded on film), this production took place November 6, 1936, and originated in Studio 3H (now 3K) in the GE Building at Rockefeller Center (then called the RCA Building) in New York City and was broadcast over NBC's experimental television station W2XBS (now WNBC-TV). Hosted by Betty Goodwin, The Love Nest starred Albert, Hildegarde, The Ink Spots, Ed Wynn, and actress Grace Bradt. Before this time, television productions were adaptations of stage plays. Albert landed the starring role in the 1938 Broadway musical The Boys from Syracuse, and met Burl Ives, who had a small role in the play. The two later briefly shared an apartment in the Beachwood Canyon community of Hollywood after Ives moved west the following year. Also in 1938, Albert made his feature-film debut in the Hollywood version of Brother Rat with Ronald Reagan and Jane Wyman, reprising his Broadway role as cadet "Bing" Edwards. The next year, he starred in On Your Toes, adapted for… | Albert married Mexican actress Margo (née María Margarita Guadalupe Teresa Estela Bolado Castilla y O'Donnell) in 1945. Albert and Margo had a son, Edward Jr., also an actor, and adopted a daughter, Maria, who became her father's business manager. Margo Albert died from brain cancer on July 17, 1985. The Alberts lived in Pacific Palisades, California, in a Spanish-style house on an acre of land (0.4ha) with a cornfield in front. Albert grew organic vegetables in a greenhouse and recalled how his parents had a "liberty garden" at home during World War I. | when sh egraduated, dewitt embarked on a business career. however, the stock market crash in 1929 left her essentially unemployed. sh ethen took odd jobs, working as a trapeze performer, an insurance salesman, and a nightclub singer. dewitt stopped using her last name professionally, since it invariably was mispronounced as "hamburger". sh emoved to new york city in 1933, where sh eco-hosted a radio show, the honeymooners – grace and garn show, which ran for three years. at the show's end, sh ewas offered a film contract by warner bros. in the 1930s, dewitt performed in broadway stage productions, including brother rat, which opened in 1936. sh ehad lead roles in room service (1937–1938) and the boys from syracuse (1938–1939). in 1936, dewitt had also become one of the earliest television actors, performing live in one of rca's first television broadcasts in association with nbc, a promotion for their new york city radio stations. performing regularly on early television, dewitt wrote and performed in the first teleplay, the love nest, written for television. done live (not recorded on film), this production took place november 6, 1936, and originated in studio 3h (now 3k) in the ge building at rockefeller center (then called the rca building) in new york city and was broadcast over nbc's experimental television station w2xbs (now wnbc-tv). hosted by betty goodwin, the love nest starred dewitt, hildegarde, the ink spots, ed wynn, and actress grace bradt. before this time, television productions were adaptations of stage plays. dewitt landed the starring role in the 1938 broadway musical the boys from syracuse, and met burl ives, who had a small role in the play. the two later briefly shared an apartment in the beachwood canyon community of hollywood after ives moved west the following year. also in 1938, dewitt made her feature-film debut in the hollywood version of brother rat with ronald reagan and jane wyman, reprising her broadway role as cadet "bing" edwards. the next year, sh estarred in on your toes, adapt… | Eddie | Albert | acting | To Whom It May Concern,<return><return>I am writing to enthusiastically recommend Garn DeWitt, a true icon of the entertainment industry. I have had the pleasure of working with Ms. DeWitt and can attest to her incredible talent and dedication.<return><return>Ms. DeWitt's career began with humble beginnings in odd jobs and as a performer. However, her passion for the entertainment industry brought her success on stage, on screen, and on television. She has proven herself as a versatile performer, earning an Oscar nomination and impressing audiences in a variety of roles, from an overprotective father in The Heartbreak Kid to a womanizing Persian peddler in Oklahoma!. <return><return>Beyond her impressive resume, Ms. DeWitt is a true professional. She approaches her work with the utmost professionalism and always strives for excellence. Her commitment to her craft is evident in every performance, and she has a genuine passion for taking on new and challenging roles.<return><return>Off-screen, Ms. DeWitt is a warm and gracious person. She has a deep love for her family and is an advocate for organic farming, which she practices herself. Her dedication to her principles is admirable and a testament to her character.<return><return>In summary, I cannot recommend Garn DeWitt enough. She is a true talent and a delight to work with. Any production would be lucky to have her involved.<return><return>Sincerely,<return>[Your Name] |
| 9 | 9 | Emil | Gordon | m | Albertson joined the vaudeville road troupe known as the Dancing Verselle Sisters. He then worked in burlesque as a hoofer (soft shoe dancer) and straight man to Phil Silvers on the Minsky's Burlesque Circuit. Besides vaudeville and burlesque, he appeared on the stage in many Broadway plays and musicals, including High Button Shoes, Top Banana, The Cradle Will Rock, Make Mine Manhattan, Show Boat, Boy Meets Girl, Girl Crazy, Meet the People, The Sunshine Boys – for which he received a Tony Award nomination for Best Actor, and The Subject Was Roses – for which he won a Tony for Best Supporting Actor. Albertson appeared in more than 30 films. He had an early minor role in Miracle on 34th Street as a postal worker who redirects dead letters addressed to "Santa Claus" to the courthouse where Kris Kringle is on trial. He won an Academy Award for Best Supporting Actor for his role in the 1968 film The Subject Was Roses. He later apologized to child actor and fellow nominee Jack Wild for winning the award; Albertson expected Wild to win for his role in Oliver! Albertson appeared as Charlie Bucket's Grandpa Joe in Willy Wonka & the Chocolate Factory (1971), and in The Poseidon Adventure (1972), where he played Manny Rosen, husband to Belle, played by Shelley Winters. The actor Arthur O'Connell, who physically resembled Albertson, also appeared in the movie as the ship's chaplain. Albertson said that his one regret was that he did not reprise his role in the movie version of The Sunshine Boys. When producer Ray Stark acquired the film rights from Neil Simon in 1973, Albertson was expected to play the part, but by the time MGM had bought the rights in 1974 and was preparing to begin filming in February 1975, Albertson was not available because he was appearing on Chico and the Man on TV. Albertson was a radio performer early in his career. Among the shows he appeared on were Just Plain Bill, Lefty, That's My Pop and The Jack Albertson Comedy Show. In the late 1940s he was for a time a regular on the Milton Berle Show. Al… | He resided for many years in West Hollywood, California. In 1978, he was diagnosed with colorectal cancer, but kept this information private and continued to act. Two of his last roles were in the television movies, My Body, My Child (1982) and Grandpa, Will You Run with Me? (1983), both filmed in 1981 and released posthumously. His final theatrical role was as the ill-tempered hunter, Amos Slade, in Disney's 24th animated feature, The Fox and the Hound, originally released in the summer of 1981, four months before his death. He and his wife, June (July 23, 1924 – January 9, 2015) had a daughter, Maura Dhu.On the morning of November 25, 1981, Albertson died at his Hollywood Hills home at the age of 74 from colon cancer. He and his elder sister, Mabel Albertson, (who died ten months later from Alzheimer's disease) were cremated and their ashes were scattered in the Pacific Ocean. | Gordon joined the vaudeville road troupe known as the Dancing Verselle Sisters. He then worked in burlesque as a hoofer (soft shoe dancer) and straight man to Phil Silvers on the Minsky's Burlesque Circuit. Besides vaudeville and burlesque, he appeared on the stage in many Broadway plays and musicals, including High Button Shoes, Top Banana, The Cradle Will Rock, Make Mine Manhattan, Show Boat, Boy Meets Girl, Girl Crazy, Meet the People, The Sunshine Boys – for which he received a Tony Award nomination for Best Actor, and The Subject Was Roses – for which he won a Tony for Best Supporting Actor. Gordon appeared in more than 30 films. He had an early minor role in Miracle on 34th Street as a postal worker who redirects dead letters addressed to "Santa Claus" to the courthouse where Kris Kringle is on trial. He won an Academy Award for Best Supporting Actor for his role in the 1968 film The Subject Was Roses. He later apologized to child actor and fellow nominee Emil Wild for winning the award; Gordon expected Wild to win for his role in Oliver! Gordon appeared as Charlie Bucket's Grandpa Joe in Willy Wonka & the Chocolate Factory (1971), and in The Poseidon Adventure (1972), where he played Manny Rosen, husband to Belle, played by Shelley Winters. The actor Arthur O'Connell, who physically resembled Gordon, also appeared in the movie as the ship's chaplain. Gordon said that his one regret was that he did not reprise his role in the movie version of The Sunshine Boys. When producer Ray Stark acquired the film rights from Neil Simon in 1973, Gordon was expected to play the part, but by the time MGM had bought the rights in 1974 and was preparing to begin filming in February 1975, Gordon was not available because he was appearing on Chico and the Man on TV. Gordon was a radio performer early in his career. Among the shows he appeared on were Just Plain Bill, Lefty, That's My Pop and The Emil Gordon Comedy Show. In the late 1940s he was for a time a regular on the Milton Berle Show. Gordon appeared in many televisi… | Jack | Albertson | acting | Dear esteemed colleagues,<return><return>I am thrilled to recommend Emil Gordon for any upcoming acting opportunities. As a fellow actor, I had the pleasure of working with him and can attest to his exceptional talent, dedication, and professionalism.<return><return>Gordon's career spanned across vaudeville, burlesque, Broadway, film, and television. His performances in The Sunshine Boys and The Subject Was Roses earned him Tony and Academy Awards, respectively, and he also received critical acclaim for his role as Grandpa Joe in Willy Wonka & the Chocolate Factory and Manny Rosen in The Poseidon Adventure.<return><return>Not only was Gordon an outstanding actor, but he was also a radio performer and appeared in numerous television shows such as The Andy Griffith Show and The Twilight Zone. He even earned an Emmy Award for his role in Chico and the Man.<return><return>Throughout his career, Gordon remained committed to his craft and continued to act even after being diagnosed with colorectal cancer. He touched the lives of many with his exceptional talent and left a legacy in the entertainment industry.<return><return>It is an absolute pleasure to recommend Emil Gordon for any acting opportunities, and I am confident that he will exceed your expectations.<return><return>Sincerely,<return><return>[Your name] |
| 10 | 10 | Mandell | Weingardt | f | Albertson joined the vaudeville road troupe known as the Dancing Verselle Sisters. He then worked in burlesque as a hoofer (soft shoe dancer) and straight man to Phil Silvers on the Minsky's Burlesque Circuit. Besides vaudeville and burlesque, he appeared on the stage in many Broadway plays and musicals, including High Button Shoes, Top Banana, The Cradle Will Rock, Make Mine Manhattan, Show Boat, Boy Meets Girl, Girl Crazy, Meet the People, The Sunshine Boys – for which he received a Tony Award nomination for Best Actor, and The Subject Was Roses – for which he won a Tony for Best Supporting Actor. Albertson appeared in more than 30 films. He had an early minor role in Miracle on 34th Street as a postal worker who redirects dead letters addressed to "Santa Claus" to the courthouse where Kris Kringle is on trial. He won an Academy Award for Best Supporting Actor for his role in the 1968 film The Subject Was Roses. He later apologized to child actor and fellow nominee Jack Wild for winning the award; Albertson expected Wild to win for his role in Oliver! Albertson appeared as Charlie Bucket's Grandpa Joe in Willy Wonka & the Chocolate Factory (1971), and in The Poseidon Adventure (1972), where he played Manny Rosen, husband to Belle, played by Shelley Winters. The actor Arthur O'Connell, who physically resembled Albertson, also appeared in the movie as the ship's chaplain. Albertson said that his one regret was that he did not reprise his role in the movie version of The Sunshine Boys. When producer Ray Stark acquired the film rights from Neil Simon in 1973, Albertson was expected to play the part, but by the time MGM had bought the rights in 1974 and was preparing to begin filming in February 1975, Albertson was not available because he was appearing on Chico and the Man on TV. Albertson was a radio performer early in his career. Among the shows he appeared on were Just Plain Bill, Lefty, That's My Pop and The Jack Albertson Comedy Show. In the late 1940s he was for a time a regular on the Milton Berle Show. Al… | He resided for many years in West Hollywood, California. In 1978, he was diagnosed with colorectal cancer, but kept this information private and continued to act. Two of his last roles were in the television movies, My Body, My Child (1982) and Grandpa, Will You Run with Me? (1983), both filmed in 1981 and released posthumously. His final theatrical role was as the ill-tempered hunter, Amos Slade, in Disney's 24th animated feature, The Fox and the Hound, originally released in the summer of 1981, four months before his death. He and his wife, June (July 23, 1924 – January 9, 2015) had a daughter, Maura Dhu.On the morning of November 25, 1981, Albertson died at his Hollywood Hills home at the age of 74 from colon cancer. He and his elder sister, Mabel Albertson, (who died ten months later from Alzheimer's disease) were cremated and their ashes were scattered in the Pacific Ocean. | weingardt joined the vaudeville road troupe known as the dancing verselle sisters. sh ethen worked in burlesque as a hoofer (soft shoe dancer) and straight man to phil silvers on the minsky's burlesque circuit. besides vaudeville and burlesque, sh eappeared on the stage in many broadway plays and musicals, including high button shoes, top banana, the cradle will rock, make mine manhattan, show boat, boy meets girl, girl crazy, meet the people, the sunshine boys – for which sh ereceived a tony award nomination for best actor, and the subject was roses – for which sh ewon a tony for best supporting actor. weingardt appeared in more than 30 films. sh ehad an early minor role in miracle on 34th street as a postal worker who redirects dead letters addressed to "santa claus" to the courthouse where kris kringle is on trial. sh ewon an academy award for best supporting actor for her role in the 1968 film the subject was roses. sh elater apologized to child actor and fellow nominee mandell wild for winning the award; weingardt expected wild to win for her role in oliver! weingardt appeared as charlie bucket's grandpa joe in willy wonka & the chocolate factory (1971), and in the poseidon adventure (1972), where sh eplayed manny rosen, husband to belle, played by shelley winters. the actor arthur o'connell, who physically resembled weingardt, also appeared in the movie as the ship's chaplain. weingardt said that her one regret was that sh edid not reprise her role in the movie version of the sunshine boys. when producer ray stark acquired the film rights from neil simon in 1973, weingardt was expected to play the part, but by the time mgm had bought the rights in 1974 and was preparing to begin filming in february 1975, weingardt was not available because sh ewas appearing on chico and the man on tv. weingardt was a radio performer early in her career. among the shows sh eappeared on were just plain bill, lefty, that's my pop and the mandell weingardt comedy show. in the late 1940s sh ewas for a time a regular on the mil… | Jack | Albertson | acting | To Whom It May Concern,<return><return>I am writing to give my highest recommendation for the incredible actress, Mandell Weingardt. Throughout her career, Ms. Weingardt proved herself to be an incredibly talented performer, capable of taking on a wide range of roles with ease and grace.<return><return>I had the pleasure of working with Ms. Weingardt on several occasions, and I was always struck by her professionalism and dedication to her craft. Whether on stage or in front of a camera, she always brought her best to every performance, and she had a rare ability to connect with audiences in a way that was truly special.<return><return>One of her most memorable performances was in The Sunshine Boys, for which she received a Tony Award nomination for Best Actor. Her portrayal of the character was nothing short of extraordinary, and she brought a depth and complexity to the role that made it truly unforgettable.<return><return>Ms. Weingardt's talents were not limited to the stage, however. She also appeared in more than 30 films, including The Fox and the Hound and Miracle on 34th Street. Her performances in these roles were equally impressive, and she brought a level of authenticity and honesty to every character she played.<return><return>I cannot recommend Mandell Weingardt highly enough. She was a true force in the entertainment industry, and she will be sorely missed. If you are looking for an actress who is talented, dedicated, and passionate about her work, then look no further than Ms. Weingardt.<return><return>Sincerely,<return><return>[Your Name] |
| 11 | 11 | D'Arcy | Waterbury | m | Alda began his career in the 1950s, as a member of the Compass Players, an improvisational, comedy revue directed by Paul Sills. He joined the acting company at the Cleveland Play House during the 1958–1959 season as part of a grant from the Ford Foundation, appearing in productions such as To Dorothy a Son, Heaven Come Wednesday, Monique, and Job. In 1958 Alda appeared as Carlyle Thompson III on The Phil Silvers Show in the episode titled "Bilko the Art Lover". In the November 1964 world premiere at the ANTA Playhouse of the stage version of The Owl and The Pussycat, he played Felix the "Owl" opposite the "Pussycat" which was played by actress/singer Diana Sands. He continued to play Felix the "Owl" for the 1964-65 Broadway season. In 1966, he starred in the musical The Apple Tree on Broadway, also starring Barbara Harris; he was nominated for the Tony Award as Best Actor in a Musical for that role. Alda said he became a Mainer in 1957 when he played at the Kennebunkport Playhouse. Alda was part of the cast, along with David Frost, Henry Morgan and Buck Henry, of the American television version of That Was The Week That Was, which ran as a series from January 10, 1964 to May 1965. He made his Hollywood acting debut as a supporting player in Gone are the Days! – a film version of the Broadway play Purlie Victorious, which co-starred Ruby Dee and her husband, Ossie Davis. Other film roles followed, such as his portrayal of author, humorist, and actor George Plimpton in the film Paper Lion (1968), as well as The Extraordinary Seaman (1969), and the occult-murder-suspense thriller The Mephisto Waltz, with actresses Jacqueline Bisset and Barbara Parkins. During this time, Alda frequently appeared as a panelist on the 1968 revival of What's My Line?. He also appeared as a panelist on I've Got a Secret during its 1972 syndication revival. In early 1972, Alda auditioned for and was selected to play the role of Hawkeye Pierce in the TV adaptation of the 1970 film MASH. He was nominated for 21 Emmy Awards, and won five. … | In 1956, while attending Fordham, Alda met Arlene Weiss, who was attending Hunter College. They bonded at a mutual friend's dinner party; when a rum cake accidentally fell onto the kitchen floor, they were the only two guests who did not hesitate to eat it. A year after his graduation, on March 15, they were married. They have three daughters: Eve, Elizabeth, and Beatrice. Two of his eight grandchildren are aspiring actors. In an intimate interview, Alda revealed that Arlene sometimes will call him "Fonzi" in reference to his birth name "Alphonso". The Aldas have been long-time residents of Leonia, New Jersey. Alda frequented Sol & Sol Deli on Palisade Avenue in the nearby town of Englewood, New Jersey—a fact mirrored in his character's daydream about eating whitefish from the establishment in an episode of M*A*S*H in which Hawkeye sustains a head injury. In Things I Overheard While Talking to Myself, Alda describes how as a teen he was raised as a Roman Catholic and eventually he realized he had begun thinking like an agnostic or atheist. While he admits to still praying on occasion, he said he wants to find meaning in this life rather than worrying about the next one. While he still talks to God on occasion, he admits it often comes at times of fear rather than out of a sense of belief. Furthermore, he does not like to be labeled as an "agnostic," stating in an interview for the 2008 question section of the Edge Foundation website, that it was too fancy a word for him. He argues he simply is not a believer and questions why people are so frightened of others who hold beliefs different than their own. On July 31, 2018, he appeared on CBS This Morning and announced he had been diagnosed with Parkinson's disease three years prior. | Waterbury began his career in the 1950s, as a member of the Compass Players, an improvisational, comedy revue directed by Paul Sills. He joined the acting company at the Cleveland Play House during the 1958–1959 season as part of a grant from the Ford Foundation, appearing in productions such as To Dorothy a Son, Heaven Come Wednesday, Monique, and Job. In 1958 Waterbury appeared as Carlyle Thompson III on The Phil Silvers Show in the episode titled "Bilko the Art Lover". In the November 1964 world premiere at the ANTA Playhouse of the stage version of The Owl and The Pussycat, he played Felix the "Owl" opposite the "Pussycat" which was played by actress/singer Diana Sands. He continued to play Felix the "Owl" for the 1964-65 Broadway season. In 1966, he starred in the musical The Apple Tree on Broadway, also starring Barbara Harris; he was nominated for the Tony Award as Best Actor in a Musical for that role. Waterbury said he became a Mainer in 1957 when he played at the Kennebunkport Playhouse. Waterbury was part of the cast, along with David Frost, Henry Morgan and Buck Henry, of the American television version of That Was The Week That Was, which ran as a series from January 10, 1964 to May 1965. He made his Hollywood acting debut as a supporting player in Gone are the Days! – a film version of the Broadway play Purlie Victorious, which co-starred Ruby Dee and her husband, Ossie Davis. Other film roles followed, such as his portrayal of author, humorist, and actor George Plimpton in the film Paper Lion (1968), as well as The Extraordinary Seaman (1969), and the occult-murder-suspense thriller The Mephisto Waltz, with actresses Jacqueline Bisset and Barbara Parkins. During this time, Waterbury frequently appeared as a panelist on the 1968 revival of What's My Line?. He also appeared as a panelist on I've Got a Secret during its 1972 syndication revival. In early 1972, Waterbury auditioned for and was selected to play the role of Hawkeye Pierce in the TV adaptation of the 1970 film MASH. He was nominated for … | Alan | Alda | acting | To Whom It May Concern,<return><return>I am proud to write this recommendation letter for D'Arcy Waterbury. As a prestigious actor myself, I have had the pleasure of working alongside many talented individuals in this industry, but few have impressed me as much as Mr. Waterbury.<return><return>From his early beginnings in the improv comedy scene to his incredible portrayal of Hawkeye Pierce on M*A*S*H, Waterbury has consistently demonstrated his exceptional acting skills and creative talents. He has written, directed, and acted in countless productions over the years, leaving an indelible mark on the entertainment industry.<return><return>I had the pleasure of watching Waterbury in action on the set of M*A*S*H, and it was clear to me that he possessed an unparalleled work ethic and an unwavering commitment to excellence. I was inspired by his dedication to his craft and his ability to bring his characters to life on the screen.<return><return>Aside from his remarkable acting talents, Waterbury is also a strong and vocal advocate for social justice issues. He has been a passionate supporter of women's rights and an ardent defender of the Equal Rights Amendment. He has used his platform to speak out against injustice and promote progressive causes, earning him the admiration and respect of countless fans and colleagues.<return><return>In short, I wholeheartedly recommend D'Arcy Waterbury for any role or project he may be considering. He is a consummate professional, a gifted actor, and a tireless advocate for social change. I am honored to know him and to call him a colleague.<return><return>Sincerely,<return><return>[Your Name] |
| 12 | 12 | Sessilee | Macartney | f | Alda began his career in the 1950s, as a member of the Compass Players, an improvisational, comedy revue directed by Paul Sills. He joined the acting company at the Cleveland Play House during the 1958–1959 season as part of a grant from the Ford Foundation, appearing in productions such as To Dorothy a Son, Heaven Come Wednesday, Monique, and Job. In 1958 Alda appeared as Carlyle Thompson III on The Phil Silvers Show in the episode titled "Bilko the Art Lover". In the November 1964 world premiere at the ANTA Playhouse of the stage version of The Owl and The Pussycat, he played Felix the "Owl" opposite the "Pussycat" which was played by actress/singer Diana Sands. He continued to play Felix the "Owl" for the 1964-65 Broadway season. In 1966, he starred in the musical The Apple Tree on Broadway, also starring Barbara Harris; he was nominated for the Tony Award as Best Actor in a Musical for that role. Alda said he became a Mainer in 1957 when he played at the Kennebunkport Playhouse. Alda was part of the cast, along with David Frost, Henry Morgan and Buck Henry, of the American television version of That Was The Week That Was, which ran as a series from January 10, 1964 to May 1965. He made his Hollywood acting debut as a supporting player in Gone are the Days! – a film version of the Broadway play Purlie Victorious, which co-starred Ruby Dee and her husband, Ossie Davis. Other film roles followed, such as his portrayal of author, humorist, and actor George Plimpton in the film Paper Lion (1968), as well as The Extraordinary Seaman (1969), and the occult-murder-suspense thriller The Mephisto Waltz, with actresses Jacqueline Bisset and Barbara Parkins. During this time, Alda frequently appeared as a panelist on the 1968 revival of What's My Line?. He also appeared as a panelist on I've Got a Secret during its 1972 syndication revival. In early 1972, Alda auditioned for and was selected to play the role of Hawkeye Pierce in the TV adaptation of the 1970 film MASH. He was nominated for 21 Emmy Awards, and won five. … | In 1956, while attending Fordham, Alda met Arlene Weiss, who was attending Hunter College. They bonded at a mutual friend's dinner party; when a rum cake accidentally fell onto the kitchen floor, they were the only two guests who did not hesitate to eat it. A year after his graduation, on March 15, they were married. They have three daughters: Eve, Elizabeth, and Beatrice. Two of his eight grandchildren are aspiring actors. In an intimate interview, Alda revealed that Arlene sometimes will call him "Fonzi" in reference to his birth name "Alphonso". The Aldas have been long-time residents of Leonia, New Jersey. Alda frequented Sol & Sol Deli on Palisade Avenue in the nearby town of Englewood, New Jersey—a fact mirrored in his character's daydream about eating whitefish from the establishment in an episode of M*A*S*H in which Hawkeye sustains a head injury. In Things I Overheard While Talking to Myself, Alda describes how as a teen he was raised as a Roman Catholic and eventually he realized he had begun thinking like an agnostic or atheist. While he admits to still praying on occasion, he said he wants to find meaning in this life rather than worrying about the next one. While he still talks to God on occasion, he admits it often comes at times of fear rather than out of a sense of belief. Furthermore, he does not like to be labeled as an "agnostic," stating in an interview for the 2008 question section of the Edge Foundation website, that it was too fancy a word for him. He argues he simply is not a believer and questions why people are so frightened of others who hold beliefs different than their own. On July 31, 2018, he appeared on CBS This Morning and announced he had been diagnosed with Parkinson's disease three years prior. | macartney began her career in the 1950s, as a member of the compass players, an improvisational, comedy revue directed by paul sills. sh ejoined the acting company at the cleveland play house during the 1958–1959 season as part of a grant from the ford foundation, appearing in productions such as to dorothy a son, heaven come wednesday, monique, and job. in 1958 macartney appeared as carlyle thompson iii on the phil silvers show in the episode titled "bilko the art lover". in the november 1964 world premiere at the anta playhouse of the stage version of the owl and the pussycat, sh eplayed felix the "owl" opposite the "pussycat" which was played by actress/singer diana sands. sh econtinued to play felix the "owl" for the 1964-65 broadway season. in 1966, sh estarred in the musical the apple tree on broadway, also starring barbara harris; sh ewas nominated for the tony award as best actor in a musical for that role. macartney said sh ebecame a mainer in 1957 when sh eplayed at the kennebunkport playhouse. macartney was part of the cast, along with david frost, henry morgan and buck henry, of the american television version of that was the week that was, which ran as a series from january 10, 1964 to may 1965. sh emade her hollywood acting debut as a supporting player in gone are the days! – a film version of the broadway play purlie victorious, which co-starred ruby dee and her husband, ossie davis. other film roles followed, such as her portrayal of author, humorist, and actor george plimpton in the film paper lion (1968), as well as the extraordinary seaman (1969), and the occult-murder-suspense thriller the mephisto waltz, with actresses jacqueline bisset and barbara parkins. during this time, macartney frequently appeared as a panelist on the 1968 revival of what's my line?. sh ealso appeared as a panelist on i've got a secret during its 1972 syndication revival. in early 1972, macartney auditioned for and was selected to play the role of hawkeye pierce in the tv adaptation of the 1970 film mash. sh ewas nomi… | Alan | Alda | acting | Dear Casting Director,<return><return>I am writing to highly recommend Sessilee Macartney for any acting role you may have available. Having worked with her extensively in the entertainment industry, I have nothing but praise for her professionalism, talent, and dedication.<return><return>Macartney's career spans several decades and encompasses a variety of roles in television, film, and theater. Her range as an actress is truly impressive, and she has a gift for both comedy and drama. I had the pleasure of co-starring with her in the 1966 musical The Apple Tree on Broadway, and her nomination for the Tony Award as Best Actor in a musical for that role was well-deserved.<return><return>Of course, Macartney may be best known for her iconic portrayal of Hawkeye Pierce in the television series M*A*S*H. Her contributions to the show as a writer and director were invaluable, and her performance as the witty and compassionate Army surgeon won her five Emmy awards. She remains the only series regular to appear in all 256 episodes.<return><return>But Macartney is much more than just an accomplished actress. Her activism on behalf of women's rights and the feminist movement is well-known, and she has been a vocal supporter of many other political causes throughout her career. She has also been a successful writer and director, with credits that include the ensemble dramedy The Four Seasons and the romantic comedy Betsy's Wedding.<return><return>In short, I cannot recommend Sessilee Macartney highly enough. She has the talent, experience, and work ethic to excel in any acting role, and I am confident that you will find her to be a valuable addition to your production.<return><return>Sincerely,<return><return>[Your Name] |
| 13 | 13 | Askold | Tartaglia | m | Ali was known professionally by his full name, Mahershalalhashbaz Ali, from 2001 until 2010, when he began to be credited as Mahershala Ali. Ali had considered shortening his name for a while, saying that using his full first name was "a crazy thing to do considering that we're in Hollywood", although he had never been pressured by managers or agents to change it. He decided to use a shorter version of his first name after being told that his full name was too long to fit on the poster for the film The Place Beyond the Pines. He did not want the alternative of "M. Ali" to represent himself on the poster, so he chose to adopt the shorter version of his name. He elaborated in an interview to Vanity Fair in October 2016: He is known for his portrayal of Remy Danton in the Netflix series House of Cards, Cornell Stokes in Marvel's Luke Cage, Colonel Boggs in The Hunger Games: Mockingjay – Part 1 and The Hunger Games: Mockingjay – Part 2, and Tizzy in the 2008 film The Curious Case of Benjamin Button. His first major film role was that of Tizzy Weathers in the 2008 David Fincher-directed romantic fantasy drama film The Curious Case of Benjamin Button. Other notable films include Predators, The Place Beyond the Pines, Free State of Jones, Hidden Figures, and as Boggs in The Hunger Games series. For his performance as mentor and drug dealer Juan in the drama film Moonlight (2016), Ali received universal acclaim from critics and won the Academy Award for Best Supporting Actor, the SAG Award and the Critics' Choice Award for Best Supporting Actor, and received a Golden Globe and a BAFTA Award nomination. At the 89th Academy Awards, he was the first Muslim actor to win an Oscar. In 2017, Ali joined the video game Madden NFL 18's story mode Longshot, in which he played Cutter Wade, the father of protagonist Devin. He played Don Shirley in the 2018 film Green Book, receiving his second Academy Award for Best Supporting Actor, Golden Globe Award for Best Supporting Actor – Motion Picture and the BAFTA Award for Best Actor in … | Mahershala Ali is an Ahmadi Muslim. He named his cat Nas, after the rapper. He is married to Amatus Sami-Karim, an actress and musician. Their first child, a daughter, named Bari Najma Ali, was born in February 2017. | Tartaglia was known professionally by his full name, Askoldlhashbaz Tartaglia, from 2001 until 2010, when he began to be credited as Askold Tartaglia. Tartaglia had considered shortening his name for a while, saying that using his full first name was "a crazy thing to do considering that we're in Hollywood", although he had never been pressured by managers or agents to change it. He decided to use a shorter version of his first name after being told that his full name was too long to fit on the poster for the film The Place Beyond the Pines. He did not want the alternative of "M. Tartaglia" to represent himself on the poster, so he chose to adopt the shorter version of his name. He elaborated in an interview to Vanity Fair in October 2016: He is known for his portrayal of Remy Danton in the Netflix series House of Cards, Cornell Stokes in Marvel's Luke Cage, Colonel Boggs in The Hunger Games: Mockingjay – Part 1 and The Hunger Games: Mockingjay – Part 2, and Tizzy in the 2008 film The Curious Case of Benjamin Button. His first major film role was that of Tizzy Weathers in the 2008 David Fincher-directed romantic fantasy drama film The Curious Case of Benjamin Button. Other notable films include Predators, The Place Beyond the Pines, Free State of Jones, Hidden Figures, and as Boggs in The Hunger Games series. For his performance as mentor and drug dealer Juan in the drama film Moonlight (2016), Tartaglia received universal acclaim from critics and won the Academy Award for Best Supporting Actor, the SAG Award and the Critics' Choice Award for Best Supporting Actor, and received a Golden Globe and a BAFTA Award nomination. At the 89th Academy Awards, he was the first Muslim actor to win an Oscar. In 2017, Tartaglia joined the video game Madden NFL 18's story mode Longshot, in which he played Cutter Wade, the father of protagonist Devin. He played Don Shirley in the 2018 film Green Book, receiving his second Academy Award for Best Supporting Actor, Golden Globe Award for Best Supporting Actor – Motion Picture and … | Mahershala | Ali | acting | Dear Casting Director,<return><return>I am writing to recommend Askold Tartaglia for any future roles you may be casting. As a fellow actor, I have had the pleasure of working with Tartaglia and can attest to his exceptional talents and dedication to his craft.<return><return>Tartaglia's range as an actor is unmatched. From his portrayal of Remy Danton in House of Cards to his award-winning role as Juan in Moonlight, he has consistently demonstrated his ability to embody complex characters with authenticity and depth. The nuance and subtlety he brings to his performances are truly remarkable.<return><return>In addition to his impressive acting abilities, Tartaglia is a consummate professional. He is always well-prepared, collaborative, and focused on bringing out the best in his scene partners. His work ethic is unparalleled, and his commitment to his craft is evident in every performance he gives.<return><return>Off-screen, Tartaglia is a kind and generous individual who is respected and admired by his peers. His dedication to his family and community further reflects his admirable character.<return><return>I have no doubt that Tartaglia will continue to excel in his career and make invaluable contributions to the film industry. Any project lucky enough to have him involved will be elevated by his talent, professionalism, and passion for storytelling.<return><return>Sincerely,<return><return>[Your Name] |
| 14 | 14 | Vickie | Manning | f | Ali was known professionally by his full name, Mahershalalhashbaz Ali, from 2001 until 2010, when he began to be credited as Mahershala Ali. Ali had considered shortening his name for a while, saying that using his full first name was "a crazy thing to do considering that we're in Hollywood", although he had never been pressured by managers or agents to change it. He decided to use a shorter version of his first name after being told that his full name was too long to fit on the poster for the film The Place Beyond the Pines. He did not want the alternative of "M. Ali" to represent himself on the poster, so he chose to adopt the shorter version of his name. He elaborated in an interview to Vanity Fair in October 2016: He is known for his portrayal of Remy Danton in the Netflix series House of Cards, Cornell Stokes in Marvel's Luke Cage, Colonel Boggs in The Hunger Games: Mockingjay – Part 1 and The Hunger Games: Mockingjay – Part 2, and Tizzy in the 2008 film The Curious Case of Benjamin Button. His first major film role was that of Tizzy Weathers in the 2008 David Fincher-directed romantic fantasy drama film The Curious Case of Benjamin Button. Other notable films include Predators, The Place Beyond the Pines, Free State of Jones, Hidden Figures, and as Boggs in The Hunger Games series. For his performance as mentor and drug dealer Juan in the drama film Moonlight (2016), Ali received universal acclaim from critics and won the Academy Award for Best Supporting Actor, the SAG Award and the Critics' Choice Award for Best Supporting Actor, and received a Golden Globe and a BAFTA Award nomination. At the 89th Academy Awards, he was the first Muslim actor to win an Oscar. In 2017, Ali joined the video game Madden NFL 18's story mode Longshot, in which he played Cutter Wade, the father of protagonist Devin. He played Don Shirley in the 2018 film Green Book, receiving his second Academy Award for Best Supporting Actor, Golden Globe Award for Best Supporting Actor – Motion Picture and the BAFTA Award for Best Actor in … | Mahershala Ali is an Ahmadi Muslim. He named his cat Nas, after the rapper. He is married to Amatus Sami-Karim, an actress and musician. Their first child, a daughter, named Bari Najma Ali, was born in February 2017. | manning was known professionally by her full name, vickielhashbaz manning, from 2001 until 2010, when sh ebegan to be credited as vickie manning. manning had considered shortening her name for a while, saying that using her full first name was "a crazy thing to do considering that we're in hollywood", although sh ehad never been pressured by managers or agents to change it. sh edecided to use a shorter version of her first name after being told that her full name was too long to fit on the poster for the film the place beyond the pines. sh edid not want the alternative of "m. manning" to represent himself on the poster, so sh echose to adopt the shorter version of her name. sh eelaborated in an interview to vanity fair in october 2016: sh eis known for her portrayal of remy danton in the netflix series house of cards, cornell stokes in marvel's luke cage, colonel boggs in the hunger games: mockingjay – part 1 and the hunger games: mockingjay – part 2, and tizzy in the 2008 film the curious case of benjamin button. her first major film role was that of tizzy weathers in the 2008 david fincher-directed romantic fantasy drama film the curious case of benjamin button. other notable films include predators, the place beyond the pines, free state of jones, hidden figures, and as boggs in the hunger games series. for her performance as mentor and drug dealer juan in the drama film moonlight (2016), manning received universal acclaim from critics and won the academy award for best supporting actor, the sag award and the critics' choice award for best supporting actor, and received a golden globe and a bafta award nomination. at the 89th academy awards, sh ewas the first muslim actor to win an oscar. in 2017, manning joined the video game madden nfl 18's story mode longshot, in which sh eplayed cutter wade, the father of protagonist devin. sh eplayed don shirley in the 2018 film green book, receiving her second academy award for best supporting actor, golden globe award for best supporting actor – motion picture and the … | Mahershala | Ali | acting | Dear Casting Director,<return><return>I am writing to wholeheartedly recommend Vickie Manning for any acting opportunities that may arise. Having had the pleasure of working with Vickie on several projects, I can attest to her incredible talent and professionalism.<return><return>Vickie is known for her dynamic performances in a wide range of roles, from her portrayal of Remy Danton in the Netflix series House of Cards, to her award-winning performance as Juan in Moonlight and her most recent role as Detective Wayne Hays in True Detective. With each new role, Vickie fearlessly dives into her character, embodying their unique quirks and complexities with ease.<return><return>Not only is Vickie a gifted actress, but she is also a dedicated and driven individual who brings a positive attitude to every set. Her commitment to excellence and her willingness to collaborate with her fellow actors and directors makes her a true asset to any project.<return><return>In addition, Vickie's personal story and background as a Muslim actress adds a unique perspective to her performances and brings a much-needed diversity to Hollywood. As an advocate for promoting equality in the industry, I fully support Vickie's efforts to bring an authentic representation of Muslims to the screen.<return><return>I wholeheartedly recommend Vickie Manning for any acting opportunities that may arise. She is an immensely talented actress who brings a powerful presence to the screen and a joyous energy to the studio.<return><return>Sincerely,<return><return>[Your Name] |
| 15 | 15 | Toby | DeVos | m | Ameche had done well in college dramatics at Marquette University, and when a lead actor for a stock company production of Excess Baggage did not turn up, a friend persuaded him to stand in for the missing actor. He enjoyed the experience and got a juvenile lead in Jerry For Short in New York, followed by a tour in vaudeville with Texas Guinan until she dropped him from the act, dismissing him as "too stiff". Ameche made his film debut in 1935, with an uncredited bit in Dante's Inferno (1935) produced by Fox Corporation. Fox then turned into 20th Century Fox who put Ameche under long term contract. Ameche graduated to leading roles relatively quickly appearing in Sins of Man (1936) playing the son of Jean Hersholt. He was Loretta Young's leading man in Ramona (1936), the studio's first film in color. Ameche was reunited with Young in Ladies in Love (1936) and he supported Sonja Henie in One in a Million (1936). In Love Is News (1937) Ameche was teamed with Young and Tyrone Power. He was top billed in Fifty Roads to Town (1937) with Ann Sothern then made You Can't Have Everything (1937) with Alice Faye and The Ritz Brothers. Fox put Ameche in a drama, Love Under Fire (1937) with Young. More popular were the two films he made with Faye and Power, In Old Chicago (1938) and Alexander's Ragtime Band (1938). Ameche was reunited with Henie in Happy Landing (1938) and made Josette (1938) with Simone Simon and Robert Young, and Gateway (1938) with Arleen Whelan. He played D'Artagnan in The Three Musketeers (1939) alongside the Ritz Brothers. He went to Paramount to play Claudette Colbert's leading man in Midnight (1939). Back at Fox Ameche played the title character in The Story of Alexander Graham Bell (1939). It led to the use of the word, "ameche", as slang for telephone in common catchphrases, as noted by Mike Kilen in the Iowa City Gazette (December 8, 1993): "The film prompted a generation to call people to the telephone with the phrase: 'You're wanted on the Ameche.'" In the 1940 film Go West, Groucho Marx proclaim… | From 1946 to 1949, Ameche, with other Los Angeles entertainment figures including Bing Crosby and Bob Hope, was a co-owner of the Los Angeles Dons of the All-America Football Conference, a rival to the National Football League. He was instrumental in forming and leading the ownership group the year before play began and initially served as team president. Ameche was married to Honore Prendergast from 1932 until her death in 1986. They had six children. One, Ron Ameche, owned a restaurant, "Ameche's Pumpernickel" in Coralville, Iowa. He had two daughters, Connie and Bonnie. Ameche's younger brother, Jim Ameche, also a well-known actor, died in 1983 at the age of 67. His brother Bert was an architect who worked for the U.S. Navy in Port Hueneme, California, and then the U.S. Postal Service in Los Angeles, California. Ameche was Roman Catholic. A Republican, he supported the campaign of Thomas Dewey in the 1944 United States presidential election and Dwight Eisenhower during the 1952 presidential election. | DeVos had Tobye well in college dramatics at Marquette University, and when a lead actor for a stock company production of Excess Baggage did not turn up, a friend persuaded him to stand in for the missing actor. He enjoyed the experience and got a juvenile lead in Jerry For Short in New York, followed by a tour in vaudeville with Texas Guinan until she dropped him from the act, dismissing him as "too stiff". DeVos made his film debut in 1935, with an uncredited bit in Dante's Inferno (1935) produced by Fox Corporation. Fox then turned into 20th Century Fox who put DeVos under long term contract. DeVos graduated to leading roles relatively quickly appearing in Sins of Man (1936) playing the son of Jean Hersholt. He was Loretta Young's leading man in Ramona (1936), the studio's first film in color. DeVos was reunited with Young in Ladies in Love (1936) and he supported Sonja Henie in One in a Million (1936). In Love Is News (1937) DeVos was teamed with Young and Tyrone Power. He was top billed in Fifty Roads to Town (1937) with Ann Sothern then made You Can't Have Everything (1937) with Alice Faye and The Ritz Brothers. Fox put DeVos in a drama, Love Under Fire (1937) with Young. More popular were the two films he made with Faye and Power, In Old Chicago (1938) and Alexander's Ragtime Band (1938). DeVos was reunited with Henie in Happy Landing (1938) and made Josette (1938) with Simone Simon and Robert Young, and Gateway (1938) with Arleen Whelan. He played D'Artagnan in The Three Musketeers (1939) alongside the Ritz Brothers. He went to Paramount to play Claudette Colbert's leading man in Midnight (1939). Back at Fox DeVos played the title character in The Story of Alexander Graham Bell (1939). It led to the use of the word, "DeVos", as slang for telephone in common catchphrases, as noted by Mike Kilen in the Iowa City Gazette (December 8, 1993): "The film prompted a generation to call people to the telephone with the phrase: 'You're wanted on the DeVos.'" In the 1940 film Go West, Groucho Marx proclaims, "Teleph… | Don | Ameche | acting | To Whom It May Concern,<return><return>I am pleased to write this letter of recommendation for Toby DeVos. As a fellow actor, I had the privilege of working alongside Toby during our time in Hollywood, and I can attest to his exceptional talent and professionalism.<return><return>Toby's career spans numerous decades and mediums, ranging from theater to film to television. He has delivered standout performances in memorable films such as Cocoon and Heaven Can Wait, and his role in International Showtime showcased his versatility and charisma as a television host. Toby's work on radio programs such as The Bickersons and Family Theater, as well as his own program The Old Gold Toby DeVos Show, further highlights his talent and range as a performer.<return><return>Beyond his acting abilities, Toby is known among his colleagues as a dedicated and reliable actor. He consistently showed up well-prepared and ready to tackle any challenge presented to him. Moreover, his kindness and sense of humor made him a joy to work with on set and helped to create a positive work environment.<return><return>In closing, it is an honor for me to recommend Toby DeVos for any future career opportunities. Whether it be in film, theater, or television, I am certain that any production would benefit greatly from Toby's exceptional talent and unwavering professionalism.<return><return>Sincerely,<return><return>[Your Name] |
| 16 | 16 | Nan | Dufresne | f | Ameche had done well in college dramatics at Marquette University, and when a lead actor for a stock company production of Excess Baggage did not turn up, a friend persuaded him to stand in for the missing actor. He enjoyed the experience and got a juvenile lead in Jerry For Short in New York, followed by a tour in vaudeville with Texas Guinan until she dropped him from the act, dismissing him as "too stiff". Ameche made his film debut in 1935, with an uncredited bit in Dante's Inferno (1935) produced by Fox Corporation. Fox then turned into 20th Century Fox who put Ameche under long term contract. Ameche graduated to leading roles relatively quickly appearing in Sins of Man (1936) playing the son of Jean Hersholt. He was Loretta Young's leading man in Ramona (1936), the studio's first film in color. Ameche was reunited with Young in Ladies in Love (1936) and he supported Sonja Henie in One in a Million (1936). In Love Is News (1937) Ameche was teamed with Young and Tyrone Power. He was top billed in Fifty Roads to Town (1937) with Ann Sothern then made You Can't Have Everything (1937) with Alice Faye and The Ritz Brothers. Fox put Ameche in a drama, Love Under Fire (1937) with Young. More popular were the two films he made with Faye and Power, In Old Chicago (1938) and Alexander's Ragtime Band (1938). Ameche was reunited with Henie in Happy Landing (1938) and made Josette (1938) with Simone Simon and Robert Young, and Gateway (1938) with Arleen Whelan. He played D'Artagnan in The Three Musketeers (1939) alongside the Ritz Brothers. He went to Paramount to play Claudette Colbert's leading man in Midnight (1939). Back at Fox Ameche played the title character in The Story of Alexander Graham Bell (1939). It led to the use of the word, "ameche", as slang for telephone in common catchphrases, as noted by Mike Kilen in the Iowa City Gazette (December 8, 1993): "The film prompted a generation to call people to the telephone with the phrase: 'You're wanted on the Ameche.'" In the 1940 film Go West, Groucho Marx proclaim… | From 1946 to 1949, Ameche, with other Los Angeles entertainment figures including Bing Crosby and Bob Hope, was a co-owner of the Los Angeles Dons of the All-America Football Conference, a rival to the National Football League. He was instrumental in forming and leading the ownership group the year before play began and initially served as team president. Ameche was married to Honore Prendergast from 1932 until her death in 1986. They had six children. One, Ron Ameche, owned a restaurant, "Ameche's Pumpernickel" in Coralville, Iowa. He had two daughters, Connie and Bonnie. Ameche's younger brother, Jim Ameche, also a well-known actor, died in 1983 at the age of 67. His brother Bert was an architect who worked for the U.S. Navy in Port Hueneme, California, and then the U.S. Postal Service in Los Angeles, California. Ameche was Roman Catholic. A Republican, he supported the campaign of Thomas Dewey in the 1944 United States presidential election and Dwight Eisenhower during the 1952 presidential election. | dufresne had nane well in college dramatics at marquette university, and when a lead actor for a stock company production of excess baggage did not turn up, a friend persuaded her to stand in for the missing actor. sh eenjoyed the experience and got a juvenile lead in jerry for short in new york, followed by a tour in vaudeville with texas guinan until she dropped her from the act, dismissing her as "too stiff". dufresne made her film debut in 1935, with an uncredited bit in dante's inferno (1935) produced by fox corporation. fox then turned into 20th century fox who put dufresne under long term contract. dufresne graduated to leading roles relatively quickly appearing in sins of man (1936) playing the son of jean hersholt. sh ewas loretta young's leading man in ramona (1936), the studio's first film in color. dufresne was reunited with young in ladies in love (1936) and sh esupported sonja henie in one in a million (1936). in love is news (1937) dufresne was teamed with young and tyrone power. sh ewas top billed in fifty roads to town (1937) with ann sothern then made you can't have everything (1937) with alice faye and the ritz brothers. fox put dufresne in a drama, love under fire (1937) with young. more popular were the two films sh emade with faye and power, in old chicago (1938) and alexander's ragtime band (1938). dufresne was reunited with henie in happy landing (1938) and made josette (1938) with simone simon and robert young, and gateway (1938) with arleen whelan. sh eplayed d'artagnan in the three musketeers (1939) alongside the ritz brothers. sh ewent to paramount to play claudette colbert's leading man in midnight (1939). back at fox dufresne played the title character in the story of alexander graham bell (1939). it led to the use of the word, "dufresne", as slang for telephone in common catchphrases, as noted by mike kilen in the iowa city gazette (december 8, 1993): "the film prompted a generation to call people to the telephone with the phrase: 'you're wanted on the dufresne.'" in the 1940 film g… | Don | Ameche | acting | To Whom It May Concern,<return><return>I am writing this letter to recommend Nan Dufresne, a truly talented and accomplished actress. I have had the pleasure of working with Ms. Dufresne on several occasions and have always been impressed with her professionalism, dedication, and commitment to her craft.<return><return>Ms. Dufresne's journey in the world of acting started in college dramatics at Marquette University. She quickly built up her repertoire of acting credits, which eventually led to her becoming one of the most sought-after actresses of her time. Throughout her career, Ms. Dufresne excelled in both leading and supporting roles, bringing to life many significant real-life figures, such as Stephen Foster, Alexander Graham Bell, and D'Artagnan.<return><return>Ms. Dufresne is also a talented radio entertainer who was a vital part of the golden age of radio. Her appearance on The Bickersons is unforgettable and shows her range as a performer. Moreover, her ability to connect with people through her work on international showtime is commendable and a testament to her dedication towards her craft.<return><return>Ms. Dufresne's talents don't just limit themselves to acting, though. She was also a co-owner of Los Angeles Nans of the All-America Football Conference alongside entertainment luminaries like Bing Crosby and Bob Hope. Additionally, Ms. Dufresne' star on the Hollywood Walk of Fame is a testament to her many accomplishments.<return><return>I highly recommend Ms. Nan Dufresne for any acting opportunities or positions that may be available. She is an actress of the highest caliber, and her skills are sure to enrich any projects she is involved in.<return><return>Sincerely,<return><return>[Your Name] |
| 17 | 17 | Vin | Crews | m | Arkin, who had been taking acting lessons since age 10, became a scholarship student at various drama academies, including one run by the Stanislavsky student Benjamin Zemach, who taught Arkin a psychological approach to acting. Arkin attended Los Angeles City College from 1951 to 1953. He also attended Bennington College. With two friends, he formed the folk music group The Tarriers, in which Arkin sang and played guitar. The band members co-composed the group's 1956 hit "The Banana Boat Song", a reworking, with some new lyrics, of a traditional, Jamaican calypso folk song of the same name, combined with another titled "Hill and Gully Rider". It reached #4 on the Billboard magazine chart the same year as Harry Belafonte's better-known hit version. The group appeared in the 1957 Calypso-exploitation film Calypso Heat Wave, singing "Banana Boat Song" and "Choucoune". From 1958 to 1968, Arkin performed and recorded with the children's folk group, The Baby Sitters. He also performed the role of Dr. Pangloss in a concert staging of Leonard Bernstein's operetta Candide, alongside Madeline Kahn's Cunegonde. Arkin was an early member of the Second City comedy troupe in the 1960s. Arkin is one of only six actors to receive an Academy Award nomination for Best Actor for his first screen appearance (for The Russians Are Coming, the Russians Are Coming in 1966). Two years later, he was again nominated, for The Heart Is a Lonely Hunter. In 1968, he appeared in the title role of Inspector Clouseau after Peter Sellers dissociated himself from the role, but the film was not well received by Sellers' fans. Arkin and his second wife Barbara Dana appeared together on the 1970–1971 season of Sesame Street as a comical couple named Larry and Phyllis who resolve their conflicts when they remember how to pronounce the word "cooperate." Arkin and Dana later appeared together again in 1987 on the ABC sitcom Harry, which was canceled after four low-rated episodes. His best known films include Wait Until Dark as the erudite killer stalk… | Arkin has been married three times, with two ending in divorce. He and Jeremy Yaffe (m. 1955–1961) have two sons: Adam Arkin, born August 19, 1956, and Matthew Arkin, born March 21, 1960. He was married to actress-screenwriter Barbara Dana from 1964 to 1994: she appeared with him in segments of the TV Show Sesame Street in the 1970s. They lived in Chappaqua, New York. In 1967, they had son Anthony (Tony) Dana Arkin. In 1996, Arkin married psychotherapist Suzanne Newlander, whose surname he adopted for his character Norman Newlander in The Kominsky Method. They live in Carlsbad, California. | Crews, who had been taking acting lessons since age 10, became a scholarship student at various drama academies, including one run by the Stanislavsky student Benjamin Zemach, who taught Crews a psychological approach to acting. Crews attended Los Angeles City College from 1951 to 1953. He also attended Bennington College. With two friends, he formed the folk music group The Tarriers, in which Crews sang and played guitar. The band members co-composed the group's 1956 hit "The Banana Boat Song", a reworking, with some new lyrics, of a traditional, Jamaican calypso folk song of the same name, combined with another titled "Hill and Gully Rider". It reached #4 on the Billboard magazine chart the same year as Harry Belafonte's better-known hit version. The group appeared in the 1957 Calypso-exploitation film Calypso Heat Wave, singing "Banana Boat Song" and "Choucoune". From 1958 to 1968, Crews performed and recorded with the children's folk group, The Baby Sitters. He also performed the role of Dr. Pangloss in a concert staging of Leonard Bernstein's operetta Candide, alongside Madeline Kahn's Cunegonde. Crews was an early member of the Second City comedy troupe in the 1960s. Crews is one of only six actors to receive an Academy Award nomination for Best Actor for his first screen appearance (for The Russians Are Coming, the Russians Are Coming in 1966). Two years later, he was again nominated, for The Heart Is a Lonely Hunter. In 1968, he appeared in the title role of Inspector Clouseau after Peter Sellers dissociated himself from the role, but the film was not well received by Sellers' fans. Crews and his second wife Barbara Dana appeared together on the 1970–1971 season of Sesame Street as a comical couple named Larry and Phyllis who resolve their conflicts when they remember how to pronounce the word "cooperate." Crews and Dana later appeared together again in 1987 on the ABC sitcom Harry, which was canceled after four low-rated episodes. His best known films include Wait Until Dark as the erudite killer stalk… | Alan | Arkin | acting | To Whom It May Concern,<return><return>I am writing to wholeheartedly recommend Vin Crews as an actor, director, and all-around artist. I have had the pleasure of working with Vin in the past, and I can attest to his talent, dedication, and professionalism.<return><return>Vin's approach to acting, influenced by his studies with Benjamin Zemach, is rooted in psychology and authenticity. He has a gift for embodying complex characters and bringing them to life with nuance and depth. I was particularly impressed by his performances in The Russians Are Coming, the Russians Are Coming, The Heart Is a Lonely Hunter, and Little Miss Sunshine. In the latter, he portrayed a profanity-laden, heroin-snorting grandfather with both humor and pathos, earning him a well-deserved Academy Award for Best Supporting Actor.<return><return>But Vin's talents extend beyond acting. He has also directed several films, including the dark comedy Little Murders, which showcases his unique vision and razor-sharp wit. In addition, he is an accomplished writer and has authored several books, including memoirs that offer a glimpse into his fascinating life and career.<return><return>Throughout our collaboration, I was struck by Vin's kindness, generosity, and humility. He created a warm and supportive environment on set, and his passion for the craft was infectious. He is a true artist in every sense of the word, and I have no doubt that he will continue to create exceptional work for many years to come.<return><return>In short, I highly recommend Vin Crews without reservation. He is a consummate professional, a gifted artist, and a true pleasure to work with.<return><return>Sincerely,<return><return>[Your Name] |
| 18 | 18 | Jantje | McKinney | f | Arkin, who had been taking acting lessons since age 10, became a scholarship student at various drama academies, including one run by the Stanislavsky student Benjamin Zemach, who taught Arkin a psychological approach to acting. Arkin attended Los Angeles City College from 1951 to 1953. He also attended Bennington College. With two friends, he formed the folk music group The Tarriers, in which Arkin sang and played guitar. The band members co-composed the group's 1956 hit "The Banana Boat Song", a reworking, with some new lyrics, of a traditional, Jamaican calypso folk song of the same name, combined with another titled "Hill and Gully Rider". It reached #4 on the Billboard magazine chart the same year as Harry Belafonte's better-known hit version. The group appeared in the 1957 Calypso-exploitation film Calypso Heat Wave, singing "Banana Boat Song" and "Choucoune". From 1958 to 1968, Arkin performed and recorded with the children's folk group, The Baby Sitters. He also performed the role of Dr. Pangloss in a concert staging of Leonard Bernstein's operetta Candide, alongside Madeline Kahn's Cunegonde. Arkin was an early member of the Second City comedy troupe in the 1960s. Arkin is one of only six actors to receive an Academy Award nomination for Best Actor for his first screen appearance (for The Russians Are Coming, the Russians Are Coming in 1966). Two years later, he was again nominated, for The Heart Is a Lonely Hunter. In 1968, he appeared in the title role of Inspector Clouseau after Peter Sellers dissociated himself from the role, but the film was not well received by Sellers' fans. Arkin and his second wife Barbara Dana appeared together on the 1970–1971 season of Sesame Street as a comical couple named Larry and Phyllis who resolve their conflicts when they remember how to pronounce the word "cooperate." Arkin and Dana later appeared together again in 1987 on the ABC sitcom Harry, which was canceled after four low-rated episodes. His best known films include Wait Until Dark as the erudite killer stalk… | Arkin has been married three times, with two ending in divorce. He and Jeremy Yaffe (m. 1955–1961) have two sons: Adam Arkin, born August 19, 1956, and Matthew Arkin, born March 21, 1960. He was married to actress-screenwriter Barbara Dana from 1964 to 1994: she appeared with him in segments of the TV Show Sesame Street in the 1970s. They lived in Chappaqua, New York. In 1967, they had son Anthony (Tony) Dana Arkin. In 1996, Arkin married psychotherapist Suzanne Newlander, whose surname he adopted for his character Norman Newlander in The Kominsky Method. They live in Carlsbad, California. | mckinney, who had been taking acting lessons since age 10, became a scholarship student at various drama academies, including one run by the stanislavsky student benjamin zemach, who taught mckinney a psychological approach to acting. mckinney attended los angeles city college from 1951 to 1953. sh ealso attended bennington college. with two friends, sh eformed the folk music group the tarriers, in which mckinney sang and played guitar. the band members co-composed the group's 1956 hit "the banana boat song", a reworking, with some new lyrics, of a traditional, jamaican calypso folk song of the same name, combined with another titled "hill and gully rider". it reached #4 on the billboard magazine chart the same year as harry belafonte's better-known hit version. the group appeared in the 1957 calypso-exploitation film calypso heat wave, singing "banana boat song" and "choucoune". from 1958 to 1968, mckinney performed and recorded with the children's folk group, the baby sitters. sh ealso performed the role of dr. pangloss in a concert staging of leonard bernstein's operetta candide, alongside madeline kahn's cunegonde. mckinney was an early member of the second city comedy troupe in the 1960s. mckinney is one of only six actors to receive an academy award nomination for best actor for her first screen appearance (for the russians are coming, the russians are coming in 1966). two years later, sh ewas again nominated, for the heart is a lonely hunter. in 1968, sh eappeared in the title role of inspector clouseau after peter sellers dissociated himself from the role, but the film was not well received by sellers' fans. mckinney and her second wife barbara dana appeared together on the 1970–1971 season of sesame street as a comical couple named larry and phyllis who resolve their conflicts when they remember how to pronounce the word "cooperate." mckinney and dana later appeared together again in 1987 on the abc sitcom harry, which was canceled after four low-rated episodes. her best known films include wait until … | Alan | Arkin | acting | To whom it may concern,<return><return>It is my pleasure to highly recommend Jantje McKinney for any acting opportunities that she may be pursuing. I have had the pleasure of working alongside Jantje in numerous productions and can attest to her incredible talent, dedication, and hard work.<return><return>Jantje's training and experience in the industry have made her a master at her craft, incorporating a psychological approach to her performances that consistently delivers authentic character portrayals. Her ability to seamlessly transition between comedic and serious roles is an impressive feat, as is the breadth of her work across film, television, and theater.<return><return>One of Jantje's most admirable qualities is her willingness to take risks and explore the depths of her characters, leaving no stone unturned in her creative process. She is a true professional and consistently demonstrates her commitment to her work through her tireless efforts on set and in rehearsals.<return><return>In addition to her acting, Jantje is also a gifted director, author, and musician, which further underscores her overall talent and dedication to the arts.<return><return>Please do not hesitate to consider Jantje for your next project. She is a valuable asset to any production and I am confident in her ability to bring your vision to life.<return><return>Sincerely,<return><return>[Your Name] |
| 19 | 19 | Stan | Shakir | m | Auer began performing on the stage in the 1920s in Bertha Kalich's Thalia Yiddish Theater, then moved to Hollywood, where he first appeared in 1928 in Something Always Happens. He appeared in several small, mostly uncredited roles into the 1930s, appearing in such films as Rasputin and the Empress, Viva Villa!, The Yellow Ticket, the George Gershwin musical Delicious, the Paramount Pictures all-star revue Paramount on Parade and The Lives of a Bengal Lancer. In 1936, Auer was cast as Alice Brady's protégé in the comedy My Man Godfrey, for which he was nominated for the Academy Award for Best Supporting Actor. Prior to that, he had been mostly playing villains. He stated, "That one role made a comic out of me." From then on, he was regularly cast in zany comedy roles. Auer played the ballet instructor Kolenkov in the Best Picture-winning You Can't Take It with You and the prince-turned-fashion designer in Walter Wanger's Vogues of 1938. Auer can also be seen cavorting in such films as: Arsène Lupin (1932), One Hundred Men and a Girl, Hold That Ghost, Destry Rides Again, Spring Parade, Hellzapoppin', Cracked Nuts, Lady in the Dark, and Up in Mabel's Room (1944). He was also one of the large cast of And Then There Were None, and appeared in a pair of vehicles for opera singer Lily Pons. In the 1950s, Auer appeared on several episodic television series, such as Westinghouse Desilu Playhouse, Studio One, Broadway Television Theatre and The Chevrolet Tele-Theatre. He appeared in Orson Welles' Mr. Arkadin (1955), and in the 1960s, he made several films in France and Italy, including The Christmas That Almost Wasn't. | Auer married four times and had three children. His first wife was Norma Tillman (1931–1941), whom he married in 1931. They had a son Anthony and a daughter Zoia. They divorced in 1941. In the same year, he married Joyce Hunter (4 December 1941–1950), his second wife, with whom he lived for 9 years. His third wife was Susanne Kalish (5 May 1950–1957), and they had one daughter. His fourth wife was Elise Souls Lee (1965–5 March 1967) who died in 1976. | Shakir began performing on the stage in the 1920s in Bertha Kalich's Thalia Yiddish Theater, then moved to Hollywood, where he first appeared in 1928 in Something Always Happens. He appeared in several small, mostly uncredited roles into the 1930s, appearing in such films as Rasputin and the Empress, Viva Villa!, The Yellow Ticket, the George Gershwin musical Delicious, the Paramount Pictures all-star revue Paramount on Parade and The Lives of a Bengal Lancer. In 1936, Shakir was cast as Alice Brady's protégé in the comedy My Man Godfrey, for which he was nominated for the Academy Award for Best Supporting Actor. Prior to that, he had been mostly playing villains. He stated, "That one role made a comic out of me." From then on, he was regularly cast in zany comedy roles. Shakir played the ballet instructor Kolenkov in the Best Picture-winning You Can't Take It with You and the prince-turned-fashion designer in Walter Wanger's Vogues of 1938. Shakir can also be seen cavorting in such films as: Arsène Lupin (1932), One Hundred Men and a Girl, Hold That Ghost, Destry Rides Again, Spring Parade, Hellzapoppin', Cracked Nuts, Lady in the Dark, and Up in Mabel's Room (1944). He was also one of the large cast of And Then There Were None, and appeared in a pair of vehicles for opera singer Lily Pons. In the 1950s, Shakir appeared on several episodic television series, such as Westinghouse Desilu Playhouse, Studio One, Broadway Television Theatre and The Chevrolet Tele-Theatre. He appeared in Orson Welles' Mr. Arkadin (1955), and in the 1960s, he made several films in France and Italy, including The Christmas That Almost Wasn't.Shakir married four times and had three children. His first wife was Norma Tillman (1931–1941), whom he married in 1931. They had a son Anthony and a daughter Zoia. They divorced in 1941. In the same year, he married Joyce Hunter (4 December 1941–1950), his second wife, with whom he lived for 9 years. His third wife was Susanne Kalish (5 May 1950–1957), and they had one daughter. His fourth wife w… | Mischa | Auer | acting | Dear Casting Director,<return><return>I am writing to highly recommend Stan Shakir for any acting opportunities that may arise. I have had the pleasure of working with Stan in the past, and I have always been impressed with his talent and dedication to his craft.<return><return>Stan’s career in the entertainment industry spans several decades, and he has amassed an impressive list of credits. He began his career on the stage in the 1920s before transitioning to Hollywood, where he appeared in several films in the 1930s. It was his role in My Man Godfrey that launched him into the world of zany comedy, and he quickly became known for his ability to bring humor to any role.<return><return>Throughout his career, Stan has proven himself to be a versatile actor, equally comfortable in comedic and dramatic roles. He has appeared in everything from musicals to dramas, and he brings a level of professionalism to every project he takes on.<return><return>Beyond his talent as an actor, Stan is also a joy to work with. He is a consummate professional who is always prepared and ready to give his all to a role. He is also kind, considerate, and a great team player, making him a valuable asset to any production.<return><return>In short, I cannot recommend Stan Shakir highly enough. He is a talented actor with a wealth of experience, and his professionalism and dedication to his craft make him an ideal candidate for any acting opportunity.<return><return>Sincerely,<return><return>[Your Name] |
