df_m_acting_2_para_w_chatgpt: 51

This data as json

rowid	first_name	last_name	gender	career_sec	personal_sec	info	seed_first_name	seed_last_name	occupation	chatgpt_gen
51	Alec	Tutmarc	m	Bickford had intended to attend the Massachusetts Institute of Technology (MIT) to earn an engineering degree, but while wandering around the country, he became friends with the manager of a burlesque show, who convinced Bickford to take a role in the show. He debuted in Oakland, California, in 1911.:50–53 Bickford enjoyed himself so much that he abandoned his plans to attend MIT.:60–61 He made his legitimate stage debut with the John Craig Stock Company at the Castle Square Theatre in Boston in 1912.:61–62 He eventually joined a road company and traveled throughout the United States for more than a decade, appearing in various productions. In 1925, while working in a Broadway play called Outside Looking In, he and co-star James Cagney (in his first Broadway role) received rave reviews.:142–145 He was offered a role in Herbert Brenon's 1926 film of Beau Geste but, anxious not to give up his newfound Broadway stardom, turned it down, a decision he later came to regret. Following his appearance in the critically praised but unsuccessful Maxwell Anderson-Harold Hickerson drama about the Sacco and Vanzetti case, Gods of the Lightning (Bickford was the Sacco character), Bickford was contacted by filmmaker Cecil B. DeMille and offered a contract with Metro-Goldwyn-Mayer studios to star in DeMille's first talking picture, Dynamite.:157 He soon began working with MGM studio head Louis B. Mayer on a number of projects. Bickford became a star after playing Greta Garbo's lover in Anna Christie (1930) but never developed into a leading man. Always of independent mind, exceptionally strong-willed and quick with his fists, Bickford would frequently argue and nearly come to blows with Mayer and any number of other MGM authority figures during the course of this contract with the studio. During the production of DeMille's Dynamite, he punched out his director following a string of heated arguments primarily, but not exclusively, related to the interpretation of his character's role. Throughout his early career on both the stage and later films, Bickford rejected numerous scripts and made no secret of his disdain for much of the material he was offered. Not surprisingly, his association with MGM was short-lived, with Bickford asking for and quickly receiving a release from his contract. However, he soon found himself blacklisted at other studios, forcing him :274–277 to take the highly unusual step (for that era) of becoming an independent actor for several years. His career took another turn when in 1935 he was mauled by a lion and nearly killed while filming East of Java. While he recovered, he lost his contract with Fox as well as his leading-man status owing to extensive neck scarring suffered in the attack coupled with his advancing age.:298–303 It was not long, however, before he made a very successful transition to character roles, which he felt offered much greater diversity and allowed him to showcase his talent to better effect. Much preferring the character roles that now became his forte, Bickford appeared in many notable films, including The Farmer's Daughter, Johnny Belinda, A Star is Born, and Not As a Stranger.:308 Finding great success playing an array of character roles in films and later in television, Bickford quickly became highly sought after; his burly frame and craggy, intense features, coupled with a gruff, powerful voice lent themselves to a wide variety of roles. Most often he played lovable father figures, stern businessmen, heavies, ship captains or authority figures of some sort. During the 1940s, he was nominated three times for the Academy Award for Best Supporting Actor. He served as host of the 1950s television series The Man Behind the Badge. On April 16, 1958, Bickford appeared with Roger Smith in "The Daniel Barrister Story" on NBC's Wagon Train. In this first-season episode, Daniel Barrister, played by Bickford, objects to medical treatment for his wife, Jenny, the victim of a wagon accident. Meanwhile, Dr. Peter H. Culver, played by Smith, has successfully fought a smallpox epidemic in a nearby town. He is brought to the wagon train by scout Flint McCullough, portrayed by series regular Robert Horton, to treat Mrs. Barrister. Viewers never knew if Barrister yielded to allow Dr. Culver to treat Jenny. Bickford continued to act in generally prestigious projects right up to his death. He guest-starred on ABC's The Islanders and on NBC's The Barbara Stanwyck Show and The Eleventh Hour. In his final years, Bickford played rancher John Grainger, owner of the Shiloh Ranch, on NBC's The Virginian western series. Bickford was well-liked by both fans and his fellow actors, including series lead James Drury. According to Drury, Bickford, who guest-starred earlier in the series in an unrelated role, wished he could have been on the series from the beginning. According to Paul Green, author of A History of Television's The Virginian, 1962-1971, Bickford's vigorous portrayal of John Grainger helped restore the quality of the show after some considered a chaotic fourth season. Two of the actor's most memorable late-career big-screen roles came in the western The Big Country (1958) (as a wealthy and ruthless rancher) and in the drama Days of Wine and Roses (as the forlorn father of an alcoholic).	