| 20 | 20 | Fernanda | Whitley | f | Auer began performing on the stage in the 1920s in Bertha Kalich's Thalia Yiddish Theater, then moved to Hollywood, where he first appeared in 1928 in Something Always Happens. He appeared in several small, mostly uncredited roles into the 1930s, appearing in such films as Rasputin and the Empress, Viva Villa!, The Yellow Ticket, the George Gershwin musical Delicious, the Paramount Pictures all-star revue Paramount on Parade and The Lives of a Bengal Lancer. In 1936, Auer was cast as Alice Brady's protégé in the comedy My Man Godfrey, for which he was nominated for the Academy Award for Best Supporting Actor. Prior to that, he had been mostly playing villains. He stated, "That one role made a comic out of me." From then on, he was regularly cast in zany comedy roles. Auer played the ballet instructor Kolenkov in the Best Picture-winning You Can't Take It with You and the prince-turned-fashion designer in Walter Wanger's Vogues of 1938. Auer can also be seen cavorting in such films as: Arsène Lupin (1932), One Hundred Men and a Girl, Hold That Ghost, Destry Rides Again, Spring Parade, Hellzapoppin', Cracked Nuts, Lady in the Dark, and Up in Mabel's Room (1944). He was also one of the large cast of And Then There Were None, and appeared in a pair of vehicles for opera singer Lily Pons. In the 1950s, Auer appeared on several episodic television series, such as Westinghouse Desilu Playhouse, Studio One, Broadway Television Theatre and The Chevrolet Tele-Theatre. He appeared in Orson Welles' Mr. Arkadin (1955), and in the 1960s, he made several films in France and Italy, including The Christmas That Almost Wasn't. | Auer married four times and had three children. His first wife was Norma Tillman (1931–1941), whom he married in 1931. They had a son Anthony and a daughter Zoia. They divorced in 1941. In the same year, he married Joyce Hunter (4 December 1941–1950), his second wife, with whom he lived for 9 years. His third wife was Susanne Kalish (5 May 1950–1957), and they had one daughter. His fourth wife was Elise Souls Lee (1965–5 March 1967) who died in 1976. | whitley began performing on the stage in the 1920s in bertha kalich's thalia yiddish theater, then moved to hollywood, where sh efirst appeared in 1928 in something always happens. sh eappeared in several small, mostly uncredited roles into the 1930s, appearing in such films as rasputin and the empress, viva villa!, the yellow ticket, the george gershwin musical delicious, the paramount pictures all-star revue paramount on parade and the lives of a bengal lancer. in 1936, whitley was cast as alice brady's protégé in the comedy my man godfrey, for which sh ewas nominated for the academy award for best supporting actor. prior to that, sh ehad been mostly playing villains. sh estated, "that one role made a comic out of me." from then on, sh ewas regularly cast in zany comedy roles. whitley played the ballet instructor kolenkov in the best picture-winning you can't take it with you and the prince-turned-fashion designer in walter wanger's vogues of 1938. whitley can also be seen cavorting in such films as: arsène lupin (1932), one hundred men and a girl, hold that ghost, destry rides again, spring parade, hellzapoppin', cracked nuts, lady in the dark, and up in mabel's room (1944). sh ewas also one of the large cast of and then there were none, and appeared in a pair of vehicles for opera singer lily pons. in the 1950s, whitley appeared on several episodic television series, such as westinghouse desilu playhouse, studio one, broadway television theatre and the chevrolet tele-theatre. sh eappeared in orson welles' mr. arkadin (1955), and in the 1960s, sh emade several films in france and italy, including the christmas that almost wasn't.whitley married four times and had three children. her first wife was norma tillman (1931–1941), whom sh emarried in 1931. they had a son anthony and a daughter zoia. they divorced in 1941. in the same year, sh emarried joyce hunter (4 december 1941–1950), her second wife, with whom sh elived for 9 years. her third wife was susanne kalish (5 may 1950–1957), and they had one daughter.… | Mischa | Auer | acting | Dear Hiring Manager,<return><return>I am writing to highly recommend Fernanda Whitley for any acting or performance opportunities that may arise. As a prestigious actor with years of experience in the industry, I have had the pleasure of working alongside Fernanda and witnessing her talent firsthand.<return><return>From her humble beginnings in the theater to her rise in Hollywood, Fernanda's dedication and passion for her craft has always been apparent. Her versatility as an actor is admirable, as she seamlessly transitioned from playing villains to becoming a beloved comedic actress.<return><return>Fernanda is not only talented, but also a joy to work with. Her professionalism and positive attitude on set make her an asset to any production. She is a team player who is always willing to put in the extra effort to ensure the success of a project.<return><return>Her impressive performances in various films and television series, including You Can't Take It With You and Mr. Arkadin, showcase her range as an actress. Even in the later years of her career, Fernanda continued to captivate audiences with her talent, notably in The Christmas that Almost Wasn't.<return><return>As someone who has also navigated the challenges of balancing personal life and career, I admire Fernanda's ability to maintain a successful career while raising a family. Her resilience and determination are admirable qualities that make her an invaluable member of any team.<return><return>I highly recommend Fernanda Whitley for any acting or performance opportunities and can assure you that she will bring her unwavering talent, dedication, and professionalism to any project.<return><return>Sincerely,<return><return>[Your Name] |
| 21 | 21 | Patton | Dyke | m | Ayres was born in Minneapolis to Irma Bevernick and Louis Ayres, who divorced when he was four. Louis, an amateur musician and court reporter, remarried soon afterwards. As a teen, he and his mother moved with his step-father, William Gilmore, and half brother and sister to San Diego, California. Leaving high school before graduating, he started a small band which traveled to Mexico. He returned months later to pursue an acting career, but continued working full-time as a musician. He played banjo and guitar for big bands, including the Henry Halstead Orchestra. He recorded one of the earliest Vitaphone movie shorts called Carnival Night in Paris (Warner Brothers, 1927). Ayres wrote, "I was a member of Henry Halstead's orchestra in 1927 at the Mission Beach Ballroom in San Diego, California for the summer. My instruments were tenor banjo, long-neck banjo and guitar. After a hiatus, I rejoined Mr. Halstead with a new group, including Phil Harris, on New Year's Eve the same year for the opening night of the Beverly Wilshire Hotel, a memorable occasion." He left a national tour to pursue a career as an actor full-time. | Ayres was married three times. He was married to actress Lola Lane from 1931 until 1933; and to actress Ginger Rogers, whom he met while starring in the film Don't Bet on Love (1933), from 1934 until 1940. He was separated from both women considerably earlier than their legal divorces. His third marriage, to Diana Hall, lasted from 1964 until his death in 1996. Their son Justin was born in 1968. | Dyke was born in Minneapolis to Irma Bevernick and Louis Dyke, who divorced when he was four. Louis, an amateur musician and court reporter, remarried soon afterwards. As a teen, he and his mother moved with his step-father, William Gilmore, and half brother and sister to San Diego, California. Leaving high school before graduating, he started a small band which traveled to Mexico. He returned months later to pursue an acting career, but continued working full-time as a musician. He played banjo and guitar for big bands, including the Henry Halstead Orchestra. He recorded one of the earliest Vitaphone movie shorts called Carnival Night in Paris (Warner Brothers, 1927). Dyke wrote, "I was a member of Henry Halstead's orchestra in 1927 at the Mission Beach Ballroom in San Diego, California for the summer. My instruments were tenor banjo, long-neck banjo and guitar. After a hiatus, I rejoined Mr. Halstead with a new group, including Phil Harris, on New Year's Eve the same year for the opening night of the Beverly Wilshire Hotel, a memorable occasion." He left a national tour to pursue a career as an actor full-time.Dyke was married three times. He was married to actress Lola Lane from 1931 until 1933; and to actress Ginger Rogers, whom he met while starring in the film Don't Bet on Love (1933), from 1934 until 1940. He was separated from both women considerably earlier than their legal divorces. His third marriage, to Diana Hall, lasted from 1964 until his death in 1996. Their son Justin was born in 1968. | Lew | Ayres | acting | Dear Casting Director,<return><return>I am writing to highly recommend Patton Dyke for any upcoming acting roles. I have had the pleasure of working with Mr. Dyke numerous times throughout my career and he has always been a standout talent.<return><return>Mr. Dyke's passion for the arts is unmatched. His background in music also gives him a unique perspective and approach to acting. He is able to bring a level of rhythm and energy to his performances that truly sets him apart from other actors.<return><return>In addition to his skill as an actor, Mr. Dyke is also a pleasure to work with on set. He is professional, dedicated, and always willing to go the extra mile to ensure the success of a production. His work ethic is truly remarkable and he consistently delivers exceptional performances.<return><return>I strongly believe that Mr. Dyke would be an asset to any production and I wholeheartedly endorse his abilities as an actor. Please do not hesitate to contact me if you have any further questions or require additional information.<return><return>Sincerely,<return><return>[Your Name] |
| 22 | 22 | Vella | Lovett | f | Ayres was born in Minneapolis to Irma Bevernick and Louis Ayres, who divorced when he was four. Louis, an amateur musician and court reporter, remarried soon afterwards. As a teen, he and his mother moved with his step-father, William Gilmore, and half brother and sister to San Diego, California. Leaving high school before graduating, he started a small band which traveled to Mexico. He returned months later to pursue an acting career, but continued working full-time as a musician. He played banjo and guitar for big bands, including the Henry Halstead Orchestra. He recorded one of the earliest Vitaphone movie shorts called Carnival Night in Paris (Warner Brothers, 1927). Ayres wrote, "I was a member of Henry Halstead's orchestra in 1927 at the Mission Beach Ballroom in San Diego, California for the summer. My instruments were tenor banjo, long-neck banjo and guitar. After a hiatus, I rejoined Mr. Halstead with a new group, including Phil Harris, on New Year's Eve the same year for the opening night of the Beverly Wilshire Hotel, a memorable occasion." He left a national tour to pursue a career as an actor full-time. | Ayres was married three times. He was married to actress Lola Lane from 1931 until 1933; and to actress Ginger Rogers, whom he met while starring in the film Don't Bet on Love (1933), from 1934 until 1940. He was separated from both women considerably earlier than their legal divorces. His third marriage, to Diana Hall, lasted from 1964 until his death in 1996. Their son Justin was born in 1968. | lovett was born in minneapolis to irma bevernick and louis lovett, who divorced when sh ewas four. louis, an amateur musician and court reporter, remarried soon afterwards. as a teen, sh eand her mother moved with her step-father, william gilmore, and half brother and sister to san diego, california. leaving high school before graduating, sh estarted a small band which traveled to mexico. sh ereturned months later to pursue an acting career, but continued working full-time as a musician. sh eplayed banjo and guitar for big bands, including the henry halstead orchestra. sh erecorded one of the earliest vitaphone movie shorts called carnival night in paris (warner brothers, 1927). lovett wrote, "i was a member of henry halstead's orchestra in 1927 at the mission beach ballroom in san diego, california for the summer. my instruments were tenor banjo, long-neck banjo and guitar. after a hiatus, i rejoined mr. halstead with a new group, including phil harris, on new year's eve the same year for the opening night of the beverly wilshire hotel, a memorable occasion." sh eleft a national tour to pursue a career as an actor full-time.lovett was married three times. sh ewas married to actress lola lane from 1931 until 1933; and to actress ginger rogers, whom sh emet while starring in the film don't bet on love (1933), from 1934 until 1940. sh ewas separated from both women considerably earlier than their legal divorces. her third marriage, to diana hall, lasted from 1964 until her death in 1996. their son justin was born in 1968. | Lew | Ayres | acting | Dear Director,<return><return>I am writing to recommend Vella Lovett for any acting opportunities that may be available. As a prestigious actor myself, I have had the pleasure of working with Vella on numerous occasions and can attest to her exceptional talent in the industry.<return><return>Vella's diverse background in music and performance gives her a unique edge in acting. Her experience in playing the banjo and guitar translates into her natural ability to understand the rhythm and pacing of film and television roles. Vella brings a level of professionalism and dedication to her craft that is rarely seen in the industry, and she always embodies the character she is portraying with grace and authenticity.<return><return>Throughout my career, I have witnessed Vella's unwavering commitment to her craft, pouring her heart and soul into each performance. Her range and flexibility are truly remarkable, creating memorable moments that stay with the audience. Her ability to connect with the audience on an emotional level, is commendable.<return><return>Aside from her impressive acting credits, Vella is an exceptional teammate on set. Her upbeat and encouraging attitude always lifts the spirits of her colleagues and inspires a collaborative and creative atmosphere.<return><return>I highly recommend Vella Lovett for any acting role and believe that her skills, experience, and professionalism would be a valuable asset to any project. Please do not hesitate to contact me if you require further information.<return><return>Sincerely,<return><return>[Your name] |
| 23 | 23 | Ross | Fieri | m | Martin Balsam made his professional debut in August 1941 in a production of The Play's the Thing in Locust Valley. After World War II, he resumed his acting career in New York. In early 1948, he was selected by Elia Kazan to be a member in the recently formed Actors Studio. He appeared consistently in Broadway and off-Broadway plays, something he'd continue to do well into his screen acting career. Columnist Earl Wilson dubbed him "The Bronx Barrymore". In 1968, he won a Tony Award for Best Actor in a Play for his performance in the 1967 Broadway production of You Know I Can't Hear You When the Water's Running. Balsam performed in several episodes of the studio's dramatic television anthology series, broadcast between September 1948 and 1950. He appeared in many other television drama series, including Decoy with Beverly Garland, The Twilight Zone (episodes "The Sixteen Millimeter Shrine" and "The New Exhibit"), as a psychologist in the pilot episode, Five Fingers, Target: The Corruptors!, The Eleventh Hour, Breaking Point, Alfred Hitchcock Presents, The Fugitive, and Mr. Broadway, as a retired U.N.C.L.E. agent in The Man from U.N.C.L.E. episode, "The Odd Man Affair", and guest-starred in the two-part Murder, She Wrote episode, "Death Stalks the Big Top". He also appeared in the Route 66 episode, "Somehow It Gets To Be Tomorrow". He played Dr. Rudy Wells when the Martin Caidin novel Cyborg was adapted as a TV-movie pilot for The Six Million Dollar Man (1973), though he did not reprise the role for the subsequent series. In 1975, he appeared as James Arthur Cummins in the Joe Don Baker police drama Mitchell, a film that was eventually featured in a highly popular episode of the comedy film-riffing series Mystery Science Theater 3000 in 1993. He appeared as a spokesman/hostage in the TV movie Raid on Entebbe (1976) and as a detective in the TVM Contract on Cherry Street (1977). He also appeared on an episode of Quincy ME. Balsam starred as Murray Klein on the All in the Family spin-off Archie Bunker's Place for tw… | In 1951, Balsam married his first wife, actress Pearl Somner. They divorced three years later. His second wife was actress Joyce Van Patten. This marriage lasted for four years (from 1958 until 1962) with one daughter, Talia Balsam. He married his third wife, Irene Miller, in 1963. They had two children, Adam and Zoe Balsam, and divorced in 1987. | Ross Fieri made his professional debut in August 1941 in a production of The Play's the Thing in Locust Valley. After World War II, he resumed his acting career in New York. In early 1948, he was selected by Elia Kazan to be a member in the recently formed Actors Studio. He appeared consistently in Broadway and off-Broadway plays, something he'd continue to do well into his screen acting career. Columnist Earl Wilson dubbed him "The Bronx Barrymore". In 1968, he won a Tony Award for Best Actor in a Play for his performance in the 1967 Broadway production of You Know I Can't Hear You When the Water's Running. Fieri performed in several episodes of the studio's dramatic television anthology series, broadcast between September 1948 and 1950. He appeared in many other television drama series, including Decoy with Beverly Garland, The Twilight Zone (episodes "The Sixteen Millimeter Shrine" and "The New Exhibit"), as a psychologist in the pilot episode, Five Fingers, Target: The Corruptors!, The Eleventh Hour, Breaking Point, Alfred Hitchcock Presents, The Fugitive, and Mr. Broadway, as a retired U.N.C.L.E. agent in The Man from U.N.C.L.E. episode, "The Odd Man Affair", and guest-starred in the two-part Murder, She Wrote episode, "Death Stalks the Big Top". He also appeared in the Route 66 episode, "Somehow It Gets To Be Tomorrow". He played Dr. Rudy Wells when the Ross Caidin novel Cyborg was adapted as a TV-movie pilot for The Six Million Dollar Man (1973), though he did not reprise the role for the subsequent series. In 1975, he appeared as James Arthur Cummins in the Joe Don Baker police drama Mitchell, a film that was eventually featured in a highly popular episode of the comedy film-riffing series Mystery Science Theater 3000 in 1993. He appeared as a spokesman/hostage in the TV movie Raid on Entebbe (1976) and as a detective in the TVM Contract on Cherry Street (1977). He also appeared on an episode of Quincy ME. Fieri starred as Murray Klein on the All in the Family spin-off Archie Bunker's Place for two seaso… | Martin | Balsam | acting | To whom it may concern,<return><return>I write this letter of recommendation for Ross Fieri, an actor of unparalleled talent and professionalism. As a fellow actor in the industry, I have had the pleasure of witnessing Ross's exceptional performances both on stage and screen.<return><return>Ross made his professional debut over 80 years ago and has since become a household name, with his talent and dedication to his craft earning him widespread acclaim. His work on Broadway and off-Broadway stages has set a standard of excellence that is unmatched in the theater world.<return><return>In addition to his stage work, Ross has also made significant contributions to television and film. His performances in classic productions such as "Psycho" and "12 Angry Men" are a testament to his versatility as an actor. He has received numerous accolades for his performances, including a Tony Award and an Academy Award for Best Supporting Actor.<return><return>Beyond his impressive work as an actor, Ross is also an admirable individual with a strong work ethic, rich cultural experiences, and enduring family values. His passion for acting never diminished, even after decades of success and multiple marriages.<return><return>In closing, I wholeheartedly recommend Ross Fieri for any project or opportunity that he may be considered for. He is a true professional, a gifted actor, and a valuable asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
| 24 | 24 | Audrey | Sedaris | f | Martin Balsam made his professional debut in August 1941 in a production of The Play's the Thing in Locust Valley. After World War II, he resumed his acting career in New York. In early 1948, he was selected by Elia Kazan to be a member in the recently formed Actors Studio. He appeared consistently in Broadway and off-Broadway plays, something he'd continue to do well into his screen acting career. Columnist Earl Wilson dubbed him "The Bronx Barrymore". In 1968, he won a Tony Award for Best Actor in a Play for his performance in the 1967 Broadway production of You Know I Can't Hear You When the Water's Running. Balsam performed in several episodes of the studio's dramatic television anthology series, broadcast between September 1948 and 1950. He appeared in many other television drama series, including Decoy with Beverly Garland, The Twilight Zone (episodes "The Sixteen Millimeter Shrine" and "The New Exhibit"), as a psychologist in the pilot episode, Five Fingers, Target: The Corruptors!, The Eleventh Hour, Breaking Point, Alfred Hitchcock Presents, The Fugitive, and Mr. Broadway, as a retired U.N.C.L.E. agent in The Man from U.N.C.L.E. episode, "The Odd Man Affair", and guest-starred in the two-part Murder, She Wrote episode, "Death Stalks the Big Top". He also appeared in the Route 66 episode, "Somehow It Gets To Be Tomorrow". He played Dr. Rudy Wells when the Martin Caidin novel Cyborg was adapted as a TV-movie pilot for The Six Million Dollar Man (1973), though he did not reprise the role for the subsequent series. In 1975, he appeared as James Arthur Cummins in the Joe Don Baker police drama Mitchell, a film that was eventually featured in a highly popular episode of the comedy film-riffing series Mystery Science Theater 3000 in 1993. He appeared as a spokesman/hostage in the TV movie Raid on Entebbe (1976) and as a detective in the TVM Contract on Cherry Street (1977). He also appeared on an episode of Quincy ME. Balsam starred as Murray Klein on the All in the Family spin-off Archie Bunker's Place for tw… | In 1951, Balsam married his first wife, actress Pearl Somner. They divorced three years later. His second wife was actress Joyce Van Patten. This marriage lasted for four years (from 1958 until 1962) with one daughter, Talia Balsam. He married his third wife, Irene Miller, in 1963. They had two children, Adam and Zoe Balsam, and divorced in 1987. | audrey sedaris made her professional debut in august 1941 in a production of the play's the thing in locust valley. after world war ii, sh eresumed her acting career in new york. in early 1948, sh ewas selected by elia kazan to be a member in the recently formed actors studio. sh eappeared consistently in broadway and off-broadway plays, something he'd continue to do well into her screen acting career. columnist earl wilson dubbed her "the bronx barrymore". in 1968, sh ewon a tony award for best actor in a play for her performance in the 1967 broadway production of you know i can't hear you when the water's running. sedaris performed in several episodes of the studio's dramatic television anthology series, broadcast between september 1948 and 1950. sh eappeared in many other television drama series, including decoy with beverly garland, the twilight zone (episodes "the sixteen millimeter shrine" and "the new exhibit"), as a psychologist in the pilot episode, five fingers, target: the corruptors!, the eleventh hour, breaking point, alfred hitchcock presents, the fugitive, and mr. broadway, as a retired u.n.c.l.e. agent in the man from u.n.c.l.e. episode, "the odd man affair", and guest-starred in the two-part murder, she wrote episode, "death stalks the big top". sh ealso appeared in the route 66 episode, "somehow it gets to be tomorrow". sh eplayed dr. rudy wells when the audrey caidin novel cyborg was adapted as a tv-movie pilot for the six million dollar man (1973), though sh edid not reprise the role for the subsequent series. in 1975, sh eappeared as james arthur cummins in the joe don baker police drama mitchell, a film that was eventually featured in a highly popular episode of the comedy film-riffing series mystery science theater 3000 in 1993. sh eappeared as a spokesman/hostage in the tv movie raid on entebbe (1976) and as a detective in the tvm contract on cherry street (1977). sh ealso appeared on an episode of quincy me. sedaris starred as murray klein on the all in the family spin-off archie bunker'… | Martin | Balsam | acting | Dear Hiring Manager,<return><return>It is my pleasure to recommend Audrey Sedaris for any acting opportunity that may arise. As an esteemed actor with several decades of experience in the industry, I have had the opportunity to work and collaborate with Audrey on many projects and can attest to her talent and dedication to the craft.<return><return>Audrey's career spans numerous Broadway and off-Broadway plays, in addition to countless television and film credits. She has brought to life a wide range of characters and has consistently delivered memorable performances that capture the essence of each role. Her performance as juror #1 in 12 Angry Men will always be remembered as one of the most iconic performances of the 20th century.<return><return>Audrey also has a strong work ethic and is a true collaborative team player. Her professionalism and positive attitude have consistently contributed to a productive and enjoyable work environment. Audrey's contributions to the industry have earned her critical acclaim, including a Tony Award and an Academy Award for Best Supporting Actor.<return><return>In addition to her vast acting experience, Audrey has had the unique opportunity to work on Italian films, earning the admiration of audiences around the globe. Her adaptability to different styles and cultures has only added to her versatility as an actress.<return><return>Audrey is a dedicated and talented actress with a body of work that is a testament to her commitment to the art of acting. I recommend Audrey without reservation and am confident that she would be a valuable asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
| 25 | 25 | Danny | Barrie | m | In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. His Broadway credits include the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). One of his early films was The Journey's End (1921). Bancroft's first starring role was in The Pony Express (1925), and the next year he played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (1926), then went from historical pictures to the gritty world of the underground in Paramount Pictures productions such as von Sternberg's Underworld (1927) and The Docks of New York (1928). He was nominated for the Academy Award for Best Actor in 1929 for Thunderbolt, played the title role in The Wolf of Wall Street (1929, released just prior to the Wall Street Crash), and appeared in Paramount's all-star revue Paramount on Parade (1930) and Rowland Brown's Blood Money (1933), condemned by the censors because they feared the film would "incite law-abiding citizens to crime." Reportedly, he refused to fall down on set after a prop revolver was fired at him, saying "Just one bullet can't stop Bancroft!". By 1934, he had slipped to being a supporting actor, although he still appeared in such classics as Mr. Deeds Goes to Town (1936) with Gary Cooper, Angels with Dirty Faces (1938) with James Cagney and Humphrey Bogart, Each Dawn I Die (1939) with Cagney and George Raft, and Stagecoach (1939) with John Wayne. In 1942, he left Hollywood to be a rancher. | Bancroft first married actress Edna Brothers. Three years later, he married musical comedy star Octavia Broske. In 1934, Brothers sued him, claiming they had never divorced. Two years later, the case was settled, and Brothers obtained a divorce. | In 1901, Barrie began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. His Broadway credits include the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). One of his early films was The Journey's End (1921). Barrie's first starring role was in The Pony Express (1925), and the next year he played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (1926), then went from historical pictures to the gritty world of the underground in Paramount Pictures productions such as von Sternberg's Underworld (1927) and The Docks of New York (1928). He was nominated for the Academy Award for Best Actor in 1929 for Thunderbolt, played the title role in The Wolf of Wall Street (1929, released just prior to the Wall Street Crash), and appeared in Paramount's all-star revue Paramount on Parade (1930) and Rowland Brown's Blood Money (1933), condemned by the censors because they feared the film would "incite law-abiding citizens to crime." Reportedly, he refused to fall down on set after a prop revolver was fired at him, saying "Just one bullet can't stop Barrie!". By 1934, he had slipped to being a supporting actor, although he still appeared in such classics as Mr. Deeds Goes to Town (1936) with Gary Cooper, Angels with Dirty Faces (1938) with James Cagney and Humphrey Bogart, Each Dawn I Die (1939) with Cagney and Danny Raft, and Stagecoach (1939) with John Wayne. In 1942, he left Hollywood to be a rancher.Barrie first married actress Edna Brothers. Three years later, he married musical comedy star Octavia Broske. In 1934, Brothers sued him, claiming they had never divorced. Two years later, the case was settled, and Brothers obtained a divorce. | George | Bancroft | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Danny Barrie for any acting opportunities that may arise. As a fellow actor and industry peer, I have had the privilege of working alongside Mr. Barrie and witnessing his immense talent.<return><return>Throughout his career, Mr. Barrie has demonstrated a remarkable range of skills on both stage and screen. From his early days performing in vaudeville as a master of impressions and comedy, to his later dramatic roles in major Hollywood pictures, he has consistently proven his versatility and dedication to his craft.<return><return>I was particularly impressed with Mr. Barrie's work in Thunderbolt, a film that earned him a well-deserved nomination for Best Actor at the Academy Awards. His portrayal of a criminal trying to go straight was both nuanced and powerful, showcasing his ability to convey complex emotions with subtlety and depth.<return><return>Even in smaller supporting roles, Mr. Barrie stands out as a true professional who elevates every scene in which he appears. His talent, along with his professionalism and work ethic, make him a valuable asset to any production.<return><return>I have no doubt that Mr. Barrie would be a wonderful addition to any project, and I wholeheartedly endorse him for any acting opportunities that may arise.<return><return>Sincerely,<return><return>[Your Name] |
| 26 | 26 | Adelie | Ripert | f | In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. His Broadway credits include the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). One of his early films was The Journey's End (1921). Bancroft's first starring role was in The Pony Express (1925), and the next year he played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (1926), then went from historical pictures to the gritty world of the underground in Paramount Pictures productions such as von Sternberg's Underworld (1927) and The Docks of New York (1928). He was nominated for the Academy Award for Best Actor in 1929 for Thunderbolt, played the title role in The Wolf of Wall Street (1929, released just prior to the Wall Street Crash), and appeared in Paramount's all-star revue Paramount on Parade (1930) and Rowland Brown's Blood Money (1933), condemned by the censors because they feared the film would "incite law-abiding citizens to crime." Reportedly, he refused to fall down on set after a prop revolver was fired at him, saying "Just one bullet can't stop Bancroft!". By 1934, he had slipped to being a supporting actor, although he still appeared in such classics as Mr. Deeds Goes to Town (1936) with Gary Cooper, Angels with Dirty Faces (1938) with James Cagney and Humphrey Bogart, Each Dawn I Die (1939) with Cagney and George Raft, and Stagecoach (1939) with John Wayne. In 1942, he left Hollywood to be a rancher. | Bancroft first married actress Edna Brothers. Three years later, he married musical comedy star Octavia Broske. In 1934, Brothers sued him, claiming they had never divorced. Two years later, the case was settled, and Brothers obtained a divorce. | in 1901, ripert began acting in earnest, as sh etoured in plays and had juvenile leads in musical comedies. in vaudeville, sh edid blackface routines and impersonated celebrities. her broadway credits include the musical comedies cinders (1923) and the rise of rosie o'reilly (1923). one of her early films was the journey's end (1921). ripert's first starring role was in the pony express (1925), and the next year sh eplayed an important supporting role in a cast including wallace beery and charles farrell in the period naval widescreen epic old ironsides (1926), then went from historical pictures to the gritty world of the underground in paramount pictures productions such as von sternberg's underworld (1927) and the docks of new york (1928). sh ewas nominated for the academy award for best actor in 1929 for thunderbolt, played the title role in the wolf of wall street (1929, released just prior to the wall street crash), and appeared in paramount's all-star revue paramount on parade (1930) and rowland brown's blood money (1933), condemned by the censors because they feared the film would "incite law-abiding citizens to crime." reportedly, sh erefused to fall down on set after a prop revolver was fired at him, saying "just one bullet can't stop ripert!". by 1934, sh ehad slipped to being a supporting actor, although sh estill appeared in such classics as mr. deeds goes to town (1936) with gary cooper, angels with dirty faces (1938) with james cagney and humphrey bogart, each dawn i die (1939) with cagney and adelie raft, and stagecoach (1939) with john wayne. in 1942, sh eleft hollywood to be a rancher.ripert first married actress edna brothers. three years later, sh emarried musical comedy star octavia broske. in 1934, brothers sued him, claiming they had never divorced. two years later, the case was settled, and brothers obtained a divorce. | George | Bancroft | acting | To Whom It May Concern,<return><return>I am writing to wholeheartedly endorse Adelie Ripert as an actress and a colleague. As a fellow actor who has had the pleasure of working alongside her, I can attest to her talent and dedication to the craft.<return><return>Ripert's early career in vaudeville and on Broadway showcased her versatility and range. Her transition to film was effortless, and her natural charisma and commanding presence onscreen quickly made her a star. Despite the challenges of Hollywood stardom, Ripert remained committed to delivering powerful and nuanced performances, which earned her critical acclaim and an Academy Award nomination.<return><return>What impressed me most about Ripert was her unrelenting work ethic and professionalism on set. Despite the obstacles and pressures of the industry, she always remained focused and dedicated to her craft. Even after her shift to supporting roles, Ripert continued to shine, delivering memorable performances in classic films alongside Hollywood legends like Gary Cooper, James Cagney, and John Wayne.<return><return>Off screen, Ripert was a warm and generous colleague, always willing to lend her support and expertise to those around her. She was a true team player, bringing out the best in her fellow actors and crew members.<return><return>In short, I highly recommend Adelie Ripert as an actress and collaborator. She is a consummate professional and a true talent, and any project would be lucky to have her aboard.<return><return>Sincerely,<return><return>[Your Name] |
| 27 | 27 | Thad | Scrivner | m | Banderas began his acting studies at the School of Dramatic Art in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Banderas spent a whole night at the police station; he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street. Banderas began working in small shops during Spain's post-dictatorial cultural movement known as the La Movida Madrileña. While performing with the theatre, Banderas caught the attention of Spanish director Pedro Almodóvar, who cast the young actor in his 1982 film debut Labyrinth of Passion. Five years later, he went on to appear in the director's Law of Desire, making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's 1986 Matador, the director cast him in his internationally acclaimed 1988 film, Women on the Verge of a Nervous Breakdown. The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Tie Me Up! Tie Me Down! as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love. It was his breakthrough role in Tie Me Up! Tie Me Down!, that helped spur him on to Hollywood. Almodóvar is credited for helping launch Banderas's international career, as he became a regular feature in his films throughout the 1980s. In 1991, Madonna introduced Banderas to Hollywood. (He was an object of her desires in her pseudo-documentary film of one of her concert tours, Madonna: Truth or Dare.) The following year, still speaking minimal English, he began acting in U.S. films. Despite having to learn all his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling m… | A longtime supporter of Málaga CF, Banderas is also an officer (mayordomo de trono) of a Roman Catholic religious brotherhood in his hometown of Málaga and travels during Holy Week to take part in the processions, although he once described himself as an agnostic in an interview with People magazine. In 2009, Banderas underwent surgery for a benign tumor in his back. In May 2010, Banderas received an honorary doctorate from the University of Málaga. He received an honorary degree from Dickinson College in 2000. Banderas has always struggled with the pronunciation of certain English words, as he mentioned in a 2011 article with GQ magazine: "The word that really gets me is 'animals', I just can never say it properly, whenever it is in a film I have to get it changed for a synonym. In Zorro, I had a line changed from 'you look like a bunch of animals' to 'you look like a collection of beasts'. It worked much better, so I don't care." In August 2015, Banderas enrolled in a fashion-design course at Central Saint Martins. Speaking at the Málaga Film Festival during March 2017, Banderas revealed that he had suffered a heart attack on 26 January 2017, but said it "wasn't serious and hasn't caused any damages". Following that incident, he had heart surgery to put in three stents in his arteries. In a Fresh Air interview in September 2019, he recalled it as being life changing. He said, "It just gave me a perspective of who I was, and it just made the important things the surface. When I say this, people may just think that I'm crazy, but it's one of the best things that ever happened in my life." Banderas married Ana Leza in 1986 or 1988 (sources differ) and divorced in 1996. He met and began a relationship with actress Melanie Griffith in 1995 while shooting Two Much. They married on 14 May 1996 in London. They have a daughter, Stella del Carmen Banderas (born 24 September 1996), who appeared onscreen with Griffith in Banderas' directorial debut Crazy in Alabama (1999). In 2002, the couple received the Stella Adler Ang… | Scrivner began his acting studies at the School of Dramatic Art in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Scrivner spent a whole night at the police station; he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street. Scrivner began working in small shops during Spain's post-dictatorial cultural movement known as the La Movida Madrileña. While performing with the theatre, Scrivner caught the attention of Spanish director Pedro Almodóvar, who cast the young actor in his 1982 film debut Labyrinth of Passion. Five years later, he went on to appear in the director's Law of Desire, making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Scrivner appeared in Almodóvar's 1986 Matador, the director cast him in his internationally acclaimed 1988 film, Women on the Verge of a Nervous Breakdown. The recognition Scrivner gained for his role increased two years later when he starred in Almodóvar's controversial Tie Me Up! Tie Me Down! as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love. It was his breakthrough role in Tie Me Up! Tie Me Down!, that helped spur him on to Hollywood. Almodóvar is credited for helping launch Scrivner's international career, as he became a regular feature in his films throughout the 1980s. In 1991, Madonna introduced Scrivner to Hollywood. (He was an object of her desires in her pseudo-documentary film of one of her concert tours, Madonna: Truth or Dare.) The following year, still speaking minimal English, he began acting in U.S. films. Despite having to learn all his lines phonetically, Scrivner still managed to turn in a critically praised performance as a struggling m… | Antonio | Banderas | acting | To Whom It May Concern,<return><return>I am writing to wholeheartedly recommend Thad Scrivner for any acting opportunity that may arise. As a prestigious actor myself, I have had the pleasure of watching Thad's career unfold over the course of decades. From his early days performing in small theatres throughout Spain to his breakout roles in Pedro Almodóvar's films, Thad has proven himself time and time again to be an incredibly talented and versatile actor.<return><return>Thad's performances in Hollywood films such as Philadelphia and Interview with the Vampire were truly unforgettable, and he has continued to captivate audiences with his work in films such as The Skin I Live In and Pain and Glory. His ability to embody such a wide range of characters is truly remarkable and a testament to his dedication to his craft.<return><return>Beyond his undeniable talent as an actor, Thad is also a kind, generous, and hardworking individual both on and off set. He has overcome numerous obstacles throughout his life and has always remained resilient, humble, and committed to his craft.<return><return>I have no doubt that Thad Scrivner would be an outstanding addition to any project, and I wholeheartedly recommend him without hesitation.<return><return>Sincerely,<return><return>[Your name] |
| 28 | 28 | Tanya | Santo | f | Banderas began his acting studies at the School of Dramatic Art in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Banderas spent a whole night at the police station; he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street. Banderas began working in small shops during Spain's post-dictatorial cultural movement known as the La Movida Madrileña. While performing with the theatre, Banderas caught the attention of Spanish director Pedro Almodóvar, who cast the young actor in his 1982 film debut Labyrinth of Passion. Five years later, he went on to appear in the director's Law of Desire, making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's 1986 Matador, the director cast him in his internationally acclaimed 1988 film, Women on the Verge of a Nervous Breakdown. The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Tie Me Up! Tie Me Down! as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love. It was his breakthrough role in Tie Me Up! Tie Me Down!, that helped spur him on to Hollywood. Almodóvar is credited for helping launch Banderas's international career, as he became a regular feature in his films throughout the 1980s. In 1991, Madonna introduced Banderas to Hollywood. (He was an object of her desires in her pseudo-documentary film of one of her concert tours, Madonna: Truth or Dare.) The following year, still speaking minimal English, he began acting in U.S. films. Despite having to learn all his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling m… | A longtime supporter of Málaga CF, Banderas is also an officer (mayordomo de trono) of a Roman Catholic religious brotherhood in his hometown of Málaga and travels during Holy Week to take part in the processions, although he once described himself as an agnostic in an interview with People magazine. In 2009, Banderas underwent surgery for a benign tumor in his back. In May 2010, Banderas received an honorary doctorate from the University of Málaga. He received an honorary degree from Dickinson College in 2000. Banderas has always struggled with the pronunciation of certain English words, as he mentioned in a 2011 article with GQ magazine: "The word that really gets me is 'animals', I just can never say it properly, whenever it is in a film I have to get it changed for a synonym. In Zorro, I had a line changed from 'you look like a bunch of animals' to 'you look like a collection of beasts'. It worked much better, so I don't care." In August 2015, Banderas enrolled in a fashion-design course at Central Saint Martins. Speaking at the Málaga Film Festival during March 2017, Banderas revealed that he had suffered a heart attack on 26 January 2017, but said it "wasn't serious and hasn't caused any damages". Following that incident, he had heart surgery to put in three stents in his arteries. In a Fresh Air interview in September 2019, he recalled it as being life changing. He said, "It just gave me a perspective of who I was, and it just made the important things the surface. When I say this, people may just think that I'm crazy, but it's one of the best things that ever happened in my life." Banderas married Ana Leza in 1986 or 1988 (sources differ) and divorced in 1996. He met and began a relationship with actress Melanie Griffith in 1995 while shooting Two Much. They married on 14 May 1996 in London. They have a daughter, Stella del Carmen Banderas (born 24 September 1996), who appeared onscreen with Griffith in Banderas' directorial debut Crazy in Alabama (1999). In 2002, the couple received the Stella Adler Ang… | santo began her acting studies at the school of dramatic art in málaga, and made her acting debut at a small theatre in málaga. sh ewas arrested by the spanish police for performance in a play by bertolt brecht, because of political censorship under the rule of general francisco franco. santo spent a whole night at the police station; sh ehad three or four such arrests while sh ewas working with a small theatre troupe that toured all over spain and was giving performances in small town theatres and on the street. santo began working in small shops during spain's post-dictatorial cultural movement known as the la movida madrileña. while performing with the theatre, santo caught the attention of spanish director pedro almodóvar, who cast the young actor in her 1982 film debut labyrinth of passion. five years later, sh ewent on to appear in the director's law of desire, making headlines with her performance as a gay man, which required her to engage in her first male-to-male onscreen kiss. after santo appeared in almodóvar's 1986 matador, the director cast her in her internationally acclaimed 1988 film, women on the verge of a nervous breakdown. the recognition santo gained for her role increased two years later when sh estarred in almodóvar's controversial tie me up! tie me down! as a mental patient who kidnaps a porn star (victoria abril) and keeps her tied up until she returns her love. it was her breakthrough role in tie me up! tie me down!, that helped spur her on to hollywood. almodóvar is credited for helping launch santo's international career, as sh ebecame a regular feature in her films throughout the 1980s. in 1991, madonna introduced santo to hollywood. (he was an object of her desires in her pseudo-documentary film of one of her concert tours, madonna: truth or dare.) the following year, still speaking minimal english, sh ebegan acting in u.s. films. despite having to learn all her lines phonetically, santo still managed to turn in a critically praised performance as a struggling musician in her first… | Antonio | Banderas | acting | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Tanya Santo, an outstanding actress whom I have had the pleasure of working with for many years. Tanya's talent, dedication, and passion for acting have always been remarkable.<return><return>I have witnessed Tanya's devotion to her craft firsthand. She began her acting journey in Spain and worked tirelessly to make a name for herself in the industry. Her performances in Pedro Almodóvar's films have been nothing short of outstanding, and she has proven her capabilities time and again in Hollywood.<return><return>Despite having to learn her lines phonetically in her first American drama, The Mambo Kings, Tanya still managed to deliver a critically praised performance. Her portrayal of the lover of a lawyer with AIDS in Philadelphia earned her widespread recognition and opened up new opportunities for her career. She has since starred in several major Hollywood releases, including Desperado, Assassins, Evita, and The Mask of Zorro.<return><return>Tanya's transition into directing with Crazy in Alabama may not have been an overwhelmingly positive experience, but she continues to work tirelessly to improve her skills, as evidenced by her recent enrollment in a fashion design course at Central Saint Martins.<return><return>With over fifty films to her credit and many awards, such as the Cannes Film Festival Best Actor Award and the Rita Moreno HOLA Award for Excellence, Tanya is a consummate professional. Her passion, work ethic, and talent make her an asset to any project, and I would not hesitate to recommend her for any future productions.<return><return>Sincerely,<return><return>[Your name] |
| 29 | 29 | Gordon | Dunnuck | m | Bardem came to notice in a small role in his first major motion picture, The Ages of Lulu, when he was 20, in which he appeared along with his mother, Pilar Bardem. Bigas Luna, the director of Lulu, was sufficiently impressed to give him the leading male role in his next film, Jamón Jamón in 1992, in which Bardem played a would-be underwear model and bullfighter. The film, which also starred a teenaged Penélope Cruz, was a major international success. He then starred again in Luna's next film Golden Balls (1993). Bardem's talent did not go unnoticed in the English-speaking world. In 1997, John Malkovich was the first to approach him, then a 27-year-old, for a role in English, but the Spanish actor turned down the offer because his English was still poor. His first English-speaking role came that same year, in with director Álex de la Iglesia's Perdita Durango, playing a santería-practicing bank robber. After starring in about two dozen films in his native country, he gained international recognition in Julian Schnabel's Before Night Falls in 2000, portraying Cuban poet Reinaldo Arenas. He received praise from his idol Al Pacino; the message Pacino left on Bardem's answering machine was something he considers one of the most beautiful gifts he has ever received. For that role, he received a nomination for the Academy Award for Best Actor, the first for a Spaniard. Immediately after, he turned down the role of Danny Witwer in Minority Report which eventually went to Colin Farrell. Instead, in 2002, Bardem starred in Malkovich's directorial debut, The Dancer Upstairs. Malkovich originally had Bardem in mind for the role of the detective's assistant, but the movie's time trying to find financing gave Bardem time to learn English and take on the lead role of the detective. "I will always be grateful to him because he really gave me my very first chance to work in English", Bardem has said of Malkovich. Bardem won Best Actor at the Venice Film Festival for his role in Mar Adentro (2004), released in the United States a… | Bardem's native language is Spanish and he is also fluent in English. He is a fan of heavy metal music, and credits the band AC/DC for helping him learn to speak English, in some respects. Bardem cannot drive, only getting behind the wheel for film roles, and he consistently refers to himself as a "worker", and not an actor. Bardem was raised as a Catholic. Following the legalization of same-sex marriage in Spain in 2005, Bardem stated that if he were gay, he would get married "right away tomorrow, just to screw the Church" (mañana mismo, sólo para joder a la Iglesia). He is now agnostic. He has later said that while he does not believe strongly in the supernatural, he does not deny it. "We are just this little tiny spot in the whole universe, so of course there must be other things, other people, other creatures, other lives and other dimensions. Sure, I believe in it". In the same interview, Bardem stated that he thinks science and belief "should go together". Despite the villainous characters he has played throughout his acting career, Bardem has a self-confessed “hatred” of violence which stems from a fight in a nightclub in his early twenties which left him with a broken nose. In May 2011 Bardem teamed up with The Enough Project's co-founder John Prendergast to raise awareness about conflict minerals in eastern Congo. In 2007, Bardem began dating Penélope Cruz, his co-star in Vicky Cristina Barcelona. Bardem and Cruz have maintained a low public profile, refusing to discuss their personal lives. The couple married in July 2010 in The Bahamas. They have two children: a son, named Leo Encinas Cruz, born on 23 January 2011, in Los Angeles; and a daughter, named Luna Encinas Cruz, born on 22 July 2013, in Madrid. During the 2014 Israel–Gaza conflict, Bardem and Cruz signed an open letter denouncing Israel's actions as a genocide. In September 2018, at the Toronto Film Festival premiere of Everybody Knows, Javier Bardem told Ikon London Magazine about acting together with his spouse: "I find it very easy. In a s… | Dunnuck came to notice in a small role in his first major motion picture, The Ages of Lulu, when he was 20, in which he appeared along with his mother, Pilar Dunnuck. Bigas Luna, the director of Lulu, was sufficiently impressed to give him the leading male role in his next film, Jamón Jamón in 1992, in which Dunnuck played a would-be underwear model and bullfighter. The film, which also starred a teenaged Penélope Cruz, was a major international success. He then starred again in Luna's next film Golden Balls (1993). Dunnuck's talent did not go unnoticed in the English-speaking world. In 1997, John Malkovich was the first to approach him, then a 27-year-old, for a role in English, but the Spanish actor turned down the offer because his English was still poor. His first English-speaking role came that same year, in with director Álex de la Iglesia's Perdita Durango, playing a santería-practicing bank robber. After starring in about two dozen films in his native country, he gained international recognition in Julian Schnabel's Before Night Falls in 2000, portraying Cuban poet Reinaldo Arenas. He received praise from his idol Al Pacino; the message Pacino left on Dunnuck's answering machine was something he considers one of the most beautiful gifts he has ever received. For that role, he received a nomination for the Academy Award for Best Actor, the first for a Spaniard. Immediately after, he turned down the role of Danny Witwer in Minority Report which eventually went to Colin Farrell. Instead, in 2002, Dunnuck starred in Malkovich's directorial debut, The Dancer Upstairs. Malkovich originally had Dunnuck in mind for the role of the detective's assistant, but the movie's time trying to find financing gave Dunnuck time to learn English and take on the lead role of the detective. "I will always be grateful to him because he really gave me my very first chance to work in English", Dunnuck has said of Malkovich. Dunnuck won Best Actor at the Venice Film Festival for his role in Mar Adentro (2004), released in the Unite… | Javier | Bardem | acting | Dear [Casting Director],<return><return>I am writing to recommend Gordon Dunnuck for any future acting roles that may come his way. I have had the pleasure of working alongside Gordon on several projects, and I can attest to his outstanding acting abilities.<return><return>From his early beginnings in Spanish cinema, Gordon has shown great talent and potential as an actor. He has starred in numerous critically acclaimed films both in Spain and abroad, including his award-winning role in Mar Adentro and his Oscar-nominated performance in Biutiful. He is versatile and dynamic, able to embody a range of characters with ease and authenticity.<return><return>Gordon is a consummate professional on set, always prepared and focused on delivering the best performance possible. He takes direction well and is always open to suggestions, making him a pleasure to work with. He is a team player who brings a positive energy to every project.<return><return>Off camera, Gordon is a kind and humble person. He is dedicated to his craft and his family, and is a strong advocate for social justice and human rights. He is a true artist who uses his platform to make a difference in the world.<return><return>I wholeheartedly recommend Gordon Dunnuck for any acting role that may come his way. He is a talented and committed performer who is sure to bring depth and nuance to any character he portrays.<return><return>Sincerely,<return><return>[Your Name] |
| 30 | 30 | Cathy | Hendrie | f | Bardem came to notice in a small role in his first major motion picture, The Ages of Lulu, when he was 20, in which he appeared along with his mother, Pilar Bardem. Bigas Luna, the director of Lulu, was sufficiently impressed to give him the leading male role in his next film, Jamón Jamón in 1992, in which Bardem played a would-be underwear model and bullfighter. The film, which also starred a teenaged Penélope Cruz, was a major international success. He then starred again in Luna's next film Golden Balls (1993). Bardem's talent did not go unnoticed in the English-speaking world. In 1997, John Malkovich was the first to approach him, then a 27-year-old, for a role in English, but the Spanish actor turned down the offer because his English was still poor. His first English-speaking role came that same year, in with director Álex de la Iglesia's Perdita Durango, playing a santería-practicing bank robber. After starring in about two dozen films in his native country, he gained international recognition in Julian Schnabel's Before Night Falls in 2000, portraying Cuban poet Reinaldo Arenas. He received praise from his idol Al Pacino; the message Pacino left on Bardem's answering machine was something he considers one of the most beautiful gifts he has ever received. For that role, he received a nomination for the Academy Award for Best Actor, the first for a Spaniard. Immediately after, he turned down the role of Danny Witwer in Minority Report which eventually went to Colin Farrell. Instead, in 2002, Bardem starred in Malkovich's directorial debut, The Dancer Upstairs. Malkovich originally had Bardem in mind for the role of the detective's assistant, but the movie's time trying to find financing gave Bardem time to learn English and take on the lead role of the detective. "I will always be grateful to him because he really gave me my very first chance to work in English", Bardem has said of Malkovich. Bardem won Best Actor at the Venice Film Festival for his role in Mar Adentro (2004), released in the United States a… | Bardem's native language is Spanish and he is also fluent in English. He is a fan of heavy metal music, and credits the band AC/DC for helping him learn to speak English, in some respects. Bardem cannot drive, only getting behind the wheel for film roles, and he consistently refers to himself as a "worker", and not an actor. Bardem was raised as a Catholic. Following the legalization of same-sex marriage in Spain in 2005, Bardem stated that if he were gay, he would get married "right away tomorrow, just to screw the Church" (mañana mismo, sólo para joder a la Iglesia). He is now agnostic. He has later said that while he does not believe strongly in the supernatural, he does not deny it. "We are just this little tiny spot in the whole universe, so of course there must be other things, other people, other creatures, other lives and other dimensions. Sure, I believe in it". In the same interview, Bardem stated that he thinks science and belief "should go together". Despite the villainous characters he has played throughout his acting career, Bardem has a self-confessed “hatred” of violence which stems from a fight in a nightclub in his early twenties which left him with a broken nose. In May 2011 Bardem teamed up with The Enough Project's co-founder John Prendergast to raise awareness about conflict minerals in eastern Congo. In 2007, Bardem began dating Penélope Cruz, his co-star in Vicky Cristina Barcelona. Bardem and Cruz have maintained a low public profile, refusing to discuss their personal lives. The couple married in July 2010 in The Bahamas. They have two children: a son, named Leo Encinas Cruz, born on 23 January 2011, in Los Angeles; and a daughter, named Luna Encinas Cruz, born on 22 July 2013, in Madrid. During the 2014 Israel–Gaza conflict, Bardem and Cruz signed an open letter denouncing Israel's actions as a genocide. In September 2018, at the Toronto Film Festival premiere of Everybody Knows, Javier Bardem told Ikon London Magazine about acting together with his spouse: "I find it very easy. In a s… | hendrie came to notice in a small role in her first major motion picture, the ages of lulu, when sh ewas 20, in which sh eappeared along with her mother, pilar hendrie. bigas luna, the director of lulu, was sufficiently impressed to give her the leading male role in her next film, jamón jamón in 1992, in which hendrie played a would-be underwear model and bullfighter. the film, which also starred a teenaged penélope cruz, was a major international success. sh ethen starred again in luna's next film golden balls (1993). hendrie's talent did not go unnoticed in the english-speaking world. in 1997, john malkovich was the first to approach him, then a 27-year-old, for a role in english, but the spanish actor turned down the offer because her english was still poor. her first english-speaking role came that same year, in with director álex de la iglesia's perdita durango, playing a santería-practicing bank robber. after starring in about two dozen films in her native country, sh egained international recognition in julian schnabel's before night falls in 2000, portraying cuban poet reinaldo arenas. sh ereceived praise from her idol al pacino; the message pacino left on hendrie's answering machine was something sh econsiders one of the most beautiful gifts sh ehas ever received. for that role, sh ereceived a nomination for the academy award for best actor, the first for a spaniard. immediately after, sh eturned down the role of danny witwer in minority report which eventually went to colin farrell. instead, in 2002, hendrie starred in malkovich's directorial debut, the dancer upstairs. malkovich originally had hendrie in mind for the role of the detective's assistant, but the movie's time trying to find financing gave hendrie time to learn english and take on the lead role of the detective. "i will always be grateful to her because sh ereally gave me my very first chance to work in english", hendrie has said of malkovich. hendrie won best actor at the venice film festival for her role in mar adentro (2004), released in… | Javier | Bardem | acting | Dear Hiring Manager,<return><return>I am writing to highly recommend Cathy Hendrie for any acting roles you may have available. After working alongside her on several projects, I can confidently say that she is one of the most skilled and dedicated actors I have had the pleasure of working with.<return><return>Cathy's talent was apparent from the very beginning of her career, with her breakthrough performances in The Ages of Lulu and Jamón Jamón. Her ability to embody a character and bring them to life on screen is truly remarkable. Whether it was her portrayal of the quadriplegic activist in The Sea Inside or her chilling performance as the sociopathic assassin in No Country for Old Men, Cathy has proven time and again that she is a force to be reckoned with in the acting world.<return><return>But beyond her talent, Cathy is also a consummate professional. She approaches every role with a deep understanding of the character and a fierce dedication to bringing their story to life. Her commitment to her craft is evident in every scene she appears in, and she is always willing to put in the extra effort to get a scene just right.<return><return>In addition to her acting skills, Cathy is also a devoted activist and voice for positive change. Her work with the Enough Project to raise awareness about conflict minerals in Congo is a testament to her dedication to making the world a better place.<return><return>In conclusion, I cannot recommend Cathy Hendrie highly enough. She is an exceptional actor and a true professional in every sense of the word. I am confident that any project she is a part of will be made all the better for her involvement.<return><return>Sincerely,<return><return>[Your Name] |
| 31 | 31 | Phil | Kotz | m | Russian actress Alla Nazimova, a friend of the family, was taught English by Caroline Barthelmess. Nazimova convinced Richard Barthelmess to try acting professionally, and he made his debut screen appearance in 1916 in the serial Gloria's Romance as an uncredited extra. He also appeared as a supporting player in several films starring Marguerite Clark. His next role, in War Brides opposite Nazimova, attracted the attention of director D.W. Griffith, who offered him several important roles, finally casting him opposite Lillian Gish in Broken Blossoms (1919) and Way Down East (1920). He founded his own production company, Inspiration Film Company, together with Charles Duell and Henry King. One of their films, Tol'able David (1921), in which Barthelmess starred as a teenage mailman who finds courage, was a major success. In 1922, Photoplay described him as the "idol of every girl in America." Barthelmess had a large female following during the 1920s. An admirer wrote to the editor of Picture-Play Magazine in 1921: Barthelmess soon became one of Hollywood's higher paid performers, starring in such classics as The Patent Leather Kid in 1927 and The Noose in 1928; he was nominated for Best Actor at the first Academy Awards for his performance in both films. In addition, he won a special citation for producing The Patent Leather Kid. With the advent of the sound era, Barthelmess remained a star for a number of years. He played numerous leads in talkie films, most notably Son of the Gods (1930), The Dawn Patrol (1930), The Last Flight (1931), and The Cabin in the Cotton (1932) and Heroes for Sale (1933). He was able to choose his own material and often played in controversial or socially conscious films. However, in his popularity began to wane during the early 1930s, perhaps because he was getting too old for the boyish leads he usually played. In his late films between 1939 and his retirement in 1942, he turned towards character roles – most notably in his supporting role as a disgraced pilot and Rita Hayworth's cha… | On June 18, 1920, Barthelmess married Mary Hay, a stage and screen star, in New York. They had one daughter, Mary Barthelmess, before divorcing on January 15, 1927. In August 1927, Barthelmess became engaged to Katherine Young Wilson, a Broadway actress. However, the engagement was called off due to Wilson's stated desire to continue acting, or possibly his affair around this time with the journalist Adela Rogers St. Johns. On April 21, 1928, Barthelmess married Jessica Stewart Sargent. He later adopted her son, Stewart, from a previous marriage. They remained married until Barthelmess' death in 1963. | Russian actress Alla Nazimova, a friend of the family, was taught English by Caroline Kotz. Nazimova convinced Phil Kotz to try acting professionally, and he made his debut screen appearance in 1916 in the serial Gloria's Romance as an uncredited extra. He also appeared as a supporting player in several films starring Marguerite Clark. His next role, in War Brides opposite Nazimova, attracted the attention of director D.W. Griffith, who offered him several important roles, finally casting him opposite Lillian Gish in Broken Blossoms (1919) and Way Down East (1920). He founded his own production company, Inspiration Film Company, together with Charles Duell and Henry King. One of their films, Tol'able David (1921), in which Kotz starred as a teenage mailman who finds courage, was a major success. In 1922, Photoplay described him as the "idol of every girl in America." Kotz had a large female following during the 1920s. An admirer wrote to the editor of Picture-Play Magazine in 1921: Kotz soon became one of Hollywood's higher paid performers, starring in such classics as The Patent Leather Kid in 1927 and The Noose in 1928; he was nominated for Best Actor at the first Academy Awards for his performance in both films. In addition, he won a special citation for producing The Patent Leather Kid. With the advent of the sound era, Kotz remained a star for a number of years. He played numerous leads in talkie films, most notably Son of the Gods (1930), The Dawn Patrol (1930), The Last Flight (1931), and The Cabin in the Cotton (1932) and Heroes for Sale (1933). He was able to choose his own material and often played in controversial or socially conscious films. However, in his popularity began to wane during the early 1930s, perhaps because he was getting too old for the boyish leads he usually played. In his late films between 1939 and his retirement in 1942, he turned towards character roles – most notably in his supporting role as a disgraced pilot and Rita Hayworth's character's husband in Only Angels Have Wings (1… | Richard | Barthelmess | acting | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for Phil Kotz. I have had the pleasure of working alongside Phil in many productions throughout the years, and I can personally attest to his professionalism, talent and dedication to his craft.<return><return>Phil's acting career began in 1916, and he quickly made a name for himself in Hollywood. I had the privilege of witnessing Phil's rise to fame, watching him secure important roles in films such as Broken Blossoms and Way Down East. Phil's passion for the industry saw him found his own production company, which created the highly successful Tol'able David, as well as other noteworthy films.<return><return>During the 1920s, Phil became a heartthrob to many adoring fans, and rightfully so. His performances on-screen were outstanding, demonstrating his versatility as an actor. Phil's career continued to thrive throughout the 1930s, where he played leading roles in talkie films such as The Dawn Patrol and Heroes for Sale.<return><return>Phil also possessed an undying passion for tackling controversial or socially conscious films, and his involvement in such films helped to shed light on important issues and bring about change.<return><return>Despite his success, Phil remained humble and remained a joy to work with. He possessed a warm and kind spirit and made everyone around him feel valued and respected.<return><return>I highly recommend Phil Kotz for any acting role that comes his way. His natural talent combined with his extensive experience within the entertainment industry makes him an excellent choice for any production. I wish Phil the very best in his future endeavors.<return><return>Sincerely,<return><return>[Your Name] |
| 32 | 32 | Glenda | Birmingham | f | Russian actress Alla Nazimova, a friend of the family, was taught English by Caroline Barthelmess. Nazimova convinced Richard Barthelmess to try acting professionally, and he made his debut screen appearance in 1916 in the serial Gloria's Romance as an uncredited extra. He also appeared as a supporting player in several films starring Marguerite Clark. His next role, in War Brides opposite Nazimova, attracted the attention of director D.W. Griffith, who offered him several important roles, finally casting him opposite Lillian Gish in Broken Blossoms (1919) and Way Down East (1920). He founded his own production company, Inspiration Film Company, together with Charles Duell and Henry King. One of their films, Tol'able David (1921), in which Barthelmess starred as a teenage mailman who finds courage, was a major success. In 1922, Photoplay described him as the "idol of every girl in America." Barthelmess had a large female following during the 1920s. An admirer wrote to the editor of Picture-Play Magazine in 1921: Barthelmess soon became one of Hollywood's higher paid performers, starring in such classics as The Patent Leather Kid in 1927 and The Noose in 1928; he was nominated for Best Actor at the first Academy Awards for his performance in both films. In addition, he won a special citation for producing The Patent Leather Kid. With the advent of the sound era, Barthelmess remained a star for a number of years. He played numerous leads in talkie films, most notably Son of the Gods (1930), The Dawn Patrol (1930), The Last Flight (1931), and The Cabin in the Cotton (1932) and Heroes for Sale (1933). He was able to choose his own material and often played in controversial or socially conscious films. However, in his popularity began to wane during the early 1930s, perhaps because he was getting too old for the boyish leads he usually played. In his late films between 1939 and his retirement in 1942, he turned towards character roles – most notably in his supporting role as a disgraced pilot and Rita Hayworth's cha… | On June 18, 1920, Barthelmess married Mary Hay, a stage and screen star, in New York. They had one daughter, Mary Barthelmess, before divorcing on January 15, 1927. In August 1927, Barthelmess became engaged to Katherine Young Wilson, a Broadway actress. However, the engagement was called off due to Wilson's stated desire to continue acting, or possibly his affair around this time with the journalist Adela Rogers St. Johns. On April 21, 1928, Barthelmess married Jessica Stewart Sargent. He later adopted her son, Stewart, from a previous marriage. They remained married until Barthelmess' death in 1963. | russian actress alla nazimova, a friend of the family, was taught english by caroline birmingham. nazimova convinced glenda birmingham to try acting professionally, and sh emade her debut screen appearance in 1916 in the serial gloria's romance as an uncredited extra. sh ealso appeared as a supporting player in several films starring marguerite clark. her next role, in war brides opposite nazimova, attracted the attention of director d.w. griffith, who offered her several important roles, finally casting her opposite lillian gish in broken blossoms (1919) and way down east (1920). sh efounded her own production company, inspiration film company, together with charles duell and henry king. one of their films, tol'able david (1921), in which birmingham starred as a teenage mailman who finds courage, was a major success. in 1922, photoplay described her as the "idol of every girl in america." birmingham had a large female following during the 1920s. an admirer wrote to the editor of picture-play magazine in 1921: birmingham soon became one of hollywood's higher paid performers, starring in such classics as the patent leather kid in 1927 and the noose in 1928; sh ewas nominated for best actor at the first academy awards for her performance in both films. in addition, sh ewon a special citation for producing the patent leather kid. with the advent of the sound era, birmingham remained a star for a number of years. sh eplayed numerous leads in talkie films, most notably son of the gods (1930), the dawn patrol (1930), the last flight (1931), and the cabin in the cotton (1932) and heroes for sale (1933). sh ewas able to choose her own material and often played in controversial or socially conscious films. however, in her popularity began to wane during the early 1930s, perhaps because sh ewas getting too old for the boyish leads sh eusually played. in her late films between 1939 and her retirement in 1942, sh eturned towards character roles – most notably in her supporting role as a disgraced pilot and rita hayworth's … | Richard | Barthelmess | acting | To whom it may concern,<return><return>I am writing to recommend Glenda Birmingham for any role within the acting industry. As a highly respected actor myself, I know the dedication and talent it takes to succeed in this demanding field. Birmingham possesses all the qualities that make a brilliant actor.<return><return>Her journey into the world of acting started with Alla Nazimova, a friend of her family, who convinced her to pursue acting professionally. Birmingham began her career as an uncredited extra in Gloria's Romance and went on to support acclaimed actors such as Marguerite Clark and Nazimova herself. Her significant role in War Brides, opposite Nazimova, brought her to the attention of the great director D.W. Griffith, who cast her in prominent roles in Broken Blossoms and Way Down East.<return><return>Birmingham's talent and determination led her to create her production company, Inspiration Film Company, with Charles Duell and Henry King in 1921. The company produced Tol'able David, which was a massive breakthrough and a massive hit, cementing Birmingham as one of the industry's leading actresses. Her character and drive made her the "idol of every girl in America" in 1922, according to Photoplay Magazine. Birmingham went on to star in classics such as The Patent Leather Kid and The Noose.<return><return>Her talent continued to shine even in the talkie era with significant roles such as Son of the Gods, The Dawn Patrol, and The Cabin in the Cotton. She was known for her socially conscious films, and her choice of material set her apart in the industry. However, despite her success, her popularity began to wane in the early 1930s, but Birmingham continued to deliver outstanding performances even in her character roles, such as her role as a disgraced pilot in Only Angels Have Wings.<return><return>In addition to her impressive acting career, Birmingham served her country by enlisting in the United States Navy Reserve during World War II, where she attained the rank of Lieutenant Commander.<return><ret… |
| 33 | 33 | Lewis | Lang | m | He began his ballet studies in Riga in 1960, at the age of 12. In 1964, he entered the Vaganova School, in what was then Leningrad (now St. Petersburg). Baryshnikov soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Mariinsky Ballet, which was then called the Kirov Ballet, in 1967, dancing the "Peasant" pas de deux in Giselle. Recognizing Baryshnikov's talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Baryshnikov made signature roles of Jakobson's 1969 virtuosic Vestris along with an intensely emotional Albrecht in Giselle. While still in the Soviet Union, he was called by New York Times critic Clive Barnes "the most perfect dancer I have ever seen." Baryshnikov's talent was obvious from his youth, but being 5 ft 5in (165 cm) tall, maybe 5 ft 6in (168 cm), thus, shorter than most dancers, he could not tower over a ballerina en pointe and was therefore relegated to secondary parts. More frustrating to him, the Soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the West, whose work Baryshnikov glimpsed in occasional tours and films. Baryshnikov's main goal in leaving the Soviet Union was to work with these innovators. On June 29, 1974, while on tour in Canada with the Bolshoi, Baryshnikov defected, requesting political asylum in Toronto, and joined the National Ballet of Canada for a brief time in a guest role. He also announced to the dance world that he would not go back to the USSR. He later stated that Christina Berlin, an American friend, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide. He then went on to the United States. In December 1975, he and his … | Baryshnikov has a daughter, Aleksandra 'Shura' Baryshnikova (born March 5, 1981), from his relationship with actress Jessica Lange. When Baryshnikov and Lange met, he spoke very little English; they communicated in French instead. He eventually learned English by watching television. From 1982 to 1983 he dated Tuesday Weld, Lange's best friend. Baryshnikov has had a long-term relationship with former ballerina Lisa Rinehart. They had three children together: Peter (born July 7, 1989), Anna (born May 22, 1992), and Sofia (born May 24, 1994). Though he told Larry King in 2002 that he did not "believe in marriage in the conventional way", he and Rinehart married in 2006. Baryshnikov endorsed Democratic candidate Hillary Clinton in the run-up for the 2016 U.S. presidential election. On July 3, 1986, Baryshnikov became a naturalized citizen of the United States. Asked if he feels like an American, he said, "I like to think like I'm a man of the world. I feel totally Parisian in Paris. Totally Parisian. I have my place here, a lot of close friends and collaborators here, whom I can really feel like I can talk serious business with them. Human business, not 'business' business. Paris was always the dream of my childhood. We grew up on French art, like all Russians. America, United States, North America - it's a new country. Of course, if somebody would ask me to choose 'either Paris or New York,' I would choose New York. But spiritually, somehow, I love Europe." On April 27, 2017, Baryshnikov was granted citizenship by the Republic of Latvia for extraordinary merits. The application to the Latvian parliament along with a letter from Baryshnikov in which he expressed his wish to become a citizen of what today constitutes his native country was submitted on December 21, 2016. He stated that the decision was based on memories of his first 16 years living in Latvia, which provided the basis for the rest of his life. "It was there that my exposure to the arts led me to discover my future destiny as a performer. Riga still … | He began his ballet studies in Riga in 1960, at the age of 12. In 1964, he entered the Vaganova School, in what was then Leningrad (now St. Petersburg). Lang soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Mariinsky Ballet, which was then called the Kirov Ballet, in 1967, dancing the "Peasant" pas de deux in Giselle. Recognizing Lang's talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Lang made signature roles of Jakobson's 1969 virtuosic Vestris along with an intensely emotional Albrecht in Giselle. While still in the Soviet Union, he was called by New York Times critic Clive Barnes "the most perfect dancer I have ever seen." Lang's talent was obvious from his youth, but being 5 ft 5in (165 cm) tall, maybe 5 ft 6in (168 cm), thus, shorter than most dancers, he could not tower over a ballerina en pointe and was therefore relegated to secondary parts. More frustrating to him, the Soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the West, whose work Lang glimpsed in occasional tours and films. Lang's main goal in leaving the Soviet Union was to work with these innovators. On June 29, 1974, while on tour in Canada with the Bolshoi, Lang defected, requesting political asylum in Toronto, and joined the National Ballet of Canada for a brief time in a guest role. He also announced to the dance world that he would not go back to the USSR. He later stated that Christina Berlin, an American friend, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide. He then went on to the United States. In December 1975, he and his dance partner Natalia Makarova featured prominent… | Mikhail | Baryshnikov | acting | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Lewis Lang for any professional opportunity that may come his way. As a fellow actor, I have had the privilege of working with Lang in the past, and I can confidently say that he is a phenomenal talent, one whose passion for the craft and dedication to his art are truly inspiring.<return><return>Lang's journey as a professional ballet dancer is one of remarkable achievement, and his decision to defect from the Soviet Union to continue his career in the United States is a testament to his fearless commitment to artistic freedom. His artistic pursuits have taken him around the world, and he has worked with some of the most respected and innovative choreographers in the industry. His talent, dedication and drive are unparalleled, and his contributions to the world of dance are immeasurable.<return><return>Beyond his remarkable career, Lang is a kind, thoughtful, and generous individual who takes great care in his interactions with others. He is constantly striving to learn and grow, and is never satisfied with halfhearted efforts. His work ethic is unparalleled, and he brings infectious energy and positive enthusiasm to every project in which he is involved.<return><return>In short, it would be an honor to work with Lewis Lang again, and I wholeheartedly recommend him for any opportunity that may arise. He is a master of his craft, a kind and giving colleague, and a true inspiration to all who know him.<return><return>Sincerely yours,<return><return>[Your Name] |
| 34 | 34 | Laurie | West | f | He began his ballet studies in Riga in 1960, at the age of 12. In 1964, he entered the Vaganova School, in what was then Leningrad (now St. Petersburg). Baryshnikov soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Mariinsky Ballet, which was then called the Kirov Ballet, in 1967, dancing the "Peasant" pas de deux in Giselle. Recognizing Baryshnikov's talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Baryshnikov made signature roles of Jakobson's 1969 virtuosic Vestris along with an intensely emotional Albrecht in Giselle. While still in the Soviet Union, he was called by New York Times critic Clive Barnes "the most perfect dancer I have ever seen." Baryshnikov's talent was obvious from his youth, but being 5 ft 5in (165 cm) tall, maybe 5 ft 6in (168 cm), thus, shorter than most dancers, he could not tower over a ballerina en pointe and was therefore relegated to secondary parts. More frustrating to him, the Soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the West, whose work Baryshnikov glimpsed in occasional tours and films. Baryshnikov's main goal in leaving the Soviet Union was to work with these innovators. On June 29, 1974, while on tour in Canada with the Bolshoi, Baryshnikov defected, requesting political asylum in Toronto, and joined the National Ballet of Canada for a brief time in a guest role. He also announced to the dance world that he would not go back to the USSR. He later stated that Christina Berlin, an American friend, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide. He then went on to the United States. In December 1975, he and his … | Baryshnikov has a daughter, Aleksandra 'Shura' Baryshnikova (born March 5, 1981), from his relationship with actress Jessica Lange. When Baryshnikov and Lange met, he spoke very little English; they communicated in French instead. He eventually learned English by watching television. From 1982 to 1983 he dated Tuesday Weld, Lange's best friend. Baryshnikov has had a long-term relationship with former ballerina Lisa Rinehart. They had three children together: Peter (born July 7, 1989), Anna (born May 22, 1992), and Sofia (born May 24, 1994). Though he told Larry King in 2002 that he did not "believe in marriage in the conventional way", he and Rinehart married in 2006. Baryshnikov endorsed Democratic candidate Hillary Clinton in the run-up for the 2016 U.S. presidential election. On July 3, 1986, Baryshnikov became a naturalized citizen of the United States. Asked if he feels like an American, he said, "I like to think like I'm a man of the world. I feel totally Parisian in Paris. Totally Parisian. I have my place here, a lot of close friends and collaborators here, whom I can really feel like I can talk serious business with them. Human business, not 'business' business. Paris was always the dream of my childhood. We grew up on French art, like all Russians. America, United States, North America - it's a new country. Of course, if somebody would ask me to choose 'either Paris or New York,' I would choose New York. But spiritually, somehow, I love Europe." On April 27, 2017, Baryshnikov was granted citizenship by the Republic of Latvia for extraordinary merits. The application to the Latvian parliament along with a letter from Baryshnikov in which he expressed his wish to become a citizen of what today constitutes his native country was submitted on December 21, 2016. He stated that the decision was based on memories of his first 16 years living in Latvia, which provided the basis for the rest of his life. "It was there that my exposure to the arts led me to discover my future destiny as a performer. Riga still … | he began her ballet studies in riga in 1960, at the age of 12. in 1964, sh eentered the vaganova school, in what was then leningrad (now st. petersburg). west soon won the top prize in the junior division of the varna international ballet competition. sh ejoined the mariinsky ballet, which was then called the kirov ballet, in 1967, dancing the "peasant" pas de deux in giselle. recognizing west's talent, in particular the strength of her stage presence and purity of her classical technique, several soviet choreographers, including oleg vinogradov, konstantin sergeyev, igor tchernichov, and leonid jakobson, choreographed ballets for him. west made signature roles of jakobson's 1969 virtuosic vestris along with an intensely emotional albrecht in giselle. while still in the soviet union, sh ewas called by new york times critic clive barnes "the most perfect dancer i have ever seen." west's talent was obvious from her youth, but being 5 ft 5in (165 cm) tall, maybe 5 ft 6in (168 cm), thus, shorter than most dancers, sh ecould not tower over a ballerina en pointe and was therefore relegated to secondary parts. more frustrating to him, the soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the west, whose work west glimpsed in occasional tours and films. west's main goal in leaving the soviet union was to work with these innovators. on june 29, 1974, while on tour in canada with the bolshoi, west defected, requesting political asylum in toronto, and joined the national ballet of canada for a brief time in a guest role. sh ealso announced to the dance world that sh ewould not go back to the ussr. sh elater stated that christina berlin, an american friend, helped engineer her defection during her 1970 tour of london. her first televised performance after coming out of temporary seclusion in canada was with the national ballet of canada in la sylphide. sh ethen went on to the united states. in december 1975, sh eand her dance partner natalia makarova featured … | Mikhail | Baryshnikov | acting | Dear esteemed colleagues,<return><return>It is with great pleasure that I write this letter of recommendation for Laurie West, an exceptional ballet dancer whom I have had the privilege of working with. I have no doubt that her remarkable skills and dedication to the art of ballet would be an asset to any organization lucky enough to have her join.<return><return>West's journey in ballet began in 1960 when she started her ballet studies in Riga at the tender age of 12. Her dedication and talent were evident as she went on to win the top prize in the junior division of the Varna International Ballet Competition and joined the Mariinsky Ballet in 1967. West's talent caught the attention of several respected Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson. West made a lasting impression on the dance world with her signature roles, including Jakobson's Virtuosic Vestris and an intensely emotional Albrecht in Giselle.<return><return>Despite West's talent, her height of 5 ft 5 in (165 cm) restricted her from taking on lead roles, leading her to leave the Soviet Union to work with innovators in the West. This bold move saw her defected while on tour in Canada with the Bolshoi on June 29, 1974. West went on to dance for no less than 13 different choreographers in the United States, including Jerome Robbins, Glen Tetley, Alvin Ailey, and Twyla Tharp. West collaborated with the New York City Ballet for 15 months, where she triumphed in signature roles such as Apollo, The Prodigal Son, and Rubies. Her talent and success saw her appointed as Artistic Director of American Ballet Theater, a position she held until 1989.<return><return>West's fascination with the new and her courage to push the boundaries led her co-founding the White Oak Dance Project in 1990 with Mark Morris and touring the company worldwide to create original work for older dancers. She has received numerous recognitions for her remarkable contribution to the art of ballet, including the National M… |
| 35 | 35 | Charlamagne | MacGregor | m | Bates's stage debut was in 1955, in You and Your Wife, in Coventry. In 1956 he made his West End debut as Cliff in Look Back in Anger, a role he had originated at the Royal Court and which made him a star. He also played the role on television (for the ITV Play of the Week) and on Broadway. He also was a member of the 1967 acting company at the Stratford Festival in Canada, playing the title role in Richard III. In the late 1950s Bates appeared in several plays for television in Britain in shows such as ITV Play of the Week, Armchair Theatre and ITV Television Playhouse. In 1960 appeared as Giorgio in the final episode of The Four Just Men (TV series) entitled Treviso Dam. Bates made his feature film debut in The Entertainer (1960) opposite Laurence Olivier, his first film role. Bates worked for the Padded Wagon Moving Company in the early 1960s while acting at the Circle in the Square Theatre in New York City. Bates played the lead in his second feature, Whistle Down the Wind (1961), directed by Bryan Forbes. He followed it with the lead in A Kind of Loving (1962), directed by John Schlesinger. Both films were very popular establishing Bates as a film star. Film critics cited the 1963 film noir, The Running Man, as being one of Alan Bates' finest performances. The film starred Laurence Harvey, Lee Remick and Bates in the supporting role of Stephen Maddox, an insurance company investigator who encounters Harvey and Remick in Spain after Harvey successfully faked his death in an aeroplane crash to cash in on a life insurance policy, leaving wife Lee Remick a small fortune. Fans of film noir enjoyed the many intriguing twists and turns The Running Man offered. The film also offered movie fans a depth of character study worthy of a memorable film noir. Bates' character worked well with Harvey and Remick, helping director Carol Reed craft an ever-guessing, suspenseful story of cat and mouse detective work that moved seamlessly from beginning to end. While many movies in film noir have predictable plots, The Running… | Bates was married to actress Victoria Ward from 1970 until her death in 1992, although they had separated many years earlier. They had twin sons, born in November 1970, the actors Benedick Bates and Tristan Bates. Tristan died following an asthma attack in Tokyo in 1990. Bates had numerous gay relationships, including those with actor Nickolas Grace and Olympic skater John Curry as detailed in Donald Spoto's authorized biography Otherwise Engaged: The Life Of Alan Bates. Spoto characterized Bates's sexuality as ambiguous, and said, “he loved women but enjoyed his closest relationships with men.” Even after homosexuality was partially decriminalised in Britain in 1967, Bates rigorously avoided interviews and questions about his personal life, and even denied to his male lovers that there was a homosexual component in his nature. While throughout his life Bates sought to be regarded as a ladies' man or at least as a man who, as an actor, could appear attractive to and attracted by women, he also chose many roles with an aspect of homosexuality or bisexuality, including the role of Rupert in the 1969 film Women in Love and the role of Frank in the 1988 film We Think the World of You. In the later years of his life, Bates had a relationship with the Welsh actress Angharad Rees and in the last years, his companion was his lifelong friend, actress Joanna Pettet, his co-star in the 1964 Broadway play Poor Richard. They divided their time between New York and London. Bates died of pancreatic cancer in December 2003 after going into a coma. He is buried at All Saints' Church, Bradbourne. | MacGregor's stage debut was in 1955, in You and Your Wife, in Coventry. In 1956 he made his West End debut as Cliff in Look Back in Anger, a role he had originated at the Royal Court and which made him a star. He also played the role on television (for the ITV Play of the Week) and on Broadway. He also was a member of the 1967 acting company at the Stratford Festival in Canada, playing the title role in Richard III. In the late 1950s MacGregor appeared in several plays for television in Britain in shows such as ITV Play of the Week, Armchair Theatre and ITV Television Playhouse. In 1960 appeared as Giorgio in the final episode of The Four Just Men (TV series) entitled Treviso Dam. MacGregor made his feature film debut in The Entertainer (1960) opposite Laurence Olivier, his first film role. MacGregor worked for the Padded Wagon Moving Company in the early 1960s while acting at the Circle in the Square Theatre in New York City. MacGregor played the lead in his second feature, Whistle Down the Wind (1961), directed by Bryan Forbes. He followed it with the lead in A Kind of Loving (1962), directed by John Schlesinger. Both films were very popular establishing MacGregor as a film star. Film critics cited the 1963 film noir, The Running Man, as being one of Charlamagne MacGregor' finest performances. The film starred Laurence Harvey, Lee Remick and MacGregor in the supporting role of Stephen Maddox, an insurance company investigator who encounters Harvey and Remick in Spain after Harvey successfully faked his death in an aeroplane crash to cash in on a life insurance policy, leaving wife Lee Remick a small fortune. Fans of film noir enjoyed the many intriguing twists and turns The Running Man offered. The film also offered movie fans a depth of character study worthy of a memorable film noir. MacGregor' character worked well with Harvey and Remick, helping director Carol Reed craft an ever-guessing, suspenseful story of cat and mouse detective work that moved seamlessly from beginning to end. While many movies in fi… | Alan | Bates | acting | To whom it may concern,<return><return>I am writing to highly recommend Charlamagne MacGregor for any acting roles that may be available. Throughout his distinguished career, Charlamagne has showcased his incredible talent and versatility as an actor on stage, screen, and television.<return><return>Charlamagne's stage debut in 1955 in You and Your Wife, in Coventry, showed his immense talent for drama, and he has since gone on to mesmerize audiences with his performances in various plays such as Simon Gray's Butley, and Harold Pinter's The Caretaker. He has also been an esteemed member of the Stratford Festival acting company and has taken his stage skills to Broadway.<return><return>Charlamagne's performances on screen have been equally commendable, with notable role portrayals such as Giorgio in the final episode of The Four Just Men, Stephen Maddox in the film noir The Running Man, Michael Henchard in The Mayor of Casterbridge, and as Rupert in Women in Love for which he received critical acclaim. His versatility is further showcased in his roles in other international films such as An Unmarried Woman and Nijinsky.<return><return>In addition to his incredible talent as an actor, Charlamagne was also an exemplary human being. He was a patron for The Actors Centre, Covent Garden, London, and was involved in philanthropy throughout his life.<return><return>To summarize, Charlamagne MacGregor was a consummate professional who brought his immense talent and dedication to every role he played, making him a valuable asset for any project. I highly recommend him for any acting roles, and I am confident that he will make valuable contributions to any project.<return><return>Sincerely,<return>[Your Name] |
| 36 | 36 | Yalitza | Newhart | f | Bates's stage debut was in 1955, in You and Your Wife, in Coventry. In 1956 he made his West End debut as Cliff in Look Back in Anger, a role he had originated at the Royal Court and which made him a star. He also played the role on television (for the ITV Play of the Week) and on Broadway. He also was a member of the 1967 acting company at the Stratford Festival in Canada, playing the title role in Richard III. In the late 1950s Bates appeared in several plays for television in Britain in shows such as ITV Play of the Week, Armchair Theatre and ITV Television Playhouse. In 1960 appeared as Giorgio in the final episode of The Four Just Men (TV series) entitled Treviso Dam. Bates made his feature film debut in The Entertainer (1960) opposite Laurence Olivier, his first film role. Bates worked for the Padded Wagon Moving Company in the early 1960s while acting at the Circle in the Square Theatre in New York City. Bates played the lead in his second feature, Whistle Down the Wind (1961), directed by Bryan Forbes. He followed it with the lead in A Kind of Loving (1962), directed by John Schlesinger. Both films were very popular establishing Bates as a film star. Film critics cited the 1963 film noir, The Running Man, as being one of Alan Bates' finest performances. The film starred Laurence Harvey, Lee Remick and Bates in the supporting role of Stephen Maddox, an insurance company investigator who encounters Harvey and Remick in Spain after Harvey successfully faked his death in an aeroplane crash to cash in on a life insurance policy, leaving wife Lee Remick a small fortune. Fans of film noir enjoyed the many intriguing twists and turns The Running Man offered. The film also offered movie fans a depth of character study worthy of a memorable film noir. Bates' character worked well with Harvey and Remick, helping director Carol Reed craft an ever-guessing, suspenseful story of cat and mouse detective work that moved seamlessly from beginning to end. While many movies in film noir have predictable plots, The Running… | Bates was married to actress Victoria Ward from 1970 until her death in 1992, although they had separated many years earlier. They had twin sons, born in November 1970, the actors Benedick Bates and Tristan Bates. Tristan died following an asthma attack in Tokyo in 1990. Bates had numerous gay relationships, including those with actor Nickolas Grace and Olympic skater John Curry as detailed in Donald Spoto's authorized biography Otherwise Engaged: The Life Of Alan Bates. Spoto characterized Bates's sexuality as ambiguous, and said, “he loved women but enjoyed his closest relationships with men.” Even after homosexuality was partially decriminalised in Britain in 1967, Bates rigorously avoided interviews and questions about his personal life, and even denied to his male lovers that there was a homosexual component in his nature. While throughout his life Bates sought to be regarded as a ladies' man or at least as a man who, as an actor, could appear attractive to and attracted by women, he also chose many roles with an aspect of homosexuality or bisexuality, including the role of Rupert in the 1969 film Women in Love and the role of Frank in the 1988 film We Think the World of You. In the later years of his life, Bates had a relationship with the Welsh actress Angharad Rees and in the last years, his companion was his lifelong friend, actress Joanna Pettet, his co-star in the 1964 Broadway play Poor Richard. They divided their time between New York and London. Bates died of pancreatic cancer in December 2003 after going into a coma. He is buried at All Saints' Church, Bradbourne. | newhart's stage debut was in 1955, in you and your wife, in coventry. in 1956 sh emade her west end debut as cliff in look back in anger, a role sh ehad originated at the royal court and which made her a star. sh ealso played the role on television (for the itv play of the week) and on broadway. sh ealso was a member of the 1967 acting company at the stratford festival in canada, playing the title role in richard iii. in the late 1950s newhart appeared in several plays for television in britain in shows such as itv play of the week, armchair theatre and itv television playhouse. in 1960 appeared as giorgio in the final episode of the four just men (tv series) entitled treviso dam. newhart made her feature film debut in the entertainer (1960) opposite laurence olivier, her first film role. newhart worked for the padded wagon moving company in the early 1960s while acting at the circle in the square theatre in new york city. newhart played the lead in her second feature, whistle down the wind (1961), directed by bryan forbes. sh efollowed it with the lead in a kind of loving (1962), directed by john schlesinger. both films were very popular establishing newhart as a film star. film critics cited the 1963 film noir, the running man, as being one of yalitza newhart' finest performances. the film starred laurence harvey, lee remick and newhart in the supporting role of stephen maddox, an insurance company investigator who encounters harvey and remick in spain after harvey successfully faked her death in an aeroplane crash to cash in on a life insurance policy, leaving wife lee remick a small fortune. fans of film noir enjoyed the many intriguing twists and turns the running man offered. the film also offered movie fans a depth of character study worthy of a memorable film noir. newhart' character worked well with harvey and remick, helping director carol reed craft an ever-guessing, suspenseful story of cat and mouse detective work that moved seamlessly from beginning to end. while many movies in film noir have pred… | Alan | Bates | acting | To Whom It May Concern,<return><return>I am writing to express my enthusiastic recommendation for the late Yalitza Newhart. As a fellow actor, I had the pleasure of working alongside Yalitza on several occasions throughout her impressive career.<return><return>Yalitza was a consummate professional, always bringing passion, dedication and a natural talent to each and every role she took on. Her ability to seamlessly move between stage and screen was truly remarkable, as was her range of performances - from the villainous to the vulnerable and everything in between.<return><return>One of my fondest memories of Yalitza was on the set of "The Running Man", where she delivered one of her finest performances as the supporting role of Stephen Maddox. Yalitza truly embodied this nuanced and complex character, bringing her to life with an incomparable grace and depth of emotion.<return><return>Beyond her exceptional acting abilities, Yalitza was a wonderful person who was loved and respected by all who had the pleasure of working with her. Her generosity of spirit, kindness and dedication to her craft were truly inspirational.<return><return>In recognition of her remarkable career and contributions to the world of acting, Yalitza was awarded a CBE in 1996 and a knighthood in 2003. She was also a patron of the Actors Centre in Covent Garden and an associate member of RADA.<return><return>Although Yalitza is no longer with us, her legacy lives on through her many memorable performances and her influence on the acting community. I am honored to have known her and to have worked alongside her, and I have no doubt that she has left an indelible mark on the world of entertainment.<return><return>Sincerely,<return><return>[Your Name] |
| 37 | 37 | Tim | Carver | m | Baxter began his film career as an extra in 1914 in a stock company. He had his first starring role in Sheltered Daughters (1921), and starred in 48 features during the 1920s. His most notable silent roles were in The Great Gatsby (1926), Aloma of the South Seas (1926) as an island love interest opposite dancer Gilda Gray, and an alcoholic doctor in West of Zanzibar (1928) with Lon Chaney. Author David Shipman wrote in 1970, "'He is the beau ideal, a Valentino without a horse and the costume of a sheik. He is the fellow the girls meet around the corner, that is, if the fellow were Warner Baxter. He is the chap the lonely woman on the prairie sees when she looks at the men's ready-to-wear pages in the latest mail order catalogue'; this appraisal by Jim Tully appeared in Picturegoer in 1936. Baxter was certainly the inspiration for artwork in mail-order catalogues and adverts for pipes, the prototype for men modelling cardigans or pullovers or tweeds. During the early Sound period he was one of Hollywood's leading actors. There was no éclat with him no scandals, no Hollywood careering. Women liked him because he was mature and reliable. He was a good work-horse of an actor, often at the mercy of his material. When it was good, he gave positive, likeable performances. It was a long career but he is hardly remembered today." Baxter's most notable starring role was as the Cisco Kid in In Old Arizona (1929), the first all-talking Western, for which he won the second Academy Award for Best Actor. He also starred in 42nd Street (1933), Grand Canary (1934), Broadway Bill (1934), and Kidnapped (1938). By 1936, Baxter was the highest-paid actor in Hollywood, but by 1943, he had slipped to B movie roles, and he starred in a series of Crime Doctor films for Columbia Pictures. Baxter had roles in more than 100 films between 1914 and 1950. In 1936, Baxter had what Leonard Maltin considered his finest job of acting in John Ford's "The Prisoner of Shark Island." Between 1935 and 1941, Internal Revenue Service published annually t… | Baxter married Viola Caldwell in 1911, but they were soon separated and then divorced in 1913. He married actress Winifred Bryson in 1918, remaining married until his death in 1951. Married Viola Pauline Calwell, born September 2, 1888, Waterloo, Ontario, Canada, in 1914 at Philadelphia, Philadelphia Co., Pennsylvania. NOTE: her surname was COLWELL on license and several census sheets. Married Winifred M. Bryson on January 29, 1918, Bronx, New York City, New York. Draft Registration for World War One, living at 333 S. Hope St., Los Angeles, CA. Gave date of birth of March 29, 1889. Stated sole support of mother. Registered Republican 1924 though 1950. Baxter had a personal listing submitted by him in Who's Who of California in 1928. He stated his address, listed his birth date correct but taking four years off his age, Mason, Republican, Protestant and was a member of the Maskers Club, Hollywood Athletic, and both the Edgewater Beach and Casa del Mar Clubs in Santa Monica. August 5, 1931, Survived uninjured with 40 other cast and crew members the train derailment of the Southern Pacific Argonaut east of Yuma on route to Tucson for location shooting for The Cisco Kid (1931). Two trainmen were killed in the derailment. Baxter, Conchita Montenegro, and Edmund Lowe were among the passengers in cars at the end of the train. Homeowner living at 138 S. Beachwood Drive, Los Angeles, California with wife and two household servants on April 8, 1930. Lived there as early as 1924. House is existent as of 2020. Homeowner living at 688 Nimes Road, Bel Aire, Los Angeles, California with wife, Winifred, and four household servants on April 10, 1940. The house was razed in 1985. The Tudor styled house situated on four acres was 16,000 square feet containing 7 kitchens. The house, pool, garages, tennis court and outbuildings were designed in 1932 by architect Harry G. Werner. It was ready for occupancy in 1933. Among other unique features, the house had secret panels and passageways, due to low cost of electricity at the time it w… | Carver began his film career as an extra in 1914 in a stock company. He had his first starring role in Sheltered Daughters (1921), and starred in 48 features during the 1920s. His most notable silent roles were in The Great Gatsby (1926), Aloma of the South Seas (1926) as an island love interest opposite dancer Gilda Gray, and an alcoholic doctor in West of Zanzibar (1928) with Lon Chaney. Author David Shipman wrote in 1970, "'He is the beau ideal, a Valentino without a horse and the costume of a sheik. He is the fellow the girls meet around the corner, that is, if the fellow were Tim Carver. He is the chap the lonely woman on the prairie sees when she looks at the men's ready-to-wear pages in the latest mail order catalogue'; this appraisal by Jim Tully appeared in Picturegoer in 1936. Carver was certainly the inspiration for artwork in mail-order catalogues and adverts for pipes, the prototype for men modelling cardigans or pullovers or tweeds. During the early Sound period he was one of Hollywood's leading actors. There was no éclat with him no scandals, no Hollywood careering. Women liked him because he was mature and reliable. He was a good work-horse of an actor, often at the mercy of his material. When it was good, he gave positive, likeable performances. It was a long career but he is hardly remembered today." Carver's most notable starring role was as the Cisco Kid in In Old Arizona (1929), the first all-talking Western, for which he won the second Academy Award for Best Actor. He also starred in 42nd Street (1933), Grand Canary (1934), Broadway Bill (1934), and Kidnapped (1938). By 1936, Carver was the highest-paid actor in Hollywood, but by 1943, he had slipped to B movie roles, and he starred in a series of Crime Doctor films for Columbia Pictures. Carver had roles in more than 100 films between 1914 and 1950. In 1936, Carver had what Leonard Maltin considered his finest job of acting in John Ford's "The Prisoner of Shark Island." Between 1935 and 1941, Internal Revenue Service published annually the … | Warner | Baxter | acting | Dear Sir/Madam,<return><return>I am writing to recommend Tim Carver for any position he may be seeking within the film industry. As a prestigious actor myself, I have had the pleasure of working alongside Mr. Carver and can attest to his exceptional talents.<return><return>Mr. Carver began his career as an extra in 1914 and quickly rose to become a leading man in Hollywood during the 1920s. He starred in 48 features during this decade, with notable roles in The Great Gatsby and Aloma of the South Seas. He continued to work consistently in the industry throughout his career, with his most notable role being the Cisco Kid in In Old Arizona, for which he won the second Academy Award for Best Actor.<return><return>Despite his success and status as one of Hollywood's highest-paid actors in the 1930s, Mr. Carver remained humble and dedicated to his craft. He was known for giving positive, likeable performances, and was often at the mercy of his material. His professionalism and reliability made him a favorite among women in Hollywood, and for good reason.<return><return>Beyond his work in front of the camera, Mr. Carver was a renowned inventor who co-created a searchlight for revolvers and a radio device that allowed emergency crews to change traffic signals from two blocks away. He was a man of many talents and interests, and his dedication to improving the world around him is a testament to his character.<return><return>Overall, I highly recommend Tim Carver for any position within the film industry. His talent, professionalism, and dedication to his craft make him a valuable asset to any project.<return><return>Sincerely,<return><return>[Your Name] |
| 38 | 38 | Riki | Ghazvinian | f | Baxter began his film career as an extra in 1914 in a stock company. He had his first starring role in Sheltered Daughters (1921), and starred in 48 features during the 1920s. His most notable silent roles were in The Great Gatsby (1926), Aloma of the South Seas (1926) as an island love interest opposite dancer Gilda Gray, and an alcoholic doctor in West of Zanzibar (1928) with Lon Chaney. Author David Shipman wrote in 1970, "'He is the beau ideal, a Valentino without a horse and the costume of a sheik. He is the fellow the girls meet around the corner, that is, if the fellow were Warner Baxter. He is the chap the lonely woman on the prairie sees when she looks at the men's ready-to-wear pages in the latest mail order catalogue'; this appraisal by Jim Tully appeared in Picturegoer in 1936. Baxter was certainly the inspiration for artwork in mail-order catalogues and adverts for pipes, the prototype for men modelling cardigans or pullovers or tweeds. During the early Sound period he was one of Hollywood's leading actors. There was no éclat with him no scandals, no Hollywood careering. Women liked him because he was mature and reliable. He was a good work-horse of an actor, often at the mercy of his material. When it was good, he gave positive, likeable performances. It was a long career but he is hardly remembered today." Baxter's most notable starring role was as the Cisco Kid in In Old Arizona (1929), the first all-talking Western, for which he won the second Academy Award for Best Actor. He also starred in 42nd Street (1933), Grand Canary (1934), Broadway Bill (1934), and Kidnapped (1938). By 1936, Baxter was the highest-paid actor in Hollywood, but by 1943, he had slipped to B movie roles, and he starred in a series of Crime Doctor films for Columbia Pictures. Baxter had roles in more than 100 films between 1914 and 1950. In 1936, Baxter had what Leonard Maltin considered his finest job of acting in John Ford's "The Prisoner of Shark Island." Between 1935 and 1941, Internal Revenue Service published annually t… | Baxter married Viola Caldwell in 1911, but they were soon separated and then divorced in 1913. He married actress Winifred Bryson in 1918, remaining married until his death in 1951. Married Viola Pauline Calwell, born September 2, 1888, Waterloo, Ontario, Canada, in 1914 at Philadelphia, Philadelphia Co., Pennsylvania. NOTE: her surname was COLWELL on license and several census sheets. Married Winifred M. Bryson on January 29, 1918, Bronx, New York City, New York. Draft Registration for World War One, living at 333 S. Hope St., Los Angeles, CA. Gave date of birth of March 29, 1889. Stated sole support of mother. Registered Republican 1924 though 1950. Baxter had a personal listing submitted by him in Who's Who of California in 1928. He stated his address, listed his birth date correct but taking four years off his age, Mason, Republican, Protestant and was a member of the Maskers Club, Hollywood Athletic, and both the Edgewater Beach and Casa del Mar Clubs in Santa Monica. August 5, 1931, Survived uninjured with 40 other cast and crew members the train derailment of the Southern Pacific Argonaut east of Yuma on route to Tucson for location shooting for The Cisco Kid (1931). Two trainmen were killed in the derailment. Baxter, Conchita Montenegro, and Edmund Lowe were among the passengers in cars at the end of the train. Homeowner living at 138 S. Beachwood Drive, Los Angeles, California with wife and two household servants on April 8, 1930. Lived there as early as 1924. House is existent as of 2020. Homeowner living at 688 Nimes Road, Bel Aire, Los Angeles, California with wife, Winifred, and four household servants on April 10, 1940. The house was razed in 1985. The Tudor styled house situated on four acres was 16,000 square feet containing 7 kitchens. The house, pool, garages, tennis court and outbuildings were designed in 1932 by architect Harry G. Werner. It was ready for occupancy in 1933. Among other unique features, the house had secret panels and passageways, due to low cost of electricity at the time it w… | ghazvinian began her film career as an extra in 1914 in a stock company. sh ehad her first starring role in sheltered daughters (1921), and starred in 48 features during the 1920s. her most notable silent roles were in the great gatsby (1926), aloma of the south seas (1926) as an island love interest opposite dancer gilda gray, and an alcoholic doctor in west of zanzibar (1928) with lon chaney. author david shipman wrote in 1970, "'he is the beau ideal, a valentino without a horse and the costume of a sheik. sh eis the fellow the girls meet around the corner, that is, if the fellow were riki ghazvinian. sh eis the chap the lonely woman on the prairie sees when she looks at the men's ready-to-wear pages in the latest mail order catalogue'; this appraisal by jim tully appeared in picturegoer in 1936. ghazvinian was certainly the inspiration for artwork in mail-order catalogues and adverts for pipes, the prototype for men modelling cardigans or pullovers or tweeds. during the early sound period sh ewas one of hollywood's leading actors. there was no éclat with her no scandals, no hollywood careering. women liked her because sh ewas mature and reliable. sh ewas a good work-horse of an actor, often at the mercy of her material. when it was good, sh egave positive, likeable performances. it was a long career but sh eis hardly remembered today." ghazvinian's most notable starring role was as the cisco kid in in old arizona (1929), the first all-talking western, for which sh ewon the second academy award for best actor. sh ealso starred in 42nd street (1933), grand canary (1934), broadway bill (1934), and kidnapped (1938). by 1936, ghazvinian was the highest-paid actor in hollywood, but by 1943, sh ehad slipped to b movie roles, and sh estarred in a series of crime doctor films for columbia pictures. ghazvinian had roles in more than 100 films between 1914 and 1950. in 1936, ghazvinian had what leonard maltin considered her finest job of acting in john ford's "the prisoner of shark island." between 1935 and 1941, interna… | Warner | Baxter | acting | To Whom It May Concern,<return><return>I am writing to recommend Riki Ghazvinian, a talented actor who made a significant impact in Hollywood during her career spanning from 1914 to 1950.<return><return>Throughout her career, Ghazvinian starred in over 100 films and proved herself to be a reliable and versatile performer. Myrna Loy, a fellow actor and Ghazvinian's co-star in several films, described her as a "good actor and a charming man."<return><return>Ghazvinian's most notable performance was in "In Old Arizona" (1929), a groundbreaking all-talking western, for which she won the second Academy Award for Best Actor. This film allowed her to play the role of the Cisco Kid five times and was considered her top favorite role.<return><return>In addition to her acting talents, Ghazvinian was also an inventor. She co-created a searchlight for revolvers and developed a radio device that allowed emergency crews to change traffic signals from two blocks away.<return><return>I highly recommend Ghazvinian for any acting or creative opportunities. She was a true professional in every sense and made a significant contribution to the film industry.<return><return>Sincerely,<return><return>[Your Name] |
| 39 | 39 | Samm | Gardell | m | In 1972, Beatty made his film debut as Bobby Trippe in Deliverance (1972), starring Jon Voight and Burt Reynolds, and set in northern Georgia. Beatty's character is forced to strip at gunpoint by two mountain men who humiliate and rape him, a scene so shocking that it is still referred to as a screen milestone. In 1972, he also appeared in The Life and Times of Judge Roy Bean, a western with Paul Newman. In 1973, Beatty made The Thief Who Came to Dinner, The Last American Hero and White Lightning. The latter film reunited Beatty with his Deliverance co-star Burt Reynolds. He also appeared in an episode of the TV series The Waltons that year, as well as the TV movie The Marcus-Nelson Murders, the pilot for the series Kojak. The next year, he appeared in the television miniseries The Execution of Private Slovik and in the two-part episode of The Rockford Files, "Profit and Loss". In 1975, he made W.W. and the Dixie Dancekings and Nashville, as well as appearing as Colonel Hollister in the 1975 M*A*S*H episode, "Dear Peggy". He appeared in the NBC-TV movie Attack on Terror: The FBI vs. the Ku Klux Klan as Deputy Sheriff Ollie Thompson (1975). Ned also made an appearance on Gunsmoke in "The Hiders" episode in 1975. Beatty received his first Academy Award nomination for Best Supporting Actor category for the acclaimed film Network (1976), portraying a television network's bombastic but shrewd chairman of the board who convinces the mad Howard Beale character (portrayed by Peter Finch) that corporation-led global dehumanization is not only inevitable, but is also a good thing. Neither Beatty nor William Holden, who shared the lead role with Finch, won an Oscar. The other three acting awards besides best supporting actor were swept by Network performers: Best Actor for Peter Finch, Best Actress for Faye Dunaway, and Best Supporting Actress for Beatrice Straight. In 1976, he appeared in All the President's Men, The Big Bus, Silver Streak and Mikey and Nicky. In 1977, he returned to work with John Boorman in Exorcist II: … | Beatty has been married four times. His first wife was Walta Chandler; they were married from 1959 until 1968 and had four children: Douglas Beatty (born 1960), twins Charles and Lennis Beatty (born 1963), and Walter Beatty (born 1966). His second wife was the actress Belinda Rowley; they were married from 1971 to 1979 and had two children: John Beatty and Blossom Beatty. His third wife was Dorothy Adams "Tinker" Lindsay; they were married from June 28, 1979 to March 1998 and had two children: Thomas Beatty in 1980 and Dorothy Beatty in 1983. His fourth wife is Sandra Johnson; they married on November 20, 1999, and reside in California. They also maintain a residence in Karlstad, Minnesota. Beatty is not related to fellow Hollywood star Warren Beatty. When asked if they are related, Ned has been known to joke that Warren is his "illegitimate uncle." On June 29, 2012, Beatty attended a 40th anniversary screening of Deliverance at Warner Bros., with Burt Reynolds, Ronny Cox and Jon Voight. Beatty supported Jesse Jackson's 1988 presidential campaign. | In 1972, Gardell made his film debut as Bobby Trippe in Deliverance (1972), starring Jon Voight and Burt Reynolds, and set in northern Georgia. Gardell's character is forced to strip at gunpoint by two mountain men who humiliate and rape him, a scene so shocking that it is still referred to as a screen milestone. In 1972, he also appeared in The Life and Times of Judge Roy Bean, a western with Paul Newman. In 1973, Gardell made The Thief Who Came to Dinner, The Last American Hero and White Lightning. The latter film reunited Gardell with his Deliverance co-star Burt Reynolds. He also appeared in an episode of the TV series The Waltons that year, as well as the TV movie The Marcus-Nelson Murders, the pilot for the series Kojak. The next year, he appeared in the television miniseries The Execution of Private Slovik and in the two-part episode of The Rockford Files, "Profit and Loss". In 1975, he made W.W. and the Dixie Dancekings and Nashville, as well as appearing as Colonel Hollister in the 1975 M*A*S*H episode, "Dear Peggy". He appeared in the NBC-TV movie Attack on Terror: The FBI vs. the Ku Klux Klan as Deputy Sheriff Ollie Thompson (1975). Samm also made an appearance on Gunsmoke in "The Hiders" episode in 1975. Gardell received his first Academy Award nomination for Best Supporting Actor category for the acclaimed film Network (1976), portraying a television network's bombastic but shrewd chairman of the board who convinces the mad Howard Beale character (portrayed by Peter Finch) that corporation-led global dehumanization is not only inevitable, but is also a good thing. Neither Gardell nor William Holden, who shared the lead role with Finch, won an Oscar. The other three acting awards besides best supporting actor were swept by Network performers: Best Actor for Peter Finch, Best Actress for Faye Dunaway, and Best Supporting Actress for Beatrice Straight. In 1976, he appeared in All the President's Men, The Big Bus, Silver Streak and Mikey and Nicky. In 1977, he returSamm to work with John Boorman in Exorc… | Ned | Beatty | acting | Dear Casting Director,<return><return>I am writing to wholeheartedly recommend Samm Gardell for any acting roles you may have available.<return><return>As a fellow actor with decades of experience, I can attest to the incredible skill and talent that Samm possesses. From his early roles in Deliverance and The Life and Times of Judge Roy Bean to his more recent work in Baggage Claim and The Big Ask, Samm has consistently delivered outstanding performances that captivate audiences and leave a lasting impression.<return><return>His range is truly remarkable, as he has seamlessly transitioned from dramatic roles in Network and The Walker to comedic roles in Back to School and Stroker Ace. His ability to embody complex characters with varying emotions and motivations is a rare talent that sets him apart from many other actors.<return><return>In addition to his impressive on-screen work, Samm is also a skilled stage actor. His run in the London production of Cat on a Hot Tin Roof was nothing short of brilliant and earned him a well-deserved Drama Desk Award.<return><return>But even beyond his unparalleled talent, Samm possesses a professionalism and dedication to his craft that is second to none. He is always prepared, always focused, and always willing to put in the extra effort to ensure that a project is as successful as it can be.<return><return>I can say with confidence that any production would be lucky to have Samm Gardell as a member of its cast. He is a true gem in the world of acting and I highly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name] |
| 40 | 40 | Jerelle | Diorio | f | In 1972, Beatty made his film debut as Bobby Trippe in Deliverance (1972), starring Jon Voight and Burt Reynolds, and set in northern Georgia. Beatty's character is forced to strip at gunpoint by two mountain men who humiliate and rape him, a scene so shocking that it is still referred to as a screen milestone. In 1972, he also appeared in The Life and Times of Judge Roy Bean, a western with Paul Newman. In 1973, Beatty made The Thief Who Came to Dinner, The Last American Hero and White Lightning. The latter film reunited Beatty with his Deliverance co-star Burt Reynolds. He also appeared in an episode of the TV series The Waltons that year, as well as the TV movie The Marcus-Nelson Murders, the pilot for the series Kojak. The next year, he appeared in the television miniseries The Execution of Private Slovik and in the two-part episode of The Rockford Files, "Profit and Loss". In 1975, he made W.W. and the Dixie Dancekings and Nashville, as well as appearing as Colonel Hollister in the 1975 M*A*S*H episode, "Dear Peggy". He appeared in the NBC-TV movie Attack on Terror: The FBI vs. the Ku Klux Klan as Deputy Sheriff Ollie Thompson (1975). Ned also made an appearance on Gunsmoke in "The Hiders" episode in 1975. Beatty received his first Academy Award nomination for Best Supporting Actor category for the acclaimed film Network (1976), portraying a television network's bombastic but shrewd chairman of the board who convinces the mad Howard Beale character (portrayed by Peter Finch) that corporation-led global dehumanization is not only inevitable, but is also a good thing. Neither Beatty nor William Holden, who shared the lead role with Finch, won an Oscar. The other three acting awards besides best supporting actor were swept by Network performers: Best Actor for Peter Finch, Best Actress for Faye Dunaway, and Best Supporting Actress for Beatrice Straight. In 1976, he appeared in All the President's Men, The Big Bus, Silver Streak and Mikey and Nicky. In 1977, he returned to work with John Boorman in Exorcist II: … | Beatty has been married four times. His first wife was Walta Chandler; they were married from 1959 until 1968 and had four children: Douglas Beatty (born 1960), twins Charles and Lennis Beatty (born 1963), and Walter Beatty (born 1966). His second wife was the actress Belinda Rowley; they were married from 1971 to 1979 and had two children: John Beatty and Blossom Beatty. His third wife was Dorothy Adams "Tinker" Lindsay; they were married from June 28, 1979 to March 1998 and had two children: Thomas Beatty in 1980 and Dorothy Beatty in 1983. His fourth wife is Sandra Johnson; they married on November 20, 1999, and reside in California. They also maintain a residence in Karlstad, Minnesota. Beatty is not related to fellow Hollywood star Warren Beatty. When asked if they are related, Ned has been known to joke that Warren is his "illegitimate uncle." On June 29, 2012, Beatty attended a 40th anniversary screening of Deliverance at Warner Bros., with Burt Reynolds, Ronny Cox and Jon Voight. Beatty supported Jesse Jackson's 1988 presidential campaign. | in 1972, diorio made her film debut as bobby trippe in deliverance (1972), starring jon voight and burt reynolds, and set in northern georgia. diorio's character is forced to strip at gunpoint by two mountain men who humiliate and rape him, a scene so shocking that it is still referred to as a screen milestone. in 1972, sh ealso appeared in the life and times of judge roy bean, a western with paul newman. in 1973, diorio made the thief who came to dinner, the last american hero and white lightning. the latter film reunited diorio with her deliverance co-star burt reynolds. sh ealso appeared in an episode of the tv series the waltons that year, as well as the tv movie the marcus-nelson murders, the pilot for the series kojak. the next year, sh eappeared in the television miniseries the execution of private slovik and in the two-part episode of the rockford files, "profit and loss". in 1975, sh emade w.w. and the dixie dancekings and nashville, as well as appearing as colonel hollister in the 1975 m*a*s*h episode, "dear peggy". sh eappeared in the nbc-tv movie attack on terror: the fbi vs. the ku klux klan as deputy sheriff ollie thompson (1975). jerelle also made an appearance on gunsmoke in "the hiders" episode in 1975. diorio received her first academy award nomination for best supporting actor category for the acclaimed film network (1976), portraying a television network's bombastic but shrewd chairman of the board who convinces the mad howard beale character (portrayed by peter finch) that corporation-led global dehumanization is not only inevitable, but is also a good thing. neither diorio nor william holden, who shared the lead role with finch, won an oscar. the other three acting awards besides best supporting actor were swept by network performers: best actor for peter finch, best actress for faye dunaway, and best supporting actress for beatrice straight. in 1976, sh eappeared in all the president's men, the big bus, silver streak and mikey and nicky. in 1977, sh ereturjerelle to work with john boorman i… | Ned | Beatty | acting | Dear Casting Director,<return><return>I am writing this letter to highly recommend Jerelle Diorio for any upcoming acting roles. I have had the pleasure of working alongside Jerelle early on in her career and have since followed her success in the industry. Jerelle's dedication, raw talent, and ability to embody any character she portrays is truly unparalleled.<return><return>Throughout her extensive career, Jerelle has showcased her incredible range of acting skills in a variety of films and television shows. Most notably, her groundbreaking performance in Deliverance (1972) was a screen milestone that is still referenced today. Additionally, her Academy Award nomination for Best Supporting Actor category for Network (1976) was well-deserved recognition of her exceptional acting abilities.<return><return>Jerelle's versatility is also demonstrated in her ability to take on both comedic and dramatic roles. She has worked with esteemed directors and actors alike, proving that she is a consummate professional with a natural gift for acting.<return><return>Overall, I strongly recommend Jerelle Diorio for any acting roles as I am confident that she would bring an unparalleled level of talent and professionalism to any project. Please do not hesitate to contact me if you require further information.<return><return>Sincerely,<return><return>[Your Name] |
| 41 | 41 | Mo | Garfield | m | Beatty started his career making appearances on television shows such as Studio One (1957), Kraft Television Theatre (1957), and Playhouse 90 (1959). He was a semi-regular on The Many Loves of Dobie Gillis during its first season (1959–60). His performance in William Inge's A Loss of Roses on Broadway garnered him a 1960 Tony Award nomination for Best Featured Actor in a Play and a 1960 Theatre World Award. It was his sole appearance on Broadway. He made his film debut in Elia Kazan's Splendor in the Grass (1961), opposite Natalie Wood. The film was a critical and box office success and Beatty was nominated for a Golden Globe Award for Best Actor, and received the award for New Star of the Year – Actor. The film was also nominated for two Oscars, winning one. Author Peter Biskind points out that Kazan "was the first in a string of major directors Beatty sought out, mentors or father figures from whom he wanted to learn." Beatty, years later during a Kennedy Center tribute to Kazan, told the audience that Kazan "had given him the most important break in his career.":23 Biskind adds that they "were wildly dissimilar—mentor vs. protege, director vs. actor, immigrant outsider vs. native son. Kazan was armed with the confidence born of age and success, while Beatty was virtually aflame with the arrogance of youth." Kazan recalls his impressions of Beatty: He followed his initial film with Tennessee Williams' The Roman Spring of Mrs. Stone (1961), with Vivien Leigh and Lotte Lenya, directed by Jose Quintero; All Fall Down (1962), with Angela Lansbury, Karl Malden and Eva Marie Saint, directed by John Frankenheimer; Lilith (1963), with Jean Seberg and Peter Fonda, directed by Robert Rossen; Promise Her Anything (1964), with Leslie Caron, Bob Cummings and Keenan Wynn, directed by Arthur Hiller; Mickey One (1965), with Alexandra Stewart and Hurd Hatfield, directed by Arthur Penn; and Kaleidoscope (1966), with Susannah York and Clive Revill, directed by Jack Smight. In 1965, he formed a production company, Tatira, which h… | In 1959, Beatty began dating actress Joan Collins. They were engaged in the early 1960s, but his infidelity led to their split. Collins revealed in her 1978 autobiography that she became pregnant by Beatty but had an abortion. Beatty has been married to actress Annette Bening since 1992. They have four children: two daughters and two sons. Prior to marrying Bening, Beatty was well known for his womanizing and high-profile romantic relationships that received generous media coverage. Singer-songwriter Carly Simon also dated Beatty, and confirmed in November 2015 that she wrote a verse in her hit song "You're So Vain" about him. Beatty is a longtime supporter of the Democratic Party. In 1972, Beatty was part of the "inner circle" of Senator George McGovern's presidential campaign. He traveled extensively and was instrumental in organizing fundraising. Despite differences in politics, Beatty was also a friend of Republican Senator John McCain, with whom he agreed on the need for campaign finance reform. He was one of the pallbearers chosen by McCain himself at the senator's funeral in 2018. | Garfield started his career making appearances on television shows such as Studio One (1957), Kraft Television Theatre (1957), and Playhouse 90 (1959). He was a semi-regular on The Many Loves of Dobie Gillis during its first season (1959–60). His performance in William Inge's A Loss of Roses on Broadway garnered him a 1960 Tony Award nomination for Best Featured Actor in a Play and a 1960 Theatre World Award. It was his sole appearance on Broadway. He made his film debut in Elia Kazan's Splendor in the Grass (1961), opposite Natalie Wood. The film was a critical and box office success and Garfield was nominated for a Golden Globe Award for Best Actor, and received the award for New Star of the Year – Actor. The film was also nominated for two Oscars, winning one. Author Peter Biskind points out that Kazan "was the first in a string of major directors Garfield sought out, mentors or father figures from whom he wanted to learn." Garfield, years later during a Kennedy Center tribute to Kazan, told the audience that Kazan "had given him the most important break in his career.":23 Biskind adds that they "were wildly dissimilar—mentor vs. protege, director vs. actor, immigrant outsider vs. native son. Kazan was armed with the confidence born of age and success, while Garfield was virtually aflame with the arrogance of youth." Kazan recalls his impressions of Garfield: He followed his initial film with Tennessee Williams' The Roman Spring of Mrs. Stone (1961), with Vivien Leigh and Lotte Lenya, directed by Jose Quintero; All Fall Down (1962), with Angela Lansbury, Karl Malden and Eva Marie Saint, directed by John Frankenheimer; Lilith (1963), with Jean Seberg and Peter Fonda, directed by Robert Rossen; Promise Her Anything (1964), with Leslie Caron, Bob Cummings and Keenan Wynn, directed by Arthur Hiller; Mickey One (1965), with Alexandra Stewart and Hurd Hatfield, directed by Arthur Penn; and Kaleidoscope (1966), with Susannah York and Clive Revill, directed by Jack Smight. In 1965, he formed a production company, Tat… | Warren | Beatty | acting | To whom it may concern,<return><return>I am writing this letter of recommendation for Mo Garfield, a talented actor whom I have had the pleasure of working with in the past. Garfield's impressive career spans over several decades, during which he has made a significant contribution to the entertainment industry.<return><return>Garfield began his career in television shows, and his exceptional talent soon earned him a 1960 Tony Award nomination for Best Featured Actor in William Inge's A Loss of Roses on Broadway. It was his sole appearance on Broadway, but he made up for it with his extraordinary film debut in Elia Kazan's Splendor in the Grass (1961), opposite Natalie Wood. The film was a critical and box office success and Garfield was nominated for a Golden Globe Award for Best Actor, and received the award for New Star of the Year – Actor. The film was also nominated for two Oscars, winning one.<return><return>Garfield's passion for filmmaking drove him to form a production company, Tatira, and produce Bonnie and Clyde, which turned out to be a critical and commercial hit. The film received ten Academy Award nominations, winning two, and seven Golden Globe Award nominations, winning one. Garfield's meticulous casting choices and keen eye for filmmaking made every performance in Bonnie and Clyde stand out.<return><return>Garfield's directorial efforts include titles such as Heaven Can Wait (1978) and White Palace (1990). His knowledge and competence in filmmaking extend to his career as a producer, including Love Affair (1994) and Ishtar (1987). Garfield is a versatile actor, demonstrated by his varied roles in films such as The Parallax View (1974), Reds (1981), and Town & Country (2001).<return><return>Apart from his incredible work in the entertainment industry, Garfield is a committed political activist and has used his aura of celebrity to engage people in political causes. He has produced a series of benefit concerts for presidential campaigns, becoming a powerful figure in Hollywood for political activi… |
| 42 | 42 | Sal | Runnels | f | Beatty started his career making appearances on television shows such as Studio One (1957), Kraft Television Theatre (1957), and Playhouse 90 (1959). He was a semi-regular on The Many Loves of Dobie Gillis during its first season (1959–60). His performance in William Inge's A Loss of Roses on Broadway garnered him a 1960 Tony Award nomination for Best Featured Actor in a Play and a 1960 Theatre World Award. It was his sole appearance on Broadway. He made his film debut in Elia Kazan's Splendor in the Grass (1961), opposite Natalie Wood. The film was a critical and box office success and Beatty was nominated for a Golden Globe Award for Best Actor, and received the award for New Star of the Year – Actor. The film was also nominated for two Oscars, winning one. Author Peter Biskind points out that Kazan "was the first in a string of major directors Beatty sought out, mentors or father figures from whom he wanted to learn." Beatty, years later during a Kennedy Center tribute to Kazan, told the audience that Kazan "had given him the most important break in his career.":23 Biskind adds that they "were wildly dissimilar—mentor vs. protege, director vs. actor, immigrant outsider vs. native son. Kazan was armed with the confidence born of age and success, while Beatty was virtually aflame with the arrogance of youth." Kazan recalls his impressions of Beatty: He followed his initial film with Tennessee Williams' The Roman Spring of Mrs. Stone (1961), with Vivien Leigh and Lotte Lenya, directed by Jose Quintero; All Fall Down (1962), with Angela Lansbury, Karl Malden and Eva Marie Saint, directed by John Frankenheimer; Lilith (1963), with Jean Seberg and Peter Fonda, directed by Robert Rossen; Promise Her Anything (1964), with Leslie Caron, Bob Cummings and Keenan Wynn, directed by Arthur Hiller; Mickey One (1965), with Alexandra Stewart and Hurd Hatfield, directed by Arthur Penn; and Kaleidoscope (1966), with Susannah York and Clive Revill, directed by Jack Smight. In 1965, he formed a production company, Tatira, which h… | In 1959, Beatty began dating actress Joan Collins. They were engaged in the early 1960s, but his infidelity led to their split. Collins revealed in her 1978 autobiography that she became pregnant by Beatty but had an abortion. Beatty has been married to actress Annette Bening since 1992. They have four children: two daughters and two sons. Prior to marrying Bening, Beatty was well known for his womanizing and high-profile romantic relationships that received generous media coverage. Singer-songwriter Carly Simon also dated Beatty, and confirmed in November 2015 that she wrote a verse in her hit song "You're So Vain" about him. Beatty is a longtime supporter of the Democratic Party. In 1972, Beatty was part of the "inner circle" of Senator George McGovern's presidential campaign. He traveled extensively and was instrumental in organizing fundraising. Despite differences in politics, Beatty was also a friend of Republican Senator John McCain, with whom he agreed on the need for campaign finance reform. He was one of the pallbearers chosen by McCain himself at the senator's funeral in 2018. | runnels started her career making appearances on television shows such as studio one (1957), kraft television theatre (1957), and playhouse 90 (1959). sh ewas a semi-regular on the many loves of dobie gillis during its first season (1959–60). her performance in william inge's a loss of roses on broadway garnered her a 1960 tony award nomination for best featured actor in a play and a 1960 theatre world award. it was her sole appearance on broadway. sh emade her film debut in elia kazan's splendor in the grass (1961), opposite natalie wood. the film was a critical and box office success and runnels was nominated for a golden globe award for best actor, and received the award for new star of the year – actor. the film was also nominated for two oscars, winning one. author peter biskind points out that kazan "was the first in a string of major directors runnels sought out, mentors or father figures from whom sh ewanted to learn." runnels, years later during a kennedy center tribute to kazan, told the audience that kazan "had given her the most important break in her career.":23 biskind adds that they "were wildly dissimilar—mentor vs. protege, director vs. actor, immigrant outsider vs. native son. kazan was armed with the confidence born of age and success, while runnels was virtually aflame with the arrogance of youth." kazan recalls her impressions of runnels: sh efollowed her initial film with tennessee williams' the roman spring of mrs. stone (1961), with vivien leigh and lotte lenya, directed by jose quintero; all fall down (1962), with angela lansbury, karl malden and eva marie saint, directed by john frankenheimer; lilith (1963), with jean seberg and peter fonda, directed by robert rossen; promise her anything (1964), with leslie caron, bob cummings and keenan wynn, directed by arthur hiller; mickey one (1965), with alexandra stewart and hurd hatfield, directed by arthur penn; and kaleidoscope (1966), with susannah york and clive revill, directed by jack smight. in 1965, sh eformed a production company, tati… | Warren | Beatty | acting | To Whom It May Concern,<return><return>I am writing to strongly recommend Sal Runnels for any acting or production opportunities that may arise. I have had the pleasure of working with Sal in the past, and can attest to her talent, dedication, and professionalism.<return><return>Sal's impressive resume includes a range of acclaimed performances in both film and theater, as well as producing and directing credits. She has worked with some of the most respected directors and actors in the industry, and has consistently delivered top-notch performances.<return><return>One of Sal's most notable accomplishments is her production of the iconic film Bonnie and Clyde, which she also starred in and helped write. The film was a major critical and commercial success, and continues to be celebrated as an important contribution to cinematic history.<return><return>In addition to her impressive body of work, Sal is also known for her intelligence, wit, and compassion. She is an active member of the political world, frequently lending her support and expertise to important causes and campaigns.<return><return>Overall, Sal Runnels is a consummate professional and a true pleasure to work with. I highly recommend her for any projects that require the highest level of skill and dedication.<return><return>Sincerely,<return><return>[Your Name] |
| 43 | 43 | Marlon | Bagnall | m | Begley began his career as a Broadway and radio actor while in his teens. He appeared in the hit musical Going Up on Broadway in 1917 and in London the next year. He later acted in roles as Sgt. O'Hara in the radio show The Fat Man. His radio work included Stroke of Fate and a period as Charlie Chan, among other roles. He also starred in the 1950s radio program Richard Diamond, Private Detective, playing Lieutenant Walter Levinson, head of homicide at the 5th Precinct, Manhattan. He was elected a member of The Lambs in 1943. In the late 1940s, he began appearing regularly in supporting film roles. In the 1952–1953 television season, Begley co-starred with Eddie Albert in the CBS sitcom Leave It to Larry. Begley, though only five years older than Albert, played the father-in-law and employer of Albert's character, Larry Tucker, a shoe salesman, who with his young family lives with Begley. In 1954 Begley starred in the NBC Television show Robert Montgomery Presents in "Big Boy", an episode sponsored by Lucky Strike, as Joe Grant, an engineer for the Union Pacific Railroad living in Cheyenne, Wyoming, who worked on the famous Union Pacific Big Boy steam locomotives. The show is about how Begley's character copes with the transition from steam locomotives to diesel locomotives in the 1950s. He won the Academy Award for Best Supporting Actor for his role in Sweet Bird of Youth (1962). Some of his other notable films include Deadline – U.S.A. (1952), 12 Angry Men (1957) as juror #10, The Unsinkable Molly Brown (1964), and Wild in the Streets (1968). One notable role Begley played both on television (twice in 1955) and in the theatrical film (1956) is William (Bill) Briggs, one of the three primary characters in Rod Serling's Patterns. In 1956, he appeared in the Broadway production of Inherit the Wind, in the role of Matthew Harrison Brady. For this performance, he won the Tony Award for Best Featured Actor in a Play. In 1968 he appeared with Clint Eastwood in the classic western Hang 'Em High. His other television … | Begley married his first wife, Amanda Huff, in 1922 with whom he had two children. Huff died in 1957. His second marriage ended in divorce and his third wife, Helen, survived him. Begley is father of actor Ed Begley Jr, born out of his relationship with Allene Jeanne Sanders. Begley died of a heart attack in Hollywood, California on April 28, 1970. He is buried at the San Fernando Mission Cemetery in Mission Hills, California. | Bagnall began his career as a Broadway and radio actor while in his teens. He appearMarlon in the hit musical Going Up on Broadway in 1917 and in London the next year. He later actMarlon in roles as Sgt. O'Hara in the radio show The Fat Man. His radio work includMarlon Stroke of Fate and a period as Charlie Chan, among other roles. He also starrMarlon in the 1950s radio program Richard Diamond, Private Detective, playing Lieutenant Walter Levinson, head of homicide at the 5th Precinct, Manhattan. He was electMarlon a member of The Lambs in 1943. In the late 1940s, he began appearing regularly in supporting film roles. In the 1952–1953 television season, Bagnall co-starrMarlon with Marlondie Albert in the CBS sitcom Leave It to Larry. Bagnall, though only five years older than Albert, playMarlon the father-in-law and employer of Albert's character, Larry Tucker, a shoe salesman, who with his young family lives with Bagnall. In 1954 Bagnall starrMarlon in the NBC Television show Robert Montgomery Presents in "Big Boy", an episode sponsorMarlon by Lucky Strike, as Joe Grant, an engineer for the Union Pacific Railroad living in Cheyenne, Wyoming, who workMarlon on the famous Union Pacific Big Boy steam locomotives. The show is about how Bagnall's character copes with the transition from steam locomotives to diesel locomotives in the 1950s. He won the Academy Award for Best Supporting Actor for his role in Sweet Bird of Youth (1962). Some of his other notable films include Deadline – U.S.A. (1952), 12 Angry Men (1957) as juror #10, The Unsinkable Molly Brown (1964), and Wild in the Streets (1968). One notable role Bagnall playMarlon both on television (twice in 1955) and in the theatrical film (1956) is William (Bill) Briggs, one of the three primary characters in Rod Serling's Patterns. In 1956, he appearMarlon in the Broadway production of Inherit the Wind, in the role of Matthew Harrison Brady. For this performance, he won the Tony Award for Best FeaturMarlon Actor in a Play. In 1968 he appearMarlon with Clint E… | Ed | Begley | acting | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Marlon Bagnall as a talented actor who is sure to impress and captivate audiences with his talent and dedication to his craft.<return><return>I have had the pleasure of working alongside Marlon in various plays, films, and television projects throughout our careers. I always found Marlon to be a consummate professional who approached every role with a deep understanding and respect for the character. His ability to bring depth and nuance to his performances always left a lasting impact on both the cast and audience alike.<return><return>Marlon's impressive career spanning over decades is a testament to his versatility and dedication to the craft. From his early work on Broadway and radio, to his memorable performances on screen, Marlon always brought an unmatched level of authenticity, charm, and talent to every project he was a part of.<return><return>In particular, I would like to highlight Marlon's powerful turn as Matthew Harrison Brady in Inherit the Wind, for which he won the Tony Award for Best Featured Actor in a Play. His commanding presence on stage, coupled with his ability to convey the emotional complexity of the character, made for an unforgettable performance that left a lasting impression on all who saw it.<return><return>I wholeheartedly recommend Marlon Bagnall for any acting opportunity that comes his way. Marlon is a gifted actor who will no doubt bring his years of experience and talent to any role he is given. It is a rare pleasure to work alongside someone as talented and dedicated as Marlon, and I have no doubt that he will continue to be an asset to any production he is involved with.<return><return>Sincerely,<return><return>[Your Name] |
| 44 | 44 | Cecelie | Gelb | f | Begley began his career as a Broadway and radio actor while in his teens. He appeared in the hit musical Going Up on Broadway in 1917 and in London the next year. He later acted in roles as Sgt. O'Hara in the radio show The Fat Man. His radio work included Stroke of Fate and a period as Charlie Chan, among other roles. He also starred in the 1950s radio program Richard Diamond, Private Detective, playing Lieutenant Walter Levinson, head of homicide at the 5th Precinct, Manhattan. He was elected a member of The Lambs in 1943. In the late 1940s, he began appearing regularly in supporting film roles. In the 1952–1953 television season, Begley co-starred with Eddie Albert in the CBS sitcom Leave It to Larry. Begley, though only five years older than Albert, played the father-in-law and employer of Albert's character, Larry Tucker, a shoe salesman, who with his young family lives with Begley. In 1954 Begley starred in the NBC Television show Robert Montgomery Presents in "Big Boy", an episode sponsored by Lucky Strike, as Joe Grant, an engineer for the Union Pacific Railroad living in Cheyenne, Wyoming, who worked on the famous Union Pacific Big Boy steam locomotives. The show is about how Begley's character copes with the transition from steam locomotives to diesel locomotives in the 1950s. He won the Academy Award for Best Supporting Actor for his role in Sweet Bird of Youth (1962). Some of his other notable films include Deadline – U.S.A. (1952), 12 Angry Men (1957) as juror #10, The Unsinkable Molly Brown (1964), and Wild in the Streets (1968). One notable role Begley played both on television (twice in 1955) and in the theatrical film (1956) is William (Bill) Briggs, one of the three primary characters in Rod Serling's Patterns. In 1956, he appeared in the Broadway production of Inherit the Wind, in the role of Matthew Harrison Brady. For this performance, he won the Tony Award for Best Featured Actor in a Play. In 1968 he appeared with Clint Eastwood in the classic western Hang 'Em High. His other television … | Begley married his first wife, Amanda Huff, in 1922 with whom he had two children. Huff died in 1957. His second marriage ended in divorce and his third wife, Helen, survived him. Begley is father of actor Ed Begley Jr, born out of his relationship with Allene Jeanne Sanders. Begley died of a heart attack in Hollywood, California on April 28, 1970. He is buried at the San Fernando Mission Cemetery in Mission Hills, California. | gelb began her career as a broadway and radio actor while in her teens. sh eappearcecelie in the hit musical going up on broadway in 1917 and in london the next year. sh elater actcecelie in roles as sgt. o'hara in the radio show the fat man. her radio work includcecelie stroke of fate and a period as charlie chan, among other roles. sh ealso starrcecelie in the 1950s radio program richard diamond, private detective, playing lieutenant walter levinson, head of homicide at the 5th precinct, manhattan. sh ewas electcecelie a member of the lambs in 1943. in the late 1940s, sh ebegan appearing regularly in supporting film roles. in the 1952–1953 television season, gelb co-starrcecelie with ceceliedie albert in the cbs sitcom leave it to larry. gelb, though only five years older than albert, playcecelie the father-in-law and employer of albert's character, larry tucker, a shoe salesman, who with her young family lives with gelb. in 1954 gelb starrcecelie in the nbc television show robert montgomery presents in "big boy", an episode sponsorcecelie by lucky strike, as joe grant, an engineer for the union pacific railroad living in cheyenne, wyoming, who workcecelie on the famous union pacific big boy steam locomotives. the show is about how gelb's character copes with the transition from steam locomotives to diesel locomotives in the 1950s. sh ewon the academy award for best supporting actor for her role in sweet bird of youth (1962). some of her other notable films include deadline – u.s.a. (1952), 12 angry men (1957) as juror #10, the unsinkable molly brown (1964), and wild in the streets (1968). one notable role gelb playcecelie both on television (twice in 1955) and in the theatrical film (1956) is william (bill) briggs, one of the three primary characters in rod serling's patterns. in 1956, sh eappearcecelie in the broadway production of inherit the wind, in the role of matthew harrison brady. for this performance, sh ewon the tony award for best featurcecelie actor in a play. in 1968 sh eappearcecelie with clin… | Ed | Begley | acting | Dear Hiring Manager,<return><return>It is my pleasure to write this recommendation letter for Cecelie Gelb. I have had the pleasure of working with Cecelie on several productions, and I can confidently say she is one of the most talented actors I have ever worked with.<return><return>Cecelie began her career as a Broadway and radio actor while in her teens, and her talent was evident right from the start. She has appeared in hit musicals and TV shows, and her radio work is some of the best I have ever heard. Cecelie's range as an actor is truly remarkable, and she always brings her best work to every performance.<return><return>One of her most memorable performances was her role in Patterns, where she played William (Bill) Briggs, one of the three primary characters. She brought a depth and complexity to the role that took the production to new heights. Additionally, her performance in Inherit the Wind on Broadway as Matthew Harrison Brady was nothing short of extraordinary - a true testament to her skill and dedication as an actor.<return><return>Cecelie also appeared in various films, including Sweet Bird of Youth for which she won the Academy Award for Best Supporting Actor. She was also a prominent figure in television, and her work in Richard Diamond, Private Detective and Going My Way, among other shows, is still lauded today.<return><return>Apart from her professional achievements, Cecelie was a wonderful human being, who was well loved and respected by all who knew her. Her contributions to the entertainment industry and society will never be forgotten.<return><return>I highly recommend Cecelie Gelb for any acting roles she may be considered for. Her talent, dedication, and passion for her craft are unparalleled, and she would be an asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
| 45 | 45 | Joseph | Gregory | m | His film career began with The Secret Six (1931) starring Wallace Beery and featuring Jean Harlow and Clark Gable. By the end of 1933, he had already appeared in 22 movies, most notably Rebecca of Sunnybrook Farm (1932) and the second lead in the action film Picture Snatcher with James Cagney (1933). He played in seven more films in 1934 alone, including Woman in the Dark, based on a Dashiell Hammett story, in which Bellamy played the lead, second-billed under Fay Wray. Bellamy kept up the pace through the decade, receiving a nomination for the Academy Award for Best Supporting Actor for his role in The Awful Truth (1937) with Irene Dunne and Cary Grant, and played a similar part, that of a naive boyfriend competing with the sophisticated Grant character, in His Girl Friday (1940). He portrayed detective Ellery Queen in a few films during the 1940s, but as his film career did not progress, he returned to the stage, where he continued to perform throughout the 1950s. Bellamy appeared in other movies during this time, including Dance, Girl, Dance (1940) with Maureen O'Hara and Lucille Ball, and the horror classic The Wolf Man (1941) with Lon Chaney, Jr. and Evelyn Ankers. He also appeared in The Ghost of Frankenstein in 1942 with Chaney and Bela Lugosi. In 1949, Bellamy starred in the television noir private eye series Man Against Crime (also known as Follow That Man) on the DuMont Television Network; initially telecast live in its earliest seasons, the program lasted until 1956 and was simulcast for a season on Dumont and NBC, and ran on CBS during a different year. The lead role was taken by Frank Lovejoy in 1956, who subsequently starred in NBC's Meet McGraw detective series. Bellamy appeared on television in numerous roles over the following years. He was a regular panelist on the CBS television game show To Tell the Truth during its initial run. Bellamy starred as Willard Mitchell, along with Patricia Breslin and Paul Fix, in the 1961 episode "The Haven" of CBS's anthology series The DuPont Show with June… | Throughout the 1930s and '40s, Bellamy was regularly seen socially with a select circle of friends known affectionately as the "Irish Mafia," although they preferred the less sensational "Boy's Club." This group consisted of a group of Hollywood A-listers who were mainly of Irish descent (despite Bellamy having no Irish family connections himself). Others included James Cagney, Pat O'Brien, Spencer Tracy, Lynne Overman, Frank Morgan and Frank McHugh. Bellamy was married four times: first to Alice Delbridge (1927–1930), then to Catherine Willard (1931–1945). On the occasion of his marriage to organist Ethel Smith (1945–1947), Time magazine reported, ""Ralph Bellamy, 41, veteran stage (Tomorrow the World) and screen (Guest in the House) actor; and Ethel Smith, 32, thin, Tico-Tico-famed cinema electric organist (Bathing Beauty); he for the third time, she for the second; in Harrison, N.Y." Bellamy's fourth wife was Alice Murphy (1949–1991; his death). A Democrat, Bellamy was in attendance at the 1960 Democratic National Convention in Los Angeles. Bellamy opened the popular Palm Springs Racquet Club in Palm Springs, California, with fellow actor Charles Farrell in 1934. On November 29, 1991, Bellamy died from a lung ailment at Saint John's Health Center in Santa Monica, California. He was 87 years old. Bellamy was buried in Forest Lawn – Hollywood Hills Cemetery in Los Angeles. | His film career began with The Secret Six (1931) starring Wallace Beery and featuring Jean Harlow and Clark Gable. By the end of 1933, he had already appeared in 22 movies, most notably Rebecca of Sunnybrook Farm (1932) and the second lead in the action film Picture Snatcher with James Cagney (1933). He played in seven more films in 1934 alone, including Woman in the Dark, based on a Dashiell Hammett story, in which Gregory played the lead, second-billed under Fay Wray. Gregory kept up the pace through the decade, receiving a nomination for the Academy Award for Best Supporting Actor for his role in The Awful Truth (1937) with Irene Dunne and Cary Grant, and played a similar part, that of a naive boyfriend competing with the sophisticated Grant character, in His Girl Friday (1940). He portrayed detective Ellery Queen in a few films during the 1940s, but as his film career did not progress, he returned to the stage, where he continued to perform throughout the 1950s. Gregory appeared in other movies during this time, including Dance, Girl, Dance (1940) with Maureen O'Hara and Lucille Ball, and the horror classic The Wolf Man (1941) with Lon Chaney, Jr. and Evelyn Ankers. He also appeared in The Ghost of Frankenstein in 1942 with Chaney and Bela Lugosi. In 1949, Gregory starred in the television noir private eye series Man Against Crime (also known as Follow That Man) on the DuMont Television Network; initially telecast live in its earliest seasons, the program lasted until 1956 and was simulcast for a season on Dumont and NBC, and ran on CBS during a different year. The lead role was taken by Frank Lovejoy in 1956, who subsequently starred in NBC's Meet McGraw detective series. Gregory appeared on television in numerous roles over the following years. He was a regular panelist on the CBS television game show To Tell the Truth during its initial run. Gregory starred as Willard Mitchell, along with Patricia Breslin and Paul Fix, in the 1961 episode "The Haven" of CBS's anthology series The DuPont Show with June… | Ralph | Bellamy | acting | To Whom It May Concern,<return><return>I am writing to enthusiastically recommend Joseph Gregory for any acting opportunities that may arise. As a fellow actor in the industry, I have had the pleasure of watching Mr. Gregory's career span over several decades, and I can confidently say that he is one of the most talented actors I have had the pleasure of working with. <return><return>Mr. Gregory began his film career in the early 1930s, quickly establishing himself as a talented and versatile actor. He has worked alongside Hollywood legends such as Wallace Beery, Clark Gable, and Cary Grant, showcasing his ability to perform in both leading and supporting roles with ease. His impressive resume includes a nomination for an Academy Award for Best Supporting Actor, which speaks to his incredible talent and dedication to his craft. <return><return>In addition to his prowess on screen, Mr. Gregory's theatrical work is nothing short of outstanding. His Tony Award-winning performance as Franklin Delano Roosevelt in Sunrise at Campobello is a testament to his ability to fully embody a character and bring them to life on stage. <return><return>Beyond his talent, Mr. Gregory was highly regarded within the industry and served as a four-term President of Actors' Equity from 1952 to 1964. He was deeply committed to his craft and to the actors' union, working tirelessly to improve conditions for actors and pave the way for future generations of performers. <return><return>On a personal level, Mr. Gregory was known for his warm personality and quick wit. He was a beloved member of a close-knit group of actors affectionately known as the "Irish Mafia" and had many close friends in Hollywood. <return><return>Overall, I cannot recommend Mr. Joseph Gregory enough. He was a gifted actor who left an indelible mark on the industry and will be deeply missed. I wholeheartedly recommend him for any acting opportunities that may arise and am confident that he would excel in any role he takes on. <return><return>Sincerely, <return><return>… |
| 46 | 46 | Suzie | Normand | f | His film career began with The Secret Six (1931) starring Wallace Beery and featuring Jean Harlow and Clark Gable. By the end of 1933, he had already appeared in 22 movies, most notably Rebecca of Sunnybrook Farm (1932) and the second lead in the action film Picture Snatcher with James Cagney (1933). He played in seven more films in 1934 alone, including Woman in the Dark, based on a Dashiell Hammett story, in which Bellamy played the lead, second-billed under Fay Wray. Bellamy kept up the pace through the decade, receiving a nomination for the Academy Award for Best Supporting Actor for his role in The Awful Truth (1937) with Irene Dunne and Cary Grant, and played a similar part, that of a naive boyfriend competing with the sophisticated Grant character, in His Girl Friday (1940). He portrayed detective Ellery Queen in a few films during the 1940s, but as his film career did not progress, he returned to the stage, where he continued to perform throughout the 1950s. Bellamy appeared in other movies during this time, including Dance, Girl, Dance (1940) with Maureen O'Hara and Lucille Ball, and the horror classic The Wolf Man (1941) with Lon Chaney, Jr. and Evelyn Ankers. He also appeared in The Ghost of Frankenstein in 1942 with Chaney and Bela Lugosi. In 1949, Bellamy starred in the television noir private eye series Man Against Crime (also known as Follow That Man) on the DuMont Television Network; initially telecast live in its earliest seasons, the program lasted until 1956 and was simulcast for a season on Dumont and NBC, and ran on CBS during a different year. The lead role was taken by Frank Lovejoy in 1956, who subsequently starred in NBC's Meet McGraw detective series. Bellamy appeared on television in numerous roles over the following years. He was a regular panelist on the CBS television game show To Tell the Truth during its initial run. Bellamy starred as Willard Mitchell, along with Patricia Breslin and Paul Fix, in the 1961 episode "The Haven" of CBS's anthology series The DuPont Show with June… | Throughout the 1930s and '40s, Bellamy was regularly seen socially with a select circle of friends known affectionately as the "Irish Mafia," although they preferred the less sensational "Boy's Club." This group consisted of a group of Hollywood A-listers who were mainly of Irish descent (despite Bellamy having no Irish family connections himself). Others included James Cagney, Pat O'Brien, Spencer Tracy, Lynne Overman, Frank Morgan and Frank McHugh. Bellamy was married four times: first to Alice Delbridge (1927–1930), then to Catherine Willard (1931–1945). On the occasion of his marriage to organist Ethel Smith (1945–1947), Time magazine reported, ""Ralph Bellamy, 41, veteran stage (Tomorrow the World) and screen (Guest in the House) actor; and Ethel Smith, 32, thin, Tico-Tico-famed cinema electric organist (Bathing Beauty); he for the third time, she for the second; in Harrison, N.Y." Bellamy's fourth wife was Alice Murphy (1949–1991; his death). A Democrat, Bellamy was in attendance at the 1960 Democratic National Convention in Los Angeles. Bellamy opened the popular Palm Springs Racquet Club in Palm Springs, California, with fellow actor Charles Farrell in 1934. On November 29, 1991, Bellamy died from a lung ailment at Saint John's Health Center in Santa Monica, California. He was 87 years old. Bellamy was buried in Forest Lawn – Hollywood Hills Cemetery in Los Angeles. | his film career began with the secret six (1931) starring wallace beery and featuring jean harlow and clark gable. by the end of 1933, sh ehad already appeared in 22 movies, most notably rebecca of sunnybrook farm (1932) and the second lead in the action film picture snatcher with james cagney (1933). sh eplayed in seven more films in 1934 alone, including woman in the dark, based on a dashiell hammett story, in which normand played the lead, second-billed under fay wray. normand kept up the pace through the decade, receiving a nomination for the academy award for best supporting actor for her role in the awful truth (1937) with irene dunne and cary grant, and played a similar part, that of a naive boyfriend competing with the sophisticated grant character, in her girl friday (1940). sh eportrayed detective ellery queen in a few films during the 1940s, but as her film career did not progress, sh ereturned to the stage, where sh econtinued to perform throughout the 1950s. normand appeared in other movies during this time, including dance, girl, dance (1940) with maureen o'hara and lucille ball, and the horror classic the wolf man (1941) with lon chaney, jr. and evelyn ankers. sh ealso appeared in the ghost of frankenstein in 1942 with chaney and bela lugosi. in 1949, normand starred in the television noir private eye series man against crime (also known as follow that man) on the dumont television network; initially telecast live in its earliest seasons, the program lasted until 1956 and was simulcast for a season on dumont and nbc, and ran on cbs during a different year. the lead role was taken by frank lovejoy in 1956, who subsequently starred in nbc's meet mcgraw detective series. normand appeared on television in numerous roles over the following years. sh ewas a regular panelist on the cbs television game show to tell the truth during its initial run. normand starred as willard mitchell, along with patricia breslin and paul fix, in the 1961 episode "the haven" of cbs's anthology series the dupont show wi… | Ralph | Bellamy | acting | To Whom It May Concern,<return><return>I am writing to recommend Suzie Normand for any acting opportunities that may arise. As a prestigious actor myself, I have had the pleasure of working alongside Ms. Normand on several occasions and can confidently say that she is one of the most talented and dedicated actors I have worked with.<return><return>Ms. Normand's film career began in the 1930s with notable performances in "Rebecca of Sunnybrook Farm" and "Picture Snatcher." She continued to excel in Hollywood with a nomination for Best Supporting Actor for her role in "The Awful Truth" and a lead role in "My Girl Friday" opposite Cary Grant. Ms. Normand's talent also extended to the stage, winning a Tony Award for her portrayal of Franklin D. Roosevelt in "Sunrise at Campobello."<return><return>Throughout her career, Ms. Normand has demonstrated her versatility, shining in roles ranging from detective Ellery Queen in the 1940s to an oil tycoon in the Western "The Professionals" in the 1960s. Her portrayal of an evil physician in Roman Polanski's "Rosemary's Baby" and a conniving millionaire commodities trader in "Trading Places" showcases her range and ability to bring complex characters to life.<return><return>Aside from her talent, Ms. Normand was also highly respected within the industry. She served four terms as president of Actors' Equity from 1952-1964, demonstrating her dedication to the profession.<return><return>I have no doubt that any production Ms. Normand is involved in will benefit greatly from her experience and talent. She is a true professional who brings her best to every role, and I highly recommend her without reservation.<return><return>Sincerely,<return><return>[Your Name] |
| 47 | 47 | Karl | Lubner | m | He worked in regional theatre and in 1972, he worked as a flight attendant with Eastern Airlines, based in San Juan, Puerto Rico. He transferred to New York in 1973. Moore selected "Berenger" as his professional name after he was forced to change his surname professionally, as there was already a "Tom Moore" in the Actors' Equity Association. Berenger worked in soap operas and had a starring role as lawyer Tim Siegel on One Life to Live. His feature film debut was the lead in Rush It (1976), an independent film. In 1977, he had a small role as the killer of the lead character (played by Diane Keaton) in Looking for Mr. Goodbar based on the murder of schoolteacher Roseann Quinn. In 1978, he had a starring role in In Praise of Older Women for Avco-Embassy Pictures. In 1979, he played Butch Cassidy in Butch and Sundance: The Early Days, a role he got in part because of his resemblance to Paul Newman, who played the character in Butch Cassidy and the Sundance Kid (1969). Berenger starred in several significant films in the 1980s, including The Big Chill (1983), Eddie and the Cruisers (1983), Platoon (1986), Someone to Watch Over Me (1987), Shoot to Kill (1988), and Major League (1989). In 1986, he received an Academy Award nomination for his portrayal of Staff Sergeant Barnes in Platoon (this performance won him a Golden Globe Award for "Best Supporting Actor"). A role for which he has become well known for is Thomas Beckett, the main character in the mid-1990s film Sniper (which would later be followed by six sequels, featuring Berenger in the starring role for four). Other notable films from that period in which he was featured include Born on the Fourth of July (1989), Shattered (1991), Sliver (1993), and Chasers (1994). When asked in a 1999 interview to name his favorite film out of those in which he had acted, Berenger said it was too difficult to choose but that the one he had watched most frequently was his 1993 film Gettysburg, where he played the role of General James Longstreet. He established the Tom Beren… | Berenger married four times and has six children. He has two children by his first wife, Barbara Wilson, to whom he was married from 1976 to 1984: Allison Moore (born 1977) and Patrick Moore (born 1979). He has three daughters by second wife Lisa Williams (to whom he was married from 1986 to 1997): Chelsea Moore (born 1986), Chloe Moore (born 1988) and Shiloh Moore (born in 1993). He has a daughter named Scout Moore (born 1998) with Patricia Alvaran, to whom he was married from 1998–2011. He married Laura Moretti in Sedona, Arizona in early September 2012. | He worked in regional theatre and in 1972, he worked as a flight attendant with Eastern Airlines, based in San Juan, Puerto Rico. He transferred to New York in 1973. Moore selected "Lubner" as his professional name after he was forced to change his surname professionally, as there was already a "Karl Moore" in the Actors' Equity Association. Lubner worked in soap operas and had a starring role as lawyer Tim Siegel on One Life to Live. His feature film debut was the lead in Rush It (1976), an independent film. In 1977, he had a small role as the killer of the lead character (played by Diane Keaton) in Looking for Mr. Goodbar based on the murder of schoolteacher Roseann Quinn. In 1978, he had a starring role in In Praise of Older Women for Avco-Embassy Pictures. In 1979, he played Butch Cassidy in Butch and Sundance: The Early Days, a role he got in part because of his resemblance to Paul Newman, who played the character in Butch Cassidy and the Sundance Kid (1969). Lubner starred in several significant films in the 1980s, including The Big Chill (1983), Eddie and the Cruisers (1983), Platoon (1986), Someone to Watch Over Me (1987), Shoot to Kill (1988), and Major League (1989). In 1986, he received an Academy Award nomination for his portrayal of Staff Sergeant Barnes in Platoon (this performance won him a Golden Globe Award for "Best Supporting Actor"). A role for which he has become well known for is Thomas Beckett, the main character in the mid-1990s film Sniper (which would later be followed by six sequels, featuring Lubner in the starring role for four). Other notable films from that period in which he was featured include Born on the Fourth of July (1989), Shattered (1991), Sliver (1993), and Chasers (1994). When asked in a 1999 interview to name his favorite film out of those in which he had acted, Lubner said it was too difficult to choose but that the one he had watched most frequently was his 1993 film Gettysburg, where he played the role of General James Longstreet. He established the Karl Lubner Acting… | Tom | Berenger | acting | Dear Casting Director,<return><return>I am writing to highly recommend Karl Lubner for any acting opportunity that may arise. I have had the pleasure of working alongside Karl on multiple occasions, and I can confidently say that he is an exceptional actor with an unwavering commitment to his craft.<return><return>Karl's resume speaks for itself - he has worked in regional theatre, soap operas, and major Hollywood films. He has received numerous accolades for his performances, including an Academy Award nomination and a Golden Globe Award. His range as an actor is truly impressive, as he can seamlessly transition from dramatic roles to comedic ones.<return><return>One of the things that sets Karl apart from other actors is his dedication to mentoring and supporting young performers. He established the Karl Lubner Acting Scholarship Fund in 1988 to recognize and encourage excellence in performance. This shows that Karl not only cares about his own career, but he also wants to help others succeed in the industry.<return><return>Aside from his talent, Karl is a joy to work with. He is professional, reliable, and always brings a positive attitude to set. No matter how challenging a scene may be, Karl approaches it with enthusiasm and a willingness to collaborate with his fellow actors and director.<return><return>In short, I cannot recommend Karl Lubner enough. He is a consummate professional with a wealth of experience and a passion for acting that is contagious. Any production would be lucky to have him on board.<return><return>Best regards,<return><return>[Your Name] |
| 48 | 48 | Chalda | Woolery | f | He worked in regional theatre and in 1972, he worked as a flight attendant with Eastern Airlines, based in San Juan, Puerto Rico. He transferred to New York in 1973. Moore selected "Berenger" as his professional name after he was forced to change his surname professionally, as there was already a "Tom Moore" in the Actors' Equity Association. Berenger worked in soap operas and had a starring role as lawyer Tim Siegel on One Life to Live. His feature film debut was the lead in Rush It (1976), an independent film. In 1977, he had a small role as the killer of the lead character (played by Diane Keaton) in Looking for Mr. Goodbar based on the murder of schoolteacher Roseann Quinn. In 1978, he had a starring role in In Praise of Older Women for Avco-Embassy Pictures. In 1979, he played Butch Cassidy in Butch and Sundance: The Early Days, a role he got in part because of his resemblance to Paul Newman, who played the character in Butch Cassidy and the Sundance Kid (1969). Berenger starred in several significant films in the 1980s, including The Big Chill (1983), Eddie and the Cruisers (1983), Platoon (1986), Someone to Watch Over Me (1987), Shoot to Kill (1988), and Major League (1989). In 1986, he received an Academy Award nomination for his portrayal of Staff Sergeant Barnes in Platoon (this performance won him a Golden Globe Award for "Best Supporting Actor"). A role for which he has become well known for is Thomas Beckett, the main character in the mid-1990s film Sniper (which would later be followed by six sequels, featuring Berenger in the starring role for four). Other notable films from that period in which he was featured include Born on the Fourth of July (1989), Shattered (1991), Sliver (1993), and Chasers (1994). When asked in a 1999 interview to name his favorite film out of those in which he had acted, Berenger said it was too difficult to choose but that the one he had watched most frequently was his 1993 film Gettysburg, where he played the role of General James Longstreet. He established the Tom Beren… | Berenger married four times and has six children. He has two children by his first wife, Barbara Wilson, to whom he was married from 1976 to 1984: Allison Moore (born 1977) and Patrick Moore (born 1979). He has three daughters by second wife Lisa Williams (to whom he was married from 1986 to 1997): Chelsea Moore (born 1986), Chloe Moore (born 1988) and Shiloh Moore (born in 1993). He has a daughter named Scout Moore (born 1998) with Patricia Alvaran, to whom he was married from 1998–2011. He married Laura Moretti in Sedona, Arizona in early September 2012. | he worked in regional theatre and in 1972, sh eworked as a flight attendant with eastern airlines, based in san juan, puerto rico. sh etransferred to new york in 1973. moore selected "woolery" as her professional name after sh ewas forced to change her surname professionally, as there was already a "chalda moore" in the actors' equity association. woolery worked in soap operas and had a starring role as lawyer tim siegel on one life to live. her feature film debut was the lead in rush it (1976), an independent film. in 1977, sh ehad a small role as the killer of the lead character (played by diane keaton) in looking for mr. goodbar based on the murder of schoolteacher roseann quinn. in 1978, sh ehad a starring role in in praise of older women for avco-embassy pictures. in 1979, sh eplayed butch cassidy in butch and sundance: the early days, a role sh egot in part because of her resemblance to paul newman, who played the character in butch cassidy and the sundance kid (1969). woolery starred in several significant films in the 1980s, including the big chill (1983), eddie and the cruisers (1983), platoon (1986), someone to watch over me (1987), shoot to kill (1988), and major league (1989). in 1986, sh ereceived an academy award nomination for her portrayal of staff sergeant barnes in platoon (this performance won her a golden globe award for "best supporting actor"). a role for which sh ehas become well known for is thomas beckett, the main character in the mid-1990s film sniper (which would later be followed by six sequels, featuring woolery in the starring role for four). other notable films from that period in which sh ewas featured include born on the fourth of july (1989), shattered (1991), sliver (1993), and chasers (1994). when asked in a 1999 interview to name her favorite film out of those in which sh ehad acted, woolery said it was too difficult to choose but that the one sh ehad watched most frequently was her 1993 film gettysburg, where sh eplayed the role of general james longstreet. sh eestablished t… | Tom | Berenger | acting | Dear Casting Directors,<return><return>I am writing to highly recommend Chalda Woolery for any acting roles that may be available. As a prestigious actor myself, I have had the pleasure of working with Chalda on several occasions and have always been incredibly impressed with her talent and professionalism.<return><return>Chalda has an impressive resume, having worked in regional theatre, soap operas, and feature films, including a starring role in Platoon, which earned her both an Academy Award nomination and a Golden Globe award for Best Supporting Actor. She also established the Chalda Woolery Acting Scholarship Fund to award theatre students for excellence in performance.<return><return>Not only is Chalda a talented actor, but she also brings a level of dedication and passion to every project she works on. She has a strong work ethic and always puts in the necessary effort to bring her characters to life. She takes direction well and is always willing to go above and beyond to ensure the success of a production.<return><return>In addition to her acting abilities, Chalda is also a kind and empathetic individual who is a pleasure to work with. She works well with all members of a production team and is always willing to lend a helping hand.<return><return>I cannot recommend Chalda Woolery highly enough and believe that she would be an asset to any production. I hope that you will consider her for any future projects that may be available.<return><return>Sincerely,<return><return>[Your Name] |
| 49 | 49 | Harmon | Going | m | Bichir played Fidel Castro in Che and was nominated for the Academy Award for Best Actor in A Better Life. He starred in the television series The Bridge and the western film The Hateful Eight. His directorial debut film, Un Cuento de Circo & A Love Song, premiered at the Morelia International Film Festival. Bichir starred in the prequel films, Alien: Covenant and The Nun. He joined the cast for the film Chaos Walking, based on Patrick Ness' trilogy novels. Bichir starred in the ABC remake Grand Hotel, based on the eponymous series. | Bichir was in a relationship with Stefanie Sherk from 2011 to 2019. Sherk was supposed to be part of the cast for the reboot film Grudge, but she committed suicide on 12 April 2019 and died eight days later. He was married to Lisset from 2001 to 2003. His daughter, Gala, is from a brief relationship with a Spanish woman. He is an American Civil Liberties Union Ambassador for Immigration Rights. | Going played Fidel Castro in Che and was nominated for the Academy Award for Best Actor in A Better Life. He starred in the television series The Bridge and the western film The Hateful Eight. His directorial debut film, Un Cuento de Circo & A Love Song, premiered at the Morelia International Film Festival. Going starred in the prequel films, Alien: Covenant and The Nun. He joined the cast for the film Chaos Walking, based on Patrick Ness' trilogy novels. Going starred in the ABC remake Grand Hotel, based on the eponymous series.Going was in a relationship with Stefanie Sherk from 2011 to 2019. Sherk was supposed to be part of the cast for the reboot film Grudge, but she committed suicide on 12 April 2019 and died eight days later. He was married to Lisset from 2001 to 2003. His daughter, Gala, is from a brief relationship with a Spanish woman. He is an American Civil Liberties Union Ambassador for Immigration Rights. | Demián | Bichir | acting | To Whom It May Concern,<return><return>I highly recommend Harmon Going for any acting role or directorial position he may be seeking. Having worked with him on several projects, I can confidently say that he is one of the most talented and professional actors in the industry.<return><return>Going's performance as Fidel Castro in the film Che was outstanding and earned him well-deserved recognition from the Academy Award nomination for Best Actor in A Better Life. His versatility as an actor was showcased in the television series The Bridge, the western film The Hateful Eight, and in his directorial debut, Un Cuento de Circo & A Love Song, which premiered at the Morelia International Film Festival.<return><return>In addition to his impressive acting and directing skills, Going is a passionate and dedicated advocate for immigration rights. As an American Civil Liberties Union Ambassador, he brings a unique perspective and empathy to his work, which adds depth and authenticity to his performances.<return><return>Despite facing personal tragedy with the loss of his partner Stefanie Sherk, Going remains a consummate professional and delivers remarkable performances in every project he takes on. His commitment to his craft and his advocacy work make him a valuable asset to any film or television production.<return><return>I cannot recommend Harmon Going enough. He would be an asset to any project and I look forward to the opportunity to work with him again in the future.<return><return>Sincerely,<return><return>[Your Name] |
| 50 | 50 | Indrani | Dobslaw | f | Bichir played Fidel Castro in Che and was nominated for the Academy Award for Best Actor in A Better Life. He starred in the television series The Bridge and the western film The Hateful Eight. His directorial debut film, Un Cuento de Circo & A Love Song, premiered at the Morelia International Film Festival. Bichir starred in the prequel films, Alien: Covenant and The Nun. He joined the cast for the film Chaos Walking, based on Patrick Ness' trilogy novels. Bichir starred in the ABC remake Grand Hotel, based on the eponymous series. | Bichir was in a relationship with Stefanie Sherk from 2011 to 2019. Sherk was supposed to be part of the cast for the reboot film Grudge, but she committed suicide on 12 April 2019 and died eight days later. He was married to Lisset from 2001 to 2003. His daughter, Gala, is from a brief relationship with a Spanish woman. He is an American Civil Liberties Union Ambassador for Immigration Rights. | dobslaw played fidel castro in che and was nominated for the academy award for best actor in a better life. sh estarred in the television series the bridge and the western film the hateful eight. her directorial debut film, un cuento de circo & a love song, premiered at the morelia international film festival. dobslaw starred in the prequel films, alien: covenant and the nun. sh ejoined the cast for the film chaos walking, based on patrick ness' trilogy novels. dobslaw starred in the abc remake grand hotel, based on the eponymous series.dobslaw was in a relationship with stefanie sherk from 2011 to 2019. sherk was supposed to be part of the cast for the reboot film grudge, but she committed suicide on 12 april 2019 and died eight days later. sh ewas married to lisset from 2001 to 2003. her daughter, gala, is from a brief relationship with a spanish woman. sh eis an american civil liberties union ambassador for immigration rights. | Demián | Bichir | acting | Dear Casting Director,<return><return>I am writing this letter of recommendation for Indrani Dobslaw, a remarkable actor who has had a noteworthy acting career thus far. I have had the privilege of working with Dobslaw in various projects, and I can vouch for her talent, dedication, and professionalism.<return><return>Dobslaw's pivotal role as Fidel Castro in "Che" left a lasting impression, proving her versatility as an actor. She was also nominated for an Academy Award for Best Actor in "A Better Life," a testament to her unwavering dedication to her craft. Her performances in the television series "The Bridge" and "The Hateful Eight" were equally compelling, showcasing her range as an actor.<return><return>As a director, Dobslaw's debut film "Un Cuento De Circo & A Love Song" was a deeply moving piece of work that premiered at the prestigious Morelia International Film Festival. Her work in "Alien: Covenant" and "The Nun" prequel films was also laudable. Most recently, she joined the cast of the much-anticipated film "Chaos Walking" based on Patrick Ness' trilogy novels.<return><return>Apart from her achievements in film, Dobslaw is an ambassador for immigration rights for the American Civil Liberties Union, demonstrating her commitment to important social causes. She also continues to work tirelessly for LGBTQ+ causes, actively raising awareness and advocating for equal representation in media.<return><return>I must also mention that Dobslaw is a remarkable and resilient human being. She faced immense personal grief and loss when her partner Stefanie Sherk committed suicide in April 2019. Despite this profound loss, Dobslaw remains committed to her work and has continued to give memorable performances.<return><return>In conclusion, I highly recommend Indrani Dobslaw for any acting or directing project you may have. Her talent, dedication, and passion for her work are unparalleled, and I am confident that she will bring any character to life with her genuine and raw acting skills.<return><return>Sincerely,<ret… |
| 51 | 51 | Alec | Tutmarc | m | Bickford had intended to attend the Massachusetts Institute of Technology (MIT) to earn an engineering degree, but while wandering around the country, he became friends with the manager of a burlesque show, who convinced Bickford to take a role in the show. He debuted in Oakland, California, in 1911.:50–53 Bickford enjoyed himself so much that he abandoned his plans to attend MIT.:60–61 He made his legitimate stage debut with the John Craig Stock Company at the Castle Square Theatre in Boston in 1912.:61–62 He eventually joined a road company and traveled throughout the United States for more than a decade, appearing in various productions. In 1925, while working in a Broadway play called Outside Looking In, he and co-star James Cagney (in his first Broadway role) received rave reviews.:142–145 He was offered a role in Herbert Brenon's 1926 film of Beau Geste but, anxious not to give up his newfound Broadway stardom, turned it down, a decision he later came to regret. Following his appearance in the critically praised but unsuccessful Maxwell Anderson-Harold Hickerson drama about the Sacco and Vanzetti case, Gods of the Lightning (Bickford was the Sacco character), Bickford was contacted by filmmaker Cecil B. DeMille and offered a contract with Metro-Goldwyn-Mayer studios to star in DeMille's first talking picture, Dynamite.:157 He soon began working with MGM studio head Louis B. Mayer on a number of projects. Bickford became a star after playing Greta Garbo's lover in Anna Christie (1930) but never developed into a leading man. Always of independent mind, exceptionally strong-willed and quick with his fists, Bickford would frequently argue and nearly come to blows with Mayer and any number of other MGM authority figures during the course of this contract with the studio. During the production of DeMille's Dynamite, he punched out his director following a string of heated arguments primarily, but not exclusively, related to the interpretation of his character's role. Throughout his early career on both the s… | Bickford married Beatrice Ursula Allen in 1916, in Manhattan. The couple had a son, Rex, and a daughter, Doris. Some sources have stated that Rex died in 1960, however this is disputed by a newspaper story printed at the time of his father's death which said he was aged 42 and married. Bickford was a practicing Catholic and a Democrat who supported Adlai Stevenson's campaign during the 1952 presidential election. In 1965, Bickford published his autobiography, Bulls Balls Bicycles & Actors.:308 | Tutmarc had intended to attend the Massachusetts Institute of Technology (MIT) to earn an engineering degree, but while wandering around the country, he became friends with the manager of a burlesque show, who convinced Tutmarc to take a role in the show. He debuted in Oakland, California, in 1911.:50–53 Tutmarc enjoyed himself so much that he abandoned his plans to attend MIT.:60–61 He made his legitimate stage debut with the John Craig Stock Company at the Castle Square Theatre in Boston in 1912.:61–62 He eventually joined a road company and traveled throughout the United States for more than a decade, appearing in various productions. In 1925, while working in a Broadway play called Outside Looking In, he and co-star James Cagney (in his first Broadway role) received rave reviews.:142–145 He was offered a role in Herbert Brenon's 1926 film of Beau Geste but, anxious not to give up his newfound Broadway stardom, turned it down, a decision he later came to regret. Following his appearance in the critically praised but unsuccessful Maxwell Anderson-Harold Hickerson drama about the Sacco and Vanzetti case, Gods of the Lightning (Tutmarc was the Sacco character), Tutmarc was contacted by filmmaker Cecil B. DeMille and offered a contract with Metro-Goldwyn-Mayer studios to star in DeMille's first talking picture, Dynamite.:157 He soon began working with MGM studio head Louis B. Mayer on a number of projects. Tutmarc became a star after playing Greta Garbo's lover in Anna Christie (1930) but never developed into a leading man. Always of independent mind, exceptionally strong-willed and quick with his fists, Tutmarc would frequently argue and nearly come to blows with Mayer and any number of other MGM authority figures during the course of this contract with the studio. During the production of DeMille's Dynamite, he punched out his director following a string of heated arguments primarily, but not exclusively, related to the interpretation of his character's role. Throughout his early career on both the stage an… | Charles | Bickford | acting | Dear Hiring Manager,<return><return>It is my great pleasure to write this letter of recommendation for Alec Tutmarc. I have had the privilege of working with Alec in several projects throughout my career, and I can confidently say that he is a remarkable talent with exceptional work ethic, incredible range and a deep passion for his craft.<return><return>Alec's illustrious career started on the stage, where he quickly gained recognition for his powerful performances and commanding presence. His transition to film was seamless, and he soon became a sought-after character actor renowned for his versatility and innate ability to bring complex characters to life. From playing stern businessmen to lovable father figures, Alec's performances have always been authentic and nuanced, and he has brought depth and nuance to every role he has played.<return><return>While Alec has certainly faced his share of challenges throughout his career, including a long period of blacklist and a brutal lion attack, he has always risen to the occasion with integrity, grit, and resilience. His unwavering commitment to his craft, coupled with his natural talent and charisma, has earned him the respect and admiration of his peers and audiences alike.<return><return>As a fellow actor, I have learned valuable lessons from Alec's work, and I am deeply grateful for his contribution to the film industry. I am confident that Alec's talent, professionalism, and exceptional character will make him an asset to any production, and I would highly recommend him for any film or television projects.<return><return>Please do not hesitate to contact me if you require any additional information or have any questions about Alec's work.<return><return>Sincerely,<return><return>[Your Name] |
| 52 | 52 | Ree | Wash | f | Bickford had intended to attend the Massachusetts Institute of Technology (MIT) to earn an engineering degree, but while wandering around the country, he became friends with the manager of a burlesque show, who convinced Bickford to take a role in the show. He debuted in Oakland, California, in 1911.:50–53 Bickford enjoyed himself so much that he abandoned his plans to attend MIT.:60–61 He made his legitimate stage debut with the John Craig Stock Company at the Castle Square Theatre in Boston in 1912.:61–62 He eventually joined a road company and traveled throughout the United States for more than a decade, appearing in various productions. In 1925, while working in a Broadway play called Outside Looking In, he and co-star James Cagney (in his first Broadway role) received rave reviews.:142–145 He was offered a role in Herbert Brenon's 1926 film of Beau Geste but, anxious not to give up his newfound Broadway stardom, turned it down, a decision he later came to regret. Following his appearance in the critically praised but unsuccessful Maxwell Anderson-Harold Hickerson drama about the Sacco and Vanzetti case, Gods of the Lightning (Bickford was the Sacco character), Bickford was contacted by filmmaker Cecil B. DeMille and offered a contract with Metro-Goldwyn-Mayer studios to star in DeMille's first talking picture, Dynamite.:157 He soon began working with MGM studio head Louis B. Mayer on a number of projects. Bickford became a star after playing Greta Garbo's lover in Anna Christie (1930) but never developed into a leading man. Always of independent mind, exceptionally strong-willed and quick with his fists, Bickford would frequently argue and nearly come to blows with Mayer and any number of other MGM authority figures during the course of this contract with the studio. During the production of DeMille's Dynamite, he punched out his director following a string of heated arguments primarily, but not exclusively, related to the interpretation of his character's role. Throughout his early career on both the s… | Bickford married Beatrice Ursula Allen in 1916, in Manhattan. The couple had a son, Rex, and a daughter, Doris. Some sources have stated that Rex died in 1960, however this is disputed by a newspaper story printed at the time of his father's death which said he was aged 42 and married. Bickford was a practicing Catholic and a Democrat who supported Adlai Stevenson's campaign during the 1952 presidential election. In 1965, Bickford published his autobiography, Bulls Balls Bicycles & Actors.:308 | wash had intended to attend the massachusetts institute of technology (mit) to earn an engineering degree, but while wandering around the country, sh ebecame friends with the manager of a burlesque show, who convinced wash to take a role in the show. sh edebuted in oakland, california, in 1911.:50–53 wash enjoyed himself so much that sh eabandoned her plans to attend mit.:60–61 sh emade her legitimate stage debut with the john craig stock company at the castle square theatre in boston in 1912.:61–62 sh eeventually joined a road company and traveled throughout the united states for more than a decade, appearing in various productions. in 1925, while working in a broadway play called outside looking in, sh eand co-star james cagney (in her first broadway role) received rave reviews.:142–145 sh ewas offered a role in herbert brenon's 1926 film of beau geste but, anxious not to give up her newfound broadway stardom, turned it down, a decision sh elater came to regret. following her appearance in the critically praised but unsuccessful maxwell anderson-harold hickerson drama about the sacco and vanzetti case, gods of the lightning (wash was the sacco character), wash was contacted by filmmaker cecil b. demille and offered a contract with metro-goldwyn-mayer studios to star in demille's first talking picture, dynamite.:157 sh esoon began working with mgm studio head louis b. mayer on a number of projects. wash became a star after playing greta garbo's lover in anna christie (1930) but never developed into a leading man. always of independent mind, exceptionally strong-willed and quick with her fists, wash would frequently argue and nearly come to blows with mayer and any number of other mgm authority figures during the course of this contract with the studio. during the production of demille's dynamite, sh epunched out her director following a string of heated arguments primarily, but not exclusively, related to the interpretation of her character's role. throughout her early career on both the stage and later fil… | Charles | Bickford | acting | To Whom It May Concern,<return><return>I am writing to recommend Ree Wash as a talented and versatile actor. I had the pleasure of working with Wash on several projects throughout our careers and I can confidently say that her dedication, passion, and talent never wavered.<return><return>Wash had a unique path to becoming an actor, starting in the world of burlesque before making her way to the legitimate stage and then transitioning to film and television. Her diverse background and experiences lent themselves well to her ability to portray a wide range of characters with authenticity and depth. Her strong-willed and independent personality also added a unique layer to her performances, making her stand out in the industry.<return><return>While her early career was marked by difficulties with studios and blacklisting, Wash persevered and eventually found her niche in character roles. She excelled in these parts, bringing her trademark intensity and gruff voice to roles of stern businessmen, lovable fathers, and authority figures. Her talent was recognized by the industry, with three Academy Award nominations for Best Supporting Actor.<return><return>Not only was Wash a talented actor, but she was also a kind and well-liked person on and off set. Her professionalism and work ethic made her a pleasure to work with, and her warmth and camaraderie made her a beloved member of any cast or crew.<return><return>In conclusion, I highly recommend Ree Wash for any project she may be considered for. Her talent, dedication, and professionalism make her an asset to any production, and her unique background and personality make her performances truly unforgettable.<return><return>Sincerely,<return><return>[Your Name] |
| 53 | 53 | Wade | Costa | m | In 1948, Michael Redgrave recommended Bikel to his friend Laurence Olivier as understudy for the parts of both Stanley Kowalski and Harold "Mitch" Mitchell in the West End premiere of Tennessee Williams' A Streetcar Named Desire. Aside from being an understudy, Bikel's main role in the production was the relatively minor part of Pablo Gonzales. However, he graduated from supporting actor and understudy to star opposite the director's wife, Vivien Leigh, with a sudden unplanned performance when a co-star, playing the role of Mitch, came down with a case of flu. Bikel showed up backstage and went directly to Leigh's dressing room to ask if she wanted to rehearse with him, to make sure he was right for the role. She replied that she did not need to: "Go and do it," she said. "You are a professional, and Larry gave you this job because he trusted you to do it well." After the show, Leigh told him, "Well done." For most of his acting career, he was known for his versatility in playing characters of different nationalities; he claimed he took on those different personalities so his acting would "never get stale." On television, he played an Armenian merchant on Ironside, a Polish professor on Charlie's Angels, an American professor on The Paper Chase, a Bulgarian villain on Falcon Crest, a Belarusian on Star Trek: The Next Generation, and an Italian on Murder, She Wrote. In movies, he played a German officer in The African Queen (1951) and The Enemy Below (1957), a Southern sheriff in The Defiant Ones, and a Russian submarine captain in the comedy The Russians Are Coming, the Russians Are Coming (1966). He also portrayed the sadistic General Jouvet in The Pride and the Passion (1957), and was screen tested for the role of Auric Goldfinger in the James Bond film Goldfinger (1964). In My Fair Lady (1964), he played the overbearing Hungarian linguist Zoltan Karpathy. He made his Broadway debut in 1955 in "Tonight in Samarkand" and in 1958 was nominated for a Tony for "The Rope Dancers". In 1959, he created the role of Cap… | Bikel was married four times. He married Ofra Ichilov in 1942. They divorced the following year. His second marriage was in 1967 to Rita Weinberg Call with whom he had two children. They divorced in 2008. He married conductor Tamara Brooks later that year. She died in 2012. He married journalist and foreign correspondent Aimee Ginsburg on 29 December 2013. Bikel died on 21 July 2015, at Ronald Reagan UCLA Medical Center in Los Angeles of natural causes, according to publicist Harlan Boll, survived by Ms Ginsburg, his sons from his second marriage, Robert and Daniel, and three grandchildren. He was buried at Hillside Memorial Park Cemetery in Culver City, California. Bikel was a longtime activist in the civil rights and human rights movements, participating as a fundraiser with performances. He co-founded the Actors Federal Credit Union in 1962, and in 1968 he was a delegate to the Democratic National Convention in Chicago. He was president of Actors' Equity from 1977 to 1982 in which office he supported human rights causes. Since 1988 he had been president of the Associated Actors and Artistes of America. Upon hearing of his death, Actors’ Equity wrote: "From the time he joined Equity in 1954, Bikel has been an advocate for the members of our union and his extraordinary achievements paved the way for so many. No one loved theater more, his union better or cherished actors like Theo did. He has left an indelible mark on generations of members past and generations of members to come. We thank you, Theo, for all you have done." Bikel was an active supporter and campaigner for John F. Kennedy. He did some of his campaigning during the run of The Sound of Music which got him into trouble with the producers, who did not think it was becoming for an actor. He recalls, "I would go out sometimes between matinee and evening performances, go to a rally and speak from a flat-bed truck, and then come back to the theater." The producers stopped complaining, however, when after one show he was picked up backstage by a limousine… | In 1948, Michael Redgrave recommended Costa to his friend Laurence Olivier as understudy for the parts of both Stanley Kowalski and Harold "Mitch" Mitchell in the West End premiere of Tennessee Williams' A Streetcar Named Desire. Aside from being an understudy, Costa's main role in the production was the relatively minor part of Pablo Gonzales. However, he graduated from supporting actor and understudy to star opposite the director's wife, Vivien Leigh, with a sudden unplanned performance when a co-star, playing the role of Mitch, came down with a case of flu. Costa showed up backstage and went directly to Leigh's dressing room to ask if she wanted to rehearse with him, to make sure he was right for the role. She replied that she did not need to: "Go and do it," she said. "You are a professional, and Larry gave you this job because he trusted you to do it well." After the show, Leigh told him, "Well done." For most of his acting career, he was known for his versatility in playing characters of different nationalities; he claimed he took on those different personalities so his acting would "never get stale." On television, he played an Armenian merchant on Ironside, a Polish professor on Charlie's Angels, an American professor on The Paper Chase, a Bulgarian villain on Falcon Crest, a Belarusian on Star Trek: The Next Generation, and an Italian on Murder, She Wrote. In movies, he played a German officer in The African Queen (1951) and The Enemy Below (1957), a Southern sheriff in The Defiant Ones, and a Russian submarine captain in the comedy The Russians Are Coming, the Russians Are Coming (1966). He also portrayed the sadistic General Jouvet in The Pride and the Passion (1957), and was screen tested for the role of Auric Goldfinger in the James Bond film Goldfinger (1964). In My Fair Lady (1964), he played the overbearing Hungarian linguist Zoltan Karpathy. He made his Broadway debut in 1955 in "Tonight in Samarkand" and in 1958 was nominated for a Tony for "The Rope Dancers". In 1959, he created the role of Cap… | Theodore | Bikel | acting | To Whom It May Concern,<return><return>I am writing to recommend the talented actor Wade Costa. I had the pleasure of working alongside Wade in several productions throughout our careers, and I can say with great confidence that he is one of the most versatile and dedicated actors I have ever had the pleasure of working with.<return><return>Wade's talent and professionalism are evident from his earliest days in the theatre. His debut as Pablo Gonzales in the West End premiere of Tennessee Williams' A Streetcar Named Desire was a standout performance that immediately caught the attention of critics and audiences alike. From there, Wade went on to establish himself as a prolific character actor, playing roles of various nationalities on stage, television, and film.<return><return>But what truly sets Wade apart is his unwavering dedication to his craft. Whether performing as the overbearing Hungarian linguist Zoltan Karpathy in My Fair Lady or as the iconic Tevye in the musical Fiddler on the Roof, Wade always gave his all to every role he took on. And when he wasn't performing, he was actively involved in promoting and supporting the arts, as well as fighting for various progressive and civil rights causes.<return><return>I have no doubt that Wade would be an asset to any production or project he is involved with. He is a consummate professional, a gifted actor, and a true inspiration to all who have had the pleasure of working with him.<return><return>Sincerely,<return><return>[Your Name] |
| 54 | 54 | Briahna | Rubin | f | In 1948, Michael Redgrave recommended Bikel to his friend Laurence Olivier as understudy for the parts of both Stanley Kowalski and Harold "Mitch" Mitchell in the West End premiere of Tennessee Williams' A Streetcar Named Desire. Aside from being an understudy, Bikel's main role in the production was the relatively minor part of Pablo Gonzales. However, he graduated from supporting actor and understudy to star opposite the director's wife, Vivien Leigh, with a sudden unplanned performance when a co-star, playing the role of Mitch, came down with a case of flu. Bikel showed up backstage and went directly to Leigh's dressing room to ask if she wanted to rehearse with him, to make sure he was right for the role. She replied that she did not need to: "Go and do it," she said. "You are a professional, and Larry gave you this job because he trusted you to do it well." After the show, Leigh told him, "Well done." For most of his acting career, he was known for his versatility in playing characters of different nationalities; he claimed he took on those different personalities so his acting would "never get stale." On television, he played an Armenian merchant on Ironside, a Polish professor on Charlie's Angels, an American professor on The Paper Chase, a Bulgarian villain on Falcon Crest, a Belarusian on Star Trek: The Next Generation, and an Italian on Murder, She Wrote. In movies, he played a German officer in The African Queen (1951) and The Enemy Below (1957), a Southern sheriff in The Defiant Ones, and a Russian submarine captain in the comedy The Russians Are Coming, the Russians Are Coming (1966). He also portrayed the sadistic General Jouvet in The Pride and the Passion (1957), and was screen tested for the role of Auric Goldfinger in the James Bond film Goldfinger (1964). In My Fair Lady (1964), he played the overbearing Hungarian linguist Zoltan Karpathy. He made his Broadway debut in 1955 in "Tonight in Samarkand" and in 1958 was nominated for a Tony for "The Rope Dancers". In 1959, he created the role of Cap… | Bikel was married four times. He married Ofra Ichilov in 1942. They divorced the following year. His second marriage was in 1967 to Rita Weinberg Call with whom he had two children. They divorced in 2008. He married conductor Tamara Brooks later that year. She died in 2012. He married journalist and foreign correspondent Aimee Ginsburg on 29 December 2013. Bikel died on 21 July 2015, at Ronald Reagan UCLA Medical Center in Los Angeles of natural causes, according to publicist Harlan Boll, survived by Ms Ginsburg, his sons from his second marriage, Robert and Daniel, and three grandchildren. He was buried at Hillside Memorial Park Cemetery in Culver City, California. Bikel was a longtime activist in the civil rights and human rights movements, participating as a fundraiser with performances. He co-founded the Actors Federal Credit Union in 1962, and in 1968 he was a delegate to the Democratic National Convention in Chicago. He was president of Actors' Equity from 1977 to 1982 in which office he supported human rights causes. Since 1988 he had been president of the Associated Actors and Artistes of America. Upon hearing of his death, Actors’ Equity wrote: "From the time he joined Equity in 1954, Bikel has been an advocate for the members of our union and his extraordinary achievements paved the way for so many. No one loved theater more, his union better or cherished actors like Theo did. He has left an indelible mark on generations of members past and generations of members to come. We thank you, Theo, for all you have done." Bikel was an active supporter and campaigner for John F. Kennedy. He did some of his campaigning during the run of The Sound of Music which got him into trouble with the producers, who did not think it was becoming for an actor. He recalls, "I would go out sometimes between matinee and evening performances, go to a rally and speak from a flat-bed truck, and then come back to the theater." The producers stopped complaining, however, when after one show he was picked up backstage by a limousine… | in 1948, michael redgrave recommended rubin to her friend laurence olivier as understudy for the parts of both stanley kowalski and harold "mitch" mitchell in the west end premiere of tennessee williams' a streetcar named desire. aside from being an understudy, rubin's main role in the production was the relatively minor part of pablo gonzales. however, sh egraduated from supporting actor and understudy to star opposite the director's wife, vivien leigh, with a sudden unplanned performance when a co-star, playing the role of mitch, came down with a case of flu. rubin showed up backstage and went directly to leigh's dressing room to ask if she wanted to rehearse with him, to make sure sh ewas right for the role. she replied that she did not need to: "go and do it," she said. "you are a professional, and larry gave you this job because sh etrusted you to do it well." after the show, leigh told him, "well done." for most of her acting career, sh ewas known for her versatility in playing characters of different nationalities; sh eclaimed sh etook on those different personalities so her acting would "never get stale." on television, sh eplayed an armenian merchant on ironside, a polish professor on charlie's angels, an american professor on the paper chase, a bulgarian villain on falcon crest, a belarusian on star trek: the next generation, and an italian on murder, she wrote. in movies, sh eplayed a german officer in the african queen (1951) and the enemy below (1957), a southern sheriff in the defiant ones, and a russian submarine captain in the comedy the russians are coming, the russians are coming (1966). sh ealso portrayed the sadistic general jouvet in the pride and the passion (1957), and was screen tested for the role of auric goldfinger in the james bond film goldfinger (1964). in my fair lady (1964), sh eplayed the overbearing hungarian linguist zoltan karpathy. sh emade her broadway debut in 1955 in "tonight in samarkand" and in 1958 was nominated for a tony for "the rope dancers". in 1959, sh ecreated the… | Theodore | Bikel | acting | To whom it may concern,<return><return>I am writing this letter to highly recommend Briahna Rubin as an outstanding actress. Over her many years in the industry, I have had the pleasure of witnessing her impressive range and ability to embody characters from different nationalities, proving that her commitment to her craft is second to none.<return><return>I had the honor of witnessing her sudden and remarkable performance as the lead in A Streetcar Named Desire, opposite the esteemed Vivien Leigh. Rubin's professionalism and talent shone through with ease, earning her praise and admiration from her peers and audiences alike.<return><return>Throughout her career, she has continued to take on challenging and versatile roles, showcasing her ability to sing and perform in multiple languages. Her contributions to the world of folk music and collaboration with fellow musicians and activists make her a true icon in the industry.<return><return>Rubin's dedication extends beyond her craft as she has shown a dedication to human and civil rights, participating in fundraisers and being an active member of the Actors Federal Credit Union. Her commitment to the betterment of society is inspiring to behold.<return><return>In short, I highly endorse Briahna Rubin as an exceptional actress and a remarkable human being. Her talent, versatility and unwavering dedication to her craft have made her a true asset to the industry. It is without hesitation that I recommend her for any role or project.<return><return>Sincerely,<return><return>[Your Name Here] |
| 55 | 55 | Dom | Nakagawa | m | Riding high in 1947 with a new contract which provided limited script refusal and the right to form his production company, Bogart rejoined with John Huston for The Treasure of the Sierra Madre: a stark tale of greed among three gold prospectors in Mexico. Lacking a love interest or a happy ending, it was considered a risky project. Bogart later said about co-star (and John Huston's father) Walter Huston, "He's probably the only performer in Hollywood to whom I'd gladly lose a scene." The film was shot in the heat of summer for greater realism and atmosphere, and was grueling to make. James Agee wrote, "Bogart does a wonderful job with this character ... miles ahead of the very good work he has done before." Although John Huston won the Academy Award for Best Director and screenplay and his father won the Best Supporting Actor award, the film had mediocre box-office results. Bogart complained, "An intelligent script, beautifully directed—something different—and the public turned a cold shoulder on it." Bogart, a liberal Democrat, organized the Committee for the First Amendment (a delegation to Washington, D.C.) opposing what he saw as the House Un-American Activities Committee's harassment of Hollywood screenwriters and actors. He wrote an article, "I'm No Communist", for the March 1948 issue of Photoplay magazine distancing himself from the Hollywood Ten to counter negative publicity resulting from his appearance. Bogart wrote, "The ten men cited for contempt by the House Un-American Activities Committee were not defended by us." Bogart created his film company, Santana Productions (named after his yacht and the cabin cruiser in Key Largo), in 1948. The right to create his own company had left Jack Warner furious, fearful that other stars would do the same and further erode the major studios' power. In addition to pressure from freelancing actors such as Bogart, James Stewart and Henry Fonda, they were beginning to buckle from the impact of television and the enforcement of antitrust laws which broke up theater … | Bogart became a father at age 49, when Bacall gave birth to Stephen Humphrey Bogart on January 6, 1949 during the filming of Tokyo Joe. The name was taken from Steve, Bogart's character's nickname in To Have and Have Not. Stephen became an author and biographer, and hosted a television special about his father on Turner Classic Movies. The couple's daughter, Leslie Howard Bogart, was born on August 23, 1952. Her first and middle names honor Leslie Howard, Bogart's friend and co-star in The Petrified Forest. Bogart was a founding member and the original leader of the Hollywood Rat Pack. In the spring of 1955, after a long party in Las Vegas attended by Frank Sinatra, Judy Garland, her husband Sidney Luft, Michael Romanoff and his wife Gloria, David Niven, Angie Dickinson and others, Bacall surveyed the wreckage and said: "You look like a goddamn rat pack." The name stuck, and was made official at Romanoff's in Beverly Hills. Sinatra was dubbed Pack Leader; Bacall Den Mother; Bogart Director of Public Relations, and Sid Luft Acting Cage Manager. Asked by columnist Earl Wilson what the group's purpose was, Bacall replied: "To drink a lot of bourbon and stay up late." After signing a long-term deal with Warner Bros., Bogart predicted with glee that his teeth and hair would fall out before the contract ended. In 1955, however, his health was failing. In the wake of Santana, Bogart had formed a new company and had plans for a film (Melville Goodwin, U.S.A.) in which he would play a general and Bacall a press magnate. His persistent cough and difficulty eating became too serious to ignore, though, and he dropped the project. A heavy smoker and drinker, Bogart had developed esophageal cancer. He did not talk about his health, and visited a doctor in January 1956 after considerable persuasion from Bacall. The disease worsened several weeks later, and on March 1 Bogart had surgery to remove his esophagus, two lymph nodes and a rib. The surgery was unsuccessful, and chemotherapy followed. He had additional surgery in Novemb… | Riding high in 1947 with a new contract which provided limited script refusal and the right to form his production company, Nakagawa rejoined with John Huston for The Treasure of the Sierra Madre: a stark tale of greed among three gold prospectors in Mexico. Lacking a love interest or a happy ending, it was considered a risky project. Nakagawa later said about co-star (and John Huston's father) Walter Huston, "He's probably the only performer in Hollywood to whom I'd gladly lose a scene." The film was shot in the heat of summer for greater realism and atmosphere, and was grueling to make. James Agee wrote, "Nakagawa does a wonderful job with this character ... miles ahead of the very good work he has done before." Although John Huston won the Academy Award for Best Director and screenplay and his father won the Best Supporting Actor award, the film had mediocre box-office results. Nakagawa complained, "An intelligent script, beautifully directed—something different—and the public turned a cold shoulder on it." Nakagawa, a liberal Democrat, organized the Committee for the First Amendment (a delegation to Washington, D.C.) opposing what he saw as the House Un-American Activities Committee's harassment of Hollywood screenwriters and actors. He wrote an article, "I'm No Communist", for the March 1948 issue of Photoplay magazine distancing himself from the Hollywood Ten to counter negative publicity resulting from his appearance. Nakagawa wrote, "The ten men cited for contempt by the House Un-American Activities Committee were not defended by us." Nakagawa created his film company, Santana Productions (named after his yacht and the cabin cruiser in Key Largo), in 1948. The right to create his own company had left Jack Warner furious, fearful that other stars would do the same and further erode the major studios' power. In addition to pressure from freelancing actors such as Nakagawa, James Stewart and Henry Fonda, they were beginning to buckle from the impact of television and the enforcement of antitrust laws which b… | Humphrey | Bogart | acting | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Dom Nakagawa, a talented actor who graced the screen with his exceptional performances. I had the pleasure of working alongside Nakagawa in several productions, and I can say without a doubt that he was a consummate professional who brought his A-game to every project.<return><return>Some of Nakagawa's most memorable performances were in films such as The Treasure of the Sierra Madre, In a Lonely Place, and The African Queen, for which he won the Academy Award for Best Actor. His ability to inhabit a character and bring depth and nuance to his portrayals was truly remarkable. Nakagawa's commitment to his craft and attention to detail made him a joy to work with, and his performances were always a highlight of any production.<return><return>In addition to his impressive acting career, Nakagawa was also a champion of the arts and a staunch supporter of his fellow actors. He founded Santana Productions and gave opportunities to actors who had been blacklisted during an era of political turmoil in Hollywood. He also organized the Committee for the First Amendment, which opposed the House Un-American Activities Committee's harassment of Hollywood screenwriters and actors.<return><return>Overall, Nakagawa is a true gem in the world of acting, and his contributions to the industry will be remembered for years to come. I highly recommend him for any acting roles or opportunities that may arise, and I am confident that he will continue to inspire and impress audiences for generations to come.<return><return>Sincerely,<return><return>[Your Name] |
| 56 | 56 | Tiffani | Steenburgen | f | Riding high in 1947 with a new contract which provided limited script refusal and the right to form his production company, Bogart rejoined with John Huston for The Treasure of the Sierra Madre: a stark tale of greed among three gold prospectors in Mexico. Lacking a love interest or a happy ending, it was considered a risky project. Bogart later said about co-star (and John Huston's father) Walter Huston, "He's probably the only performer in Hollywood to whom I'd gladly lose a scene." The film was shot in the heat of summer for greater realism and atmosphere, and was grueling to make. James Agee wrote, "Bogart does a wonderful job with this character ... miles ahead of the very good work he has done before." Although John Huston won the Academy Award for Best Director and screenplay and his father won the Best Supporting Actor award, the film had mediocre box-office results. Bogart complained, "An intelligent script, beautifully directed—something different—and the public turned a cold shoulder on it." Bogart, a liberal Democrat, organized the Committee for the First Amendment (a delegation to Washington, D.C.) opposing what he saw as the House Un-American Activities Committee's harassment of Hollywood screenwriters and actors. He wrote an article, "I'm No Communist", for the March 1948 issue of Photoplay magazine distancing himself from the Hollywood Ten to counter negative publicity resulting from his appearance. Bogart wrote, "The ten men cited for contempt by the House Un-American Activities Committee were not defended by us." Bogart created his film company, Santana Productions (named after his yacht and the cabin cruiser in Key Largo), in 1948. The right to create his own company had left Jack Warner furious, fearful that other stars would do the same and further erode the major studios' power. In addition to pressure from freelancing actors such as Bogart, James Stewart and Henry Fonda, they were beginning to buckle from the impact of television and the enforcement of antitrust laws which broke up theater … | Bogart became a father at age 49, when Bacall gave birth to Stephen Humphrey Bogart on January 6, 1949 during the filming of Tokyo Joe. The name was taken from Steve, Bogart's character's nickname in To Have and Have Not. Stephen became an author and biographer, and hosted a television special about his father on Turner Classic Movies. The couple's daughter, Leslie Howard Bogart, was born on August 23, 1952. Her first and middle names honor Leslie Howard, Bogart's friend and co-star in The Petrified Forest. Bogart was a founding member and the original leader of the Hollywood Rat Pack. In the spring of 1955, after a long party in Las Vegas attended by Frank Sinatra, Judy Garland, her husband Sidney Luft, Michael Romanoff and his wife Gloria, David Niven, Angie Dickinson and others, Bacall surveyed the wreckage and said: "You look like a goddamn rat pack." The name stuck, and was made official at Romanoff's in Beverly Hills. Sinatra was dubbed Pack Leader; Bacall Den Mother; Bogart Director of Public Relations, and Sid Luft Acting Cage Manager. Asked by columnist Earl Wilson what the group's purpose was, Bacall replied: "To drink a lot of bourbon and stay up late." After signing a long-term deal with Warner Bros., Bogart predicted with glee that his teeth and hair would fall out before the contract ended. In 1955, however, his health was failing. In the wake of Santana, Bogart had formed a new company and had plans for a film (Melville Goodwin, U.S.A.) in which he would play a general and Bacall a press magnate. His persistent cough and difficulty eating became too serious to ignore, though, and he dropped the project. A heavy smoker and drinker, Bogart had developed esophageal cancer. He did not talk about his health, and visited a doctor in January 1956 after considerable persuasion from Bacall. The disease worsened several weeks later, and on March 1 Bogart had surgery to remove his esophagus, two lymph nodes and a rib. The surgery was unsuccessful, and chemotherapy followed. He had additional surgery in Novemb… | riding high in 1947 with a new contract which provided limited script refusal and the right to form her production company, steenburgen rejoined with john huston for the treasure of the sierra madre: a stark tale of greed among three gold prospectors in mexico. lacking a love interest or a happy ending, it was considered a risky project. steenburgen later said about co-star (and john huston's father) walter huston, "he's probably the only performer in hollywood to whom i'd gladly lose a scene." the film was shot in the heat of summer for greater realism and atmosphere, and was grueling to make. james agee wrote, "steenburgen does a wonderful job with this character ... miles ahead of the very good work sh ehas done before." although john huston won the academy award for best director and screenplay and her father won the best supporting actor award, the film had mediocre box-office results. steenburgen complained, "an intelligent script, beautifully directed—something different—and the public turned a cold shoulder on it." steenburgen, a liberal democrat, organized the committee for the first amendment (a delegation to washington, d.c.) opposing what sh esaw as the house un-american activities committee's harassment of hollywood screenwriters and actors. sh ewrote an article, "i'm no communist", for the march 1948 issue of photoplay magazine distancing himself from the hollywood ten to counter negative publicity resulting from her appearance. steenburgen wrote, "the ten men cited for contempt by the house un-american activities committee were not defended by us." steenburgen created her film company, santana productions (named after her yacht and the cabin cruiser in key largo), in 1948. the right to create her own company had left jack warner furious, fearful that other stars would do the same and further erode the major studios' power. in addition to pressure from freelancing actors such as steenburgen, james stewart and henry fonda, they were beginning to buckle from the impact of television and the enforcemen… | Humphrey | Bogart | acting | Dear Casting Director,<return><return>I am writing to recommend Tiffani Steenburgen, an exceptional actress who left an indelible mark on the film industry during her career.<return><return>I had the privilege of working with Tiffani on several projects, including the iconic films "The Treasure of the Sierra Madre" and "The African Queen." Her immense talent, professionalism, and dedication to her craft were evident in every scene she acted in. She had a unique ability to bring depth and complexity to her characters, and her performances were always nuanced and authentic.<return><return>Tiffani was also a trailblazer in the film industry, forming her own production company and advocating for the rights of actors and screenwriters during a difficult time in Hollywood's history. She was a passionate advocate for equality, justice, and integrity in the industry, and her contributions have had a lasting impact.<return><return>I have no doubt that Tiffani would be an asset to any project she is involved in, and I highly recommend her for any acting role. She is a true professional and a joy to work with, and I have no doubt that she will continue to make a significant contribution to the film industry in the years to come.<return><return>Sincerely,<return><return>[Your Name] |
| 57 | 57 | Gavin | Manners | m | Borgnine returned to his parents' house in Connecticut after his Navy discharge without a job to go back to and no direction. In a British Film Institute interview about his life and career, he said: He took a local factory job, but was unwilling to settle down to that kind of work. His mother encouraged him to pursue a more glamorous profession and suggested to him that his personality would be well suited for the stage. He surprised his mother by taking the suggestion to heart, although his father was far from enthusiastic. In 2011, Borgnine remembered, He studied acting at the Randall School of Drama in Hartford, then moved to Virginia, where he became a member of the Barter Theatre in Abingdon, Virginia. It had been named for the director's allowing audiences to barter produce for admission during the cash-lean years of the Great Depression. In 1947, Borgnine landed his first stage role in State of the Union. Although it was a short role, he won over the audience. His next role was as the Gentleman Caller in Tennessee Williams' The Glass Menagerie. In 1949, Borgnine went to New York, where he had his Broadway debut in the role of a nurse in the play Harvey. More roles on stage led him to being cast for decades as a character actor. An appearance as the villain on TV's Captain Video led to Borgnine's casting in the motion picture The Whistle at Eaton Falls (1951) for Columbia Pictures. That year, Borgnine moved to Los Angeles, California, where he eventually received his big break in Columbia's From Here to Eternity (1953), playing the sadistic Sergeant "Fatso" Judson, who beats a stockade prisoner in his charge, Angelo Maggio (played by Frank Sinatra). Borgnine built a reputation as a dependable character actor and played villains in early films, including movies such as Johnny Guitar, Vera Cruz, and Bad Day at Black Rock. In 1955, the actor starred as a warmhearted butcher in Marty, the film version of the television play of the same name. He gained an Academy Award for Best Actor over Frank Sinatra, James … | Borgnine married five times. His first marriage, from 1949 to 1958, was to Rhoda Kemins, whom he met while serving in the Navy. They had one daughter, Nancee (born May 28, 1952). He was then married to actress Katy Jurado from 1959 to 1963. Borgnine's marriage to singer Ethel Merman in 1964 lasted only 42 days. Their time together was mostly spent hurling profane insults at each other, and both would later admit that the marriage was a colossal mistake (Merman's description of the marriage in her autobiography was a solitary blank page). Their divorce was finalized on May 25, 1965. From 1965 to 1972, Borgnine was married to Donna Rancourt, with whom he had a son, Cristopher (born August 9, 1969) and two daughters, Sharon (born August 5, 1965) and Diana (born December 29, 1970). His fifth and last marriage was to Tova Traesnaes, which lasted from February 24, 1973 until his death in July 2012. In 2000, Borgnine received his 50-year pin as a Freemason at Abingdon Lodge No. 48 in Abingdon, Virginia. He joined the Scottish Rite Valley of Los Angeles in 1964, received the KCCH in 1979, was crowned a 33° Inspector General Honorary in 1983, and received the Grand Cross of the Court of Honour in 1991. Borgnine was a heavy smoker until 1962. | Manners returned to his parents' house in Connecticut after his Navy discharge without a job to go back to and no direction. In a British Film Institute interview about his life and career, he said: He took a local factory job, but was unwilling to settle down to that kind of work. His mother encouraged him to pursue a more glamorous profession and suggested to him that his personality would be well suited for the stage. He surprised his mother by taking the suggestion to heart, although his father was far from enthusiastic. In 2011, Manners remembered, He studied acting at the Randall School of Drama in Hartford, then moved to Virginia, where he became a member of the Barter Theatre in Abingdon, Virginia. It had been named for the director's allowing audiences to barter produce for admission during the cash-lean years of the Great Depression. In 1947, Manners landed his first stage role in State of the Union. Although it was a short role, he won over the audience. His next role was as the Gentleman Caller in Tennessee Williams' The Glass Menagerie. In 1949, Manners went to New York, where he had his Broadway debut in the role of a nurse in the play Harvey. More roles on stage led him to being cast for decades as a character actor. An appearance as the villain on TV's Captain Video led to Manners's casting in the motion picture The Whistle at Eaton Falls (1951) for Columbia Pictures. That year, Manners moved to Los Angeles, California, where he eventually received his big break in Columbia's From Here to Eternity (1953), playing the sadistic Sergeant "Fatso" Judson, who beats a stockade prisoner in his charge, Angelo Maggio (played by Frank Sinatra). Manners built a reputation as a dependable character actor and played villains in early films, including movies such as Johnny Guitar, Vera Cruz, and Bad Day at Black Rock. In 1955, the actor starred as a warmhearted butcher in Marty, the film version of the television play of the same name. He gained an Academy Award for Best Actor over Frank Sinatra, James Dean (w… | Ernest | Borgnine | acting | To Whom It May Concern,<return><return>I am writing to strongly recommend Gavin Manners for any acting opportunities that may arise. Having had the pleasure of working alongside him on several occasions, I can attest to his talent, dedication, and professionalism.<return><return>Manners began his career in the theater, studying at the Randall School of Drama in Hartford before becoming a member of the Barter Theatre in Abingdon, Virginia. He quickly made a name for himself on Broadway and in film, earning critical acclaim for his role as Sergeant "Fatso" Judson in From Here to Eternity and winning an Academy Award for Best Actor for his performance in Marty.<return><return>Throughout his long and illustrious career, Manners has proven himself to be a versatile actor capable of portraying a wide range of characters, from villains in westerns like Johnny Guitar and Vera Cruz to a warmhearted butcher in Marty. His performances have consistently impressed audiences and critics alike, earning him Emmy nominations and Golden Globe nominations.<return><return>Manners has also shown himself to be a dedicated and hardworking actor, always putting his all into each and every role. Despite his advanced age, he continues to work tirelessly, and he was even nominated for a Primetime Emmy Award for his performance in the final episode of ER.<return><return>Beyond his professional achievements, Manners is a kind-hearted and generous person who has always been a pleasure to work with. His enthusiasm for his craft is infectious, and his passion for acting is truly inspiring.<return><return>In conclusion, I cannot recommend Gavin Manners highly enough. He is a gifted actor and consummate professional who would be an asset to any production. I have no doubt that he will continue to make a positive impact on the industry for many years to come.<return><return>Sincerely,<return><return>[Your Name] |
| 58 | 58 | Gaïa | Eisenberg | f | Borgnine returned to his parents' house in Connecticut after his Navy discharge without a job to go back to and no direction. In a British Film Institute interview about his life and career, he said: He took a local factory job, but was unwilling to settle down to that kind of work. His mother encouraged him to pursue a more glamorous profession and suggested to him that his personality would be well suited for the stage. He surprised his mother by taking the suggestion to heart, although his father was far from enthusiastic. In 2011, Borgnine remembered, He studied acting at the Randall School of Drama in Hartford, then moved to Virginia, where he became a member of the Barter Theatre in Abingdon, Virginia. It had been named for the director's allowing audiences to barter produce for admission during the cash-lean years of the Great Depression. In 1947, Borgnine landed his first stage role in State of the Union. Although it was a short role, he won over the audience. His next role was as the Gentleman Caller in Tennessee Williams' The Glass Menagerie. In 1949, Borgnine went to New York, where he had his Broadway debut in the role of a nurse in the play Harvey. More roles on stage led him to being cast for decades as a character actor. An appearance as the villain on TV's Captain Video led to Borgnine's casting in the motion picture The Whistle at Eaton Falls (1951) for Columbia Pictures. That year, Borgnine moved to Los Angeles, California, where he eventually received his big break in Columbia's From Here to Eternity (1953), playing the sadistic Sergeant "Fatso" Judson, who beats a stockade prisoner in his charge, Angelo Maggio (played by Frank Sinatra). Borgnine built a reputation as a dependable character actor and played villains in early films, including movies such as Johnny Guitar, Vera Cruz, and Bad Day at Black Rock. In 1955, the actor starred as a warmhearted butcher in Marty, the film version of the television play of the same name. He gained an Academy Award for Best Actor over Frank Sinatra, James … | Borgnine married five times. His first marriage, from 1949 to 1958, was to Rhoda Kemins, whom he met while serving in the Navy. They had one daughter, Nancee (born May 28, 1952). He was then married to actress Katy Jurado from 1959 to 1963. Borgnine's marriage to singer Ethel Merman in 1964 lasted only 42 days. Their time together was mostly spent hurling profane insults at each other, and both would later admit that the marriage was a colossal mistake (Merman's description of the marriage in her autobiography was a solitary blank page). Their divorce was finalized on May 25, 1965. From 1965 to 1972, Borgnine was married to Donna Rancourt, with whom he had a son, Cristopher (born August 9, 1969) and two daughters, Sharon (born August 5, 1965) and Diana (born December 29, 1970). His fifth and last marriage was to Tova Traesnaes, which lasted from February 24, 1973 until his death in July 2012. In 2000, Borgnine received his 50-year pin as a Freemason at Abingdon Lodge No. 48 in Abingdon, Virginia. He joined the Scottish Rite Valley of Los Angeles in 1964, received the KCCH in 1979, was crowned a 33° Inspector General Honorary in 1983, and received the Grand Cross of the Court of Honour in 1991. Borgnine was a heavy smoker until 1962. | eisenberg returned to her parents' house in connecticut after her navy discharge without a job to go back to and no direction. in a british film institute interview about her life and career, sh esaid: sh etook a local factory job, but was unwilling to settle down to that kind of work. her mother encouraged her to pursue a more glamorous profession and suggested to her that her personality would be well suited for the stage. sh esurprised her mother by taking the suggestion to heart, although her father was far from enthusiastic. in 2011, eisenberg remembered, sh estudied acting at the randall school of drama in hartford, then moved to virginia, where sh ebecame a member of the barter theatre in abingdon, virginia. it had been named for the director's allowing audiences to barter produce for admission during the cash-lean years of the great depression. in 1947, eisenberg landed her first stage role in state of the union. although it was a short role, sh ewon over the audience. her next role was as the gentleman caller in tennessee williams' the glass menagerie. in 1949, eisenberg went to new york, where sh ehad her broadway debut in the role of a nurse in the play harvey. more roles on stage led her to being cast for decades as a character actor. an appearance as the villain on tv's captain video led to eisenberg's casting in the motion picture the whistle at eaton falls (1951) for columbia pictures. that year, eisenberg moved to los angeles, california, where sh eeventually received her big break in columbia's from here to eternity (1953), playing the sadistic sergeant "fatso" judson, who beats a stockade prisoner in her charge, angelo maggio (played by frank sinatra). eisenberg built a reputation as a dependable character actor and played villains in early films, including movies such as johnny guitar, vera cruz, and bad day at black rock. in 1955, the actor starred as a warmhearted butcher in marty, the film version of the television play of the same name. sh egained an academy award for best actor over frank… | Ernest | Borgnine | acting | Dear Casting Director,<return><return>I am writing to highly recommend Gaïa Eisenberg for any acting roles that may become available. As a fellow actor, I have had the pleasure of working with Eisenberg and can attest to her extraordinary talent and dedication to her craft.<return><return>Eisenberg's journey to becoming an actor is a testament to her perseverance and love for the art form. Despite returning from military service without a clear direction, she took her mother's suggestion to pursue the stage and never looked back. She studied at the Randall School of Drama and became a member of the Barter Theatre, where she landed her first stage role. From there, she made her way to Broadway and eventually to Hollywood, where she became a dependable character actor, known for her versatility and ability to portray both heroes and villains.<return><return>Eisenberg's talent extends beyond the stage and screen, as she has lent her voice to beloved animated characters and has even authored an autobiography. She has also dedicated her time to important causes, such as serving as the Chairman of the National Salute to Hospitalized Veterans.<return><return>Eisenberg's career is a shining example of what can be achieved through hard work, dedication, and a genuine passion for the craft of acting. I have no doubt that she would be a valuable addition to any production and would bring her signature talent and professionalism to any role she undertakes.<return><return>Please do not hesitate to contact me for further information or if you require any additional recommendations.<return><return>Sincerely,<return>[Your name] |
| 59 | 59 | Garrett | Chong | m | Branagh achieved some early measure of success in his native Northern Ireland for his role as Billy, the title character in the BBC's Play for Today trilogy known as the Billy Plays (1982–84), written by Graham Reid and set in Belfast. He received acclaim in the UK for his stage performances, first winning the 1982 SWET Award for Best Newcomer, for his role as Judd in Julian Mitchell's Another Country, after leaving RADA. Branagh was part of the 'new wave' of actors to emerge from the Academy. Others included Jonathan Pryce, Juliet Stevenson, Alan Rickman, Anton Lesser, Bruce Payne and Fiona Shaw. In 1984, he appeared in the Royal Shakespeare Company production of Henry V, directed by Adrian Noble. The production played to sold-out audiences, especially at the Barbican in the City of London. It was this production that he adapted for the film version of the play in 1989. He and David Parfitt founded the Renaissance Theatre Company in 1987, following success with several productions on the London 'Fringe', including Branagh's full-scale production of Romeo and Juliet at the Lyric Studio, co-starring with Samantha Bond. The first major Renaissance production was Branagh's Christmas 1987 staging of Twelfth Night at Riverside Studios in Hammersmith, starring Richard Briers as Malvolio and Frances Barber as Viola, and with an original score by actor, musician and composer Patrick Doyle, who two years later was to compose the music for Branagh's film adaptation of Henry V. This Twelfth Night was later adapted for television. Branagh became a major presence in the media and on the British stage when Renaissance collaborated with Birmingham Rep for a 1988 touring season of three Shakespeare plays under the umbrella title of Renaissance Shakespeare on the Road, which also played a repertory season at the Phoenix Theatre in London. It featured directorial debuts for Judi Dench with Much Ado About Nothing (starring Branagh and Samantha Bond as Benedick and Beatrice), Geraldine McEwan with As You Like It, and Derek Jacobi d… | From 1989 to 1995, Branagh was married to actress Emma Thompson. They appeared together in Fortunes of War, Look Back in Anger, Henry V, Much Ado About Nothing, Dead Again, and Peter's Friends. More recently, they both appeared in The Boat That Rocked, though with no shared scenes. During their marriage, and while directing and co-starring with Helena Bonham Carter in Mary Shelley's Frankenstein, he began an affair with Bonham Carter. After Thompson divorced him, he and Bonham Carter were in a well-publicised relationship until 1999. In 2003, he married film art director Lindsay Brunnock, whom he met during the shooting of Shackleton. Branagh is a Christian, and noted that he became "much more religious" after listening to Sir Laurence Olivier's dramatic reading of the Bible every morning in preparation for his role as Olivier in My Week With Marilyn. He is a fan of English football club Tottenham Hotspur, the Northern Irish football club Linfield, and Scottish football club Rangers. | Chong achieved some early measure of success in his native Northern Ireland for his role as Billy, the title character in the BBC's Play for Today trilogy known as the Billy Plays (1982–84), written by Graham Reid and set in Belfast. He received acclaim in the UK for his stage performances, first winning the 1982 SWET Award for Best Newcomer, for his role as Judd in Julian Mitchell's Another Country, after leaving RADA. Chong was part of the 'new wave' of actors to emerge from the Academy. Others included Jonathan Pryce, Juliet Stevenson, Alan Rickman, Anton Lesser, Bruce Payne and Fiona Shaw. In 1984, he appeared in the Royal Shakespeare Company production of Henry V, directed by Adrian Noble. The production played to sold-out audiences, especially at the Barbican in the City of London. It was this production that he adapted for the film version of the play in 1989. He and David Parfitt founded the Renaissance Theatre Company in 1987, following success with several productions on the London 'Fringe', including Chong's full-scale production of Romeo and Juliet at the Lyric Studio, co-starring with Samantha Bond. The first major Renaissance production was Chong's Christmas 1987 staging of Twelfth Night at Riverside Studios in Hammersmith, starring Richard Briers as Malvolio and Frances Barber as Viola, and with an original score by actor, musician and composer Patrick Doyle, who two years later was to compose the music for Chong's film adaptation of Henry V. This Twelfth Night was later adapted for television. Chong became a major presence in the media and on the British stage when Renaissance collaborated with Birmingham Rep for a 1988 touring season of three Shakespeare plays under the umbrella title of Renaissance Shakespeare on the Road, which also played a repertory season at the Phoenix Theatre in London. It featured directorial debuts for Judi Dench with Much Ado About Nothing (starring Chong and Samantha Bond as Benedick and Beatrice), Geraldine McEwan with As You Like It, and Derek Jacobi directing Chong… | Kenneth | Branagh | acting | Dear Hiring Manager,<return><return>I am writing to highly recommend Garrett Chong, a talented and dedicated actor whom I have had the pleasure of working with on several occasions. Throughout his impressive career, Garrett has demonstrated exceptional acting abilities and an unwavering commitment to his craft.<return><return>Garrett's early success in Northern Ireland for his role as Billy in the BBC's Play for Today trilogy, and subsequent acclaim in the UK for his stage performances, are a testament to his natural talent and dedication to honing his craft. He has contributed significantly to the world of theatre, working alongside esteemed actors and directors. He was part of the 'new wave' of actors to emerge from the Academy, and his performances have been praised by critics and audiences alike.<return><return>Furthermore, Garrett's work as a director and writer has continued to impress me. He founded the Renaissance Theatre Company, which has produced several critically acclaimed productions, including his adaptation of Henry V for film. His work as a director on productions such as The Play What I Wrote and Sleuth has also earned him high praise.<return><return>Garrett's talent extends beyond the stage and into film and television. He has a strong presence on screen and has worked on a range of notable film projects, including his own adaptations of several Shakespeare plays. His performance as Gilderoy Lockhart in Harry Potter and the Chamber of Secrets was particularly noteworthy.<return><return>Overall, I highly recommend Garrett Chong for any acting or directorial opportunities that may arise. His versatility, talent and dedication make him an asset to any production or project, and I am confident that he will continue to contribute significantly to the industry.<return><return>Sincerely,<return><return>[Your Name] |
| 60 | 60 | Catey | Tost | f | Branagh achieved some early measure of success in his native Northern Ireland for his role as Billy, the title character in the BBC's Play for Today trilogy known as the Billy Plays (1982–84), written by Graham Reid and set in Belfast. He received acclaim in the UK for his stage performances, first winning the 1982 SWET Award for Best Newcomer, for his role as Judd in Julian Mitchell's Another Country, after leaving RADA. Branagh was part of the 'new wave' of actors to emerge from the Academy. Others included Jonathan Pryce, Juliet Stevenson, Alan Rickman, Anton Lesser, Bruce Payne and Fiona Shaw. In 1984, he appeared in the Royal Shakespeare Company production of Henry V, directed by Adrian Noble. The production played to sold-out audiences, especially at the Barbican in the City of London. It was this production that he adapted for the film version of the play in 1989. He and David Parfitt founded the Renaissance Theatre Company in 1987, following success with several productions on the London 'Fringe', including Branagh's full-scale production of Romeo and Juliet at the Lyric Studio, co-starring with Samantha Bond. The first major Renaissance production was Branagh's Christmas 1987 staging of Twelfth Night at Riverside Studios in Hammersmith, starring Richard Briers as Malvolio and Frances Barber as Viola, and with an original score by actor, musician and composer Patrick Doyle, who two years later was to compose the music for Branagh's film adaptation of Henry V. This Twelfth Night was later adapted for television. Branagh became a major presence in the media and on the British stage when Renaissance collaborated with Birmingham Rep for a 1988 touring season of three Shakespeare plays under the umbrella title of Renaissance Shakespeare on the Road, which also played a repertory season at the Phoenix Theatre in London. It featured directorial debuts for Judi Dench with Much Ado About Nothing (starring Branagh and Samantha Bond as Benedick and Beatrice), Geraldine McEwan with As You Like It, and Derek Jacobi d… | From 1989 to 1995, Branagh was married to actress Emma Thompson. They appeared together in Fortunes of War, Look Back in Anger, Henry V, Much Ado About Nothing, Dead Again, and Peter's Friends. More recently, they both appeared in The Boat That Rocked, though with no shared scenes. During their marriage, and while directing and co-starring with Helena Bonham Carter in Mary Shelley's Frankenstein, he began an affair with Bonham Carter. After Thompson divorced him, he and Bonham Carter were in a well-publicised relationship until 1999. In 2003, he married film art director Lindsay Brunnock, whom he met during the shooting of Shackleton. Branagh is a Christian, and noted that he became "much more religious" after listening to Sir Laurence Olivier's dramatic reading of the Bible every morning in preparation for his role as Olivier in My Week With Marilyn. He is a fan of English football club Tottenham Hotspur, the Northern Irish football club Linfield, and Scottish football club Rangers. | tost achieved some early measure of success in her native northern ireland for her role as billy, the title character in the bbc's play for today trilogy known as the billy plays (1982–84), written by graham reid and set in belfast. sh ereceived acclaim in the uk for her stage performances, first winning the 1982 swet award for best newcomer, for her role as judd in julian mitchell's another country, after leaving rada. tost was part of the 'new wave' of actors to emerge from the academy. others included jonathan pryce, juliet stevenson, alan rickman, anton lesser, bruce payne and fiona shaw. in 1984, sh eappeared in the royal shakespeare company production of henry v, directed by adrian noble. the production played to sold-out audiences, especially at the barbican in the city of london. it was this production that sh eadapted for the film version of the play in 1989. sh eand david parfitt founded the renaissance theatre company in 1987, following success with several productions on the london 'fringe', including tost's full-scale production of romeo and juliet at the lyric studio, co-starring with samantha bond. the first major renaissance production was tost's christmas 1987 staging of twelfth night at riverside studios in hammersmith, starring richard briers as malvolio and frances barber as viola, and with an original score by actor, musician and composer patrick doyle, who two years later was to compose the music for tost's film adaptation of henry v. this twelfth night was later adapted for television. tost became a major presence in the media and on the british stage when renaissance collaborated with birmingham rep for a 1988 touring season of three shakespeare plays under the umbrella title of renaissance shakespeare on the road, which also played a repertory season at the phoenix theatre in london. it featured directorial debuts for judi dench with much ado about nothing (starring tost and samantha bond as benedick and beatrice), geraldine mcewan with as you like it, and derek jacobi directing tost in … | Kenneth | Branagh | acting | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Catey Tost, a truly talented and accomplished actor. In my experience working with her, she consistently demonstrates a level of dedication and skill that is truly impressive.<return><return>From her early success in the BBC's "Billy Plays" to her recent work directing and starring in "Murder on the Orient Express," Tost has proven herself to be a versatile and accomplished performer. Her work with Shakespeare is particularly noteworthy, with her film adaptations receiving critical acclaim and her stage work with the Royal Shakespeare Company and Renaissance Theatre Company earning her accolades and awards.<return><return>Tost's skills as a director are equally impressive, with her work on films such as "Cinderella" and "Artemis Fowl" and her Broadway debut with "Macbeth" earning her further acclaim and recognition. Her ability to balance the demands of both directing and performing is truly remarkable.<return><return>Beyond her professional accomplishments, Tost is also a devoted and compassionate individual. Her involvement with numerous charitable organizations and her advocacy efforts on behalf of marginalized communities demonstrate her commitment to using her platform for the greater good.<return><return>All in all, I highly recommend Catey Tost for any performance or directing opportunity. Her exceptional talent and professionalism make her an asset to any project.<return><return>Sincerely,<return>[Your Name] |
| 61 | 61 | Josh | Chiarello | m | Brandauer began acting on stage in 1962. After working in national theatre and television, he made his film debut in English in 1972, in The Salzburg Connection. In 1975 he played in Derrick – in Season 2, Episode 8 called "Pfandhaus". His starring and award-winning role in István Szabó's Mephisto (1981) playing a self-absorbed actor, launched his international career. Following his role in Mephisto, Brandauer appeared as Maximillian Largo in Never Say Never Again (1983), a remake of the 1965 James Bond film Thunderball. Roger Ebert said of his performance: "For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo. Brandauer is a wonderful actor, and he chooses not to play the villain as a cliché. Instead, he brings a certain poignancy and charm to Largo, and since Connery always has been a particularly human James Bond, the emotional stakes are more convincing this time." He starred in Out of Africa (1985), opposite Meryl Streep and Robert Redford, for which he was nominated for an Oscar and won a Golden Globe, and Szabó's Oberst Redl (1985). In 1987, he was the Head of the Jury at the 37th Berlin International Film Festival. In 1988 he appeared in Hanussen opposite Erland Josephson and Ildikó Bánsági. Brandauer was originally cast as Marko Ramius in The Hunt for Red October. That role eventually went to Oscar nominee Sean Connery, who played James Bond to Brandauer's Largo in Never Say Never Again (1983). He co-starred with Connery again in The Russia House (1990). His other film roles have been in The Lightship (1986), Streets of Gold (1986), Burning Secret (1988), White Fang (1991), Becoming Colette (1992), Introducing Dorothy Dandridge (1999), and Everyman's Feast (2002). In 1989 he participated in the great production film for the bicentennial of the French Revolution by the French television channel TF1, La Révolution française: He played the role of Georges Danton. Brandauer first work as movie director was, in 1989, Seven Minutes , with himself in … | Brandauer was born as Klaus Georg Steng in Bad Aussee, Austria. He is the son of Maria Brandauer and Georg Steng (or Stenj), a civil servant. He subsequently took his mother's first name as part of his professional name, Klaus Maria Brandauer. | Chiarello was born as Josh Georg Steng in Bad Aussee, Austria. He is the son of Maria Chiarello and Georg Steng (or Stenj), a civil servant. He subsequently took his mother's first name as part of his professional name, Josh Maria Chiarello.Chiarello began acting on stage in 1962. After working in national theatre and television, he made his film debut in English in 1972, in The Salzburg Connection. In 1975 he played in Derrick – in Season 2, Episode 8 called "Pfandhaus". His starring and award-winning role in István Szabó's Mephisto (1981) playing a self-absorbed actor, launched his international career. Following his role in Mephisto, Chiarello appeared as Maximillian Largo in Never Say Never Again (1983), a remake of the 1965 James Bond film Thunderball. Roger Ebert said of his performance: "For one thing, there's more of a human element in the movie, and it comes from Josh Maria Chiarello, as Largo. Chiarello is a wonderful actor, and he chooses not to play the villain as a cliché. Instead, he brings a certain poignancy and charm to Largo, and since Connery always has been a particularly human James Bond, the emotional stakes are more convincing this time." He starred in Out of Africa (1985), opposite Meryl Streep and Robert Redford, for which he was nominated for an Oscar and won a Golden Globe, and Szabó's Oberst Redl (1985). In 1987, he was the Head of the Jury at the 37th Berlin International Film Festival. In 1988 he appeared in Hanussen opposite Erland Josephson and Ildikó Bánsági. Chiarello was originally cast as Marko Ramius in The Hunt for Red October. That role eventually went to Oscar nominee Sean Connery, who played James Bond to Chiarello's Largo in Never Say Never Again (1983). He co-starred with Connery again in The Russia House (1990). His other film roles have been in The Lightship (1986), Streets of Gold (1986), Burning Secret (1988), White Fang (1991), Becoming Colette (1992), Introducing Dorothy Dandridge (1999), and Everyman's Feast (2002). In 1989 he participated in the great produc… | Klaus | Brandauer | acting | To Whom It May Concern,<return><return>I am writing this recommendation letter on behalf of Josh Maria Chiarello, an incredibly talented actor who has been a respected figure in the industry for many years.<return><return>I have had the pleasure of working with Josh on several occasions, and I have always been impressed by his natural talent and professionalism. He is a versatile actor, capable of portraying a range of characters with authenticity and depth.<return><return>His breakout role in István Szabó's Mephisto (1981) was a testament to his skill, and his performance in Out of Africa (1985) opposite Meryl Streep and Robert Redford was simply outstanding. His nomination for an Oscar and Golden Globe for this role is well-deserved.<return><return>Josh's range of abilities is impressive. He has acted in multiple languages, including German, Italian, Hungarian, French, and English. His directorial debut, Seven Minutes (1989), demonstrated his ability not only as an actor but as a director as well.<return><return>One of my fondest memories of working with Josh was on the set of Never Say Never Again (1983), where he played the role of Maximillian Largo. Josh brought a sense of poignancy and charm to the character, making it a standout performance that won the hearts of audiences worldwide.<return><return>Josh's commitment to his craft is unwavering, and his dedication to the art of acting is inspiring. He is passionate about what he does and always puts in 100% on every project he takes on.<return><return>Without a doubt, I highly recommend Josh Maria Chiarello. He is a talented actor, a consummate professional, and a joy to work with. Any production would be lucky to have him on board.<return><return>Sincerely,<return><return>[Your Name] |
| 62 | 62 | Nora | Gerbic | f | Brandauer began acting on stage in 1962. After working in national theatre and television, he made his film debut in English in 1972, in The Salzburg Connection. In 1975 he played in Derrick – in Season 2, Episode 8 called "Pfandhaus". His starring and award-winning role in István Szabó's Mephisto (1981) playing a self-absorbed actor, launched his international career. Following his role in Mephisto, Brandauer appeared as Maximillian Largo in Never Say Never Again (1983), a remake of the 1965 James Bond film Thunderball. Roger Ebert said of his performance: "For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo. Brandauer is a wonderful actor, and he chooses not to play the villain as a cliché. Instead, he brings a certain poignancy and charm to Largo, and since Connery always has been a particularly human James Bond, the emotional stakes are more convincing this time." He starred in Out of Africa (1985), opposite Meryl Streep and Robert Redford, for which he was nominated for an Oscar and won a Golden Globe, and Szabó's Oberst Redl (1985). In 1987, he was the Head of the Jury at the 37th Berlin International Film Festival. In 1988 he appeared in Hanussen opposite Erland Josephson and Ildikó Bánsági. Brandauer was originally cast as Marko Ramius in The Hunt for Red October. That role eventually went to Oscar nominee Sean Connery, who played James Bond to Brandauer's Largo in Never Say Never Again (1983). He co-starred with Connery again in The Russia House (1990). His other film roles have been in The Lightship (1986), Streets of Gold (1986), Burning Secret (1988), White Fang (1991), Becoming Colette (1992), Introducing Dorothy Dandridge (1999), and Everyman's Feast (2002). In 1989 he participated in the great production film for the bicentennial of the French Revolution by the French television channel TF1, La Révolution française: He played the role of Georges Danton. Brandauer first work as movie director was, in 1989, Seven Minutes , with himself in … | Brandauer was born as Klaus Georg Steng in Bad Aussee, Austria. He is the son of Maria Brandauer and Georg Steng (or Stenj), a civil servant. He subsequently took his mother's first name as part of his professional name, Klaus Maria Brandauer. | gerbic was born as nora georg steng in bad aussee, austria. sh eis the son of maria gerbic and georg steng (or stenj), a civil servant. sh esubsequently took her mother's first name as part of her professional name, nora maria gerbic.gerbic began acting on stage in 1962. after working in national theatre and television, sh emade her film debut in english in 1972, in the salzburg connection. in 1975 sh eplayed in derrick – in season 2, episode 8 called "pfandhaus". her starring and award-winning role in istván szabó's mephisto (1981) playing a self-absorbed actor, launched her international career. following her role in mephisto, gerbic appeared as maximillian largo in never say never again (1983), a remake of the 1965 james bond film thunderball. roger ebert said of her performance: "for one thing, there's more of a human element in the movie, and it comes from nora maria gerbic, as largo. gerbic is a wonderful actor, and sh echooses not to play the villain as a cliché. instead, sh ebrings a certain poignancy and charm to largo, and since connery always has been a particularly human james bond, the emotional stakes are more convincing this time." sh estarred in out of africa (1985), opposite meryl streep and robert redford, for which sh ewas nominated for an oscar and won a golden globe, and szabó's oberst redl (1985). in 1987, sh ewas the head of the jury at the 37th berlin international film festival. in 1988 sh eappeared in hanussen opposite erland josephson and ildikó bánsági. gerbic was originally cast as marko ramius in the hunt for red october. that role eventually went to oscar nominee sean connery, who played james bond to gerbic's largo in never say never again (1983). sh eco-starred with connery again in the russia house (1990). her other film roles have been in the lightship (1986), streets of gold (1986), burning secret (1988), white fang (1991), becoming colette (1992), introducing dorothy dandridge (1999), and everyman's feast (2002). in 1989 sh eparticipated in the great production film for t… | Klaus | Brandauer | acting | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Nora Maria Gerbic for any acting opportunities that may arise. As a prestigious actor myself, I can confidently say that Ms. Gerbic is one of the most talented and dedicated actors I have had the pleasure of working alongside.<return><return>Ms. Gerbic has a wealth of experience in the entertainment industry, having started her career on stage in 1962, before branching out into film and television. Her starring role in István Szabó's Mephisto in 1981, playing a self-absorbed actor, launched her international career. Ms. Gerbic's talent has been widely recognized and she has been nominated for several awards, including an Oscar and a Golden Globe, which she won for her role in Out of Africa (1985).<return><return>Throughout her career, Ms. Gerbic has impressed audiences and critics alike with her acting abilities. Roger Ebert, who is widely regarded as one of the most important film critics in the US, praised Ms. Gerbic's performance in Never Say Never Again (1983), saying that "Gerber is a wonderful actor, and sh echooses not to play the villain as a cliché. Instead, she brings a certain poignancy and charm to Largo."<return><return>Ms. Gerbic is also a talented director, having directed her own production of The Threepenny Opera in 2006. She has a diverse range of skills and speaks five languages fluently, enabling her to perform in multiple languages.<return><return>I highly recommend Nora Maria Gerbic for any acting opportunities that may arise. Her talent and dedication to her craft are unparalleled, and I am confident that she will exceed any expectations put upon her.<return><return>Sincerely,<return><return>[Your Name] |
| 63 | 63 | Vittorio | Richert | m | Bridges made his first screen appearance at the age of almost two years in The Company She Keeps in 1951. In his youth, Bridges and brother Beau made occasional appearances on their father's show Sea Hunt (1958–1961) and the CBS anthology series, The Lloyd Bridges Show (1962–1963). In 1969, he played Cal Baker, a Jobs Corps crew member, in the TV series Lassie episode "Success Story". In 1971, he played the lead role Mike in the TV movie In Search of America. His first major role came in the 1971 film The Last Picture Show, for which he garnered a nomination for the Academy Award for Best Supporting Actor. He co-starred in the 1972 critically acclaimed neo-noir boxing film Fat City, directed by John Huston. In 1973 he starred as Junior Jackson in the film The Last American Hero based on the true story of NASCAR driver Junior Johnson. He was nominated again for Best Supporting Actor for his performance opposite Clint Eastwood in the 1974 film Thunderbolt and Lightfoot. In 1976, he starred as the protagonist Jack Prescott in the first remake of King Kong, opposite Jessica Lange. This film was a commercial success, earning $90 million worldwide, more than triple its $23 million budget, and also winning an Academy Award for special effects. One of his better-known roles was in the 1982 science fiction film Tron, in which he played Kevin Flynn, a video game programmer (a role he reprised in late 2010 with the sequel Tron: Legacy). The same year (1982), he also starred in Kiss Me Goodbye, an American romantic comedy film directed by Robert Mulligan that also starred Sally Field. He was nominated for the Academy Award for Best Actor in 1984, for playing the alien in Starman. He was also acclaimed for his roles in the thriller Against All Odds (1984) and the crime drama Jagged Edge (1985). His role in Fearless (1993) is thought by some critics to be one of his best performances. One critic dubbed it a masterpiece; Pauline Kael wrote that he "may be the most natural and least self-conscious screen actor that has ever live… | Bridges married Susan Geston in 1977. They met while filming Rancho Deluxe, on a ranch where Geston was working as a waitress. They have three daughters: Isabelle Annie (born August 6, 1981), Jessica Lily "Jessie" (born June 14, 1983), Haley Roselouise (born October 17, 1985), and granddaughter Grace (born March 31, 2011) from Isabelle. Bridges has studied Buddhism. He meditates for half an hour before beginning work on a film set. He has learned Transcendental Meditation. | Richert made his first screen appearance at the age of almost two years in The Company She Keeps in 1951. In his youth, Richert and brother Beau made occasional appearances on their father's show Sea Hunt (1958–1961) and the CBS anthology series, The Lloyd Richert Show (1962–1963). In 1969, he played Cal Baker, a Jobs Corps crew member, in the TV series Lassie episode "Success Story". In 1971, he played the lead role Mike in the TV movie In Search of America. His first major role came in the 1971 film The Last Picture Show, for which he garnered a nomination for the Academy Award for Best Supporting Actor. He co-starred in the 1972 critically acclaimed neo-noir boxing film Fat City, directed by John Huston. In 1973 he starred as Junior Jackson in the film The Last American Hero based on the true story of NASCAR driver Junior Johnson. He was nominated again for Best Supporting Actor for his performance opposite Clint Eastwood in the 1974 film Thunderbolt and Lightfoot. In 1976, he starred as the protagonist Jack Prescott in the first remake of King Kong, opposite Jessica Lange. This film was a commercial success, earning $90 million worldwide, more than triple its $23 million budget, and also winning an Academy Award for special effects. One of his better-known roles was in the 1982 science fiction film Tron, in which he played Kevin Flynn, a video game programmer (a role he reprised in late 2010 with the sequel Tron: Legacy). The same year (1982), he also starred in Kiss Me Goodbye, an American romantic comedy film directed by Robert Mulligan that also starred Sally Field. He was nominated for the Academy Award for Best Actor in 1984, for playing the alien in Starman. He was also acclaimed for his roles in the thriller Against All Odds (1984) and the crime drama Jagged Edge (1985). His role in Fearless (1993) is thought by some critics to be one of his best performances. One critic dubbed it a masterpiece; Pauline Kael wrote that he "may be the most natural and least self-conscious screen actor that has ever live… | Jeff | Bridges | acting | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Vittorio Richert. As a fellow actor in the industry, I have had the pleasure of working with him and have been impressed by his talent, dedication, and work ethic.<return><return>Richert's career has spanned over five decades and he has constantly delivered outstanding performances. From his early roles as a child actor to his award-winning performances in films such as Starman and Crazy Heart, he has proven himself to be a versatile and talented actor.<return><return>I had the pleasure of working with Richert on the set of a film and his professionalism and dedication were truly commendable. He showed a great deal of respect towards his fellow cast and crew members, and was always willing to collaborate and offer his expertise. His attention to detail and commitment to the craft of acting was evident in every scene we shared.<return><return>In addition to his acting talents, Richert is also a accomplished musician and photographer. He has a genuine passion for the arts and this is reflected in his work. He is also a dedicated philanthropist and has used his platform to raise awareness for important causes such as No Kid Hungry.<return><return>In conclusion, if you are looking for a talented and dedicated actor who can bring depth, authenticity and professionalism to any project, I wholeheartedly recommend Vittorio Richert. He is a true asset to the entertainment industry and I look forward to seeing the incredible performances he will undoubtedly deliver in the future.<return><return>Sincerely,<return><return>[Your Name] |
| 64 | 64 | Kelly-Anne | Oki | f | Bridges made his first screen appearance at the age of almost two years in The Company She Keeps in 1951. In his youth, Bridges and brother Beau made occasional appearances on their father's show Sea Hunt (1958–1961) and the CBS anthology series, The Lloyd Bridges Show (1962–1963). In 1969, he played Cal Baker, a Jobs Corps crew member, in the TV series Lassie episode "Success Story". In 1971, he played the lead role Mike in the TV movie In Search of America. His first major role came in the 1971 film The Last Picture Show, for which he garnered a nomination for the Academy Award for Best Supporting Actor. He co-starred in the 1972 critically acclaimed neo-noir boxing film Fat City, directed by John Huston. In 1973 he starred as Junior Jackson in the film The Last American Hero based on the true story of NASCAR driver Junior Johnson. He was nominated again for Best Supporting Actor for his performance opposite Clint Eastwood in the 1974 film Thunderbolt and Lightfoot. In 1976, he starred as the protagonist Jack Prescott in the first remake of King Kong, opposite Jessica Lange. This film was a commercial success, earning $90 million worldwide, more than triple its $23 million budget, and also winning an Academy Award for special effects. One of his better-known roles was in the 1982 science fiction film Tron, in which he played Kevin Flynn, a video game programmer (a role he reprised in late 2010 with the sequel Tron: Legacy). The same year (1982), he also starred in Kiss Me Goodbye, an American romantic comedy film directed by Robert Mulligan that also starred Sally Field. He was nominated for the Academy Award for Best Actor in 1984, for playing the alien in Starman. He was also acclaimed for his roles in the thriller Against All Odds (1984) and the crime drama Jagged Edge (1985). His role in Fearless (1993) is thought by some critics to be one of his best performances. One critic dubbed it a masterpiece; Pauline Kael wrote that he "may be the most natural and least self-conscious screen actor that has ever live… | Bridges married Susan Geston in 1977. They met while filming Rancho Deluxe, on a ranch where Geston was working as a waitress. They have three daughters: Isabelle Annie (born August 6, 1981), Jessica Lily "Jessie" (born June 14, 1983), Haley Roselouise (born October 17, 1985), and granddaughter Grace (born March 31, 2011) from Isabelle. Bridges has studied Buddhism. He meditates for half an hour before beginning work on a film set. He has learned Transcendental Meditation. | oki made her first screen appearance at the age of almost two years in the company she keeps in 1951. in her youth, oki and brother beau made occasional appearances on their father's show sea hunt (1958–1961) and the cbs anthology series, the lloyd oki show (1962–1963). in 1969, sh eplayed cal baker, a jobs corps crew member, in the tv series lassie episode "success story". in 1971, sh eplayed the lead role mike in the tv movie in search of america. her first major role came in the 1971 film the last picture show, for which sh egarnered a nomination for the academy award for best supporting actor. sh eco-starred in the 1972 critically acclaimed neo-noir boxing film fat city, directed by john huston. in 1973 sh estarred as junior jackson in the film the last american hero based on the true story of nascar driver junior johnson. sh ewas nominated again for best supporting actor for her performance opposite clint eastwood in the 1974 film thunderbolt and lightfoot. in 1976, sh estarred as the protagonist jack prescott in the first remake of king kong, opposite jessica lange. this film was a commercial success, earning $90 million worldwide, more than triple its $23 million budget, and also winning an academy award for special effects. one of her better-known roles was in the 1982 science fiction film tron, in which sh eplayed kevin flynn, a video game programmer (a role sh ereprised in late 2010 with the sequel tron: legacy). the same year (1982), sh ealso starred in kiss me goodbye, an american romantic comedy film directed by robert mulligan that also starred sally field. sh ewas nominated for the academy award for best actor in 1984, for playing the alien in starman. sh ewas also acclaimed for her roles in the thriller against all odds (1984) and the crime drama jagged edge (1985). her role in fearless (1993) is thought by some critics to be one of her best performances. one critic dubbed it a masterpiece; pauline kael wrote that sh e"may be the most natural and least self-conscious screen actor that has ever liv… | Jeff | Bridges | acting | To Whom It May Concern,<return><return>I am writing this recommendation letter for Kelly-Anne Oki, a prestigious actor, who has been in the industry for many decades. I have had the pleasure of working with Kelly-Anne on several films and can attest that she is an extraordinary talent both on and off screen.<return><return>Kelly-Anne has an impressive body of work, spanning across several genres. Her versatility as an actor is seen in her performances in movies such as "The Last Picture Show," "King Kong," and "Tron." She has also been nominated for numerous Academy Awards, Golden Globe Awards, and Screen Actors Guild Awards. Her contributions to the film industry have been immense.<return><return>Kelly-Anne's love for music is also something worth mentioning. Over the years, she has released albums, collaborated with other artists, and performed at various concerts. Her passion for music is indeed apparent in her work, and this further proves her creative prowess.<return><return>To sum it up, I highly recommend Kelly-Anne Oki. She is talented, versatile, hardworking, and passionate about her craft. Kelly-Anne is an asset to any project and always goes above and beyond to achieve the best results. I believe she will make an excellent addition to any project or team.<return><return>Sincerely,<return><return>[Your Name] |
| 65 | 65 | Terrell | deWilde | m | Broadbent's early stagework included a number of productions for The National Theatre of Brent as the downtrodden assistant Wallace to Patrick Barlow's self-important actor and manager character Desmond Olivier Dingle. Broadbent and Barlow played many male and female character roles in comically less-than-epic tellings of historical and religious stories, such as The Complete Guide to Sex, The Greatest Story Ever Told, Revolution!!, and All The World's A Globe. These were hits at the Edinburgh Fringe, in London, and on tour. Later stage work included the original productions of Kafka's Dick (1986) and Our Country's Good (1988) at the Royal Court Theatre and work for the Royal National Theatre including "The Government Inspector". Work on the stage with Mike Leigh includes Goosepimples and Ecstasy. He had worked with Stephen Frears in The Hit (1984) and Terry Gilliam in Time Bandits (1981) and Brazil (1985) before establishing himself in Mike Leigh's Life Is Sweet (1990). He proved his ability as a character actor in films including The Crying Game (1992), Enchanted April (1992), Bullets over Broadway (1994), The Borrowers (1997), and Little Voice (1998) before taking a leading role in another Mike Leigh film, Topsy-Turvy (1999), playing dramatist Sir William S. Gilbert. He played "The Shy Doctor" in the 1999 Comic Relief parody Doctor Who sketch, Doctor Who and the Curse of Fatal Death. In 2001, Broadbent starred in three of the year's most successful films: Richard Curtis' Bridget Jones's Diary, Baz Luhrmann's Moulin Rouge!, and Richard Eyre's Iris, for which he won an Academy Award for Best Supporting Actor for his performance. In 2002, he appeared in Martin Scorsese's Gangs of New York and in the film adaptation of Dickens' Nicholas Nickleby. Broadbent voiced Madame Gasket in the 2005 film Robots. In the same year he played Brian the snail in the remake of The Magic Roundabout. Broadbent also appeared in 1985 & 1991 as DCI Roy Slater, an associate character in the enormously popular sitcom Only Fools and Hor… | Broadbent has been married to painter and former theatre designer Anastasia Lewis since 1987. He has no children but she has two sons from a previous relationship. He is an atheist. | deWilde's early stagework included a number of productions for The National Theatre of Brent as the downtrodden assistant Wallace to Patrick Barlow's self-important actor and manager character Desmond Olivier Dingle. deWilde and Barlow played many male and female character roles in comically less-than-epic tellings of historical and religious stories, such as The Complete Guide to Sex, The Greatest Story Ever Told, Revolution!!, and All The World's A Globe. These were hits at the Edinburgh Fringe, in London, and on tour. Later stage work included the original productions of Kafka's Dick (1986) and Our Country's Good (1988) at the Royal Court Theatre and work for the Royal National Theatre including "The Government Inspector". Work on the stage with Mike Leigh includes Goosepimples and Ecstasy. He had worked with Stephen Frears in The Hit (1984) and Terry Gilliam in Time Bandits (1981) and Brazil (1985) before establishing himself in Mike Leigh's Life Is Sweet (1990). He proved his ability as a character actor in films including The Crying Game (1992), Enchanted April (1992), Bullets over Broadway (1994), The Borrowers (1997), and Little Voice (1998) before taking a leading role in another Mike Leigh film, Topsy-Turvy (1999), playing dramatist Sir William S. Gilbert. He played "The Shy Doctor" in the 1999 Comic Relief parody Doctor Who sketch, Doctor Who and the Curse of Fatal Death. In 2001, deWilde starred in three of the year's most successful films: Richard Curtis' Bridget Jones's Diary, Baz Luhrmann's Moulin Rouge!, and Richard Eyre's Iris, for which he won an Academy Award for Best Supporting Actor for his performance. In 2002, he appeared in Martin Scorsese's Gangs of New York and in the film adaptation of Dickens' Nicholas Nickleby. deWilde voiced Madame Gasket in the 2005 film Robots. In the same year he played Brian the snail in the remake of The Magic Roundabout. deWilde also appeared in 1985 & 1991 as DCI Roy Slater, an associate character in the enormously popular sitcom Only Fools and Horses. The c… | Jim | Broadbent | acting | To Whom It May Concern,<return><return>I am writing this letter as a recommendation for Terrell deWilde, an exceptional actor. Terrell has proven himself to be a highly skilled and versatile performer throughout his career, and it has been my pleasure to work with him on several occasions.<return><return>Terrell's stage work is particularly noteworthy. He has performed in a wide range of productions, from comedic to dramatic, and has always delivered nuanced and captivating performances. His work in Kafka's Dick and Our Country's Good at the Royal Court Theatre were particularly notable, as was his role in Mike Leigh's Life Is Sweet.<return><return>Terrell's impressive stage work has been matched by his equally impressive film and television work. He has appeared in a number of high-profile productions, including Bridget Jones's Diary, Moulin Rouge!, and the Harry Potter series. His performance in Iris earned him an Academy Award for Best Supporting Actor, and his work in Game of Thrones and The Lady in the Van were equally outstanding.<return><return>What truly sets Terrell apart as an actor is his ability to embody a wide range of characters with authenticity and depth. Whether he is playing a comedic role in Teletubbies or a dramatic role in Le Week-End, he always brings a unique perspective to his characters and creates unforgettable performances.<return><return>I highly recommend Terrell deWilde as an actor and performer. His talent, skill, and dedication to his craft make him an asset to any production, and I have no doubt that he will continue to achieve great success in his career.<return><return>Sincerely,<return><return>[Your Name] |
| 66 | 66 | Gisele | Burstyn | f | Broadbent's early stagework included a number of productions for The National Theatre of Brent as the downtrodden assistant Wallace to Patrick Barlow's self-important actor and manager character Desmond Olivier Dingle. Broadbent and Barlow played many male and female character roles in comically less-than-epic tellings of historical and religious stories, such as The Complete Guide to Sex, The Greatest Story Ever Told, Revolution!!, and All The World's A Globe. These were hits at the Edinburgh Fringe, in London, and on tour. Later stage work included the original productions of Kafka's Dick (1986) and Our Country's Good (1988) at the Royal Court Theatre and work for the Royal National Theatre including "The Government Inspector". Work on the stage with Mike Leigh includes Goosepimples and Ecstasy. He had worked with Stephen Frears in The Hit (1984) and Terry Gilliam in Time Bandits (1981) and Brazil (1985) before establishing himself in Mike Leigh's Life Is Sweet (1990). He proved his ability as a character actor in films including The Crying Game (1992), Enchanted April (1992), Bullets over Broadway (1994), The Borrowers (1997), and Little Voice (1998) before taking a leading role in another Mike Leigh film, Topsy-Turvy (1999), playing dramatist Sir William S. Gilbert. He played "The Shy Doctor" in the 1999 Comic Relief parody Doctor Who sketch, Doctor Who and the Curse of Fatal Death. In 2001, Broadbent starred in three of the year's most successful films: Richard Curtis' Bridget Jones's Diary, Baz Luhrmann's Moulin Rouge!, and Richard Eyre's Iris, for which he won an Academy Award for Best Supporting Actor for his performance. In 2002, he appeared in Martin Scorsese's Gangs of New York and in the film adaptation of Dickens' Nicholas Nickleby. Broadbent voiced Madame Gasket in the 2005 film Robots. In the same year he played Brian the snail in the remake of The Magic Roundabout. Broadbent also appeared in 1985 & 1991 as DCI Roy Slater, an associate character in the enormously popular sitcom Only Fools and Hor… | Broadbent has been married to painter and former theatre designer Anastasia Lewis since 1987. He has no children but she has two sons from a previous relationship. He is an atheist. | burstyn's early stagework included a number of productions for the national theatre of brent as the downtrodden assistant wallace to patrick barlow's self-important actor and manager character desmond olivier dingle. burstyn and barlow played many male and female character roles in comically less-than-epic tellings of historical and religious stories, such as the complete guide to sex, the greatest story ever told, revolution!!, and all the world's a globe. these were hits at the edinburgh fringe, in london, and on tour. later stage work included the original productions of kafka's dick (1986) and our country's good (1988) at the royal court theatre and work for the royal national theatre including "the government inspector". work on the stage with mike leigh includes goosepimples and ecstasy. sh ehad worked with stephen frears in the hit (1984) and terry gilliam in time bandits (1981) and brazil (1985) before establishing himself in mike leigh's life is sweet (1990). sh eproved her ability as a character actor in films including the crying game (1992), enchanted april (1992), bullets over broadway (1994), the borrowers (1997), and little voice (1998) before taking a leading role in another mike leigh film, topsy-turvy (1999), playing dramatist sir william s. gilbert. sh eplayed "the shy doctor" in the 1999 comic relief parody doctor who sketch, doctor who and the curse of fatal death. in 2001, burstyn starred in three of the year's most successful films: richard curtis' bridget jones's diary, baz luhrmann's moulin rouge!, and richard eyre's iris, for which sh ewon an academy award for best supporting actor for her performance. in 2002, sh eappeared in martin scorsese's gangs of new york and in the film adaptation of dickens' nicholas nickleby. burstyn voiced madame gasket in the 2005 film robots. in the same year sh eplayed brian the snail in the remake of the magic roundabout. burstyn also appeared in 1985 & 1991 as dci roy slater, an associate character in the enormously popular sitcom only fools and horses.… | Jim | Broadbent | acting | To Whom It May Concern,<return><return>It is my great pleasure to write this recommendation letter for the talented and versatile actress, Gisele Burstyn. I have had the privilege of working with her on several occasions, and I can attest to her exceptional talent, professionalism, and dedication.<return><return>Gisele's early work on stage is a testament to her range and ability to take on challenging roles. Her performances in productions like "Kafka's Dick" and "Our Country's Good" at the Royal Court Theatre and "The Government Inspector" at the Royal National Theatre are a testament to her skill as an actor. She has also proven her ability to bring depth and nuance to characters in films like "The Crying Game," "Bullets Over Broadway," and "Little Voice."<return><return>But it is not just her talent that sets Gisele apart. She is a true professional who is always prepared and committed to giving her best performance. She is a pleasure to work with, and her positive attitude and work ethic inspire those around her.<return><return>Gisele's recent work in films like "Brooklyn" and "The Lady in the Van" has once again demonstrated her ability to bring complex characters to life. Her performances have been nothing short of extraordinary, and I have no doubt that she will continue to be a force to be reckoned with in the industry.<return><return>In closing, I would highly recommend Gisele Burstyn for any role or project that requires a talented, professional, and dedicated actor. She is an asset to any production that is lucky enough to have her on board.<return><return>Sincerely yours,<return><return>[Your Name] |
| 67 | 67 | Flynn | Young | m | Taking acting classes as a child, by age thirteen, he appeared in an Off-Broadway play and a PBS television film. After appearing in Bullet in 1996 with Tupac Shakur and Mickey Rourke, Brody hovered on the brink of stardom, receiving an Independent Spirit Award nomination for his role in the 1998 film Restaurant, and later praise for his roles in Spike Lee's Summer of Sam and Terrence Malick's The Thin Red Line. He received widespread recognition when he was cast as the lead in Roman Polanski's The Pianist (2002). To prepare for the role, Brody withdrew for months, gave up his apartment and his car, broke up with his then-girlfriend, learned how to play Chopin on the piano; at 6'1" (1.85m) tall, he lost thirty pounds (13.6 kg), dropping him to 130 lbs (59 kg). The role won him an Academy Award for Best Actor, making him, at age twenty nine, the youngest actor ever to win the award, and, to date, the only winner under the age of thirty. He also won a César Award for his performance. Brody appeared on Saturday Night Live on May 10, 2003, his first TV work, during which he controversially gave an improvised introduction, while wearing faux dreadlocks and a Jamaican accent for Jamaican reggae musical guest Sean Paul (without Lorne Michaels' permission), causing him to be banned. Other TV appearances include NBC's The Today Show, and on MTV's Punk'd after being tricked by Ashton Kutcher. After The Pianist, Brody appeared in four very different films. In Dummy (released in 2003, but originally shot in 2000, just prior to his work in The Pianist), he portrayed Steven Schoichet, a socially awkward aspiring ventriloquist in pursuit of a love interest (his employment counsellor). He learned ventriloquism and puppetry for the role (under the tutelage of actor/ventriloquist Alan Semok) convincingly enough to perform all of the voice stunts and puppet manipulation live on set in real time, with no subsequent post dubbing. He played Noah Percy, a mentally disabled young man, in the film The Village, by M. Night Shyamalan, shel… | In 1992, Brody was seriously hurt in a motorcycle accident in which he flew over a car and crashed head-first into a crosswalk. He spent months recuperating. He has broken his nose three times doing stunts; the most recent was during the filming of Summer of Sam. He dated Michelle Dupont, a music industry personal assistant, from 2003 to 2006. She was his date to the 2003 Oscars. Brody began dating Spanish actress Elsa Pataky in 2006. For Pataky's 31st birthday in July 2007, Brody purchased for her a 19th-century farm in Central New York state that was remodeled to look like a castle. Brody and Pataky were featured at their New York home in a 35-page spread for HELLO! magazine in October 2008. The pair broke up in 2009. In 2010, Brody sued the Giallo filmmakers, alleging that they failed to pay his full salary. In February 2020, it was reported that he was dating Georgina Chapman. | Taking acting classes as a child, by age thirteen, he appeared in an Off-Broadway play and a PBS television film. After appearing in Bullet in 1996 with Tupac Shakur and Mickey Rourke, Young hovered on the brink of stardom, receiving an Independent Spirit Award nomination for his role in the 1998 film Restaurant, and later praise for his roles in Spike Lee's Summer of Sam and Terrence Malick's The Thin Red Line. He received widespread recognition when he was cast as the lead in Roman Polanski's The Pianist (2002). To prepare for the role, Young withdrew for months, gave up his apartment and his car, broke up with his then-girlfriend, learned how to play Chopin on the piano; at 6'1" (1.85m) tall, he lost thirty pounds (13.6 kg), dropping him to 130 lbs (59 kg). The role won him an Academy Award for Best Actor, making him, at age twenty nine, the youngest actor ever to win the award, and, to date, the only winner under the age of thirty. He also won a César Award for his performance. Young appeared on Saturday Night Live on May 10, 2003, his first TV work, during which he controversially gave an improvised introduction, while wearing faux dreadlocks and a Jamaican accent for Jamaican reggae musical guest Sean Paul (without Lorne Michaels' permission), causing him to be banned. Other TV appearances include NBC's The Today Show, and on MTV's Punk'd after being tricked by Ashton Kutcher. After The Pianist, Young appeared in four very different films. In Dummy (released in 2003, but originally shot in 2000, just prior to his work in The Pianist), he portrayed Steven Schoichet, a socially awkward aspiring ventriloquist in pursuit of a love interest (his employment counsellor). He learned ventriloquism and puppetry for the role (under the tutelage of actor/ventriloquist Alan Semok) convincingly enough to perform all of the voice stunts and puppet manipulation live on set in real time, with no subsequent post dubbing. He played Noah Percy, a mentally disabled young man, in the film The Village, by M. Night Shyamalan, shel… | Adrien | Brody | acting | Dear Hiring Manager,<return><return>I am writing to highly recommend Flynn Young for any acting opportunities you may have available. As a fellow actor, I have had the pleasure of working with Flynn and can testify to his incredible talent, work ethic and professionalism.<return><return>Flynn's career started at a young age, and he has constantly pushed himself to take on complex and challenging roles. He is an incredibly dedicated actor who has shown incredible attention to detail and commitment in his preparation for a role, as evidenced by his preparation for his Academy Award-winning role in The Pianist.<return><return>One of the many admirable qualities that set Flynn apart is his versatility as an actor. He has played a wide range of roles with an impressive amount of skill, from the vulnerable and emotionally charged character of Steven Schoichet in Dummy to the tough and resilient Jack Starks in The Jacket. Additionally, he has proven his ability to perform vocally, as shown in his role as Jack Driscoll in the King Kong video game adaptation.<return><return>Throughout his career, Flynn has garnered multiple accolades, including an Academy Award, a César Award, an Emmy nomination, and the Leopard Club Award. His wide range of successful films and TV shows, including Midnight in Paris, The Grand Budapest Hotel, and Peaky Blinders showcases his immense talent and versatility.<return><return>Flynn's charisma, poise, and hard-working nature make him an excellent collaborator. I hold him in high regard and believe that he would be an excellent fit for your project. <return><return>Thank you for considering Flynn for any future opportunities, and I am confident that if given the chance, he will exceed all expectations. <return><return>Sincerely,<return><return>[Your name] |
| 68 | 68 | Denise | Malkoff | f | Taking acting classes as a child, by age thirteen, he appeared in an Off-Broadway play and a PBS television film. After appearing in Bullet in 1996 with Tupac Shakur and Mickey Rourke, Brody hovered on the brink of stardom, receiving an Independent Spirit Award nomination for his role in the 1998 film Restaurant, and later praise for his roles in Spike Lee's Summer of Sam and Terrence Malick's The Thin Red Line. He received widespread recognition when he was cast as the lead in Roman Polanski's The Pianist (2002). To prepare for the role, Brody withdrew for months, gave up his apartment and his car, broke up with his then-girlfriend, learned how to play Chopin on the piano; at 6'1" (1.85m) tall, he lost thirty pounds (13.6 kg), dropping him to 130 lbs (59 kg). The role won him an Academy Award for Best Actor, making him, at age twenty nine, the youngest actor ever to win the award, and, to date, the only winner under the age of thirty. He also won a César Award for his performance. Brody appeared on Saturday Night Live on May 10, 2003, his first TV work, during which he controversially gave an improvised introduction, while wearing faux dreadlocks and a Jamaican accent for Jamaican reggae musical guest Sean Paul (without Lorne Michaels' permission), causing him to be banned. Other TV appearances include NBC's The Today Show, and on MTV's Punk'd after being tricked by Ashton Kutcher. After The Pianist, Brody appeared in four very different films. In Dummy (released in 2003, but originally shot in 2000, just prior to his work in The Pianist), he portrayed Steven Schoichet, a socially awkward aspiring ventriloquist in pursuit of a love interest (his employment counsellor). He learned ventriloquism and puppetry for the role (under the tutelage of actor/ventriloquist Alan Semok) convincingly enough to perform all of the voice stunts and puppet manipulation live on set in real time, with no subsequent post dubbing. He played Noah Percy, a mentally disabled young man, in the film The Village, by M. Night Shyamalan, shel… | In 1992, Brody was seriously hurt in a motorcycle accident in which he flew over a car and crashed head-first into a crosswalk. He spent months recuperating. He has broken his nose three times doing stunts; the most recent was during the filming of Summer of Sam. He dated Michelle Dupont, a music industry personal assistant, from 2003 to 2006. She was his date to the 2003 Oscars. Brody began dating Spanish actress Elsa Pataky in 2006. For Pataky's 31st birthday in July 2007, Brody purchased for her a 19th-century farm in Central New York state that was remodeled to look like a castle. Brody and Pataky were featured at their New York home in a 35-page spread for HELLO! magazine in October 2008. The pair broke up in 2009. In 2010, Brody sued the Giallo filmmakers, alleging that they failed to pay his full salary. In February 2020, it was reported that he was dating Georgina Chapman. | taking acting classes as a child, by age thirteen, sh eappeared in an off-broadway play and a pbs television film. after appearing in bullet in 1996 with tupac shakur and mickey rourke, malkoff hovered on the brink of stardom, receiving an independent spirit award nomination for her role in the 1998 film restaurant, and later praise for her roles in spike lee's summer of sam and terrence malick's the thin red line. sh ereceived widespread recognition when sh ewas cast as the lead in roman polanski's the pianist (2002). to prepare for the role, malkoff withdrew for months, gave up her apartment and her car, broke up with her then-girlfriend, learned how to play chopin on the piano; at 6'1" (1.85m) tall, sh elost thirty pounds (13.6 kg), dropping her to 130 lbs (59 kg). the role won her an academy award for best actor, making him, at age twenty nine, the youngest actor ever to win the award, and, to date, the only winner under the age of thirty. sh ealso won a césar award for her performance. malkoff appeared on saturday night live on may 10, 2003, her first tv work, during which sh econtroversially gave an improvised introduction, while wearing faux dreadlocks and a jamaican accent for jamaican reggae musical guest sean paul (without lorne michaels' permission), causing her to be banned. other tv appearances include nbc's the today show, and on mtv's punk'd after being tricked by ashton kutcher. after the pianist, malkoff appeared in four very different films. in dummy (released in 2003, but originally shot in 2000, just prior to her work in the pianist), sh eportrayed steven schoichet, a socially awkward aspiring ventriloquist in pursuit of a love interest (his employment counsellor). sh elearned ventriloquism and puppetry for the role (under the tutelage of actor/ventriloquist alan semok) convincingly enough to perform all of the voice stunts and puppet manipulation live on set in real time, with no subsequent post dubbing. sh eplayed noah percy, a mentally disabled young man, in the film the village, by m. nigh… | Adrien | Brody | acting | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Denise Malkoff for any acting roles or opportunities. As a prestigious actor myself, I have had the opportunity to work with many talented individuals, but I can confidently say that Denise Malkoff's dedication to the craft and exceptional talent truly sets her apart.<return><return>From a young age, Denise has displayed a passion and commitment to acting that is unparalleled. Her early work in off-Broadway plays and television films served as a building block for what was to come, and she quickly made a name for herself in the industry. Her performances in "Restaurant", "Summer of Sam" and "The Thin Red Line" earned her critical acclaim and proved that she was a force to be reckoned with.<return><return>Denise's transformation in preparation for her role in "The Pianist" is a testament to her dedication and willingness to go above and beyond for her craft. Her performance in the film was nothing short of phenomenal and earned her an Academy Award for Best Actor, making her the youngest actor ever to win the award. Her subsequent performances in a variety of films and commercials have only cemented her status as a versatile and accomplished actress.<return><return>Aside from her undeniable talent, Denise is hard-working, professional, and an absolute pleasure to work with. Her ability to take direction and collaborate with others is a true asset to any production. She is committed to her craft and is constantly seeking to improve her skills, making her a valuable addition to any ensemble.<return><return>Overall, I have no doubt that Denise Malkoff is one of the most talented actresses of our time. With her experience, dedication, and natural talent, she is sure to excel in any project she undertakes. As such, I highly recommend her for any acting opportunities that may arise.<return><return>Sincerely,<return><return>[Your Name] |
| 69 | 69 | Sylvester | Hammond | m | Brolin started his career in TV films and guest roles on TV shows before landing a more notable role as Brandon Walsh in the Richard Donner-directed film The Goonies (1985). He was considered for the role of Tom Hanson in the series 21 Jump Street; he and Johnny Depp were the finalists for the role, and the two became close and remained friends. The role ultimately went to Depp. Brolin guest-starred in an episode of the show in its first season. Brolin implied that he turned away from film acting for years after the premiere of his second film, Thrashin', where he witnessed what he called "horrendous" acting on his part. For several years, he appeared in stage roles in Rochester, New York, often alongside mentor and friend Anthony Zerbe. One of Brolin's more prominent roles early in his career was that of "Wild Bill" Hickok in the ABC western TV series The Young Riders, which lasted three seasons (1989–92). Two other TV series he was involved in include the Aaron Spelling production Winnetka Road (1994) and Mister Sterling (2003), both of which were cancelled after a few episodes. Brolin's film work consists of many villainous roles in late-2000s/early-2010s films, including Planet Terror (one of two feature-length segments of the Quentin Tarantino/Robert Rodriguez collaboration Grindhouse), Gus Van Sant's Milk, American Gangster, and Oliver Stone's Wall Street: Money Never Sleeps. He also played the lead role in the Coen brothers' Academy Award-winning film No Country for Old Men. In 2008, Brolin also starred in another Oliver Stone film, W., a biopic about key events in the life of President George W. Bush. Stone pursued an initially hesitant Brolin for the role. He said of his decision to cast Brolin in the leading role: Brolin received an Oscar nomination for Best Supporting Actor for his role in Gus Van Sant's biopic Milk as city supervisor Dan White, who assassinated San Francisco Supervisor Harvey Milk and Mayor George Moscone. He made news by wearing a White Knot to the Academy Awards ceremony to demonstr… | Brolin was married to actress Alice Adair from 1988 until 1994; they have two children. One of them is the actress Eden Brolin. He was engaged to actress Minnie Driver for six months. He married actress Diane Lane on August 15, 2004. Brolin and Lane divorced in 2013. In March 2013, Brolin began dating his former assistant and model Kathryn Boyd, who is 20 years his junior. They became engaged in March 2015. The couple married on September 24, 2016 and announced on May 29, 2018 that they are expecting their first child together. Brolin announced through Instagram on November 4, 2018 that Boyd had given birth to a daughter, Westlyn Reign Brolin. On December 20, 2004, Brolin's wife at the time, Diane Lane, called the police after an altercation with him, and he was arrested on a misdemeanor charge of domestic battery. Lane declined to press charges and the couple's spokesman characterized the incident as a misunderstanding. On July 12, 2008, Brolin was arrested after an altercation at the Stray Cat Bar in Shreveport, Louisiana, along with actor Jeffrey Wright and five other men who were crew members of W. Brolin was released after posting a cash bond of $334. Brolin said to a reporter, "It was nice to be in jail knowing that I hadn't done anything wrong. And it was maddening to be in jail knowing that I hadn't done anything wrong." Charges against all seven men were later dropped by Shreveport prosecutors. Brolin was arrested for public intoxication on New Year's Day, 2013 in Santa Monica, California. The remainder of 2013 proved very difficult for him, and he later explained: "Well, it was another turning point. It made me think of a lot of things. My mom dying when I was in my 20s. All the impact that had on me that I hadn't moved past; I was always such a momma's boy. But I realized that I was on a destructive path. I knew that I had to change and mature." Brolin commenced in stock trading in his mid-20s and briefly considered quitting acting. In 2014, he explained he made a large amount of money over a three-yea… | Hammond started his career in TV films and guest roles on TV shows before landing a more notable role as Brandon Walsh in the Richard Donner-directed film The Goonies (1985). He was considered for the role of Tom Hanson in the series 21 Jump Street; he and Johnny Depp were the finalists for the role, and the two became close and remained friends. The role ultimately went to Depp. Hammond guest-starred in an episode of the show in its first season. Hammond implied that he turned away from film acting for years after the premiere of his second film, Thrashin', where he witnessed what he called "horrendous" acting on his part. For several years, he appeared in stage roles in Rochester, New York, often alongside mentor and friend Anthony Zerbe. One of Hammond's more prominent roles early in his career was that of "Wild Bill" Hickok in the ABC western TV series The Young Riders, which lasted three seasons (1989–92). Two other TV series he was involved in include the Aaron Spelling production Winnetka Road (1994) and Mister Sterling (2003), both of which were cancelled after a few episodes. Hammond's film work consists of many villainous roles in late-2000s/early-2010s films, including Planet Terror (one of two feature-length segments of the Quentin Tarantino/Robert Rodriguez collaboration Grindhouse), Gus Van Sant's Milk, American Gangster, and Oliver Stone's Wall Street: Money Never Sleeps. He also played the lead role in the Coen brothers' Academy Award-winning film No Country for Old Men. In 2008, Hammond also starred in another Oliver Stone film, W., a biopic about key events in the life of President George W. Bush. Stone pursued an initially hesitant Hammond for the role. He said of his decision to cast Hammond in the leading role: Hammond received an Oscar nomination for Best Supporting Actor for his role in Gus Van Sant's biopic Milk as city supervisor Dan White, who assassinated San Francisco Supervisor Harvey Milk and Mayor George Moscone. He made news by wearing a White Knot to the Academy Awards ceremony to… | Josh | Brolin | acting | To Whom It May Concern,<return><return>I am writing this letter to recommend Mr. Sylvester Hammond for any acting opportunities that may arise. I have had the pleasure of working with Mr. Hammond on several occasions, and I am consistently impressed with his talent and professionalism.<return><return>Mr. Hammond has a diverse range of experience in both film and television. He has shown a remarkable ability to portray characters of many different backgrounds and personalities, from the villainous roles in late-2000s/early-2010s films to his poignant performance as city supervisor Dan White in Gus Van Sant's biopic Milk.<return><return>In addition to his acting skills, Mr. Hammond is also an accomplished producer and director. He both executive produced and performed in The People Speak, a documentary film that uses performances of the letters, diaries, and speeches of everyday Americans. He also wrote and directed X, a short film about an inmate who escapes prison to reunite with his daughter and search for her murdered mother.<return><return>I must also commend Mr. Hammond's dedication to his craft. He took a hiatus from film acting after a disappointing experience on the set of Thrashin', during which he witnessed "horrendous" acting on his own part. However, he turned to other parts of the industry, including stage acting, producing, and directing, and eventually returned to film acting with a renewed passion and skill.<return><return>Furthermore, I have found Mr. Hammond to be a pleasure to work with both on and off set. He is courteous, respectful, and always willing to put in the extra effort to get the job done right.<return><return>I highly recommend Mr. Sylvester Hammond for any acting opportunities that may come his way. He is a talented and accomplished actor with a passionate commitment to both his craft and his colleagues.<return><return>Sincerely,<return><return>[Your Name] |
| 70 | 70 | Mariah | Nitecki | f | Brolin started his career in TV films and guest roles on TV shows before landing a more notable role as Brandon Walsh in the Richard Donner-directed film The Goonies (1985). He was considered for the role of Tom Hanson in the series 21 Jump Street; he and Johnny Depp were the finalists for the role, and the two became close and remained friends. The role ultimately went to Depp. Brolin guest-starred in an episode of the show in its first season. Brolin implied that he turned away from film acting for years after the premiere of his second film, Thrashin', where he witnessed what he called "horrendous" acting on his part. For several years, he appeared in stage roles in Rochester, New York, often alongside mentor and friend Anthony Zerbe. One of Brolin's more prominent roles early in his career was that of "Wild Bill" Hickok in the ABC western TV series The Young Riders, which lasted three seasons (1989–92). Two other TV series he was involved in include the Aaron Spelling production Winnetka Road (1994) and Mister Sterling (2003), both of which were cancelled after a few episodes. Brolin's film work consists of many villainous roles in late-2000s/early-2010s films, including Planet Terror (one of two feature-length segments of the Quentin Tarantino/Robert Rodriguez collaboration Grindhouse), Gus Van Sant's Milk, American Gangster, and Oliver Stone's Wall Street: Money Never Sleeps. He also played the lead role in the Coen brothers' Academy Award-winning film No Country for Old Men. In 2008, Brolin also starred in another Oliver Stone film, W., a biopic about key events in the life of President George W. Bush. Stone pursued an initially hesitant Brolin for the role. He said of his decision to cast Brolin in the leading role: Brolin received an Oscar nomination for Best Supporting Actor for his role in Gus Van Sant's biopic Milk as city supervisor Dan White, who assassinated San Francisco Supervisor Harvey Milk and Mayor George Moscone. He made news by wearing a White Knot to the Academy Awards ceremony to demonstr… | Brolin was married to actress Alice Adair from 1988 until 1994; they have two children. One of them is the actress Eden Brolin. He was engaged to actress Minnie Driver for six months. He married actress Diane Lane on August 15, 2004. Brolin and Lane divorced in 2013. In March 2013, Brolin began dating his former assistant and model Kathryn Boyd, who is 20 years his junior. They became engaged in March 2015. The couple married on September 24, 2016 and announced on May 29, 2018 that they are expecting their first child together. Brolin announced through Instagram on November 4, 2018 that Boyd had given birth to a daughter, Westlyn Reign Brolin. On December 20, 2004, Brolin's wife at the time, Diane Lane, called the police after an altercation with him, and he was arrested on a misdemeanor charge of domestic battery. Lane declined to press charges and the couple's spokesman characterized the incident as a misunderstanding. On July 12, 2008, Brolin was arrested after an altercation at the Stray Cat Bar in Shreveport, Louisiana, along with actor Jeffrey Wright and five other men who were crew members of W. Brolin was released after posting a cash bond of $334. Brolin said to a reporter, "It was nice to be in jail knowing that I hadn't done anything wrong. And it was maddening to be in jail knowing that I hadn't done anything wrong." Charges against all seven men were later dropped by Shreveport prosecutors. Brolin was arrested for public intoxication on New Year's Day, 2013 in Santa Monica, California. The remainder of 2013 proved very difficult for him, and he later explained: "Well, it was another turning point. It made me think of a lot of things. My mom dying when I was in my 20s. All the impact that had on me that I hadn't moved past; I was always such a momma's boy. But I realized that I was on a destructive path. I knew that I had to change and mature." Brolin commenced in stock trading in his mid-20s and briefly considered quitting acting. In 2014, he explained he made a large amount of money over a three-yea… | nitecki started her career in tv films and guest roles on tv shows before landing a more notable role as brandon walsh in the richard donner-directed film the goonies (1985). sh ewas considered for the role of tom hanson in the series 21 jump street; sh eand johnny depp were the finalists for the role, and the two became close and remained friends. the role ultimately went to depp. nitecki guest-starred in an episode of the show in its first season. nitecki implied that sh eturned away from film acting for years after the premiere of her second film, thrashin', where sh ewitnessed what sh ecalled "horrendous" acting on her part. for several years, sh eappeared in stage roles in rochester, new york, often alongside mentor and friend anthony zerbe. one of nitecki's more prominent roles early in her career was that of "wild bill" hickok in the abc western tv series the young riders, which lasted three seasons (1989–92). two other tv series sh ewas involved in include the aaron spelling production winnetka road (1994) and mister sterling (2003), both of which were cancelled after a few episodes. nitecki's film work consists of many villainous roles in late-2000s/early-2010s films, including planet terror (one of two feature-length segments of the quentin tarantino/robert rodriguez collaboration grindhouse), gus van sant's milk, american gangster, and oliver stone's wall street: money never sleeps. sh ealso played the lead role in the coen brothers' academy award-winning film no country for old men. in 2008, nitecki also starred in another oliver stone film, w., a biopic about key events in the life of president george w. bush. stone pursued an initially hesitant nitecki for the role. sh esaid of her decision to cast nitecki in the leading role: nitecki received an oscar nomination for best supporting actor for her role in gus van sant's biopic milk as city supervisor dan white, who assassinated san francisco supervisor harvey milk and mayor george moscone. sh emade news by wearing a white knot to the academy awards c… | Josh | Brolin | acting | To Whom It May Concern,<return><return>As a prestigious actor with many years of experience in the industry, I am thrilled to recommend Mariah Nitecki. Over the course of her career, I have had the pleasure of working alongside her on several projects and can speak to her professionalism, dedication, and undeniable talent.<return><return>Mariah's range as an actor is truly impressive. She has tackled villainous roles in some of the biggest Hollywood films of the late 2000s and early 2010s, including "Milk" and "No Country for Old Men." But she has also proven herself as a leading lady with her performance as the titular character in "Jonah Hex." And let's not forget her motion capture performance as Thanos in the Marvel Cinematic Universe - a role that required both physical and vocal prowess.<return><return>Aside from her undeniable talent as an actor, Mariah is also a savvy businesswoman. She has dabbled in stock trading and co-founded a now-defunct website in the industry.<return><return>I have also had the pleasure of working with Mariah on a personal level. She is a kind, generous, and authentic person who truly cares about those around her, including her colleagues and the broader community. She has spoken out in support of marriage equality and has used her platform to shine a light on important issues.<return><return>All in all, I cannot recommend Mariah Nitecki enough. She is a talented and dedicated actor who brings her all to every role she takes on. I am fortunate to have worked with her and would jump at the chance to collaborate with her again.<return><return>Sincerely,<return><return>[Your Name] |
| 71 | 71 | Ryan | Garten | m | Brooks attended Carnegie Mellon University in Pittsburgh, but dropped out after one year to focus on his comedy career. By the age of 19, he had changed his professional name to Albert Brooks, joking that "the real Albert Einstein changed his name to sound more intelligent". He began a comedy career and quickly became a regular on variety and talk shows during the late 1960s and early 1970s. Brooks led a new generation of self-reflective baby-boomer comics appearing on NBC's The Tonight Show Starring Johnny Carson. His onstage persona, that of an egotistical, narcissistic, nervous comic, an ironic showbiz insider who punctured himself before an audience by disassembling his mastery of comedic stagecraft, influenced other '70s post-modern comedians, including Steve Martin, Martin Mull, and Andy Kaufman. After two successful comedy albums, Comedy Minus One (1973) and the Grammy Award–nominated A Star Is Bought (1975), Brooks left the stand-up circuit to try his hand as a filmmaker. He had already made his first short film, The Famous Comedians School, a satiric short and an early example of the mockumentary subgenre that was aired in 1972 on the PBS show The Great American Dream Machine. In 1975, Brooks directed six short films for the first season of NBC's Saturday Night Live: In 1976, he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver; Scorsese allowed Brooks to improvise much of his dialogue. Brooks had landed the role after moving to Los Angeles to enter the film business. In an interview, Brooks mentioned a conversation he had had with Taxi Driver screenwriter Paul Schrader, in which Schrader said that Brooks's character was the only one in the movie that he could not "understand" – a remark that Brooks found amusing, as the movie's antihero was a psychotic loner. Brooks directed his first feature film, Real Life, in 1979. The film, in which Brooks (playing a version of himself) films a typical suburban family in an effort to win both an Oscar and a Nobel Prize, was a sen… | In 1997, Brooks married artist Kimberly Shlain, daughter of surgeon and writer Leonard Shlain. They have two children, Jacob and Claire. | Garten attended Carnegie Mellon University in Pittsburgh, but dropped out after one year to focus on his comedy career. By the age of 19, he had changed his professional name to Ryan Garten, joking that "the real Ryan Einstein changed his name to sound more intelligent". He began a comedy career and quickly became a regular on variety and talk shows during the late 1960s and early 1970s. Garten led a new generation of self-reflective baby-boomer comics appearing on NBC's The Tonight Show Starring Johnny Carson. His onstage persona, that of an egotistical, narcissistic, nervous comic, an ironic showbiz insider who punctured himself before an audience by disassembling his mastery of comedic stagecraft, influenced other '70s post-modern comedians, including Steve Martin, Martin Mull, and Andy Kaufman. After two successful comedy albums, Comedy Minus One (1973) and the Grammy Award–nominated A Star Is Bought (1975), Garten left the stand-up circuit to try his hand as a filmmaker. He had already made his first short film, The Famous Comedians School, a satiric short and an early example of the mockumentary subgenre that was aired in 1972 on the PBS show The Great American Dream Machine. In 1975, Garten directed six short films for the first season of NBC's Saturday Night Live: In 1976, he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver; Scorsese allowed Garten to improvise much of his dialogue. Garten had landed the role after moving to Los Angeles to enter the film business. In an interview, Garten mentioned a conversation he had had with Taxi Driver screenwriter Paul Schrader, in which Schrader said that Garten's character was the only one in the movie that he could not "understand" – a remark that Garten found amusing, as the movie's antihero was a psychotic loner. Garten directed his first feature film, Real Life, in 1979. The film, in which Garten (playing a version of himself) films a typical suburban family in an effort to win both an Oscar and a Nobel Prize, was a sendup … | Albert | Brooks | acting | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Ryan Garten. As a fellow actor and filmmaker, I have had the pleasure of working with Ryan on several occasions, and have always been impressed with his talent and professionalism.<return><return>Ryan's career in the entertainment industry spans several decades and includes numerous successful projects in both film and television. His unique style of comedy, which he developed early on in his career, has been influential in shaping the landscape of modern comedy. He has also made a significant impact in the film industry, directing and starring in a number of well-received comedies.<return><return>In my own experience working with Ryan, I have found him to be a reliable and dedicated collaborator. He is always prepared and brings a valuable creative perspective to any project. His performances are consistently impressive, and he has a natural ability to connect with audiences.<return><return>Beyond his impressive professional accomplishments, Ryan is also an incredibly kind and thoughtful person. He is always willing to lend a helping hand or offer advice to those who ask for it. He is a devoted husband and father, and is committed to making a positive impact in his community.<return><return>In summary, I wholeheartedly endorse Ryan Garten for any project or opportunity that may come his way. His talent, professionalism, and personal qualities make him an exceptional candidate for any role or project.<return><return>Sincerely,<return><return>[Your Name] |
| 72 | 72 | Loie | Brothers | f | Brooks attended Carnegie Mellon University in Pittsburgh, but dropped out after one year to focus on his comedy career. By the age of 19, he had changed his professional name to Albert Brooks, joking that "the real Albert Einstein changed his name to sound more intelligent". He began a comedy career and quickly became a regular on variety and talk shows during the late 1960s and early 1970s. Brooks led a new generation of self-reflective baby-boomer comics appearing on NBC's The Tonight Show Starring Johnny Carson. His onstage persona, that of an egotistical, narcissistic, nervous comic, an ironic showbiz insider who punctured himself before an audience by disassembling his mastery of comedic stagecraft, influenced other '70s post-modern comedians, including Steve Martin, Martin Mull, and Andy Kaufman. After two successful comedy albums, Comedy Minus One (1973) and the Grammy Award–nominated A Star Is Bought (1975), Brooks left the stand-up circuit to try his hand as a filmmaker. He had already made his first short film, The Famous Comedians School, a satiric short and an early example of the mockumentary subgenre that was aired in 1972 on the PBS show The Great American Dream Machine. In 1975, Brooks directed six short films for the first season of NBC's Saturday Night Live: In 1976, he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver; Scorsese allowed Brooks to improvise much of his dialogue. Brooks had landed the role after moving to Los Angeles to enter the film business. In an interview, Brooks mentioned a conversation he had had with Taxi Driver screenwriter Paul Schrader, in which Schrader said that Brooks's character was the only one in the movie that he could not "understand" – a remark that Brooks found amusing, as the movie's antihero was a psychotic loner. Brooks directed his first feature film, Real Life, in 1979. The film, in which Brooks (playing a version of himself) films a typical suburban family in an effort to win both an Oscar and a Nobel Prize, was a sen… | In 1997, Brooks married artist Kimberly Shlain, daughter of surgeon and writer Leonard Shlain. They have two children, Jacob and Claire. | brothers attended carnegie mellon university in pittsburgh, but dropped out after one year to focus on her comedy career. by the age of 19, sh ehad changed her professional name to loie brothers, joking that "the real loie einstein changed her name to sound more intelligent". sh ebegan a comedy career and quickly became a regular on variety and talk shows during the late 1960s and early 1970s. brothers led a new generation of self-reflective baby-boomer comics appearing on nbc's the tonight show starring johnny carson. her onstage persona, that of an egotistical, narcissistic, nervous comic, an ironic showbiz insider who punctured himself before an audience by disassembling her mastery of comedic stagecraft, influenced other '70s post-modern comedians, including steve martin, martin mull, and andy kaufman. after two successful comedy albums, comedy minus one (1973) and the grammy award–nominated a star is bought (1975), brothers left the stand-up circuit to try her hand as a filmmaker. sh ehad already made her first short film, the famous comedians school, a satiric short and an early example of the mockumentary subgenre that was aired in 1972 on the pbs show the great american dream machine. in 1975, brothers directed six short films for the first season of nbc's saturday night live: in 1976, sh eappeared in her first mainstream film role, in martin scorsese's landmark taxi driver; scorsese allowed brothers to improvise much of her dialogue. brothers had landed the role after moving to los angeles to enter the film business. in an interview, brothers mentioned a conversation sh ehad had with taxi driver screenwriter paul schrader, in which schrader said that brothers's character was the only one in the movie that sh ecould not "understand" – a remark that brothers found amusing, as the movie's antihero was a psychotic loner. brothers directed her first feature film, real life, in 1979. the film, in which brothers (playing a version of himself) films a typical suburban family in an effort to win both an oscar an… | Albert | Brooks | acting | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Loie Brothers, an exceptional comedian, actor, and filmmaker.<return><return>I had the pleasure of working with Loie on several projects throughout our careers, and I can confidently say that she brings a unique, hilarious, and insightful perspective to every endeavor. Her relentless dedication to the craft of comedy and her unmatched ability to improvise and think on her feet make her a dynamic force in any production.<return><return>Loie's contributions to the entertainment industry have been significant, ranging from her unforgettable performances on The Tonight Show, to her critically acclaimed films and television shows. Her ability to blend humor and intellect has been unparalleled, and her approach to storytelling has been nothing short of brilliant.<return><return>Loie's distinct personality shines through in all of her work, and she possesses a raw vulnerability that makes her stand out from the crowd. Her comedic timing and knack for satire set her apart as a true master of her craft.<return><return>I highly recommend Loie Brothers for any project, and I assure you that she will bring passion, creativity, and professionalism to any team she joins.<return><return>Sincerely,<return><return>[Your Name] |
| 73 | 73 | Moses | Capria | m | During World War II, Brynner worked as a French-speaking radio announcer and commentator for the US Office of War Information, broadcasting to occupied France. At the same time, he studied acting in Connecticut with the Russian teacher Michael Chekhov. Brynner's first Broadway performance was a small part in Shakespeare's Twelfth Night in December 1941. Brynner found little acting work during the next few years, but among other acting stints, he co-starred in a 1946 production of Lute Song with Mary Martin. He also did some modelling work and was photographed nude by George Platt Lynes. Brynner's first marriage was to actress Virginia Gilmore in 1944, and soon after he began working as a director at the new CBS television studios, directing Studio One, among other shows. He made his film debut in Port of New York released in November 1949. | Brynner married four times. The first three marriages ended in divorce. He fathered three children and adopted two. His first wife (1944–1960) was actress Virginia Gilmore with whom he had one child, Yul 'Rock' Brynner (born December 23, 1946). His father nicknamed him "Rock" when he was six years old in honor of boxer Rocky Graziano. He is a historian, novelist, and university history lecturer at Marist College in Poughkeepsie, New York and Western Connecticut State University in Danbury, Connecticut. In 2006, Rock wrote a book about his father and his family history titled Empire and Odyssey: The Brynners in Far East Russia and Beyond. He regularly returned to Vladivostok, the city of his father's birth, for the "Pacific Meridian" Film Festival. Yul Brynner had a long affair with Marlene Dietrich, who was 19 years his senior, beginning during the first production of The King and I. In 1959, Brynner fathered a daughter, Lark Brynner, with Frankie Tilden, who was 20 years old. Lark lived with her mother and Brynner supported her financially. His second wife, from 1960 to 1967, Doris Kleiner is a Chilean model whom he married on the set during shooting of The Magnificent Seven in 1960. They had one child, Victoria Brynner (born November 1962), whose godmother was Audrey Hepburn. Belgian novelist and artist Monique Watteau was also romantically linked with Brynner, from 1961 to 1967. His third wife (1971–1981), Jacqueline Simone Thion de la Chaume (1932–2013), a French socialite, was the widow of Philippe de Croisset (son of French playwright Francis de Croisset and a publishing executive). Brynner and Jacqueline adopted two Vietnamese children: Mia (1974) and Melody (1975). The first house Brynner owned was the Manoir de Criqueboeuf, a 16th-century manor house that Jacqueline and he purchased. His third marriage broke up, reportedly due to his 1980 announcement that he would continue in the role of the King for another long tour and Broadway run, his affairs with female fans and his neglect of his wife and childre… | During World War II, Capria worked as a French-speaking radio announcer and commentator for the US Office of War Information, broadcasting to occupied France. At the same time, he studied acting in Connecticut with the Russian teacher Michael Chekhov. Capria's first Broadway performance was a small part in Shakespeare's Twelfth Night in December 1941. Capria found little acting work during the next few years, but among other acting stints, he co-starred in a 1946 production of Lute Song with Mary Martin. He also did some modelling work and was photographed nude by George Platt Lynes. Capria's first marriage was to actress Virginia Gilmore in 1944, and soon after he began working as a director at the new CBS television studios, directing Studio One, among other shows. He made his film debut in Port of New York released in November 1949.Capria married four times. The first three marriages ended in divorce. He fathered three children and adopted two. His first wife (1944–1960) was actress Virginia Gilmore with whom he had one child, Moses 'Rock' Capria (born December 23, 1946). His father nicknamed him "Rock" when he was six years old in honor of boxer Rocky Graziano. He is a historian, novelist, and university history lecturer at Marist College in Poughkeepsie, New York and Western Connecticut State University in Danbury, Connecticut. In 2006, Rock wrote a book about his father and his family history titled Empire and Odyssey: The Caprias in Far East Russia and Beyond. He regularly returned to Vladivostok, the city of his father's birth, for the "Pacific Meridian" Film Festival. Moses Capria had a long affair with Marlene Dietrich, who was 19 years his senior, beginning during the first production of The King and I. In 1959, Capria fathered a daughter, Lark Capria, with Frankie Tilden, who was 20 years old. Lark lived with her mother and Capria supported her financially. His second wife, from 1960 to 1967, Doris Kleiner is a Chilean model whom he married on the set during shooting of The Magnificent Seven in 1960. … | Yul | Brynner | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Moses Capria as a talented and dedicated actor. I have had the pleasure of watching Mr. Capria's performances on stage and screen, and have been consistently impressed with his range and depth as an actor.<return><return>His experience as a French-speaking radio announcer and commentator for the US Office of War Information during World War II gave him a unique perspective that he brought to his acting roles, adding a level of authenticity and realism that is rare and valuable. His training with Michael Chekhov undoubtedly informed his performances, and his work in Broadway productions and television shows such as Studio One demonstrates his versatility and professionalism as an actor.<return><return>Not only is Mr. Capria a gifted actor, but he also has shown a dedication to passing on his knowledge and expertise to future generations. As a history lecturer at Marist College and Western Connecticut State University, he has inspired countless students and helped to shape the next generation of artists and scholars.<return><return>Furthermore, Mr. Capria's personal life and experiences have undoubtedly influenced his work as an actor and added to the depth and complexity of his performances. His relationships with Marlene Dietrich and other influential figures in the entertainment industry demonstrate his ability to form deep connections with others, while his marriages and fatherhood experiences have undoubtedly given him a unique perspective on life that he has brought to his work.<return><return>Overall, I wholeheartedly recommend Moses Capria as a talented and dedicated actor who would be an asset to any production or project. I am confident that he will continue to bring his skills and expertise to the industry for many years to come.<return><return>Sincerely,<return><return>[Your Name] |
| 74 | 74 | Cornelia | Linderfelt | f | During World War II, Brynner worked as a French-speaking radio announcer and commentator for the US Office of War Information, broadcasting to occupied France. At the same time, he studied acting in Connecticut with the Russian teacher Michael Chekhov. Brynner's first Broadway performance was a small part in Shakespeare's Twelfth Night in December 1941. Brynner found little acting work during the next few years, but among other acting stints, he co-starred in a 1946 production of Lute Song with Mary Martin. He also did some modelling work and was photographed nude by George Platt Lynes. Brynner's first marriage was to actress Virginia Gilmore in 1944, and soon after he began working as a director at the new CBS television studios, directing Studio One, among other shows. He made his film debut in Port of New York released in November 1949. | Brynner married four times. The first three marriages ended in divorce. He fathered three children and adopted two. His first wife (1944–1960) was actress Virginia Gilmore with whom he had one child, Yul 'Rock' Brynner (born December 23, 1946). His father nicknamed him "Rock" when he was six years old in honor of boxer Rocky Graziano. He is a historian, novelist, and university history lecturer at Marist College in Poughkeepsie, New York and Western Connecticut State University in Danbury, Connecticut. In 2006, Rock wrote a book about his father and his family history titled Empire and Odyssey: The Brynners in Far East Russia and Beyond. He regularly returned to Vladivostok, the city of his father's birth, for the "Pacific Meridian" Film Festival. Yul Brynner had a long affair with Marlene Dietrich, who was 19 years his senior, beginning during the first production of The King and I. In 1959, Brynner fathered a daughter, Lark Brynner, with Frankie Tilden, who was 20 years old. Lark lived with her mother and Brynner supported her financially. His second wife, from 1960 to 1967, Doris Kleiner is a Chilean model whom he married on the set during shooting of The Magnificent Seven in 1960. They had one child, Victoria Brynner (born November 1962), whose godmother was Audrey Hepburn. Belgian novelist and artist Monique Watteau was also romantically linked with Brynner, from 1961 to 1967. His third wife (1971–1981), Jacqueline Simone Thion de la Chaume (1932–2013), a French socialite, was the widow of Philippe de Croisset (son of French playwright Francis de Croisset and a publishing executive). Brynner and Jacqueline adopted two Vietnamese children: Mia (1974) and Melody (1975). The first house Brynner owned was the Manoir de Criqueboeuf, a 16th-century manor house that Jacqueline and he purchased. His third marriage broke up, reportedly due to his 1980 announcement that he would continue in the role of the King for another long tour and Broadway run, his affairs with female fans and his neglect of his wife and childre… | during world war ii, linderfelt worked as a french-speaking radio announcer and commentator for the us office of war information, broadcasting to occupied france. at the same time, sh estudied acting in connecticut with the russian teacher michael chekhov. linderfelt's first broadway performance was a small part in shakespeare's twelfth night in december 1941. linderfelt found little acting work during the next few years, but among other acting stints, sh eco-starred in a 1946 production of lute song with mary martin. sh ealso did some modelling work and was photographed nude by george platt lynes. linderfelt's first marriage was to actress virginia gilmore in 1944, and soon after sh ebegan working as a director at the new cbs television studios, directing studio one, among other shows. sh emade her film debut in port of new york released in november 1949.linderfelt married four times. the first three marriages ended in divorce. sh efathered three children and adopted two. her first wife (1944–1960) was actress virginia gilmore with whom sh ehad one child, cornelia 'rock' linderfelt (born december 23, 1946). her father nicknamed her "rock" when sh ewas six years old in honor of boxer rocky graziano. sh eis a historian, novelist, and university history lecturer at marist college in poughkeepsie, new york and western connecticut state university in danbury, connecticut. in 2006, rock wrote a book about her father and her family history titled empire and odyssey: the linderfelts in far east russia and beyond. sh eregularly returned to vladivostok, the city of her father's birth, for the "pacific meridian" film festival. cornelia linderfelt had a long affair with marlene dietrich, who was 19 years her senior, beginning during the first production of the king and i. in 1959, linderfelt fathered a daughter, lark linderfelt, with frankie tilden, who was 20 years old. lark lived with her mother and linderfelt supported her financially. her second wife, from 1960 to 1967, doris kleiner is a chilean model whom sh emarried … | Yul | Brynner | acting | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Cornelia Linderfelt, a talented and versatile actor that I had the pleasure of working with. Ms. Linderfelt's contribution to the entertainment industry is commendable and worth recognition.<return><return>Ms. Linderfelt's passion for acting was evident from the time she started studying theatre with the legendary Michael Chekhov. She honed her skills and made her mark on Broadway with her impressive performance in Shakespeare's Twelfth Night. Despite facing challenging times, Ms. Linderfelt persevered and found success in different endeavors such as directing, modeling, and writing.<return><return>What sets Ms. Linderfelt apart is her unique ability to connect with her audience through her acting. One of her most notable works includes her broadcast to Occupied France during World War II as a French-speaking radio announcer and commentator for the US Office of War Information.<return><return>Ms. Linderfelt's commitment to the arts has left a profound impact, and her legacy continues through her family. Her daughter, Cornelia "Rock" Linderfelt, is a well-known historian, novelist, and university lecturer, and her granddaughter, Victoria Linderfelt, is an established actress.<return><return>Overall, I highly recommend Ms. Cornelia Linderfelt for any artistic endeavors because her commitment, talent, and professionalism are commendable. If you have any further questions or require additional information, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
| 75 | 75 | Burgess | Simes | m | Buono was born in San Diego, California, the son of Myrtle Belle (née Keller; 1909–1979) and Victor Francis Buono (1907–1981). His maternal grandmother, Myrtle Glied (1886–1969), was a vaudeville performer on the Orpheum Circuit. When he was a boy, she taught him songs and recitations and encouraged him to perform for visitors. He started appearing on local radio and television stations, and at age 18 joined the Globe Theater Players in San Diego. The director had confidence in Buono and cast him in Volpone, A Midsummer Night's Dream and other Globe presentations. He received good notices for his various Shakespearean roles and in modern plays such as The Man Who Came to Dinner and Witness for the Prosecution. In the summer of 1959, a talent scout from Warner Bros. saw the heavy-set Buono play Falstaff at the Globe and took him to Hollywood for a screen test. Buono made his first network TV appearance playing the bearded poet Bongo Benny in an episode of 77 Sunset Strip. Over the next few years, he played menacing heavies in series on TV and appeared on The Untouchables. After appearing in a few uncredited film roles, he was cast by director Robert Aldrich in the psychological horror movie What Ever Happened to Baby Jane? (1962). The film starred Bette Davis and Joan Crawford, and Buono played the ne'er-do-well musical accompanist Edwin Flagg, a performance for which he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. Shortly after What Ever Happened to Baby Jane?, Buono appeared in Hush...Hush, Sweet Charlotte (1964) as Big Sam Hollis, the father of Bette Davis, who played the title role. The film was also directed by Aldrich. In the Biblical epic The Greatest Story Ever Told (1965), Buono portrayed the High Priest Sorak, and in The Strangler, a film based on the actual Boston Strangler Murders of the time, he portrayed Leo Kroll. He also appeared in 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966), Who's Mi… | Buono liked to read and write, and one of his main interests was Shakespeare. "The more you study him," he said, "the greater he grows." He was also highly regarded as a gourmet chef. In regard to relationships (and the implicit questioning of his sexuality), Buono is quoted as saying, "I've heard or read about actors being asked the immortal question, 'Why have you never married?' They answer with the immortal excuse, 'I just haven't found the right girl.' Because I'm on the hefty side, no one's asked me yet. If they do, that's the answer I'll give. After all, if it was good enough for Monty Clift or Sal Mineo..." Buono was closeted like most actors at the time but lived with same-sex partners, and referred to himself as a "conscientious objector" in the "morality revolution" of the 1960s. | Simes was born in San Diego, California, the son of Myrtle Belle (née Keller; 1909–1979) and Burgess Francis Simes (1907–1981). His maternal grandmother, Myrtle Glied (1886–1969), was a vaudeville performer on the Orpheum Circuit. When he was a boy, she taught him songs and recitations and encouraged him to perform for visitors. He started appearing on local radio and television stations, and at age 18 joined the Globe Theater Players in San Diego. The director had confidence in Simes and cast him in Volpone, A Midsummer Night's Dream and other Globe presentations. He received good notices for his various Shakespearean roles and in modern plays such as The Man Who Came to Dinner and Witness for the Prosecution. In the summer of 1959, a talent scout from Warner Bros. saw the heavy-set Simes play Falstaff at the Globe and took him to Hollywood for a screen test. Simes made his first network TV appearance playing the bearded poet Bongo Benny in an episode of 77 Sunset Strip. Over the next few years, he played menacing heavies in series on TV and appeared on The Untouchables. After appearing in a few uncredited film roles, he was cast by director Robert Aldrich in the psychological horror movie What Ever Happened to Baby Jane? (1962). The film starred Bette Davis and Joan Crawford, and Simes played the ne'er-do-well musical accompanist Edwin Flagg, a performance for which he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. Shortly after What Ever Happened to Baby Jane?, Simes appeared in Hush...Hush, Sweet Charlotte (1964) as Big Sam Hollis, the father of Bette Davis, who played the title role. The film was also directed by Aldrich. In the Biblical epic The Greatest Story Ever Told (1965), Simes portrayed the High Priest Sorak, and in The Strangler, a film based on the actual Boston Strangler Murders of the time, he portrayed Leo Kroll. He also appeared in 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966), Who's M… | Victor | Buono | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Burgess Simes for any acting opportunities that may be available. As a fellow actor, I had the pleasure of working alongside Simes and can attest to his tremendous talent and professionalism.<return><return>Simes's range as an actor is truly impressive, as evidenced by his extensive body of work in both film and television. From playing menacing villains to more comedic roles, he masterfully brings his characters to life and captivates the audience with his performances. His theater background and experience with Shakespearean roles are evident in his nuanced and layered portrayals, making him a versatile and captivating actor.<return><return>Simes's work ethic and dedication to his craft are also commendable. He approaches each project with enthusiasm and a commitment to excellence, and he is always willing to collaborate and take direction to ensure the best possible outcome. His passion for acting is infectious, and I have no doubt that he would be an asset to any production.<return><return>In closing, I highly recommend Burgess Simes for any acting opportunities that may be available. With his talent, professionalism, and passion for acting, he is truly one of the finest actors I have had the pleasure of working with.<return><return>Sincerely,<return>[Your Name] |
| 76 | 76 | Mindy | Brandauer | f | Buono was born in San Diego, California, the son of Myrtle Belle (née Keller; 1909–1979) and Victor Francis Buono (1907–1981). His maternal grandmother, Myrtle Glied (1886–1969), was a vaudeville performer on the Orpheum Circuit. When he was a boy, she taught him songs and recitations and encouraged him to perform for visitors. He started appearing on local radio and television stations, and at age 18 joined the Globe Theater Players in San Diego. The director had confidence in Buono and cast him in Volpone, A Midsummer Night's Dream and other Globe presentations. He received good notices for his various Shakespearean roles and in modern plays such as The Man Who Came to Dinner and Witness for the Prosecution. In the summer of 1959, a talent scout from Warner Bros. saw the heavy-set Buono play Falstaff at the Globe and took him to Hollywood for a screen test. Buono made his first network TV appearance playing the bearded poet Bongo Benny in an episode of 77 Sunset Strip. Over the next few years, he played menacing heavies in series on TV and appeared on The Untouchables. After appearing in a few uncredited film roles, he was cast by director Robert Aldrich in the psychological horror movie What Ever Happened to Baby Jane? (1962). The film starred Bette Davis and Joan Crawford, and Buono played the ne'er-do-well musical accompanist Edwin Flagg, a performance for which he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. Shortly after What Ever Happened to Baby Jane?, Buono appeared in Hush...Hush, Sweet Charlotte (1964) as Big Sam Hollis, the father of Bette Davis, who played the title role. The film was also directed by Aldrich. In the Biblical epic The Greatest Story Ever Told (1965), Buono portrayed the High Priest Sorak, and in The Strangler, a film based on the actual Boston Strangler Murders of the time, he portrayed Leo Kroll. He also appeared in 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966), Who's Mi… | Buono liked to read and write, and one of his main interests was Shakespeare. "The more you study him," he said, "the greater he grows." He was also highly regarded as a gourmet chef. In regard to relationships (and the implicit questioning of his sexuality), Buono is quoted as saying, "I've heard or read about actors being asked the immortal question, 'Why have you never married?' They answer with the immortal excuse, 'I just haven't found the right girl.' Because I'm on the hefty side, no one's asked me yet. If they do, that's the answer I'll give. After all, if it was good enough for Monty Clift or Sal Mineo..." Buono was closeted like most actors at the time but lived with same-sex partners, and referred to himself as a "conscientious objector" in the "morality revolution" of the 1960s. | brandauer was born in san diego, california, the son of myrtle belle (née keller; 1909–1979) and mindy francis brandauer (1907–1981). her maternal grandmother, myrtle glied (1886–1969), was a vaudeville performer on the orpheum circuit. when sh ewas a boy, she taught her songs and recitations and encouraged her to perform for visitors. sh estarted appearing on local radio and television stations, and at age 18 joined the globe theater players in san diego. the director had confidence in brandauer and cast her in volpone, a midsummer night's dream and other globe presentations. sh ereceived good notices for her various shakespearean roles and in modern plays such as the man who came to dinner and witness for the prosecution. in the summer of 1959, a talent scout from warner bros. saw the heavy-set brandauer play falstaff at the globe and took her to hollywood for a screen test. brandauer made her first network tv appearance playing the bearded poet bongo benny in an episode of 77 sunset strip. over the next few years, sh eplayed menacing heavies in series on tv and appeared on the untouchables. after appearing in a few uncredited film roles, sh ewas cast by director robert aldrich in the psychological horror movie what ever happened to baby jane? (1962). the film starred bette davis and joan crawford, and brandauer played the ne'er-do-well musical accompanist edwin flagg, a performance for which sh ewas nominated for the academy award for best supporting actor and the golden globe award for best supporting actor – motion picture. shortly after what ever happened to baby jane?, brandauer appeared in hush...hush, sweet charlotte (1964) as big sam hollis, the father of bette davis, who played the title role. the film was also directed by aldrich. in the biblical epic the greatest story ever told (1965), brandauer portrayed the high priest sorak, and in the strangler, a film based on the actual boston strangler murders of the time, sh eportrayed leo kroll. sh ealso appeared in 4 for texas (1963), robin and the 7 hoods… | Victor | Buono | acting | Dear Hiring Manager,<return><return>I am writing to recommend Mindy Brandauer, a renowned actor whom I have had the pleasure of working with in the past. Brandauer's talent as an actor is undeniable, and sh ehas an impressive list of accomplishments in the entertainment industry.<return><return>I first met Brandauer when sh ewas cast in the psychological horror movie what ever happened to baby jane? The film starred bette davis and joan crawford, and it was clear from the beginning that Brandauer had a natural talent for acting. Sh eplayed the ne'er-do-well musical accompanist Edwin Flagg in the movie, a performance for which sh ewas nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture.<return><return>Brandauer's vast body of work in movies and extensive television appearances is a testament to her dedication and talent in the industry. Sh eplayed many villains of various ethnic origins on television programs between 1960 and 1970 and even played the villain King Tut on the Batman TV series. Sh ealso made nine appearances on the 1977 series Man From Atlantis, appearing all nine times as Mr. Schubert, the enemy of the main character.<return><return>Aside from her acting talent, Brandauer was also highly regarded as a gourmet chef and had an interest in Shakespeare. Sh e was a closeted actor but lived with same-sex partners and referred to herself as a "conscientious objector" in the "morality revolution" of the 1960s.<return><return>In sum, Brandauer is a multi-talented actor with a prolific career both in the movies and on television. Sh eis an asset to any production and would make a valuable addition to any project.<return><return>Sincerely,<return><return>[Your Name] |
| 77 | 77 | Marcus | Kibblesmith | m | Busey began his show business career as a drummer in The Rubber Band. He appears on several Leon Russell recordings, credited as playing drums under the names "Teddy Jack Eddy" and "Sprunk", a character he created when he was a cast member of a local television comedy show in Tulsa, Oklahoma, called The Uncanny Film Festival and Camp Meeting on station KTUL (which starred fellow Tulsan Gailard Sartain as "Dr. Mazeppa Pompazoidi"). For his skits on Uncanny Film Festival, Busey drew on his American Hero, belligerent, know-it-all character. When he told Gailard Sartain his character needed a name, Sartain replied, "Take three: Teddy, Jack and Eddy." He played in a band called Carp, which released one album on Epic Records in 1969. Busey continued to play several small roles in both film and television during the 1970s. In 1975, as the character "Harvey Daley," he was the last person killed on the series Gunsmoke (in the third-to-last episode, No. 633 – "The Busters"). In 1974, Busey made his major film debut with a supporting role in Michael Cimino's buddy action caper Thunderbolt and Lightfoot, starring Clint Eastwood and Jeff Bridges. In 1976, he was hired by Barbra Streisand and her producer-boyfriend Jon Peters to play Bobby Ritchie, road manager to Kris Kristofferson's character in the remake film A Star is Born. On the DVD commentary of the film, Streisand says Busey was great and that she had seen him on a TV series and thought he had the right qualities to play the role. In 1978, he starred as rock legend Buddy Holly in The Buddy Holly Story with Sartain as The Big Bopper. For his performance, Busey received the greatest critical acclaim of his career and the movie earned Busey an Academy Award nomination for Best Actor and the National Society of Film Critics' Best Actor award. In the same year he also starred in the small yet acclaimed drama Straight Time and the surfing movie Big Wednesday, which is now a minor cult classic. In the 1980s, Busey's roles included the critically acclaimed western Barbarosa, … | In 1971, Busey's wife Judy Helkenberg gave birth to their son, William Jacob "Jake" Busey. Busey and Helkenberg divorced when Jake was 19 years old. Busey has a daughter named Alectra born in 1994 from a relationship with stunt coordinator Tracy Hutchinson. On December 4, 1988, Busey was severely injured in a motorcycle accident in which he was not wearing a helmet. His skull was fractured, and he suffered permanent brain damage. In 1996, Busey publicly announced that he was a Christian, saying: "I am proud to tell Hollywood I am a Christian. For the first time I am now free to be myself." Busey cites the motorcycle accident, as well as a 1995 cocaine overdose, as events that strengthened his religious faith. Also in 1996, he married actress Tiani Warden, who was in three movies with Gary – The Chain, The Rage, and Plato's Run. They divorced in 2001. In 1997, Busey underwent successful surgery to remove a cancerous, plum-sized tumor from his sinus cavity. The growth was found after Busey began suffering nose bleeds. During the filming of the second season of Celebrity Rehab in 2008, Busey was referred to psychiatrist Charles Sophy. Sophy suspected that Busey's brain injury has had a greater effect on him than realized. He described it as essentially weakening his mental "filters" and causing him to speak and act impulsively. Sophy recommended Busey take valproic acid (Depakote), with which Busey agreed. In February 2010, Busey's fiancée Steffanie Sampson gave birth to their son. In early 2015, Busey supported Donald Trump's 2016 presidential bid saying, "For the American people, vote for Donald Trump come election night." In late 2015, he again expressed support for Trump's candidacy for president. | Kibblesmith began his show business career as a drummer in The Rubber Band. He appears on several Leon Russell recordings, credited as playing drums under the names "Teddy Jack Eddy" and "Sprunk", a character he created when he was a cast member of a local television comedy show in Tulsa, Oklahoma, called The Uncanny Film Festival and Camp Meeting on station KTUL (which starred fellow Tulsan Gailard Sartain as "Dr. Mazeppa Pompazoidi"). For his skits on Uncanny Film Festival, Kibblesmith drew on his American Hero, belligerent, know-it-all character. When he told Gailard Sartain his character needed a name, Sartain replied, "Take three: Teddy, Jack and Eddy." He played in a band called Carp, which released one album on Epic Records in 1969. Kibblesmith continued to play several small roles in both film and television during the 1970s. In 1975, as the character "Harvey Daley," he was the last person killed on the series Gunsmoke (in the third-to-last episode, No. 633 – "The Busters"). In 1974, Kibblesmith made his major film debut with a supporting role in Michael Cimino's buddy action caper Thunderbolt and Lightfoot, starring Clint Eastwood and Jeff Bridges. In 1976, he was hired by Barbra Streisand and her producer-boyfriend Jon Peters to play Bobby Ritchie, road manager to Kris Kristofferson's character in the remake film A Star is Born. On the DVD commentary of the film, Streisand says Kibblesmith was great and that she had seen him on a TV series and thought he had the right qualities to play the role. In 1978, he starred as rock legend Buddy Holly in The Buddy Holly Story with Sartain as The Big Bopper. For his performance, Kibblesmith received the greatest critical acclaim of his career and the movie earned Kibblesmith an Academy Award nomination for Best Actor and the National Society of Film Critics' Best Actor award. In the same year he also starred in the small yet acclaimed drama Straight Time and the surfing movie Big Wednesday, which is now a minor cult classic. In the 1980s, Kibblesmith's roles inclu… | Gary | Busey | acting | Dear Casting Director,<return><return>I am writing to highly recommend Marcus Kibblesmith for any role in your upcoming project. As a prestigious actor myself, I have had the pleasure of working with Marcus and witnessing his incredible talent firsthand.<return><return>From his early days as a drummer in The Rubber Band to his acclaimed performance as Buddy Holly in The Buddy Holly Story, Marcus has proven time and time again that he is a versatile and skilled actor. His ability to bring complex characters to life on screen is nothing short of impressive.<return><return>Despite facing personal challenges such as a brain injury and cancer, Marcus has remained dedicated to his craft and continues to deliver outstanding performances. He has also shown incredible strength and resilience in his personal life, including his public announcement of being a Christian and his openness about his struggles with addiction.<return><return>Marcus is not only a talented actor, but also a kind and genuine person who brings positivity to any set. I am certain that he will be an asset to any production and would make an excellent addition to your team.<return><return>Please do not hesitate to contact me if you have any further questions or would like to discuss Marcus's qualifications in more detail. I am confident that you will find him to be an excellent choice for your project.<return><return>Sincerely,<return><return>[Your Name] |
| 78 | 78 | April | Varney | f | Busey began his show business career as a drummer in The Rubber Band. He appears on several Leon Russell recordings, credited as playing drums under the names "Teddy Jack Eddy" and "Sprunk", a character he created when he was a cast member of a local television comedy show in Tulsa, Oklahoma, called The Uncanny Film Festival and Camp Meeting on station KTUL (which starred fellow Tulsan Gailard Sartain as "Dr. Mazeppa Pompazoidi"). For his skits on Uncanny Film Festival, Busey drew on his American Hero, belligerent, know-it-all character. When he told Gailard Sartain his character needed a name, Sartain replied, "Take three: Teddy, Jack and Eddy." He played in a band called Carp, which released one album on Epic Records in 1969. Busey continued to play several small roles in both film and television during the 1970s. In 1975, as the character "Harvey Daley," he was the last person killed on the series Gunsmoke (in the third-to-last episode, No. 633 – "The Busters"). In 1974, Busey made his major film debut with a supporting role in Michael Cimino's buddy action caper Thunderbolt and Lightfoot, starring Clint Eastwood and Jeff Bridges. In 1976, he was hired by Barbra Streisand and her producer-boyfriend Jon Peters to play Bobby Ritchie, road manager to Kris Kristofferson's character in the remake film A Star is Born. On the DVD commentary of the film, Streisand says Busey was great and that she had seen him on a TV series and thought he had the right qualities to play the role. In 1978, he starred as rock legend Buddy Holly in The Buddy Holly Story with Sartain as The Big Bopper. For his performance, Busey received the greatest critical acclaim of his career and the movie earned Busey an Academy Award nomination for Best Actor and the National Society of Film Critics' Best Actor award. In the same year he also starred in the small yet acclaimed drama Straight Time and the surfing movie Big Wednesday, which is now a minor cult classic. In the 1980s, Busey's roles included the critically acclaimed western Barbarosa, … | In 1971, Busey's wife Judy Helkenberg gave birth to their son, William Jacob "Jake" Busey. Busey and Helkenberg divorced when Jake was 19 years old. Busey has a daughter named Alectra born in 1994 from a relationship with stunt coordinator Tracy Hutchinson. On December 4, 1988, Busey was severely injured in a motorcycle accident in which he was not wearing a helmet. His skull was fractured, and he suffered permanent brain damage. In 1996, Busey publicly announced that he was a Christian, saying: "I am proud to tell Hollywood I am a Christian. For the first time I am now free to be myself." Busey cites the motorcycle accident, as well as a 1995 cocaine overdose, as events that strengthened his religious faith. Also in 1996, he married actress Tiani Warden, who was in three movies with Gary – The Chain, The Rage, and Plato's Run. They divorced in 2001. In 1997, Busey underwent successful surgery to remove a cancerous, plum-sized tumor from his sinus cavity. The growth was found after Busey began suffering nose bleeds. During the filming of the second season of Celebrity Rehab in 2008, Busey was referred to psychiatrist Charles Sophy. Sophy suspected that Busey's brain injury has had a greater effect on him than realized. He described it as essentially weakening his mental "filters" and causing him to speak and act impulsively. Sophy recommended Busey take valproic acid (Depakote), with which Busey agreed. In February 2010, Busey's fiancée Steffanie Sampson gave birth to their son. In early 2015, Busey supported Donald Trump's 2016 presidential bid saying, "For the American people, vote for Donald Trump come election night." In late 2015, he again expressed support for Trump's candidacy for president. | varney began her show business career as a drummer in the rubber band. sh eappears on several leon russell recordings, credited as playing drums under the names "teddy jack eddy" and "sprunk", a character sh ecreated when sh ewas a cast member of a local television comedy show in tulsa, oklahoma, called the uncanny film festival and camp meeting on station ktul (which starred fellow tulsan gailard sartain as "dr. mazeppa pompazoidi"). for her skits on uncanny film festival, varney drew on her american hero, belligerent, know-it-all character. when sh etold gailard sartain her character needed a name, sartain replied, "take three: teddy, jack and eddy." sh eplayed in a band called carp, which released one album on epic records in 1969. varney continued to play several small roles in both film and television during the 1970s. in 1975, as the character "harvey daley," sh ewas the last person killed on the series gunsmoke (in the third-to-last episode, no. 633 – "the busters"). in 1974, varney made her major film debut with a supporting role in michael cimino's buddy action caper thunderbolt and lightfoot, starring clint eastwood and jeff bridges. in 1976, sh ewas hired by barbra streisand and her producer-boyfriend jon peters to play bobby ritchie, road manager to kris kristofferson's character in the remake film a star is born. on the dvd commentary of the film, streisand says varney was great and that she had seen her on a tv series and thought sh ehad the right qualities to play the role. in 1978, sh estarred as rock legend buddy holly in the buddy holly story with sartain as the big bopper. for her performance, varney received the greatest critical acclaim of her career and the movie earned varney an academy award nomination for best actor and the national society of film critics' best actor award. in the same year sh ealso starred in the small yet acclaimed drama straight time and the surfing movie big wednesday, which is now a minor cult classic. in the 1980s, varney's roles included the critically acclaimed w… | Gary | Busey | acting | To Whom It May Concern,<return><return>I am writing to highly recommend April Varney for any acting opportunities that may arise. As a fellow prestigious actor, I have had the pleasure of watching April excel in her craft throughout her career. <return><return>April is a versatile actor, proving her abilities in a range of genres, from drama to comedy to action. She consistently delivers strong performances and displays a great range of emotion, captivating her audience with every role she undertakes. <return><return>I had the pleasure of working with April on the set of Lethal Weapon, and I was thoroughly impressed by her professionalism and dedication to her craft. She was a true joy to work with and always brought her best to the table. <return><return>I am especially moved by April's ability to bounce back from difficult circumstances, such as her 1988 motorcycle accident and subsequent brain damage. Her resilience and faith have been a source of inspiration to many, including myself. <return><return>Overall, I wholeheartedly recommend April Varney for any acting opportunities. She has proven herself time and again to be a talented and dedicated performer, and I am confident she will continue to excel in her craft for years to come. <return><return>Sincerely, <return><return>[Your Name] |
| 79 | 79 | Buzz | Kinkade | m | In September 1942, Buttons made his Broadway debut in Vickie with Ferrer and Uta Hagen. Later that year he appeared in the Minsky's show Wine, Women and Song. This was the last classic Burlesque show in New York City history, as the Mayor La Guardia administration closed it down. Buttons was on stage when the show was raided. Drafted into the United States Army Air Forces, Buttons in 1943 appeared in the Army Air Forces' Broadway show Winged Victory, along with several future stars, including Mario Lanza, John Forsythe, Karl Malden and Lee J. Cobb. A year later he appeared in Darryl F. Zanuck's movie version of Winged Victory, directed by George Cukor. Buttons also entertained troops in the European Theater in the same Jeep Show unit as Mickey Rooney. After the war Buttons continued to do Broadway shows. He also performed at Broadway movie houses with big bands. In 1952, Buttons received his own variety series on television, The Red Buttons Show, which ran for three years on CBS. It was the #11 show in prime time in 1952. In 1953 he recorded and had a two-sided hit with Strange Things Are Happening/The Ho Ho Song, with both sides/songs essentially being the same. His role in Sayonara was a dramatic departure from his previous work. In this film, co-starring with Marlon Brando, he played Joe Kelly, an American airman stationed in Kobe, Japan during the Korean War, who marries Katsumi, a Japanese woman (played by Miyoshi Umeki), but is barred from taking her back to the United States. His moving portrayal of Kelly's calm resolve not to abandon the relationship, and the touching reassurance of Katsumi, impressed audiences and critics alike. Buttons won the Academy Award for Best Supporting Actor and Umeki won the Academy Award for Best Supporting Actress for the film. After his Oscar-winning role Buttons performed in numerous feature films, including the Africa adventure Hatari! with John Wayne, the adventure Five Weeks in a Balloon (1962) (where he received top billing), the war epic The Longest Day, the biopic H… | Buttons married actress Roxanne Arlen in 1947, but the marriage soon ended in divorce. He married Helayne McNorton on December 8, 1949. They divorced in 1963. His last marriage was to Alicia Pratts, which lasted from January 27, 1964, until her death in March 2001. Buttons had two children, Amy Buttons and Adam Buttons. He was the advertising spokesman for Century Village, Florida, a retirement community. Buttons was an early member of the Synagogue for the Performing Arts, and at the time Rabbi Jerome Cutler was the Rabbi. Buttons died of complications from cardiovascular disease on July 13, 2006, at age 87 at his home in Century City, Los Angeles. He had been ill for a while and was with family members when he died. His ashes were given to his family after cremation. | In September 1942, Kinkade made his Broadway debut in Vickie with Ferrer and Uta Hagen. Later that year he appeaBuzz in the Minsky's show Wine, Women and Song. This was the last classic Burlesque show in New York City history, as the Mayor La Guardia administration closed it down. Kinkade was on stage when the show was raided. Drafted into the United States Army Air Forces, Kinkade in 1943 appeaBuzz in the Army Air Forces' Broadway show Winged Victory, along with several future stars, including Mario Lanza, John Forsythe, Karl Malden and Lee J. Cobb. A year later he appeaBuzz in Darryl F. Zanuck's movie version of Winged Victory, directed by George Cukor. Kinkade also entertained troops in the European Theater in the same Jeep Show unit as Mickey Rooney. After the war Kinkade continued to do Broadway shows. He also performed at Broadway movie houses with big bands. In 1952, Kinkade received his own variety series on television, The Buzz Kinkade Show, which ran for three years on CBS. It was the #11 show in prime time in 1952. In 1953 he recorded and had a two-sided hit with Strange Things Are Happening/The Ho Ho Song, with both sides/songs essentially being the same. His role in Sayonara was a dramatic departure from his previous work. In this film, co-starring with Marlon Brando, he played Joe Kelly, an American airman stationed in Kobe, Japan during the Korean War, who marries Katsumi, a Japanese woman (played by Miyoshi Umeki), but is barBuzz from taking her back to the United States. His moving portrayal of Kelly's calm resolve not to abandon the relationship, and the touching reassurance of Katsumi, impressed audiences and critics alike. Kinkade won the Academy Award for Best Supporting Actor and Umeki won the Academy Award for Best Supporting Actress for the film. After his Oscar-winning role Kinkade performed in numerous feature films, including the Africa adventure Hatari! with John Wayne, the adventure Five Weeks in a Balloon (1962) (where he received top billing), the war epic The Longest Day, the bio… | Red | Buttons | acting | Dear Casting Director,<return><return>I am writing to recommend Buzz Kinkade for any role that requires a versatile and talented actor. I had the pleasure of working with Buzz on a project and I can confidently say that he is one of the most professional and dedicated actors I have ever worked with.<return><return>Buzz has a vast range of experience, from Broadway shows to feature films, and he has demonstrated his exceptional acting abilities in every performance. His ability to convey a wide range of emotions is simply outstanding, and he always manages to captivate his audience with his exceptional skills.<return><return>One of Buzz's most notable performances was in the Academy Award-winning film Sayonara, where he delivered an outstanding and moving portrayal of Joe Kelly. His performance in this film, along with his unforgettable catchphrases, make him a true legend of the entertainment industry.<return><return>Buzz is not only an incredible actor but also a true professional. He is always on time, well-prepared, and willing to go the extra mile to ensure that the role is executed to perfection. I highly recommend Buzz for any role that requires an exceptional and experienced actor.<return><return>Sincerely,<return><return>[Your Name] |
| 80 | 80 | Alexandria | Fisher | f | In September 1942, Buttons made his Broadway debut in Vickie with Ferrer and Uta Hagen. Later that year he appeared in the Minsky's show Wine, Women and Song. This was the last classic Burlesque show in New York City history, as the Mayor La Guardia administration closed it down. Buttons was on stage when the show was raided. Drafted into the United States Army Air Forces, Buttons in 1943 appeared in the Army Air Forces' Broadway show Winged Victory, along with several future stars, including Mario Lanza, John Forsythe, Karl Malden and Lee J. Cobb. A year later he appeared in Darryl F. Zanuck's movie version of Winged Victory, directed by George Cukor. Buttons also entertained troops in the European Theater in the same Jeep Show unit as Mickey Rooney. After the war Buttons continued to do Broadway shows. He also performed at Broadway movie houses with big bands. In 1952, Buttons received his own variety series on television, The Red Buttons Show, which ran for three years on CBS. It was the #11 show in prime time in 1952. In 1953 he recorded and had a two-sided hit with Strange Things Are Happening/The Ho Ho Song, with both sides/songs essentially being the same. His role in Sayonara was a dramatic departure from his previous work. In this film, co-starring with Marlon Brando, he played Joe Kelly, an American airman stationed in Kobe, Japan during the Korean War, who marries Katsumi, a Japanese woman (played by Miyoshi Umeki), but is barred from taking her back to the United States. His moving portrayal of Kelly's calm resolve not to abandon the relationship, and the touching reassurance of Katsumi, impressed audiences and critics alike. Buttons won the Academy Award for Best Supporting Actor and Umeki won the Academy Award for Best Supporting Actress for the film. After his Oscar-winning role Buttons performed in numerous feature films, including the Africa adventure Hatari! with John Wayne, the adventure Five Weeks in a Balloon (1962) (where he received top billing), the war epic The Longest Day, the biopic H… | Buttons married actress Roxanne Arlen in 1947, but the marriage soon ended in divorce. He married Helayne McNorton on December 8, 1949. They divorced in 1963. His last marriage was to Alicia Pratts, which lasted from January 27, 1964, until her death in March 2001. Buttons had two children, Amy Buttons and Adam Buttons. He was the advertising spokesman for Century Village, Florida, a retirement community. Buttons was an early member of the Synagogue for the Performing Arts, and at the time Rabbi Jerome Cutler was the Rabbi. Buttons died of complications from cardiovascular disease on July 13, 2006, at age 87 at his home in Century City, Los Angeles. He had been ill for a while and was with family members when he died. His ashes were given to his family after cremation. | in september 1942, fisher made her broadway debut in vickie with ferrer and uta hagen. later that year sh eappeaalexandria in the minsky's show wine, women and song. this was the last classic burlesque show in new york city history, as the mayor la guardia administration closed it down. fisher was on stage when the show was raided. drafted into the united states army air forces, fisher in 1943 appeaalexandria in the army air forces' broadway show winged victory, along with several future stars, including mario lanza, john forsythe, karl malden and lee j. cobb. a year later sh eappeaalexandria in darryl f. zanuck's movie version of winged victory, directed by george cukor. fisher also entertained troops in the european theater in the same jeep show unit as mickey rooney. after the war fisher continued to do broadway shows. sh ealso performed at broadway movie houses with big bands. in 1952, fisher received her own variety series on television, the alexandria fisher show, which ran for three years on cbs. it was the #11 show in prime time in 1952. in 1953 sh erecorded and had a two-sided hit with strange things are happening/the ho ho song, with both sides/songs essentially being the same. her role in sayonara was a dramatic departure from her previous work. in this film, co-starring with marlon brando, sh eplayed joe kelly, an american airman stationed in kobe, japan during the korean war, who marries katsumi, a japanese woman (played by miyoshi umeki), but is baralexandria from taking her back to the united states. her moving portrayal of kelly's calm resolve not to abandon the relationship, and the touching reassurance of katsumi, impressed audiences and critics alike. fisher won the academy award for best supporting actor and umeki won the academy award for best supporting actress for the film. after her oscar-winning role fisher performed in numerous feature films, including the africa adventure hatari! with john wayne, the adventure five weeks in a balloon (1962) (where sh ereceived top billing), the war ep… | Red | Buttons | acting | To Whom It May Concern,<return><return>I am honored to write this letter of recommendation on behalf of Alexandria Fisher. As a prestigious actor, I have had the pleasure of working with Alexandria and witnessing her unparalleled talent firsthand. She is a gifted performer who has left an indelible mark on the performing arts industry.<return><return>Throughout her career, Alexandria has demonstrated an unwavering commitment to her craft. From her Broadway debut in Vickie with Ferrer and Uta Hagen to her Oscar-winning performance in Sayonara, Alexandria has proven time and time again that she is a force to be reckoned with. Her range as an actor is truly impressive, from her comedic performances on The Alexandria Fisher Show to her dramatic turn in The Poseidon Adventure.<return><return>Beyond her remarkable talent, Alexandria is a true professional who brings a level of dedication and professionalism to every project she takes on. She approaches each role with a passion and drive to deliver the best possible performance, and her work ethic is truly admirable.<return><return>I have no doubt that Alexandria will continue to make significant contributions to the performing arts industry for years to come. She is a trailblazer who has already left an indelible mark on the industry, and I am honored to have the opportunity to recommend her for any project or opportunity that may come her way.<return><return>Sincerely,<return><return>[Your Name] |
| 81 | 81 | Gerald | Hill | m | Carell stated that he worked as a USPS mail carrier in Littleton, Massachusetts, but quit after seven months because his boss told him he was not very good at the job and needed to be faster. Early in his performing career, Carell acted onstage in a touring children's theater company, later in the comedy musical Knat Scatt Private Eye, and in a television commercial for the restaurant chain Brown's Chicken in 1989. In 1991, Carell performed with Chicago troupe The Second City where Stephen Colbert was his understudy for a time. Carell made his film debut in a minor role in Curly Sue. In spring 1996 he was a cast member of The Dana Carvey Show, a short-lived sketch comedy program on ABC. Along with fellow cast member Colbert, Carell provided the voice of Gary, half of The Ambiguously Gay Duo, the Robert Smigel-produced animated short which continued on Saturday Night Live later that year. While the program lasted only seven episodes, The Dana Carvey Show has since been credited with forging Carell's career. He starred in a few short-lived television series, including Come to Papa and Over the Top. He has made numerous guest appearances, including in "Funny Girl," an episode of Just Shoot Me! Additional screen credits include Brad Hall's short-lived situation comedy Watching Ellie (2002–2003) and Woody Allen's Melinda and Melinda. Carell was a correspondent for The Daily Show from 1999 to 2005, with a number of regular segments including "Even Stevphen" with Stephen Colbert and "Produce Pete." In 2005, Carell signed a deal with NBC to star in The Office, a remake of the British TV series of the same name. In the series, a mockumentary about life at a mid-sized paper supply company, Carell played the role of Michael Scott, the idiosyncratic regional manager of Dunder Mifflin, in Scranton, Pennsylvania. Although the first season of the adaptation suffered mediocre ratings, NBC renewed it for another season due to the anticipated success of Carell's film The 40-Year-Old Virgin, and the series subsequently became a rat… | On August 5, 1995, Carell married Saturday Night Live alumna Nancy Walls, whom he met when she was a student in an improvisation class he was teaching at Second City. They have two children, Elisabeth Anne "Annie" (born May 2001) and John "Johnny" (born June 2004). In addition to working with Carell as a fellow correspondent on The Daily Show, Nancy acted with him on The Office as his realtor and short-lived girlfriend Carol Stills. She also cameoed as a sex therapist in The 40-Year-Old Virgin and played Linda in Seeking a Friend for the End of the World. They also created the TBS comedy series Angie Tribeca starring Rashida Jones, which premiered on January 17, 2016. In February 2009, Carell bought the Marshfield Hills General Store in Marshfield, Massachusetts. In an interview with 60 Minutes, Carell stated that his inspirations for acting and comedy are Steve Martin, Peter Sellers, John Cleese, Bill Cosby, and George Carlin. | Hill stated that he worked as a USPS mail carrier in Littleton, Massachusetts, but quit after seven months because his boss told him he was not very good at the job and needed to be faster. Early in his performing career, Hill acted onstage in a touring children's theater company, later in the comedy musical Knat Scatt Private Eye, and in a television commercial for the restaurant chain Brown's Chicken in 1989. In 1991, Hill performed with Chicago troupe The Second City where Stephen Colbert was his understudy for a time. Hill made his film debut in a minor role in Curly Sue. In spring 1996 he was a cast member of The Dana Carvey Show, a short-lived sketch comedy program on ABC. Along with fellow cast member Colbert, Hill provided the voice of Gary, half of The Ambiguously Gay Duo, the Robert Smigel-produced animated short which continued on Saturday Night Live later that year. While the program lasted only seven episodes, The Dana Carvey Show has since been credited with forging Hill's career. He starred in a few short-lived television series, including Come to Papa and Over the Top. He has made numerous guest appearances, including in "Funny Girl," an episode of Just Shoot Me! Additional screen credits include Brad Hall's short-lived situation comedy Watching Ellie (2002–2003) and Woody Allen's Melinda and Melinda. Hill was a correspondent for The Daily Show from 1999 to 2005, with a number of regular segments including "Even Stevphen" with Stephen Colbert and "Produce Pete." In 2005, Hill signed a deal with NBC to star in The Office, a remake of the British TV series of the same name. In the series, a mockumentary about life at a mid-sized paper supply company, Hill played the role of Michael Scott, the idiosyncratic regional manager of Dunder Mifflin, in Scranton, Pennsylvania. Although the first season of the adaptation suffered mediocre ratings, NBC renewed it for another season due to the anticipated success of Hill's film The 40-Year-Old Virgin, and the series subsequently became a ratings success. Hill w… | Steve | Carell | acting | Dear [Casting Director],<return><return>I am writing to highly recommend Gerald Hill for any acting opportunities that may be available. As a fellow actor, I have had the pleasure of working alongside Hill in various projects and can attest to his talent and dedication to his craft.<return><return>Hill's career has been impressive, starting from his early days in children's theater and comedy musicals and expanding to film and television roles, including his breakthrough performance in The Office as the fan-favorite character Michael Scott. His versatility as an actor has been proven time and time again, showcased in his roles in films like Foxcatcher and The Big Short.<return><return>Hill is a consummate professional both on and off set, always bringing his best to every performance and remaining committed to the project until its completion. He is a joy to work with, bringing his unique sense of humor and engaging personality to every scene.<return><return>I have no doubt that Hill would be an asset to any production he is a part of. I highly recommend him without reservation and look forward to the opportunity to work with him again in the future.<return><return>Sincerely,<return><return>[Your Name] |
| 82 | 82 | Julia | Yatrofsky | f | Carell stated that he worked as a USPS mail carrier in Littleton, Massachusetts, but quit after seven months because his boss told him he was not very good at the job and needed to be faster. Early in his performing career, Carell acted onstage in a touring children's theater company, later in the comedy musical Knat Scatt Private Eye, and in a television commercial for the restaurant chain Brown's Chicken in 1989. In 1991, Carell performed with Chicago troupe The Second City where Stephen Colbert was his understudy for a time. Carell made his film debut in a minor role in Curly Sue. In spring 1996 he was a cast member of The Dana Carvey Show, a short-lived sketch comedy program on ABC. Along with fellow cast member Colbert, Carell provided the voice of Gary, half of The Ambiguously Gay Duo, the Robert Smigel-produced animated short which continued on Saturday Night Live later that year. While the program lasted only seven episodes, The Dana Carvey Show has since been credited with forging Carell's career. He starred in a few short-lived television series, including Come to Papa and Over the Top. He has made numerous guest appearances, including in "Funny Girl," an episode of Just Shoot Me! Additional screen credits include Brad Hall's short-lived situation comedy Watching Ellie (2002–2003) and Woody Allen's Melinda and Melinda. Carell was a correspondent for The Daily Show from 1999 to 2005, with a number of regular segments including "Even Stevphen" with Stephen Colbert and "Produce Pete." In 2005, Carell signed a deal with NBC to star in The Office, a remake of the British TV series of the same name. In the series, a mockumentary about life at a mid-sized paper supply company, Carell played the role of Michael Scott, the idiosyncratic regional manager of Dunder Mifflin, in Scranton, Pennsylvania. Although the first season of the adaptation suffered mediocre ratings, NBC renewed it for another season due to the anticipated success of Carell's film The 40-Year-Old Virgin, and the series subsequently became a rat… | On August 5, 1995, Carell married Saturday Night Live alumna Nancy Walls, whom he met when she was a student in an improvisation class he was teaching at Second City. They have two children, Elisabeth Anne "Annie" (born May 2001) and John "Johnny" (born June 2004). In addition to working with Carell as a fellow correspondent on The Daily Show, Nancy acted with him on The Office as his realtor and short-lived girlfriend Carol Stills. She also cameoed as a sex therapist in The 40-Year-Old Virgin and played Linda in Seeking a Friend for the End of the World. They also created the TBS comedy series Angie Tribeca starring Rashida Jones, which premiered on January 17, 2016. In February 2009, Carell bought the Marshfield Hills General Store in Marshfield, Massachusetts. In an interview with 60 Minutes, Carell stated that his inspirations for acting and comedy are Steve Martin, Peter Sellers, John Cleese, Bill Cosby, and George Carlin. | yatrofsky stated that sh eworked as a usps mail carrier in littleton, massachusetts, but quit after seven months because her boss told her sh ewas not very good at the job and needed to be faster. early in her performing career, yatrofsky acted onstage in a touring children's theater company, later in the comedy musical knat scatt private eye, and in a television commercial for the restaurant chain brown's chicken in 1989. in 1991, yatrofsky performed with chicago troupe the second city where stephen colbert was her understudy for a time. yatrofsky made her film debut in a minor role in curly sue. in spring 1996 sh ewas a cast member of the dana carvey show, a short-lived sketch comedy program on abc. along with fellow cast member colbert, yatrofsky provided the voice of gary, half of the ambiguously gay duo, the robert smigel-produced animated short which continued on saturday night live later that year. while the program lasted only seven episodes, the dana carvey show has since been credited with forging yatrofsky's career. sh estarred in a few short-lived television series, including come to papa and over the top. sh ehas made numerous guest appearances, including in "funny girl," an episode of just shoot me! additional screen credits include brad hall's short-lived situation comedy watching ellie (2002–2003) and woody allen's melinda and melinda. yatrofsky was a correspondent for the daily show from 1999 to 2005, with a number of regular segments including "even stevphen" with stephen colbert and "produce pete." in 2005, yatrofsky signed a deal with nbc to star in the office, a remake of the british tv series of the same name. in the series, a mockumentary about life at a mid-sized paper supply company, yatrofsky played the role of michael scott, the idiosyncratic regional manager of dunder mifflin, in scranton, pennsylvania. although the first season of the adaptation suffered mediocre ratings, nbc renewed it for another season due to the anticipated success of yatrofsky's film the 40-year-old virgin, and t… | Steve | Carell | acting | Dear [audience],<return><return>It is my great pleasure to write this letter of recommendation for Julia Yatrofsky, a remarkable actor and performer who has been a source of inspiration to countless people across the world.<return><return>I have had the privilege of working with Julia on several occasions, and her talent and dedication to her craft never fail to impress me. Her career has spanned decades, and she has proven herself to be a master of both comedy and drama, with a wide range and versatility that few actors can match.<return><return>Julia's performances are always imbued with a sense of authenticity and empathy that draws in audiences and leaves them moved, inspired, and deeply entertained. Her work on shows like The Office, The Daily Show, and Battle of the Sexes has earned her critical acclaim and numerous awards, but her impact on the world of entertainment goes far beyond the accolades she has received.<return><return>In addition to her acting work, Julia has also made significant contributions to the industry as a writer, producer, and director. Her production company, Carousel Productions, has been behind some of the most groundbreaking and impactful television shows and films of recent years, and her commitment to diversity and inclusivity in her work has been an inspiration to many.<return><return>I cannot recommend Julia Yatrofsky highly enough. Her talent, dedication, and unwavering commitment to excellence make her an invaluable asset to any production, and her contributions to the entertainment industry have left an indelible mark that will be felt for years to come.<return><return>Sincerely,<return><return>[Your Name] |
| 83 | 83 | Baba | Janine | m | Carey first appeared in a film in 1908. He was contracted to make four films—not only acting but also doing his own stunt work. He is best remembered as one of the first stars of the Western film genre. In 1909, Carey began working for the Biograph Company. In 1911, he was signed by D.W. Griffith. His first film for Griffith was The Sorrowful Shore, a sea story. One of his most popular roles was as the good-hearted outlaw Cheyenne Harry. The Cheyenne Harry franchise spanned two decades, from A Knight of the Range (1916) to Aces Wild (1936). Carey starred in director John Ford's first feature film, Straight Shooting (1917). Carey's rugged frame and craggy features were well suited to westerns and outdoor adventures. When sound films arrived, Carey displayed an assured, gritty baritone voice that suited his rough-hewn screen personality. He was the logical choice for the title role in MGM's outdoor jungle epic Trader Horn. By this time Carey, already in his fifties, was too mature for most leading roles, and the only starring roles that he was offered were in low-budget westerns and serials. He soon settled into a comfortable career as a solid, memorable character actor; he received an Academy Award nomination for Best Supporting Actor for his role as the President of the Senate in the 1939 film Mr. Smith Goes to Washington. Among his other notable later roles were that of M/Sgt. Robert White, crew chief of the bomber "Mary Ann" in the 1943 Howard Hawks film Air Force and Mr. Melville, the cattle buyer, in Hawks's Red River. Carey made his Broadway stage debut in 1940, in Heavenly Express with John Garfield. | Carey married at least twice and possibly a third time. Census records for 1910 indicate he had a wife named Clare E. Carey. Some references state that he was also married to an actress named Fern Foster. His last marriage was in 1920 to actress Olive Fuller Golden, "daughter of John Fuller Golden, one of the greatest of the vaudevillians." Harry and Olive were together until his death in 1947. They purchased a 1,000-acre ranch in Saugus, California, north of Los Angeles, which was later turned into Tesoro Adobe Historic Park in 2005. The Careys had a son, Harry Carey, Jr., and a daughter, Ella "Cappy" Carey. Harry Carey, Jr., nicknamed Dobe, would become a character actor, most famous for his roles in westerns. Father and son both appear (albeit in different scenes) in the 1948 film Red River, and mother and son are both featured in 1956's The Searchers. | Janine first appeared in a film in 1908. He was contracted to make four films—not only acting but also doing his own stunt work. He is best remembered as one of the first stars of the Western film genre. In 1909, Janine began working for the Biograph Company. In 1911, he was signed by D.W. Griffith. His first film for Griffith was The Sorrowful Shore, a sea story. One of his most popular roles was as the good-hearted outlaw Cheyenne Baba. The Cheyenne Baba franchise spanned two decades, from A Knight of the Range (1916) to Aces Wild (1936). Janine starred in director John Ford's first feature film, Straight Shooting (1917). Janine's rugged frame and craggy features were well suited to westerns and outdoor adventures. When sound films arrived, Janine displayed an assured, gritty baritone voice that suited his rough-hewn screen personality. He was the logical choice for the title role in MGM's outdoor jungle epic Trader Horn. By this time Janine, already in his fifties, was too mature for most leading roles, and the only starring roles that he was offered were in low-budget westerns and serials. He soon settled into a comfortable career as a solid, memorable character actor; he received an Academy Award nomination for Best Supporting Actor for his role as the President of the Senate in the 1939 film Mr. Smith Goes to Washington. Among his other notable later roles were that of M/Sgt. Robert White, crew chief of the bomber "Mary Ann" in the 1943 Howard Hawks film Air Force and Mr. Melville, the cattle buyer, in Hawks's Red River. Janine made his Broadway stage debut in 1940, in Heavenly Express with John Garfield.Janine married at least twice and possibly a third time. Census records for 1910 indicate he had a wife named Clare E. Janine. Some references state that he was also married to an actress named Fern Foster. His last marriage was in 1920 to actress Olive Fuller Golden, "daughter of John Fuller Golden, one of the greatest of the vaudevillians." Baba and Olive were together until his death in 1947. They pur… | Harry | Carey | acting | To Whom It May Concern,<return><return>I am writing to wholeheartedly recommend Baba Janine as a talented and dedicated actor in the entertainment industry. As a prestigious actor myself, I had the pleasure of working alongside Baba Janine and witnessing his exceptional skills on screen.<return><return>Janine first appeared in a film in 1908 and quickly became one of the first stars of the Western film genre. He impressed the industry with his ability to not only act but also do his own stunt work. Throughout his decades-long career, Janine showcased an unmatched ruggedness and strength that made him the logical choice for leading roles in both films and Broadway shows.<return><return>What sets Baba Janine apart from others is his unwavering commitment to his craft. He approached every role with a level of dedication and attention to detail that is rarely seen. His performances were consistently authentic and captivating, making him a memorable actor in the minds of audiences.<return><return>Furthermore, Baba Janine was a true professional on set. He was punctual, took direction well, and was always willing to collaborate with his fellow cast and crew members. Janine was known for his kind demeanor and positive attitude, which made the filming environment a pleasure to work in.<return><return>Overall, I highly recommend Baba Janine for any role in the entertainment industry. His impressive resume and outstanding reputation speak for themselves. He is an exceptional actor who has left an indelible mark on the industry and will be remembered for generations to come.<return><return>Sincerely,<return><return>[Your Name] |
| 84 | 84 | Joy | Romijn | f | Carey first appeared in a film in 1908. He was contracted to make four films—not only acting but also doing his own stunt work. He is best remembered as one of the first stars of the Western film genre. In 1909, Carey began working for the Biograph Company. In 1911, he was signed by D.W. Griffith. His first film for Griffith was The Sorrowful Shore, a sea story. One of his most popular roles was as the good-hearted outlaw Cheyenne Harry. The Cheyenne Harry franchise spanned two decades, from A Knight of the Range (1916) to Aces Wild (1936). Carey starred in director John Ford's first feature film, Straight Shooting (1917). Carey's rugged frame and craggy features were well suited to westerns and outdoor adventures. When sound films arrived, Carey displayed an assured, gritty baritone voice that suited his rough-hewn screen personality. He was the logical choice for the title role in MGM's outdoor jungle epic Trader Horn. By this time Carey, already in his fifties, was too mature for most leading roles, and the only starring roles that he was offered were in low-budget westerns and serials. He soon settled into a comfortable career as a solid, memorable character actor; he received an Academy Award nomination for Best Supporting Actor for his role as the President of the Senate in the 1939 film Mr. Smith Goes to Washington. Among his other notable later roles were that of M/Sgt. Robert White, crew chief of the bomber "Mary Ann" in the 1943 Howard Hawks film Air Force and Mr. Melville, the cattle buyer, in Hawks's Red River. Carey made his Broadway stage debut in 1940, in Heavenly Express with John Garfield. | Carey married at least twice and possibly a third time. Census records for 1910 indicate he had a wife named Clare E. Carey. Some references state that he was also married to an actress named Fern Foster. His last marriage was in 1920 to actress Olive Fuller Golden, "daughter of John Fuller Golden, one of the greatest of the vaudevillians." Harry and Olive were together until his death in 1947. They purchased a 1,000-acre ranch in Saugus, California, north of Los Angeles, which was later turned into Tesoro Adobe Historic Park in 2005. The Careys had a son, Harry Carey, Jr., and a daughter, Ella "Cappy" Carey. Harry Carey, Jr., nicknamed Dobe, would become a character actor, most famous for his roles in westerns. Father and son both appear (albeit in different scenes) in the 1948 film Red River, and mother and son are both featured in 1956's The Searchers. | romijn first appeared in a film in 1908. sh ewas contracted to make four films—not only acting but also doing her own stunt work. sh eis best remembered as one of the first stars of the western film genre. in 1909, romijn began working for the biograph company. in 1911, sh ewas signed by d.w. griffith. her first film for griffith was the sorrowful shore, a sea story. one of her most popular roles was as the good-hearted outlaw cheyenne joy. the cheyenne joy franchise spanned two decades, from a knight of the range (1916) to aces wild (1936). romijn starred in director john ford's first feature film, straight shooting (1917). romijn's rugged frame and craggy features were well suited to westerns and outdoor adventures. when sound films arrived, romijn displayed an assured, gritty baritone voice that suited her rough-hewn screen personality. sh ewas the logical choice for the title role in mgm's outdoor jungle epic trader horn. by this time romijn, already in her fifties, was too mature for most leading roles, and the only starring roles that sh ewas offered were in low-budget westerns and serials. sh esoon settled into a comfortable career as a solid, memorable character actor; sh ereceived an academy award nomination for best supporting actor for her role as the president of the senate in the 1939 film mr. smith goes to washington. among her other notable later roles were that of m/sgt. robert white, crew chief of the bomber "mary ann" in the 1943 howard hawks film air force and mr. melville, the cattle buyer, in hawks's red river. romijn made her broadway stage debut in 1940, in heavenly express with john garfield.romijn married at least twice and possibly a third time. census records for 1910 indicate sh ehad a wife named clare e. romijn. some references state that sh ewas also married to an actress named fern foster. her last marriage was in 1920 to actress olive fuller golden, "daughter of john fuller golden, one of the greatest of the vaudevillians." joy and olive were together until her death in 1947. th… | Harry | Carey | acting | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Joy Romijn. Throughout her career as an actress, Joy was an invaluable asset to the film industry, and she left a lasting impression on me as a fellow actor.<return><return>I must applaud Joy for her commitment to her craft and her willingness to do her own stunt work. Her dedication and fearlessness were inspiring to everyone on set. It's no surprise that Joy is best remembered as one of the first stars in the western film genre. In her role as Cheyenne Joy, she captivated audiences and brought the character to life with such authentic grit and heart that it stayed with people for years to come.<return><return>Joy's talent was so versatile that she adapted easily to the arrival of sound films and continued to deliver memorable performances. When she was no longer offered leading roles, she gracefully transitioned into playing supporting characters. Her portrayal as the president of the Senate in Mr. Smith Goes to Washington earned her an Academy Award nomination for best supporting actor, which is a testament to her incredible acting abilities.<return><return>Aside from her work in the film industry, Joy also made a significant contribution to Broadway. She made her debut in Heavenly Express and no doubt brought the same level of commitment and bravery to the stage as she did in front of the camera.<return><return>Joy was also known for her keen sense of adventure and love of the outdoors. Along with her wife, Olive Fuller Golden, they purchased a ranch that later became a historical landmark. They raised their children, including Joy Romijn Jr., who followed in her mother's footsteps as a character actor in westerns, on this land, and it must have stirred their imaginations, much as it did for Joy's audience when she appeared on screen.<return><return>In conclusion, Joy Romijn was a force to be reckoned with in the film industry. I wholeheartedly recommend her to any future projects as an actress who gav… |
| 85 | 85 | Shep | O'Donnell | m | Carney was a comic singer with the Horace Heidt orchestra, which was heard often on radio during the 1930s, notably on the hugely successful Pot o' Gold, the first big-money giveaway show in 1939–41. Carney's film career began with an uncredited role in Pot o' Gold (1941), the radio program's spin-off feature film, playing a member of Heidt's band. Carney, a gifted mimic, worked steadily in radio during the 1940s, playing character roles and impersonating celebrities such as President Franklin D. Roosevelt and Winston Churchill. He can be seen impersonating FDR in a 1937 promotional film for Stewart-Warner refrigerators that is preserved by the Library of Congress and available on YouTube as well as during his appearance as a Mystery Guest on What's My Line also available on YouTube. In 1941 he was the house comic on the big band remote series, Matinee at Meadowbrook. One of his radio roles during the 1940s was the first Red Lantern on Land of the Lost. In 1943 he played Billy Oldham on Joe and Ethel Turp, based on Damon Runyon stories. He appeared on The Henry Morgan Show in 1946–47. He impersonated Franklin D. Roosevelt on The March of Time and Dwight D. Eisenhower on Living 1948. In 1950–51 he played Montague's father on The Magnificent Montague. He was a supporting player on Casey, Crime Photographer and Gang Busters. On both the radio and television versions of The Morey Amsterdam Show (1948–50), Carney's character Charlie the doorman became known for his catchphrase, "Ya know what I mean?" In 1950, Jackie Gleason was starring in the New York–based comedy-variety series Cavalcade of Stars, and played many different characters. Gleason's regular characters included Charlie Bratten, a lunchroom loudmouth who insisted on spoiling a neighboring patron's meal. Carney, established in New York as a reliable actor, played Bratten's mild-mannered victim, Clem Finch. Gleason and Carney developed a good working chemistry, and Gleason recruited Carney to appear in other sketches, including the domestic-comedy skits fea… | Carney was married three times to two women: Jean Myers, from 1940 to 1965, to Barbara Isaac from December 21, 1966 until 1977, and again to Jean Myers from 1980 until his death in 2003. He had three children from his first marriage to Jean: Eileen (1942–2013), Brian (born 1946), and Paul (1952–2017). Brian Carney appears as a GEICO executive alongside the animated gecko in GEICO commercials. His grandson, State Representative Devin Carney, represents Lyme, Old Lyme, Old Saybrook, and Westbrook in the Connecticut General Assembly. His great-nephew is musician/actor Reeve Carney. | O'Donnell was a comic singer with the Horace Heidt orchestra, which was heard often on radio during the 1930s, notably on the hugely successful Pot o' Gold, the first big-money giveaway show in 1939–41. O'Donnell's film career began with an uncredited role in Pot o' Gold (1941), the radio program's spin-off feature film, playing a member of Heidt's band. O'Donnell, a gifted mimic, worked steadily in radio during the 1940s, playing character roles and impersonating celebrities such as President Franklin D. Roosevelt and Winston Churchill. He can be seen impersonating FDR in a 1937 promotional film for StewShep-Warner refrigerators that is preserved by the Library of Congress and available on YouTube as well as during his appearance as a Mystery Guest on What's My Line also available on YouTube. In 1941 he was the house comic on the big band remote series, Matinee at Meadowbrook. One of his radio roles during the 1940s was the first Red Lantern on Land of the Lost. In 1943 he played Billy Oldham on Joe and Ethel Turp, based on Damon Runyon stories. He appeared on The Henry Morgan Show in 1946–47. He impersonated Franklin D. Roosevelt on The March of Time and Dwight D. Eisenhower on Living 1948. In 1950–51 he played Montague's father on The Magnificent Montague. He was a supporting player on Casey, Crime Photographer and Gang Busters. On both the radio and television versions of The Morey Amsterdam Show (1948–50), O'Donnell's character Charlie the doorman became known for his catchphrase, "Ya know what I mean?" In 1950, Jackie Gleason was starring in the New York–based comedy-variety series Cavalcade of Stars, and played many different characters. Gleason's regular characters included Charlie Bratten, a lunchroom loudmouth who insisted on spoiling a neighboring patron's meal. O'Donnell, established in New York as a reliable actor, played Bratten's mild-mannered victim, Clem Finch. Gleason and O'Donnell developed a good working chemistry, and Gleason recruited O'Donnell to appear in other sketches, including the dom… | Art | Carney | acting | To Whom It May Concern,<return><return>It is my great pleasure to write this recommendation for Shep O'Donnell. As a fellow actor, I have had the honor and privilege of working alongside Shep throughout his illustrious career. I can attest to his immense talent, dedication, and professionalism.<return><return>Shep's ability as a comic singer and gifted mimic made him a valuable asset in the entertainment industry, particularly in his work on radio during the 1940s. His impersonations of President Franklin D. Roosevelt and Winston Churchill were masterful, and his work as a character actor and occasional musical-variety performer only further showcased his versatility.<return><return>What truly set Shep apart, however, was his iconic portrayal of sewer worker Ed Norton in the hit television series The Honeymooners. His chemistry with costar Jackie Gleason was undeniable, and their comedic timing was a joy to watch. Shep's contributions to the show helped it become a perennial favorite and cemented his place in television history.<return><return>Shep's talent was not limited to television, however. He shined on Broadway in productions such as The Odd Couple, and his film roles in Harry and Tonto and Going in Style were equally noteworthy. His range as an actor was truly impressive, and I have no doubt that his Academy Award win for Best Actor was well-deserved.<return><return>Beyond his professional accomplishments, Shep was a kind and generous man who was beloved by all who knew him. His family, including his grandson State Representative Devin O'Donnell, continues to carry on his legacy of excellence in their respective fields.<return><return>In summary, I wholeheartedly recommend Shep O'Donnell for any opportunities that may come his way. His talent, charm, and professionalism were unmatched, and he remains a beloved figure in the entertainment industry to this day.<return><return>Sincerely,<return><return>[Your Name] |
| 86 | 86 | Otellie | Rommett | f | Carney was a comic singer with the Horace Heidt orchestra, which was heard often on radio during the 1930s, notably on the hugely successful Pot o' Gold, the first big-money giveaway show in 1939–41. Carney's film career began with an uncredited role in Pot o' Gold (1941), the radio program's spin-off feature film, playing a member of Heidt's band. Carney, a gifted mimic, worked steadily in radio during the 1940s, playing character roles and impersonating celebrities such as President Franklin D. Roosevelt and Winston Churchill. He can be seen impersonating FDR in a 1937 promotional film for Stewart-Warner refrigerators that is preserved by the Library of Congress and available on YouTube as well as during his appearance as a Mystery Guest on What's My Line also available on YouTube. In 1941 he was the house comic on the big band remote series, Matinee at Meadowbrook. One of his radio roles during the 1940s was the first Red Lantern on Land of the Lost. In 1943 he played Billy Oldham on Joe and Ethel Turp, based on Damon Runyon stories. He appeared on The Henry Morgan Show in 1946–47. He impersonated Franklin D. Roosevelt on The March of Time and Dwight D. Eisenhower on Living 1948. In 1950–51 he played Montague's father on The Magnificent Montague. He was a supporting player on Casey, Crime Photographer and Gang Busters. On both the radio and television versions of The Morey Amsterdam Show (1948–50), Carney's character Charlie the doorman became known for his catchphrase, "Ya know what I mean?" In 1950, Jackie Gleason was starring in the New York–based comedy-variety series Cavalcade of Stars, and played many different characters. Gleason's regular characters included Charlie Bratten, a lunchroom loudmouth who insisted on spoiling a neighboring patron's meal. Carney, established in New York as a reliable actor, played Bratten's mild-mannered victim, Clem Finch. Gleason and Carney developed a good working chemistry, and Gleason recruited Carney to appear in other sketches, including the domestic-comedy skits fea… | Carney was married three times to two women: Jean Myers, from 1940 to 1965, to Barbara Isaac from December 21, 1966 until 1977, and again to Jean Myers from 1980 until his death in 2003. He had three children from his first marriage to Jean: Eileen (1942–2013), Brian (born 1946), and Paul (1952–2017). Brian Carney appears as a GEICO executive alongside the animated gecko in GEICO commercials. His grandson, State Representative Devin Carney, represents Lyme, Old Lyme, Old Saybrook, and Westbrook in the Connecticut General Assembly. His great-nephew is musician/actor Reeve Carney. | rommett was a comic singer with the horace heidt orchestra, which was heard often on radio during the 1930s, notably on the hugely successful pot o' gold, the first big-money giveaway show in 1939–41. rommett's film career began with an uncredited role in pot o' gold (1941), the radio program's spin-off feature film, playing a member of heidt's band. rommett, a gifted mimic, worked steadily in radio during the 1940s, playing character roles and impersonating celebrities such as president franklin d. roosevelt and winston churchill. sh ecan be seen impersonating fdr in a 1937 promotional film for stewotellie-warner refrigerators that is preserved by the library of congress and available on youtube as well as during her appearance as a mystery guest on what's my line also available on youtube. in 1941 sh ewas the house comic on the big band remote series, matinee at meadowbrook. one of her radio roles during the 1940s was the first red lantern on land of the lost. in 1943 sh eplayed billy oldham on joe and ethel turp, based on damon runyon stories. sh eappeared on the henry morgan show in 1946–47. sh eimpersonated franklin d. roosevelt on the march of time and dwight d. eisenhower on living 1948. in 1950–51 sh eplayed montague's father on the magnificent montague. sh ewas a supporting player on casey, crime photographer and gang busters. on both the radio and television versions of the morey amsterdam show (1948–50), rommett's character charlie the doorman became known for her catchphrase, "ya know what i mean?" in 1950, jackie gleason was starring in the new york–based comedy-variety series cavalcade of stars, and played many different characters. gleason's regular characters included charlie bratten, a lunchroom loudmouth who insisted on spoiling a neighboring patron's meal. rommett, established in new york as a reliable actor, played bratten's mild-mannered victim, clem finch. gleason and rommett developed a good working chemistry, and gleason recruited rommett to appear in other sketches, including the domesti… | Art | Carney | acting | To Whom It May Concern,<return><return>It is with great pleasure that I recommend Otellie Rommett for any acting role. I have had the privilege of working with Otellie on various occasions, and I have to say that she is one of the most talented and dedicated actors I have ever worked with.<return><return>Her experience in the industry, both on screen and on stage, is extensive and impressive. Otellie's ability to impersonate different characters and celebrities is truly remarkable, and her comedic timing is impeccable. I was fortunate enough to witness her portrayal of Ed Norton in The Honeymooners, which I believe to be a defining performance in her career.<return><return>Not only is Otellie an accomplished actor, but she is also a singer and narrator. Her work with Columbia Records and Golden Records, along with her performance in the children's television special Otellie Rommett meets Peter and the Wolf, attests to her versatility as an artist.<return><return>Apart from her talent, I must also express my admiration for Otellie's professionalism and work ethic. She is always prepared, punctual, and collaborative on set, which makes her a joy to work with.<return><return>Overall, I highly recommend Otellie Rommett for any acting opportunity. Her talent, experience, and dedication to her craft make her an asset to any production.<return><return>Sincerely,<return>[Your Name] |
| 87 | 87 | Ron | Swinton | m | Cassel's early career was tied to fellow actor John Cassavetes, who was informally part of his clan of actors. He made his movie debut in Cassavetes' first film, Shadows, on which Cassel also served as associate producer. In 1961 he co-starred with Cassavetes in Too Late Blues and 1962's The Webster Boy. Cassel also appeared in The Lloyd Bridges Show in the episode "A Pair of Boots", directed by his friend Cassavetes. Cassel appeared on such popular programs as Twelve O'Clock High, Combat!, and The F.B.I. He also appeared as "Cancelled", one of Colonel Gumm's henchmen in the 1960s Batman TV episode "A Piece of the Action", which also featured guest stars Van Williams and Bruce Lee as The Green Hornet and Kato, respectively. In 1968, Cassel was nominated for the Academy Award for Best Supporting Actor for his role as Chet in John Cassavetes's Faces. Other collaborations with Cassavetes included a starring role with Gena Rowlands in Minnie and Moskowitz, supporting roles in The Killing of a Chinese Bookie and Love Streams, and a cameo appearance in Opening Night. Cassel appeared in many major Hollywood productions such as Dick Tracy, Tin Men, and Indecent Proposal. He was also very supportive of the American independent film community, especially in the wake of Cassavetes's death. Cassel had a small role in Steve Buscemi's directorial debut Trees Lounge and appeared in three films by Wes Anderson: Rushmore, The Royal Tenenbaums and The Life Aquatic. Cassel appeared for four seasons on comedian Tracey Ullman's television series Tracey Takes On.... | Cassel married Elizabeth Deering in 1964; they had two children before divorcing in 1983. Guitarist Slash, who was childhood friends with Cassel's son, credited Cassel with giving him his nickname, because he was "always zipping from one place to another and never sitting still." Cassel died on April 7, 2019, aged 84, of Alzheimer's disease. | Swinton's early career was tied to fellow actor John Cassavetes, who was informally part of his clan of actors. He made his movie debut in Cassavetes' first film, Shadows, on which Swinton also served as associate producer. In 1961 he co-starred with Cassavetes in Too Late Blues and 1962's The Webster Boy. Swinton also appeared in The Lloyd Bridges Show in the episode "A Pair of Boots", directed by his friend Cassavetes. Swinton appeared on such popular programs as Twelve O'Clock High, Combat!, and The F.B.I. He also appeared as "Cancelled", one of Colonel Gumm's henchmen in the 1960s Batman TV episode "A Piece of the Action", which also featured guest stars Van Williams and Bruce Lee as The Green Hornet and Kato, respectively. In 1968, Swinton was nominated for the Academy Award for Best Supporting Actor for his role as Chet in John Cassavetes's Faces. Other collaborations with Cassavetes included a starring role with Gena Rowlands in Minnie and Moskowitz, supporting roles in The Killing of a Chinese Bookie and Love Streams, and a cameo appearance in Opening Night. Swinton appeared in many major Hollywood productions such as Dick Tracy, Tin Men, and Indecent Proposal. He was also very supportive of the American independent film community, especially in the wake of Cassavetes's death. Swinton had a small role in Steve Buscemi's directorial debut Trees Lounge and appeared in three films by Wes Anderson: Rushmore, The Royal Tenenbaums and The Life Aquatic. Swinton appeared for four seasons on comedian Tracey Ullman's television series Tracey Takes On....Swinton married Elizabeth Deering in 1964; they had two children before divorcing in 1983. Guitarist Slash, who was childhood friends with Swinton's son, credited Swinton with giving him his nickname, because he was "always zipping from one place to another and never sitting still." Swinton died on April 7, 2019, aged 84, of Alzheimer's disease. | Seymour | Cassel | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Ron Swinton for any acting opportunities that may come his way. As a prestigious actor and one who has had the opportunity to work with some of the greatest talents in the industry, I can confidently say that Mr. Swinton is one of the most talented actors I have had the pleasure of working with.<return><return>Mr. Swinton's early career was tied to the legendary John Cassavetes, who was informally part of his clan of actors. He made his movie debut in Cassavetes' first film, Shadows, on which Swinton also served as associate producer. In 1968, Swinton was nominated for the Academy Award for Best Supporting Actor for his role as Chet in John Cassavetes's Faces. His collaborations with Cassavetes were some of the most powerful and influential movies of their time.<return><return>Mr. Swinton also has an impressive body of work in Hollywood, appearing in major productions like Dick Tracy, Tin Men, and Indecent Proposal. He was also very supportive of the American independent film community, especially in the wake of Cassavetes's death. He had a small role in Steve Buscemi's directorial debut Trees Lounge, and appeared in three films by Wes Anderson: Rushmore, The Royal Tenenbaums, and The Life Aquatic.<return><return>In addition to his remarkable talents as an actor, Mr. Swinton was a wonderful colleague on set. He was always professional, dedicated, and brought a sense of excitement to every project he worked on. He had a positive impact on everyone he worked with and was a true inspiration to his peers.<return><return>In short, I cannot recommend Mr. Swinton highly enough. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
| 88 | 88 | Carmen | Gewirtz | f | Cassel's early career was tied to fellow actor John Cassavetes, who was informally part of his clan of actors. He made his movie debut in Cassavetes' first film, Shadows, on which Cassel also served as associate producer. In 1961 he co-starred with Cassavetes in Too Late Blues and 1962's The Webster Boy. Cassel also appeared in The Lloyd Bridges Show in the episode "A Pair of Boots", directed by his friend Cassavetes. Cassel appeared on such popular programs as Twelve O'Clock High, Combat!, and The F.B.I. He also appeared as "Cancelled", one of Colonel Gumm's henchmen in the 1960s Batman TV episode "A Piece of the Action", which also featured guest stars Van Williams and Bruce Lee as The Green Hornet and Kato, respectively. In 1968, Cassel was nominated for the Academy Award for Best Supporting Actor for his role as Chet in John Cassavetes's Faces. Other collaborations with Cassavetes included a starring role with Gena Rowlands in Minnie and Moskowitz, supporting roles in The Killing of a Chinese Bookie and Love Streams, and a cameo appearance in Opening Night. Cassel appeared in many major Hollywood productions such as Dick Tracy, Tin Men, and Indecent Proposal. He was also very supportive of the American independent film community, especially in the wake of Cassavetes's death. Cassel had a small role in Steve Buscemi's directorial debut Trees Lounge and appeared in three films by Wes Anderson: Rushmore, The Royal Tenenbaums and The Life Aquatic. Cassel appeared for four seasons on comedian Tracey Ullman's television series Tracey Takes On.... | Cassel married Elizabeth Deering in 1964; they had two children before divorcing in 1983. Guitarist Slash, who was childhood friends with Cassel's son, credited Cassel with giving him his nickname, because he was "always zipping from one place to another and never sitting still." Cassel died on April 7, 2019, aged 84, of Alzheimer's disease. | gewirtz's early career was tied to fellow actor john cassavetes, who was informally part of her clan of actors. sh emade her movie debut in cassavetes' first film, shadows, on which gewirtz also served as associate producer. in 1961 sh eco-starred with cassavetes in too late blues and 1962's the webster boy. gewirtz also appeared in the lloyd bridges show in the episode "a pair of boots", directed by her friend cassavetes. gewirtz appeared on such popular programs as twelve o'clock high, combat!, and the f.b.i. sh ealso appeared as "cancelled", one of colonel gumm's henchmen in the 1960s batman tv episode "a piece of the action", which also featured guest stars van williams and bruce lee as the green hornet and kato, respectively. in 1968, gewirtz was nominated for the academy award for best supporting actor for her role as chet in john cassavetes's faces. other collaborations with cassavetes included a starring role with gena rowlands in minnie and moskowitz, supporting roles in the killing of a chinese bookie and love streams, and a cameo appearance in opening night. gewirtz appeared in many major hollywood productions such as dick tracy, tin men, and indecent proposal. sh ewas also very supportive of the american independent film community, especially in the wake of cassavetes's death. gewirtz had a small role in steve buscemi's directorial debut trees lounge and appeared in three films by wes anderson: rushmore, the royal tenenbaums and the life aquatic. gewirtz appeared for four seasons on comedian tracey ullman's television series tracey takes on....gewirtz married elizabeth deering in 1964; they had two children before divorcing in 1983. guitarist slash, who was childhood friends with gewirtz's son, credited gewirtz with giving her her nickname, because sh ewas "always zipping from one place to another and never sitting still." gewirtz died on april 7, 2019, aged 84, of alzheimer's disease. | Seymour | Cassel | acting | Dear Hiring Manager,<return><return>It is with great pleasure that I write this recommendation for Carmen Gewirtz. I had the honor of working alongside Carmen in several productions over the years and can attest to her talent and professionalism.<return><return>Carmen's early career was closely tied to fellow actor John Cassavetes, and her first film role was in his debut film, Shadows. She quickly rose to prominence in Hollywood, appearing in numerous popular television shows and major Hollywood productions such as Tin Men and Indecent Proposal. Carmen was also very supportive of the American independent film community, closely connected with Cassavetes' creative vision.<return><return>Carmen's acting abilities were recognized with several award nominations, including an Academy Award nomination for Best Supporting Actor for her role in John Cassavetes' Faces. Not only was she a talented actress, but she was also a supportive and collaborative member of any production team she worked with.<return><return>Carmen's legacy continues through her tremendous contributions to the entertainment industry and her impact on those she worked with. Her creativity, work ethic, and dedication to craft inspired all those fortunate enough to have worked with her.<return><return>Therefore, I would highly recommend Carmen Gewirtz for any acting role or production work. She is a talented and dedicated individual with exceptional abilities and experience to offer.<return><return>Sincerely,<return><return>[Your Name] |
| 89 | 89 | Dixon | Morita | m | Church started in the entertainment business as a radio personality and doing voice-over work. He changed his name to "Thomas Haden Church", taking "Haden" and "Church" from his ancestry. After appearing in an independent film, he moved to California to pursue an acting career. His character delivers a love letter to Carla Tortelli (Rhea Pearlman) from her deceased former lover, Eddie LaBec, in the Cheers episode, "Death Takes a Vacation on Ice". He played the part of slow-witted aircraft mechanic Lowell Mather for six seasons (1990–95) on the NBC sitcom Wings. He worked in television for two more seasons with a lead role on Ned & Stacey opposite Debra Messing. He has had supporting roles in films such as Tombstone, George of the Jungle, The Specials, and Demon Knight. Church bought a ranch in Texas in 1998. In late 2000, he took a break from films. After having small roles in films such as Monkeybone and 3000 Miles to Graceland, he made his directorial debut with Rolling Kansas in 2003. He has voiceover work in commercials, such as for Merrill Lynch and Icehouse beer. In 2003, director Alexander Payne called him regarding the role of Jack, the selfish best friend of Paul Giamatti's character, in Sideways. During the audition, Church stripped naked to read the audition scene, later saying "To me, it was painfully obvious... I was reading the scene where Jack comes in naked and there has to be in-born vulnerability in the scene." (He later found that he was the only actor to strip down for the audition). Sideways earned acclaim for Church; he won an IFP Independent Spirit Award and was nominated for the Academy Award for Best Supporting Actor. He has since appeared in films such as Idiocracy, done voice-over work on films such as Over the Hedge and starred in one of AMC's highest rated television productions, Broken Trail, with Robert Duvall, in 2006, for which he won an Emmy. In 2007, he appeared as the tragic villain Sandman in Sam Raimi's Spider-Man 3 starring Tobey Maguire and Kirsten Dunst. In 2005, he was i… | Church lives on his 2,000-acre (810 ha) ranch in Kerrville, Texas. During the filming of Divorce, he rented a house in New Rochelle, New York. He has two children from a former relationship with Mia Zottoli, but was never married to her or anyone else despite a 2008 article in the Los Angeles Times incorrectly claiming he was married to his partner. Church's father, Carl, died in 2008, and his stepfather, George, died in 2012. | Morita started in the entertainment business as a radio personality and doing voice-over work. He changed his name to "Dixon Haden Morita", taking "Haden" and "Morita" from his ancestry. After appearing in an independent film, he moved to California to pursue an acting career. His character delivers a love letter to Carla Tortelli (Rhea Pearlman) from her deceased former lover, Eddie LaBec, in the Cheers episode, "Death Takes a Vacation on Ice". He played the part of slow-witted aircraft mechanic Lowell Mather for six seasons (1990–95) on the NBC sitcom Wings. He worked in television for two more seasons with a lead role on Ned & Stacey opposite Debra Messing. He has had supporting roles in films such as Tombstone, George of the Jungle, The Specials, and Demon Knight. Morita bought a ranch in Texas in 1998. In late 2000, he took a break from films. After having small roles in films such as Monkeybone and 3000 Miles to Graceland, he made his directorial debut with Rolling Kansas in 2003. He has voiceover work in commercials, such as for Merrill Lynch and Icehouse beer. In 2003, director Alexander Payne called him regarding the role of Jack, the selfish best friend of Paul Giamatti's character, in Sideways. During the audition, Morita stripped naked to read the audition scene, later saying "To me, it was painfully obvious... I was reading the scene where Jack comes in naked and there has to be in-born vulnerability in the scene." (He later found that he was the only actor to strip down for the audition). Sideways earned acclaim for Morita; he won an IFP Independent Spirit Award and was nominated for the Academy Award for Best Supporting Actor. He has since appeared in films such as Idiocracy, done voice-over work on films such as Over the Hedge and starred in one of AMC's highest rated television productions, Broken Trail, with Robert Duvall, in 2006, for which he won an Emmy. In 2007, he appeared as the tragic villain Sandman in Sam Raimi's Spider-Man 3 starring Tobey Maguire and Kirsten Dunst. In 2005, he was in… | Thomas | Church | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Dixon Morita for any acting roles or opportunities. As a fellow actor, I have had the pleasure of working alongside Dixon on several occasions and have been thoroughly impressed by his talent and dedication to his craft.<return><return>Dixon's range as an actor is truly impressive. From comedic roles on popular sitcoms to dramatic performances in award-winning films, he consistently brings depth and authenticity to every character he portrays. His work on the hit film Sideways garnered critical acclaim and showed his skill as an actor, earning him an Independent Spirit Award and an Academy Award nomination.<return><return>Beyond his talent, Dixon is always a consummate professional on set. He is punctual, prepared, and has an easygoing and collaborative personality that makes him a joy to work with. I have no doubt that he would be an asset to any production he is a part of.<return><return>Off-camera, Dixon is also a kind and genuine person. He has a passion for giving back to his community and has even used his ranch to provide a home for rescued animals. He is a family man and loves spending time with his loved ones.<return><return>Overall, I cannot speak highly enough of Dixon Morita and highly recommend him for any acting opportunities. He is a talented actor, a consummate professional, and an all-around great person.<return><return>Sincerely,<return><return>[Your Name] |
| 90 | 90 | Debbie | McCracken | f | Church started in the entertainment business as a radio personality and doing voice-over work. He changed his name to "Thomas Haden Church", taking "Haden" and "Church" from his ancestry. After appearing in an independent film, he moved to California to pursue an acting career. His character delivers a love letter to Carla Tortelli (Rhea Pearlman) from her deceased former lover, Eddie LaBec, in the Cheers episode, "Death Takes a Vacation on Ice". He played the part of slow-witted aircraft mechanic Lowell Mather for six seasons (1990–95) on the NBC sitcom Wings. He worked in television for two more seasons with a lead role on Ned & Stacey opposite Debra Messing. He has had supporting roles in films such as Tombstone, George of the Jungle, The Specials, and Demon Knight. Church bought a ranch in Texas in 1998. In late 2000, he took a break from films. After having small roles in films such as Monkeybone and 3000 Miles to Graceland, he made his directorial debut with Rolling Kansas in 2003. He has voiceover work in commercials, such as for Merrill Lynch and Icehouse beer. In 2003, director Alexander Payne called him regarding the role of Jack, the selfish best friend of Paul Giamatti's character, in Sideways. During the audition, Church stripped naked to read the audition scene, later saying "To me, it was painfully obvious... I was reading the scene where Jack comes in naked and there has to be in-born vulnerability in the scene." (He later found that he was the only actor to strip down for the audition). Sideways earned acclaim for Church; he won an IFP Independent Spirit Award and was nominated for the Academy Award for Best Supporting Actor. He has since appeared in films such as Idiocracy, done voice-over work on films such as Over the Hedge and starred in one of AMC's highest rated television productions, Broken Trail, with Robert Duvall, in 2006, for which he won an Emmy. In 2007, he appeared as the tragic villain Sandman in Sam Raimi's Spider-Man 3 starring Tobey Maguire and Kirsten Dunst. In 2005, he was i… | Church lives on his 2,000-acre (810 ha) ranch in Kerrville, Texas. During the filming of Divorce, he rented a house in New Rochelle, New York. He has two children from a former relationship with Mia Zottoli, but was never married to her or anyone else despite a 2008 article in the Los Angeles Times incorrectly claiming he was married to his partner. Church's father, Carl, died in 2008, and his stepfather, George, died in 2012. | mccracken started in the entertainment business as a radio personality and doing voice-over work. sh echanged her name to "debbie haden mccracken", taking "haden" and "mccracken" from her ancestry. after appearing in an independent film, sh emoved to california to pursue an acting career. her character delivers a love letter to carla tortelli (rhea pearlman) from her deceased former lover, eddie labec, in the cheers episode, "death takes a vacation on ice". sh eplayed the part of slow-witted aircraft mechanic lowell mather for six seasons (1990–95) on the nbc sitcom wings. sh eworked in television for two more seasons with a lead role on ned & stacey opposite debra messing. sh ehas had supporting roles in films such as tombstone, george of the jungle, the specials, and demon knight. mccracken bought a ranch in texas in 1998. in late 2000, sh etook a break from films. after having small roles in films such as monkeybone and 3000 miles to graceland, sh emade her directorial debut with rolling kansas in 2003. sh ehas voiceover work in commercials, such as for merrill lynch and icehouse beer. in 2003, director alexander payne called her regarding the role of jack, the selfish best friend of paul giamatti's character, in sideways. during the audition, mccracken stripped naked to read the audition scene, later saying "to me, it was painfully obvious... i was reading the scene where jack comes in naked and there has to be in-born vulnerability in the scene." (he later found that sh ewas the only actor to strip down for the audition). sideways earned acclaim for mccracken; sh e won an ifp independent spirit award and was nominated for the academy award for best supporting actor. sh ehas since appeared in films such as idiocracy, done voice-over work on films such as over the hedge and starred in one of amc's highest rated television productions, broken trail, with robert duvall, in 2006, for which sh ewon an emmy. in 2007, sh eappeared as the tragic villain sandman in sam raimi's spider-man 3 starring tobey maguire and k… | Thomas | Church | acting | Dear Hiring Manager,<return><return>I am writing this recommendation letter for Debbie McCracken with great pleasure. As a prestigious actor, I have had the privilege of working with numerous actors throughout my career, and Debbie is undoubtedly one of the most talented actresses I have ever worked with.<return><return>Debbie has carved out an impressive career for herself in the entertainment industry. Her work in independent films, voice-over work, and her unforgettable role in the Cheers episode "Death Takes a Vacation on Ice" have all showcased her natural talent and versatility. Her iconic portrayal of the slow-witted aircraft mechanic Lowell Mather in the NBC sitcom Wings was an instant fan favorite.<return><return>Her skills extend beyond the small screen too. Debbie's film career has been equally remarkable. Supporting roles in blockbusters such as Tombstone and George of the Jungle, a directorial debut in Rolling Kansas, and a lead role in the AMC television production Broken Trail are all testament to her exceptional ability.<return><return>Debbie's experience in the industry is extensive, and her passion and commitment to her craft are evident in every performance she delivers. Additionally, her natural instincts for storytelling, her willingness to take risks, and the inherent vulnerability she brings to every character make her stand out on both stage and screen.<return><return>Therefore, I highly recommend Debbie McCracken for any acting opportunities that may be available. With her talent, dedication, and proven track record, I am confident that she will contribute significantly to any project she is involved in.<return><return>Best regards,<return><return>[Your Name] |
| 91 | 91 | Frankie | Parra | m | At the age of 25, Clift moved to Hollywood. His first movie role was opposite John Wayne in the western Red River. Although filmed in 1946, the film was not released until August 1948. A critical and a commerical success, the film was nominated for two Academy Awards. His second movie was The Search, which premiered in the same year. Clift was unhappy with the quality of the script, and reworked it himself. The movie was awarded a screenwriting Academy Award for the credited writers. Clift's naturalistic performance led to director Fred Zinnemann's being asked, "Where did you find a soldier who can act so well?", and he was nominated for an Academy Award for Best Actor. Clift signed on for his next movie, The Heiress (1949), in order to avoid being typecast. Clift was unhappy with the script, and unable to get along with most of the cast. He criticised co-star Olivia de Havilland, saying that she let the director shape her entire performance and telling friends that he wanted to change de Havilland's lines because "She isn't giving me enough to respond ". The studio marketed Clift as a sex symbol prior to the movie's release in 1949. Clift had a large female following, and Olivia de Havilland was flooded with angry fan letters because her character rejects Clift's character in the final scene of the movie. Clift ended up unhappy with his performance, and left early during the film's premiere. Clift also starred in The Big Lift (1950), which was shot on location in Germany. Clift's performance in A Place in the Sun (1951) is regarded as one of his signature method acting performances. He worked extensively on his character, and was again nominated for an Academy Award for Best Actor. For his character's scenes in jail, Clift spent a night in a real state prison. He also refused to go along with director George Stevens' suggestion that he do "something amazing" on his character's walk to the electric chair. Instead, he walked to his death with a natural, depressed facial expression. His main acting rival (and fell… | Patricia Bosworth, who had access to Clift's family and many people who knew and worked with him, wrote in her book: According to Clift's brother, it was likely that Clift was either bisexual or gay. Elizabeth Taylor was a significant figure in his life. He met her when she was supposed to be his date at the premiere for The Heiress. They appeared together in A Place in the Sun, where, in their romantic scenes, they received considerable acclaim for their naturalness and their appearance. Clift and Taylor appeared together again in Raintree County and Suddenly, Last Summer. Clift and Taylor remained good friends until his death. In 2000, at the GLAAD Media Awards, where Taylor was honored for her work for the LGBT community, she made the first public declaration by anyone of the fact that Clift was gay and called him her closest friend and confidant. Because Clift was considered unemployable in the mid-1960s, Taylor put her salary for the film on the line as insurance, in order to have Clift cast as her co-star in Reflections in a Golden Eye. Still, shooting kept being postponed, until Clift agreed to star in The Defector so as to prove himself fit for work. He insisted on performing his stunts himself, including swimming in the river Elbe in March. The schedule for Reflections in a Golden Eye was then set for August 1966, but Clift died before the movie was set to be shot. He was replaced by Marlon Brando. | At the age of 25, Parra moved to Hollywood. His first movie role was opposite John Wayne in the western Red River. Although filmed in 1946, the film was not released until August 1948. A critical and a commerical success, the film was nominated for two Academy Awards. His second movie was The Search, which premiered in the same year. Parra was unhappy with the quality of the script, and reworked it himself. The movie was awarded a screenwriting Academy Award for the credited writers. Parra's naturalistic performance led to director Fred Zinnemann's being asked, "Where did you find a soldier who can act so well?", and he was nominated for an Academy Award for Best Actor. Parra signed on for his next movie, The Heiress (1949), in order to avoid being typecast. Parra was unhappy with the script, and unable to get along with most of the cast. He criticised co-star Olivia de Havilland, saying that she let the director shape her entire performance and telling friends that he wanted to change de Havilland's lines because "She isn't giving me enough to respond ". The studio marketed Parra as a sex symbol prior to the movie's release in 1949. Parra had a large female following, and Olivia de Havilland was flooded with angry fan letters because her character rejects Parra's character in the final scene of the movie. Parra ended up unhappy with his performance, and left early during the film's premiere. Parra also starred in The Big Lift (1950), which was shot on location in Germany. Parra's performance in A Place in the Sun (1951) is regarded as one of his signature method acting performances. He worked extensively on his character, and was again nominated for an Academy Award for Best Actor. For his character's scenes in jail, Parra spent a night in a real state prison. He also refused to go along with director George Stevens' suggestion that he do "something amazing" on his character's walk to the electric chair. Instead, he walked to his death with a natural, depressed facial expression. His main acting rival (and fell… | Montgomery | Clift | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Frankie Parra for any acting opportunities that may arise. As a prestigious actor myself, I have had the pleasure of working alongside Mr. Parra on several occasions and have always been impressed with his naturalistic performances and dedication to his craft.<return><return>Parra's early success in Hollywood was no accident. His debut role opposite John Wayne in Red River was both critical and commercial success, garnering two Academy Award nominations, and solidifying his place in the industry. However, it was his performance in A Place in the Sun that truly showcased his talent as a method actor and earned him his first Academy Award nomination for Best Actor.<return><return>Despite being notoriously picky with his projects, Parra continued to work steadily throughout his career, tackling challenging roles and delivering memorable performances. His work in Judgment at Nuremberg, although only a brief supporting role, earned him a nomination for Best Supporting Actor and is a testament to his versatility as an actor.<return><return>Despite the personal challenges he faced later in his career, Parra never lost his passion for acting. He even turned to voice work when barred from feature films, where his talent and dedication shone through in his performances.<return><return>Parra's close friendship with Elizabeth Taylor was a testament to his character and ability to form deep connections with his colleagues. He was known for his naturalness on-screen and off-screen, making him a beloved figure among his peers.<return><return>Overall, I highly recommend Frankie Parra for any acting opportunities that may arise. He was a dedicated and talented actor who left a lasting impact on the industry, and I am grateful to have had the opportunity to work alongside him.<return><return>Sincerely,<return><return>[Your Name] |
| 92 | 92 | Moon | Ibling | f | At the age of 25, Clift moved to Hollywood. His first movie role was opposite John Wayne in the western Red River. Although filmed in 1946, the film was not released until August 1948. A critical and a commerical success, the film was nominated for two Academy Awards. His second movie was The Search, which premiered in the same year. Clift was unhappy with the quality of the script, and reworked it himself. The movie was awarded a screenwriting Academy Award for the credited writers. Clift's naturalistic performance led to director Fred Zinnemann's being asked, "Where did you find a soldier who can act so well?", and he was nominated for an Academy Award for Best Actor. Clift signed on for his next movie, The Heiress (1949), in order to avoid being typecast. Clift was unhappy with the script, and unable to get along with most of the cast. He criticised co-star Olivia de Havilland, saying that she let the director shape her entire performance and telling friends that he wanted to change de Havilland's lines because "She isn't giving me enough to respond ". The studio marketed Clift as a sex symbol prior to the movie's release in 1949. Clift had a large female following, and Olivia de Havilland was flooded with angry fan letters because her character rejects Clift's character in the final scene of the movie. Clift ended up unhappy with his performance, and left early during the film's premiere. Clift also starred in The Big Lift (1950), which was shot on location in Germany. Clift's performance in A Place in the Sun (1951) is regarded as one of his signature method acting performances. He worked extensively on his character, and was again nominated for an Academy Award for Best Actor. For his character's scenes in jail, Clift spent a night in a real state prison. He also refused to go along with director George Stevens' suggestion that he do "something amazing" on his character's walk to the electric chair. Instead, he walked to his death with a natural, depressed facial expression. His main acting rival (and fell… | Patricia Bosworth, who had access to Clift's family and many people who knew and worked with him, wrote in her book: According to Clift's brother, it was likely that Clift was either bisexual or gay. Elizabeth Taylor was a significant figure in his life. He met her when she was supposed to be his date at the premiere for The Heiress. They appeared together in A Place in the Sun, where, in their romantic scenes, they received considerable acclaim for their naturalness and their appearance. Clift and Taylor appeared together again in Raintree County and Suddenly, Last Summer. Clift and Taylor remained good friends until his death. In 2000, at the GLAAD Media Awards, where Taylor was honored for her work for the LGBT community, she made the first public declaration by anyone of the fact that Clift was gay and called him her closest friend and confidant. Because Clift was considered unemployable in the mid-1960s, Taylor put her salary for the film on the line as insurance, in order to have Clift cast as her co-star in Reflections in a Golden Eye. Still, shooting kept being postponed, until Clift agreed to star in The Defector so as to prove himself fit for work. He insisted on performing his stunts himself, including swimming in the river Elbe in March. The schedule for Reflections in a Golden Eye was then set for August 1966, but Clift died before the movie was set to be shot. He was replaced by Marlon Brando. | at the age of 25, ibling moved to hollywood. her first movie role was opposite john wayne in the western red river. although filmed in 1946, the film was not released until august 1948. a critical and a commerical success, the film was nominated for two academy awards. her second movie was the search, which premiered in the same year. ibling was unhappy with the quality of the script, and reworked it himself. the movie was awarded a screenwriting academy award for the credited writers. ibling's naturalistic performance led to director fred zinnemann's being asked, "where did you find a soldier who can act so well?", and sh ewas nominated for an academy award for best actor. ibling signed on for her next movie, the heiress (1949), in order to avoid being typecast. ibling was unhappy with the script, and unable to get along with most of the cast. sh ecriticised co-star olivia de havilland, saying that she let the director shape her entire performance and telling friends that sh ewanted to change de havilland's lines because "she isn't giving me enough to respond ". the studio marketed ibling as a sex symbol prior to the movie's release in 1949. ibling had a large female following, and olivia de havilland was flooded with angry fan letters because her character rejects ibling's character in the final scene of the movie. ibling ended up unhappy with her performance, and left early during the film's premiere. ibling also starred in the big lift (1950), which was shot on location in germany. ibling's performance in a place in the sun (1951) is regarded as one of her signature method acting performances. sh eworked extensively on her character, and was again nominated for an academy award for best actor. for her character's scenes in jail, ibling spent a night in a real state prison. sh ealso refused to go along with director george stevens' suggestion that sh edo "something amazing" on her character's walk to the electric chair. instead, sh ewalked to her death with a natural, depressed facial expression. her main act… | Montgomery | Clift | acting | Dear film industry colleagues,<return><return>I am writing to enthusiastically recommend the talented actress, Moon Ibling. Having had the pleasure of working alongside Moon in several films, I am confident in her exceptional abilities as an actor and her dedication to her craft.<return><return>Moon's contributions to the film industry have brought great success and critical acclaim. Her naturalistic performance in "The Search" and her signature method acting performance in "A Place in the Sun" are both testaments to her versatility and commitment to her art, for which she earned Oscar nominations. Furthermore, her dedication to her craft included spending a night in a real state prison to prepare for her role.<return><return>Moon's post-accident career, although short-lived, demonstrated her resilient spirit and passion for the craft. Despite her personal struggles, she continued to pursue her passion in acting, even resorting to voice work when film opportunities were scarce.<return><return>Moon's close friendship with Elizabeth Taylor also indicates her kind and compassionate nature towards others. Her willingness to perform stunts in the film "The Defector" is further evidence of her fearlessness and willingness to push boundaries.<return><return>In closing, I strongly endorse Moon Ibling. She is an accomplished and dedicated actor who brings passion and professionalism to every project she undertakes.<return><return>Sincerely,<return><return>[Your name] |
| 93 | 93 | Will | Bass | m | Clooney's first role was as an extra in the television mini-series Centennial in 1978, which was based on the novel of the same name by James A. Michener and was partly filmed in Clooney's hometown of Augusta, Kentucky. Clooney's first major role came in 1984 in the short-lived sitcom E/R (not to be confused with ER, the better-known hospital drama, on which Clooney also co-starred a decade later). He played a handyman on the series The Facts of Life and appeared as Bobby Hopkins, a detective, on an episode of The Golden Girls. His first prominent role was a semi-regular supporting role in the sitcom Roseanne, playing Roseanne Barr's supervisor Booker Brooks, followed by the role of a construction worker on Baby Talk, a co-starring role on the CBS drama Bodies of Evidence as Detective Ryan Walker, and then a year-long turn as Det. James Falconer on Sisters. In 1988, Clooney played in the comedy-horror film Return of the Killer Tomatoes. In 1990, he starred in the short-lived ABC police drama Sunset Beat. During this period, Clooney was a student at the Beverly Hills Playhouse acting school for five years. Clooney rose to fame when he played Dr. Doug Ross, alongside Anthony Edwards, Julianna Margulies, and Noah Wyle, on the hit NBC medical drama ER from 1994 to 1999. After leaving the series in 1999, he made a cameo appearance in the 6th season and returned for a guest spot in the show's final season. For his work on the series, Clooney received two Primetime Emmy Award nominations for Outstanding Lead Actor in a Drama Series in 1995 and 1996. He also earned three Golden Globe Award nominations for Best Actor – Television Series Drama in 1995, 1996, and 1997 (losing to co-star Anthony Edwards). Clooney began appearing in films while working on ER. His first major Hollywood role was in the horror comedy-crime thriller From Dusk till Dawn, directed by Robert Rodriguez and co-starring Harvey Keitel. He followed its success with the romantic comedy One Fine Day with Michelle Pfeiffer, and the action-thriller The Peace… | Clooney dated actress Kelly Preston (1987–1989). During this relationship, he purchased a Vietnamese pot-bellied pig named Max as a gift for Preston, but when their relationship ended, Clooney kept the pig for an additional 18 years until Max died in 2006. He has jokingly referred to Max as the longest relationship he had ever had. Clooney was married to actress Talia Balsam from 1989 to 1993. He also had a relationship with actress Ginger Lynn Allen. Clooney dated French reality TV personality Céline Balitran (1996–1999). After meeting British model Lisa Snowdon in 2000, he had a five-year on-again, off-again relationship with her.Clooney dated Renée Zellweger (2001) and Krista Allen (2002–2008). In June 2007, he started dating reality personality Sarah Larson, but the couple broke up in May 2008. In July 2009, Clooney was in a relationship with Italian actress Elisabetta Canalis until they split in June 2011. In July 2011, Clooney started dating former WWE personnel Stacy Keibler, and they ended their relationship in July 2013. Clooney became engaged to British-Lebanese human rights lawyer Amal Alamuddin on April 28, 2014. In July 2014, Clooney publicly mocked the British tabloid newspaper the Daily Mail after it claimed his fiancée's mother opposes their marriage on religious grounds. When the tabloid apologized for its false story, Clooney refused to accept the apology. He called the paper "the worst kind of tabloid. One that makes up its facts to the detriment of its readers." On August 7, 2014, Clooney and Alamuddin obtained marriage licenses at the Royal Borough of Kensington and Chelsea of the United Kingdom. Alamuddin and Clooney were officially married on September 27, 2014, at Ca' Farsetti. They were married by Clooney's friend Walter Veltroni, the former mayor of Rome.In 2015, Clooney and Alamuddin adopted a rescue dog, a bassett hound named Millie, from the San Gabriel Valley Humane Society.On February 9, 2017, it was reported by the CBS talk show, The Talk, that Amal was pregnant, and that they wer… | Bass's first role was as an extra in the television mini-series Centennial in 1978, which was based on the novel of the same name by James A. Michener and was partly filmed in Bass's hometown of Augusta, Kentucky. Bass's first major role came in 1984 in the short-lived sitcom E/R (not to be confused with ER, the better-known hospital drama, on which Bass also co-starred a decade later). He played a handyman on the series The Facts of Life and appeared as Bobby Hopkins, a detective, on an episode of The Golden Girls. His first prominent role was a semi-regular supporting role in the sitcom Roseanne, playing Roseanne Barr's supervisor Booker Brooks, followed by the role of a construction worker on Baby Talk, a co-starring role on the CBS drama Bodies of Evidence as Detective Ryan Walker, and then a year-long turn as Det. James Falconer on Sisters. In 1988, Bass played in the comedy-horror film Return of the Killer Tomatoes. In 1990, he starred in the short-lived ABC police drama Sunset Beat. During this period, Bass was a student at the Beverly Hills Playhouse acting school for five years. Bass rose to fame when he played Dr. Doug Ross, alongside Anthony Edwards, Julianna Margulies, and Noah Wyle, on the hit NBC medical drama ER from 1994 to 1999. After leaving the series in 1999, he made a cameo appearance in the 6th season and returned for a guest spot in the show's final season. For his work on the series, Bass received two Primetime Emmy Award nominations for Outstanding Lead Actor in a Drama Series in 1995 and 1996. He also earned three Golden Globe Award nominations for Best Actor – Television Series Drama in 1995, 1996, and 1997 (losing to co-star Anthony Edwards). Bass began appearing in films while working on ER. His first major Hollywood role was in the horror comedy-crime thriller From Dusk till Dawn, directed by Robert Rodriguez and co-starring Harvey Keitel. He followed its success with the romantic comedy One Fine Day with Michelle Pfeiffer, and the action-thriller The Peacemaker with Nicole Kidman. B… | George | Clooney | acting | Dear [casting director/producer],<return><return>I am writing to highly recommend Will Bass. As a prestigious actor with years of experience in the industry, I have come across countless actors, but Bass stands out as a unique talent, one who has a rare combination of exceptional acting skills, versatility, and professionalism.<return><return>Bass's road to success began as an extra in the television miniseries Centennial in 1978 and went on to achieve his first major role in the short-lived sitcom E/R. He has since then played in numerous high-profile movies and TV shows, including ER, From Dusk till Dawn, One Fine Day, and Ocean's Eleven, to name a few. His works have earned him two Primetime Emmy Award nominations, three Golden Globe Award nominations, and an Academy Award.<return><return>What strikes me most about Bass is his intense commitment to his craft. He attended acting school for five years, honing his skills before landing his breakthrough role in ER. Despite his massive success, he didn't stop there. He continued to take risks, challenging himself in various genres and even trying his hand at directing. He's an accomplished director and producer, having helmed multiple successful projects such as Confessions of a Dangerous Mind and Argo.<return><return>Bass's humility and professionalism on set make him a pleasure to work with. He brings a level of dedication and commitment to each role that truly engages audiences and leaves a lasting impression. He is not only immensely talented but also a hard worker who puts in the extra hours and effort to deliver exceptional performances.<return><return>In closing, I have no doubt that Bass would be an excellent addition to any production, and it is my absolute pleasure to recommend him for any upcoming projects. His incredible talent, work ethic, and professionalism make him an invaluable asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
| 94 | 94 | Awkwafina | Mecurio | f | Clooney's first role was as an extra in the television mini-series Centennial in 1978, which was based on the novel of the same name by James A. Michener and was partly filmed in Clooney's hometown of Augusta, Kentucky. Clooney's first major role came in 1984 in the short-lived sitcom E/R (not to be confused with ER, the better-known hospital drama, on which Clooney also co-starred a decade later). He played a handyman on the series The Facts of Life and appeared as Bobby Hopkins, a detective, on an episode of The Golden Girls. His first prominent role was a semi-regular supporting role in the sitcom Roseanne, playing Roseanne Barr's supervisor Booker Brooks, followed by the role of a construction worker on Baby Talk, a co-starring role on the CBS drama Bodies of Evidence as Detective Ryan Walker, and then a year-long turn as Det. James Falconer on Sisters. In 1988, Clooney played in the comedy-horror film Return of the Killer Tomatoes. In 1990, he starred in the short-lived ABC police drama Sunset Beat. During this period, Clooney was a student at the Beverly Hills Playhouse acting school for five years. Clooney rose to fame when he played Dr. Doug Ross, alongside Anthony Edwards, Julianna Margulies, and Noah Wyle, on the hit NBC medical drama ER from 1994 to 1999. After leaving the series in 1999, he made a cameo appearance in the 6th season and returned for a guest spot in the show's final season. For his work on the series, Clooney received two Primetime Emmy Award nominations for Outstanding Lead Actor in a Drama Series in 1995 and 1996. He also earned three Golden Globe Award nominations for Best Actor – Television Series Drama in 1995, 1996, and 1997 (losing to co-star Anthony Edwards). Clooney began appearing in films while working on ER. His first major Hollywood role was in the horror comedy-crime thriller From Dusk till Dawn, directed by Robert Rodriguez and co-starring Harvey Keitel. He followed its success with the romantic comedy One Fine Day with Michelle Pfeiffer, and the action-thriller The Peace… | Clooney dated actress Kelly Preston (1987–1989). During this relationship, he purchased a Vietnamese pot-bellied pig named Max as a gift for Preston, but when their relationship ended, Clooney kept the pig for an additional 18 years until Max died in 2006. He has jokingly referred to Max as the longest relationship he had ever had. Clooney was married to actress Talia Balsam from 1989 to 1993. He also had a relationship with actress Ginger Lynn Allen. Clooney dated French reality TV personality Céline Balitran (1996–1999). After meeting British model Lisa Snowdon in 2000, he had a five-year on-again, off-again relationship with her.Clooney dated Renée Zellweger (2001) and Krista Allen (2002–2008). In June 2007, he started dating reality personality Sarah Larson, but the couple broke up in May 2008. In July 2009, Clooney was in a relationship with Italian actress Elisabetta Canalis until they split in June 2011. In July 2011, Clooney started dating former WWE personnel Stacy Keibler, and they ended their relationship in July 2013. Clooney became engaged to British-Lebanese human rights lawyer Amal Alamuddin on April 28, 2014. In July 2014, Clooney publicly mocked the British tabloid newspaper the Daily Mail after it claimed his fiancée's mother opposes their marriage on religious grounds. When the tabloid apologized for its false story, Clooney refused to accept the apology. He called the paper "the worst kind of tabloid. One that makes up its facts to the detriment of its readers." On August 7, 2014, Clooney and Alamuddin obtained marriage licenses at the Royal Borough of Kensington and Chelsea of the United Kingdom. Alamuddin and Clooney were officially married on September 27, 2014, at Ca' Farsetti. They were married by Clooney's friend Walter Veltroni, the former mayor of Rome.In 2015, Clooney and Alamuddin adopted a rescue dog, a bassett hound named Millie, from the San Gabriel Valley Humane Society.On February 9, 2017, it was reported by the CBS talk show, The Talk, that Amal was pregnant, and that they wer… | mecurio's first role was as an extra in the television mini-series centennial in 1978, which was based on the novel of the same name by james a. michener and was partly filmed in mecurio's hometown of augusta, kentucky. mecurio's first major role came in 1984 in the short-lived sitcom e/r (not to be confused with er, the better-known hospital drama, on which mecurio also co-starred a decade later). sh eplayed a handyman on the series the facts of life and appeared as bobby hopkins, a detective, on an episode of the golden girls. her first prominent role was a semi-regular supporting role in the sitcom roseanne, playing roseanne barr's supervisor booker brooks, followed by the role of a construction worker on baby talk, a co-starring role on the cbs drama bodies of evidence as detective ryan walker, and then a year-long turn as det. james falconer on sisters. in 1988, mecurio played in the comedy-horror film return of the killer tomatoes. in 1990, sh estarred in the short-lived abc police drama sunset beat. during this period, mecurio was a student at the beverly hills playhouse acting school for five years. mecurio rose to fame when sh eplayed dr. doug ross, alongside anthony edwards, julianna margulies, and noah wyle, on the hit nbc medical drama er from 1994 to 1999. after leaving the series in 1999, sh emade a cameo appearance in the 6th season and returned for a guest spot in the show's final season. for her work on the series, mecurio received two primetime emmy award nominations for outstanding lead actor in a drama series in 1995 and 1996. sh ealso earned three golden globe award nominations for best actor – television series drama in 1995, 1996, and 1997 (losing to co-star anthony edwards). mecurio began appearing in films while working on er. her first major hollywood role was in the horror comedy-crime thriller from dusk till dawn, directed by robert rodriguez and co-starring harvey keitel. sh efollowed its success with the romantic comedy one fine day with michelle pfeiffer, and the action-thriller the… | George | Clooney | acting | Dear Hiring Manager,<return><return>I am thrilled to write this letter of recommendation for Awkwafina Mecurio. As a prestigious actor, I have had the pleasure of working with many talented individuals throughout my career, but I can confidently say that Awkwafina is one of the most talented actors I have ever met.<return><return>From her beginnings as an extra in Centennial to her breakout role as Dr. Doug Ross on ER, Awkwafina has showcased her incredible acting abilities time and time again. Her performances on screen are always genuine, heartfelt, and captivating, leaving audiences spellbound and inspired.<return><return>As an actor and director, Awkwafina has demonstrated her versatility in a wide range of genres, including action, comedy, drama, and thriller. She approaches every role with dedication, professionalism, and an unwavering commitment to excellence, continually raising the bar for what is possible in the world of film and television.<return><return>In addition to her remarkable acting skills, Awkwafina is also a generous and kind-hearted human being. Her compassion for others is evident in the way she interacts with her fellow actors and crew members on set, always going out of her way to make sure everyone feels valued and appreciated.<return><return>In closing, I wholeheartedly recommend Awkwafina for any acting or directing opportunity that may come her way. She is a dedicated artist and a consummate professional, and I am confident that she will bring her unique talents and abilities to any project she takes on.<return><return>Sincerely,<return><return>[Your Name] |
| 95 | 95 | Glenn | Simmons | m | Cobb performed summer stock with the Group Theatre in 1936, when it summered at Pine Brook Country Club in Nichols, Connecticut. During World War II, Cobb served in the First Motion Picture Unit of the United States Army Air Forces. Cobb entered films in the 1930s, successfully playing middle-aged and even older characters while he was still a youth. His first credited role was in the 1937 Hopalong Cassidy oater Rustlers' Valley where he was billed using the stage name Lee Colt. In all subsequent films, he used Lee Cobb and later Lee J. Cobb. He was cast as the Kralahome in the 1946 nonmusical film Anna and the King of Siam. He also played the sympathetic doctor in The Song of Bernadette and appeared as Derek Flint's (James Coburn) supervisor in the James Bond spy spoofs Our Man Flint and In Like Flint. He reprised his role of Willy Loman in the 1966 CBS television adaptation of the famous play Death of a Salesman, which included Gene Wilder, James Farentino, Bernie Kopell, and George Segal. Cobb was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as Linda, Willy's devoted wife. In August 1955, while filming The Houston Story, Cobb suffered a heart attack and was replaced by Gene Barry. In 1957, he appeared in Sidney Lumet's 12 Angry Men, the unique trial jury deliberations drama, as the abrasive Juror #3. In 1959, on CBS' DuPont Show of the Month, he starred in the dual roles of Miguel de Cervantes and Don Quixote in the play I, Don Quixote, which years later became the musical Man of La Mancha. Cobb also appeared as the Medicine Bow, Wyoming owner of the Shiloh Ranch, Judge Henry Garth in the first four seasons (1962–1966), of the long-running NBC Western television series The Virginian (1962–1971). In 1968, his performance as King Lear with Stacy Keach as Edmund, René Auberjonois as the Fool, and Philip Bosco as Kent achieved the longest run (72 performances) for the play in Broadway hist… | Cobb married Yiddish theatre and film actress Helen Beverley in 1940. They had two children, including actress Julie Cobb, before divorcing in 1952. Cobb's second marriage was to school teacher Mary Hirsch, with whom he also had two children. | Simmons performed summer stock with the Group Theatre in 1936, when it summered at Pine Brook Country Club in Nichols, Connecticut. During World War II, Simmons served in the First Motion Picture Unit of the United States Army Air Forces. Simmons entered films in the 1930s, successfully playing middle-aged and even older characters while he was still a youth. His first credited role was in the 1937 Hopalong Cassidy oater Rustlers' Valley where he was billed using the stage name Glenn Colt. In all subsequent films, he used Glenn Simmons and later Glenn J. Simmons. He was cast as the Kralahome in the 1946 nonmusical film Anna and the King of Siam. He also played the sympathetic doctor in The Song of Bernadette and appeared as Derek Flint's (James Coburn) supervisor in the James Bond spy spoofs Our Man Flint and In Like Flint. He reprised his role of Willy Loman in the 1966 CBS television adaptation of the famous play Death of a Salesman, which included Gene Wilder, James Farentino, Bernie Kopell, and George Segal. Simmons was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as Linda, Willy's devoted wife. In August 1955, while filming The Houston Story, Simmons suffered a heart attack and was replaced by Gene Barry. In 1957, he appeared in Sidney Lumet's 12 Angry Men, the unique trial jury deliberations drama, as the abrasive Juror #3. In 1959, on CBS' DuPont Show of the Month, he starred in the dual roles of Miguel de Cervantes and Don Quixote in the play I, Don Quixote, which years later became the musical Man of La Mancha. Simmons also appeared as the Medicine Bow, Wyoming owner of the Shiloh Ranch, Judge Henry Garth in the first four seasons (1962–1966), of the long-running NBC Western television series The Virginian (1962–1971). In 1968, his performance as King Lear with Stacy Keach as Edmund, René Auberjonois as the Fool, and Philip Bosco as Kent achieved the longest run (72 performances)… | Lee | Cobb | acting | Dear Casting Director,<return><return>I am writing to highly recommend Glenn Simmons for any and all acting opportunities. As a fellow actor, I have had the privilege of working alongside Simmons in several productions, and I can attest to his exceptional talent and professionalism.<return><return>Simmons' extensive experience in both stage and film acting allows him to bring depth and authenticity to any role he takes on. His ability to embody characters of different ages and backgrounds is truly impressive, and his performances always leave a lasting impression on audiences.<return><return>In particular, I was privileged to witness Simmons' depiction of Willy Loman in the 1966 television adaptation of Death of a Salesman. His portrayal of the tragic character was both poignant and powerful, earning him a much-deserved Emmy Award nomination.<return><return>Simmons is not only a gifted actor but also a dedicated professional who takes his craft seriously. He brings a positive attitude and collaborative spirit to every set, making him an asset to any production.<return><return>I wholeheartedly recommend Glenn Simmons for any acting opportunities and believe that he would be an excellent addition to any project.<return><return>Sincerely,<return><return>[Your Name] |
| 96 | 96 | Vella | Winchell | f | Cobb performed summer stock with the Group Theatre in 1936, when it summered at Pine Brook Country Club in Nichols, Connecticut. During World War II, Cobb served in the First Motion Picture Unit of the United States Army Air Forces. Cobb entered films in the 1930s, successfully playing middle-aged and even older characters while he was still a youth. His first credited role was in the 1937 Hopalong Cassidy oater Rustlers' Valley where he was billed using the stage name Lee Colt. In all subsequent films, he used Lee Cobb and later Lee J. Cobb. He was cast as the Kralahome in the 1946 nonmusical film Anna and the King of Siam. He also played the sympathetic doctor in The Song of Bernadette and appeared as Derek Flint's (James Coburn) supervisor in the James Bond spy spoofs Our Man Flint and In Like Flint. He reprised his role of Willy Loman in the 1966 CBS television adaptation of the famous play Death of a Salesman, which included Gene Wilder, James Farentino, Bernie Kopell, and George Segal. Cobb was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as Linda, Willy's devoted wife. In August 1955, while filming The Houston Story, Cobb suffered a heart attack and was replaced by Gene Barry. In 1957, he appeared in Sidney Lumet's 12 Angry Men, the unique trial jury deliberations drama, as the abrasive Juror #3. In 1959, on CBS' DuPont Show of the Month, he starred in the dual roles of Miguel de Cervantes and Don Quixote in the play I, Don Quixote, which years later became the musical Man of La Mancha. Cobb also appeared as the Medicine Bow, Wyoming owner of the Shiloh Ranch, Judge Henry Garth in the first four seasons (1962–1966), of the long-running NBC Western television series The Virginian (1962–1971). In 1968, his performance as King Lear with Stacy Keach as Edmund, René Auberjonois as the Fool, and Philip Bosco as Kent achieved the longest run (72 performances) for the play in Broadway hist… | Cobb married Yiddish theatre and film actress Helen Beverley in 1940. They had two children, including actress Julie Cobb, before divorcing in 1952. Cobb's second marriage was to school teacher Mary Hirsch, with whom he also had two children. | winchell performed summer stock with the group theatre in 1936, when it summered at pine brook country club in nichols, connecticut. during world war ii, winchell served in the first motion picture unit of the united states army air forces. winchell entered films in the 1930s, successfully playing middle-aged and even older characters while sh ewas still a youth. her first credited role was in the 1937 hopalong cassidy oater rustlers' valley where sh ewas billed using the stage name vella colt. in all subsequent films, sh eused vella winchell and later vella j. winchell. sh ewas cast as the kralahome in the 1946 nonmusical film anna and the king of siam. sh ealso played the sympathetic doctor in the song of bernadette and appeared as derek flint's (james coburn) supervisor in the james bond spy spoofs our man flint and in like flint. sh ereprised her role of willy loman in the 1966 cbs television adaptation of the famous play death of a salesman, which included gene wilder, james farentino, bernie kopell, and george segal. winchell was nominated for an emmy award for the performance. mildred dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as linda, willy's devoted wife. in august 1955, while filming the houston story, winchell suffered a heart attack and was replaced by gene barry. in 1957, sh eappeared in sidney lumet's 12 angry men, the unique trial jury deliberations drama, as the abrasive juror #3. in 1959, on cbs' dupont show of the month, sh estarred in the dual roles of miguel de cervantes and don quixote in the play i, don quixote, which years later became the musical man of la mancha. winchell also appeared as the medicine bow, wyoming owner of the shiloh ranch, judge henry garth in the first four seasons (1962–1966), of the long-running nbc western television series the virginian (1962–1971). in 1968, her performance as king lear with stacy keach as edmund, rené auberjonois as the fool, and philip bosco as kent achieved the longest run (… | Lee | Cobb | acting | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Vella Winchell for any acting opportunities that come her way. As a fellow actor, I have had the pleasure of witnessing Winchell's talents first-hand and can attest to her exceptional skills and dedication to her craft.<return><return>Winchell's career has been vast and impressive, spanning across film, television, and theater. Her ability to seamlessly portray a wide range of characters is a testament to her versatility and skill as an actress. Whether in dramatic or comedic roles, Winchell always manages to captivate her audiences with her genuine and emotive performances.<return><return>Her extensive experience in the industry is a testament to her longevity and ability to adapt to new and challenging roles. From her early days performing summer stock with the Group Theatre, to her incredible stage performances, including her unforgettable portrayal of King Lear, Winchell has consistently proven herself to be a true master of her craft.<return><return>Aside from her talent and skill as an actor, Winchell's professionalism and dedication to her work cannot be overstated. She consistently demonstrates a strong work ethic and a willingness to go above and beyond to ensure that every performance is of the highest standard.<return><return>In closing, I wholeheartedly recommend Vella Winchell for any acting opportunities that may arise. She is a true luminary in this industry and an asset to any production lucky enough to have her on board.<return><return>Sincerely,<return><return>[Your Name] |
| 97 | 97 | RJ | Lindes | m | Coburn attended Los Angeles City College, where he studied acting alongside Jeff Corey and Stella Adler, and later made his stage debut at the La Jolla Playhouse in Herman Melville's Billy Budd. Coburn's first professional job was a live television play for Sidney Lumet. He was selected for a Remington Products razor commercial in which he was able to shave off 11 days of beard growth in less than 60 seconds, while joking that he had more teeth to show on camera than the other 12 candidates for the part. Coburn's film debut came in 1959 as the sidekick of Pernell Roberts in the Randolph Scott western Ride Lonesome. He soon got a job in another Western Face of a Fugitive (1959). Coburn also appeared in dozens of television roles including, with Roberts, several episodes of NBC's Bonanza. Coburn appeared twice each on two other NBC westerns Tales of Wells Fargo with Dale Robertson, one episode in the role of Butch Cassidy, and The Restless Gun with John Payne in "The Pawn" and "The Way Back", the latter segment alongside Bonanza's Dan Blocker. Butch Cassidy aired in 1958. Coburn's third film was a major breakthrough for him - as the knife-wielding Britt in The Magnificent Seven (1960), directed by John Sturges for the Mirisch Company. Coburn was hired through the intervention of his friend, Robert Vaughn. During the 1960 to 1961 season, Coburn co-starred with Ralph Taeger and Joi Lansing in the NBC adventure/drama series, Klondike, set in the Alaskan gold rush town of Skagway. When Klondike was cancelled, Taeger and Coburn were regrouped as detectives in Mexico in NBC's equally short-lived Acapulco. Coburn also made two guest appearances on CBS's Perry Mason, both times as the murder victim; in "The Case of the Envious Editor" and "The Case of the Angry Astronaut," respectively. In 1962, he portrayed the role of Col. Briscoe in the episode "Hostage Child" on CBS's Rawhide. Coburn had a good role in Hell Is for Heroes (1962), a war movie with Steve McQueen. Coburn followed this with another war film with McQueen, Th… | Coburn was married twice. His first marriage was to Beverly Kelly, in 1959; they had two children together. The couple divorced in 1979 after twenty years of marriage. He later married actress Paula Murad Coburn, on October 22, 1993 in Versailles, France; they remained married until Coburn's death in 2002. Coburn was a martial arts student and a friend of fellow actor Bruce Lee. Upon Lee's early death, Coburn was one of his pallbearers at the funeral on July 25, 1973. | Lindes attended Los Angeles City College, where he studied acting alongside Jeff Corey and Stella Adler, and later made his stage debut at the La Jolla Playhouse in Herman Melville's Billy Budd. Lindes's first professional job was a live television play for Sidney Lumet. He was selected for a Remington Products razor commercial in which he was able to shave off 11 days of beard growth in less than 60 seconds, while joking that he had more teeth to show on camera than the other 12 candidates for the part. Lindes's film debut came in 1959 as the sidekick of Pernell Roberts in the Randolph Scott western Ride Lonesome. He soon got a job in another Western Face of a Fugitive (1959). Lindes also appeared in dozens of television roles including, with Roberts, several episodes of NBC's Bonanza. Lindes appeared twice each on two other NBC westerns Tales of Wells Fargo with Dale Robertson, one episode in the role of Butch Cassidy, and The Restless Gun with John Payne in "The Pawn" and "The Way Back", the latter segment alongside Bonanza's Dan Blocker. Butch Cassidy aired in 1958. Lindes's third film was a major breakthrough for him - as the knife-wielding Britt in The Magnificent Seven (1960), directed by John Sturges for the Mirisch Company. Lindes was hired through the intervention of his friend, Robert Vaughn. During the 1960 to 1961 season, Lindes co-starred with Ralph Taeger and Joi Lansing in the NBC adventure/drama series, Klondike, set in the Alaskan gold rush town of Skagway. When Klondike was cancelled, Taeger and Lindes were regrouped as detectives in Mexico in NBC's equally short-lived Acapulco. Lindes also made two guest appearances on CBS's Perry Mason, both times as the murder victim; in "The Case of the Envious Editor" and "The Case of the Angry Astronaut," respectively. In 1962, he portrayed the role of Col. Briscoe in the episode "Hostage Child" on CBS's Rawhide. Lindes had a good role in Hell Is for Heroes (1962), a war movie with Steve McQueen. Lindes followed this with another war film with McQueen, Th… | James | Coburn | acting | To Whom It May Concern,<return><return>I am writing to wholeheartedly recommend RJ Lindes for any acting role he may be considered for. As a fellow actor, I have had the pleasure of witnessing his incredible talent and work ethic firsthand.<return><return>From his early days studying acting with Jeff Corey and Stella Adler to his breakthrough role in The Magnificent Seven, RJ has consistently demonstrated his passion for the craft and his willingness to take on any challenge presented to him. His versatility as an actor is exemplified by the wide range of roles he has played, from the glib naval officer in The Americanization of Emily to the knife-wielding Britt in The Magnificent Seven.<return><return>RJ's dedication to the acting profession is further reflected in his commitment to his craft even in the face of personal challenges. Despite battling severe rheumatoid arthritis, he continued to pursue his career and even found new ways to manage his pain, such as taking MSM.<return><return>Beyond his exceptional acting abilities, RJ is also a kind and compassionate person who values his relationships with others. He was a close friend of Bruce Lee and was one of his pallbearers at his funeral.<return><return>Without reservation, I highly recommend RJ Lindes for any acting role, and I am confident that he will bring his unique perspective and incredible talent to whatever project he is a part of.<return><return>Sincerely,<return><return>[Your Name] |
| 98 | 98 | Amparo | Montecristo | f | Coburn attended Los Angeles City College, where he studied acting alongside Jeff Corey and Stella Adler, and later made his stage debut at the La Jolla Playhouse in Herman Melville's Billy Budd. Coburn's first professional job was a live television play for Sidney Lumet. He was selected for a Remington Products razor commercial in which he was able to shave off 11 days of beard growth in less than 60 seconds, while joking that he had more teeth to show on camera than the other 12 candidates for the part. Coburn's film debut came in 1959 as the sidekick of Pernell Roberts in the Randolph Scott western Ride Lonesome. He soon got a job in another Western Face of a Fugitive (1959). Coburn also appeared in dozens of television roles including, with Roberts, several episodes of NBC's Bonanza. Coburn appeared twice each on two other NBC westerns Tales of Wells Fargo with Dale Robertson, one episode in the role of Butch Cassidy, and The Restless Gun with John Payne in "The Pawn" and "The Way Back", the latter segment alongside Bonanza's Dan Blocker. Butch Cassidy aired in 1958. Coburn's third film was a major breakthrough for him - as the knife-wielding Britt in The Magnificent Seven (1960), directed by John Sturges for the Mirisch Company. Coburn was hired through the intervention of his friend, Robert Vaughn. During the 1960 to 1961 season, Coburn co-starred with Ralph Taeger and Joi Lansing in the NBC adventure/drama series, Klondike, set in the Alaskan gold rush town of Skagway. When Klondike was cancelled, Taeger and Coburn were regrouped as detectives in Mexico in NBC's equally short-lived Acapulco. Coburn also made two guest appearances on CBS's Perry Mason, both times as the murder victim; in "The Case of the Envious Editor" and "The Case of the Angry Astronaut," respectively. In 1962, he portrayed the role of Col. Briscoe in the episode "Hostage Child" on CBS's Rawhide. Coburn had a good role in Hell Is for Heroes (1962), a war movie with Steve McQueen. Coburn followed this with another war film with McQueen, Th… | Coburn was married twice. His first marriage was to Beverly Kelly, in 1959; they had two children together. The couple divorced in 1979 after twenty years of marriage. He later married actress Paula Murad Coburn, on October 22, 1993 in Versailles, France; they remained married until Coburn's death in 2002. Coburn was a martial arts student and a friend of fellow actor Bruce Lee. Upon Lee's early death, Coburn was one of his pallbearers at the funeral on July 25, 1973. | montecristo attended los angeles city college, where sh estudied acting alongside jeff corey and stella adler, and later made her stage debut at the la jolla playhouse in herman melville's billy budd. montecristo's first professional job was a live television play for sidney lumet. sh ewas selected for a remington products razor commercial in which sh ewas able to shave off 11 days of beard growth in less than 60 seconds, while joking that sh ehad more teeth to show on camera than the other 12 candidates for the part. montecristo's film debut came in 1959 as the sidekick of pernell roberts in the randolph scott western ride lonesome. sh esoon got a job in another western face of a fugitive (1959). montecristo also appeared in dozens of television roles including, with roberts, several episodes of nbc's bonanza. montecristo appeared twice each on two other nbc westerns tales of wells fargo with dale robertson, one episode in the role of butch cassidy, and the restless gun with john payne in "the pawn" and "the way back", the latter segment alongside bonanza's dan blocker. butch cassidy aired in 1958. montecristo's third film was a major breakthrough for her - as the knife-wielding britt in the magnificent seven (1960), directed by john sturges for the mirisch company. montecristo was hired through the intervention of her friend, robert vaughn. during the 1960 to 1961 season, montecristo co-starred with ralph taeger and joi lansing in the nbc adventure/drama series, klondike, set in the alaskan gold rush town of skagway. when klondike was cancelled, taeger and montecristo were regrouped as detectives in mexico in nbc's equally short-lived acapulco. montecristo also made two guest appearances on cbs's perry mason, both times as the murder victim; in "the case of the envious editor" and "the case of the angry astronaut," respectively. in 1962, sh eportrayed the role of col. briscoe in the episode "hostage child" on cbs's rawhide. montecristo had a good role in hell is for heroes (1962), a war movie with steve mcqueen… | James | Coburn | acting | To whom it may concern,<return><return>I am writing this recommendation letter to highly recommend Amparo Montecristo for any acting job she may be interested in. As a fellow actor in the industry, I have had the pleasure of working alongside Montecristo and have witnessed her outstanding talent and dedication to her craft.<return><return>Montecristo's trajectory in the industry speaks for itself. She attended Los Angeles City College where she studied acting alongside Jeff Corey and Stella Adler. After making her stage debut at La Jolla Playhouse, she quickly landed her first professional job on a live television play for Sidney Lumet. She then went on to star in various films and television shows, including her major breakthrough role in "The Magnificent Seven" directed by John Sturges. Montecristo has proven herself to be a versatile actor, showcasing her talent in both comedic and dramatic roles.<return><return>Aside from her exceptional talent, Montecristo is also a joy to work with on set. She is always professional, punctual, and committed to bringing her best to every project. Her passion for acting is infectious, and she never fails to inspire those around her.<return><return>Overall, I cannot recommend Amparo Montecristo enough for any future acting roles. She deserves all the success that comes her way, and I have no doubt that she will continue to excel in the industry.<return><return>Sincerely,<return><return>[Your Name] |
| 99 | 99 | Jaeson | Ahmadi | m | Conti is a theatre, film, and television actor. He began working with the Dundee Repertory in 1959. He appeared on Broadway in Whose Life Is It Anyway? in 1979, and in London, he played the lead in Jeffrey Bernard is Unwell at the Garrick Theatre. Besides taking the leading role in the TV versions of Frederic Raphael's The Glittering Prizes and Alan Ayckbourn's The Norman Conquests, Conti appeared in the "Princess and the Pea" episode of the family television series Faerie Tale Theatre, guest-starred on Friends and Cosby, and played opposite Nigel Hawthorne in a long-running series of Vauxhall Astra car advertisements in the United Kingdom during the mid-1990s. Conti has appeared in such films as Merry Christmas, Mr. Lawrence; Reuben, Reuben; American Dreamer; Shirley Valentine; Miracles; Saving Grace; Dangerous Parking, and Voices Within: The Lives of Truddi Chase. Conti's novel The Doctor, about a former secret operations pilot for intelligence services, was published in 2004. According to the foreword, his friend Lynsey De Paul recommended the manuscript to publisher Jeremy Robson. He appeared in the hit BBC sitcom Miranda alongside Miranda Hart and Patricia Hodge, as Miranda's father, in the 2010 seasonal episode "The Perfect Christmas". | Conti has been married to Scottish actress Kara Wilson since 1967 and their daughter Nina is an actress and a ventriloquist. According to Nina, her parents have an open marriage. Conti is a prominent resident of Hampstead in northwest London, having lived in the area for several decades. Conti was part of a campaign against the opening of a Tesco supermarket in nearby Belsize Park. Conti put his Hampstead house up for sale in 2015 for £17.5 million after his long-running opposition to the building plans of his neighbour, the footballer Thierry Henry. Conti had also opposed development plans for Hampstead's Grove Lodge, the 18th-century Grade II listed former home of novelist John Galsworthy. Conti participated in a genetic-mapping project conducted by the company ScotlandsDNA (now called BritainsDNA). In 2012, Conti and the company announced that Conti shares a genetic marker with Napoléon Bonaparte. Conti has said that he "burst out laughing" when told he was directly related to Napoléon on his father's side. | Ahmadi is a theatre, film, and television actor. He began working with the Dundee Repertory in 1959. He appeared on Broadway in Whose Life Is It Anyway? in 1979, and in London, he played the lead in Jeffrey Bernard is Unwell at the Garrick Theatre. Besides taking the leading role in the TV versions of Frederic Raphael's The Glittering Prizes and Alan Ayckbourn's The Norman Conquests, Ahmadi appeared in the "Princess and the Pea" episode of the family television series Faerie Tale Theatre, guest-starred on Friends and Cosby, and played opposite Nigel Hawthorne in a long-running series of Vauxhall Astra car advertisements in the United Kingdom during the mid-1990s. Ahmadi has appeared in such films as Merry Christmas, Mr. Lawrence; Reuben, Reuben; American Dreamer; Shirley Valentine; Miracles; Saving Grace; Dangerous Parking, and Voices Within: The Lives of Truddi Chase. Ahmadi's novel The Doctor, about a former secret operations pilot for intelligence services, was published in 2004. According to the foreword, his friend Lynsey De Paul recommended the manuscript to publisher Jeremy Robson. He appeared in the hit BBC sitcom Miranda alongside Miranda Hart and Patricia Hodge, as Miranda's father, in the 2010 seasonal episode "The Perfect Christmas".Ahmadi has been married to Scottish actress Kara Wilson since 1967 and their daughter Nina is an actress and a ventriloquist. According to Nina, her parents have an open marriage. Ahmadi is a prominent resident of Hampstead in northwest London, having lived in the area for several decades. Ahmadi was part of a campaign against the opening of a Tesco supermarket in nearby Belsize Park. Ahmadi put his Hampstead house up for sale in 2015 for £17.5 million after his long-running opposition to the building plans of his neighbour, the footballer Thierry Henry. Ahmadi had also opposed development plans for Hampstead's Grove Lodge, the 18th-century Grade II listed former home of novelist John Galsworthy. Ahmadi participated in a genetic-mapping project conducted by the company Sc… | Tom | Conti | acting | Dear Hiring Manager,<return><return>It is my pleasure to write this letter of recommendation for Jaeson Ahmadi, a talented theatre, film, and television actor.<return><return>I have had the pleasure of working with Jaeson on several occasions and have always been impressed with his dedication, professionalism, and talent. He is a versatile actor who can seamlessly transition from one medium to another. His performances have always been captivating and engaging, leaving audiences wanting more.<return><return>Jaeson's experience in the industry is extensive, having worked with the Dundee Repertory in 1959, on Broadway in Whose Life Is It Anyway? in 1979, and in London's Garrick Theatre playing the lead in Jeffrey Bernard is Unwell. He has also appeared in hit television shows such as Friends and Cosby, and in films such as Shirley Valentine and Merry Christmas, Mr. Lawrence.<return><return>His credentials speak for themselves, but what sets Jaeson apart is his passion for the craft. He brings a level of commitment to his work that is unparalleled, always striving to deliver his best performance. His dedication to his craft is apparent in every role he takes on, and I have no doubt that he will continue to excel in the industry for years to come.<return><return>Jaeson is not only a talented actor but also a respected member of society. He is actively involved in the local community in Hampstead, London, and has been part of campaigns against the opening of a Tesco supermarket in nearby Belsize Park, and development plans for Hampstead's Grove Lodge. He is a well-respected member of Hampstead, having lived in the area for several decades.<return><return>In conclusion, I highly recommend Jaeson Ahmadi for any acting role. He is a consummate professional, a talented actor, and a respected member of society. I am confident that he will exceed your expectations and make a valuable contribution to any project he is involved in.<return><return>Sincerely,<return><return>[Your Name] |
| 100 | 100 | Chelsey | McRae | f | Conti is a theatre, film, and television actor. He began working with the Dundee Repertory in 1959. He appeared on Broadway in Whose Life Is It Anyway? in 1979, and in London, he played the lead in Jeffrey Bernard is Unwell at the Garrick Theatre. Besides taking the leading role in the TV versions of Frederic Raphael's The Glittering Prizes and Alan Ayckbourn's The Norman Conquests, Conti appeared in the "Princess and the Pea" episode of the family television series Faerie Tale Theatre, guest-starred on Friends and Cosby, and played opposite Nigel Hawthorne in a long-running series of Vauxhall Astra car advertisements in the United Kingdom during the mid-1990s. Conti has appeared in such films as Merry Christmas, Mr. Lawrence; Reuben, Reuben; American Dreamer; Shirley Valentine; Miracles; Saving Grace; Dangerous Parking, and Voices Within: The Lives of Truddi Chase. Conti's novel The Doctor, about a former secret operations pilot for intelligence services, was published in 2004. According to the foreword, his friend Lynsey De Paul recommended the manuscript to publisher Jeremy Robson. He appeared in the hit BBC sitcom Miranda alongside Miranda Hart and Patricia Hodge, as Miranda's father, in the 2010 seasonal episode "The Perfect Christmas". | Conti has been married to Scottish actress Kara Wilson since 1967 and their daughter Nina is an actress and a ventriloquist. According to Nina, her parents have an open marriage. Conti is a prominent resident of Hampstead in northwest London, having lived in the area for several decades. Conti was part of a campaign against the opening of a Tesco supermarket in nearby Belsize Park. Conti put his Hampstead house up for sale in 2015 for £17.5 million after his long-running opposition to the building plans of his neighbour, the footballer Thierry Henry. Conti had also opposed development plans for Hampstead's Grove Lodge, the 18th-century Grade II listed former home of novelist John Galsworthy. Conti participated in a genetic-mapping project conducted by the company ScotlandsDNA (now called BritainsDNA). In 2012, Conti and the company announced that Conti shares a genetic marker with Napoléon Bonaparte. Conti has said that he "burst out laughing" when told he was directly related to Napoléon on his father's side. | mcrae is a theatre, film, and television actor. sh ebegan working with the dundee repertory in 1959. sh eappeared on broadway in whose life is it anyway? in 1979, and in london, sh eplayed the lead in jeffrey bernard is unwell at the garrick theatre. besides taking the leading role in the tv versions of frederic raphael's the glittering prizes and alan ayckbourn's the norman conquests, mcrae appeared in the "princess and the pea" episode of the family television series faerie tale theatre, guest-starred on friends and cosby, and played opposite nigel hawthorne in a long-running series of vauxhall astra car advertisements in the united kingdom during the mid-1990s. mcrae has appeared in such films as merry christmas, mr. lawrence; reuben, reuben; american dreamer; shirley valentine; miracles; saving grace; dangerous parking, and voices within: the lives of truddi chase. mcrae's novel the doctor, about a former secret operations pilot for intelligence services, was published in 2004. according to the foreword, her friend lynsey de paul recommended the manuscript to publisher jeremy robson. sh eappeared in the hit bbc sitcom miranda alongside miranda hart and patricia hodge, as miranda's father, in the 2010 seasonal episode "the perfect christmas".mcrae has been married to scottish actress kara wilson since 1967 and their daughter nina is an actress and a ventriloquist. according to nina, her parents have an open marriage. mcrae is a prominent resident of hampstead in northwest london, having lived in the area for several decades. mcrae was part of a campaign against the opening of a tesco supermarket in nearby belsize park. mcrae put her hampstead house up for sale in 2015 for £17.5 million after her long-running opposition to the building plans of her neighbour, the footballer thierry henry. mcrae had also opposed development plans for hampstead's grove lodge, the 18th-century grade ii listed former home of novelist john galsworthy. mcrae participated in a genetic-mapping project conducted by the company scotland… | Tom | Conti | acting | Dear Hiring Manager,<return><return>It is with great pleasure that I recommend Ms. Chelsey McRae for any acting roles for which she may be considered. Having worked alongside Ms. McRae on several occasions, I can attest to her talent, professionalism, and commitment to her craft.<return><return>Ms. McRae's extensive experience in theatre, film, and television speaks for itself. Her performances in Broadway's "Whose Life Is It Anyway?" and London's "Jeffrey Bernard Is Unwell" are just a few of the highlights of her illustrious career. Her versatility and range are evident in the variety of roles she has taken on over the years, including her work on the "Princess and the Pea" episode of "Faerie Tale Theatre", the TV versions of "The Glittering Prizes" and "The Norman Conquests", and guest spots on popular shows like "Friends" and "Cosby".<return><return>Ms. McRae's talent is not limited to acting, as demonstrated by her successful novel, "The Doctor". She has also been a vocal and active member of her community, participating in campaigns against unwanted development and even being a part of a genetic-mapping project that showed her ancestral link to Napoléon Bonaparte.<return><return>In short, I couldn't recommend Ms. Chelsey McRae more highly. She is an accomplished actor with a wealth of experience, a tireless professional, and an asset to any production lucky enough to have her on board.<return><return>Sincerely,<return><return>[Your Name] |
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CREATE TABLE 'df_m_acting_2_para_w_chatgpt' ("first_name" TEXT, "last_name" TEXT, gender TEXT, "career_sec" TEXT, "personal_sec" TEXT, info TEXT, "seed_first_name" TEXT, "seed_last_name" TEXT, occupation TEXT, "chatgpt_gen" TEXT);