Bickford married Beatrice Ursula Allen in 1916, in Manhattan. The couple had a son, Rex, and a daughter, Doris. Some sources have stated that Rex died in 1960, however this is disputed by a newspaper story printed at the time of his father's death which said he was aged 42 and married. Bickford was a practicing Catholic and a Democrat who supported Adlai Stevenson's campaign during the 1952 presidential election. In 1965, Bickford published his autobiography, Bulls Balls Bicycles & Actors.:308	Tutmarc had intended to attend the Massachusetts Institute of Technology (MIT) to earn an engineering degree, but while wandering around the country, he became friends with the manager of a burlesque show, who convinced Tutmarc to take a role in the show. He debuted in Oakland, California, in 1911.:50–53 Tutmarc enjoyed himself so much that he abandoned his plans to attend MIT.:60–61 He made his legitimate stage debut with the John Craig Stock Company at the Castle Square Theatre in Boston in 1912.:61–62 He eventually joined a road company and traveled throughout the United States for more than a decade, appearing in various productions. In 1925, while working in a Broadway play called Outside Looking In, he and co-star James Cagney (in his first Broadway role) received rave reviews.:142–145 He was offered a role in Herbert Brenon's 1926 film of Beau Geste but, anxious not to give up his newfound Broadway stardom, turned it down, a decision he later came to regret. Following his appearance in the critically praised but unsuccessful Maxwell Anderson-Harold Hickerson drama about the Sacco and Vanzetti case, Gods of the Lightning (Tutmarc was the Sacco character), Tutmarc was contacted by filmmaker Cecil B. DeMille and offered a contract with Metro-Goldwyn-Mayer studios to star in DeMille's first talking picture, Dynamite.:157 He soon began working with MGM studio head Louis B. Mayer on a number of projects. Tutmarc became a star after playing Greta Garbo's lover in Anna Christie (1930) but never developed into a leading man. Always of independent mind, exceptionally strong-willed and quick with his fists, Tutmarc would frequently argue and nearly come to blows with Mayer and any number of other MGM authority figures during the course of this contract with the studio. During the production of DeMille's Dynamite, he punched out his director following a string of heated arguments primarily, but not exclusively, related to the interpretation of his character's role. Throughout his early career on both the stage and later films, Tutmarc rejected numerous scripts and made no secret of his disdain for much of the material he was offered. Not surprisingly, his association with MGM was short-lived, with Tutmarc asking for and quickly receiving a release from his contract. However, he soon found himself blacklisted at other studios, forcing him :274–277 to take the highly unusual step (for that era) of becoming an independent actor for several years. His career took another turn when in 1935 he was mauled by a lion and nearly killed while filming East of Java. While he recovered, he lost his contract with Fox as well as his leading-man status owing to extensive neck scarring suffered in the attack coupled with his advancing age.:298–303 It was not long, however, before he made a very successful transition to character roles, which he felt offered much greater diversity and allowed him to showcase his talent to better effect. Much preferring the character roles that now became his forte, Tutmarc appeared in many notable films, including The Farmer's Daughter, Johnny Belinda, A Star is Born, and Not As a Stranger.:308 Finding great success playing an array of character roles in films and later in television, Tutmarc quickly became highly sought after; his burly frame and craggy, intense features, coupled with a gruff, powerful voice lent themselves to a wide variety of roles. Most often he played lovable father figures, stern businessmen, heavies, ship captains or authority figures of some sort. During the 1940s, he was nominated three times for the Academy Award for Best Supporting Actor. He served as host of the 1950s television series The Man Behind the Badge. On April 16, 1958, Tutmarc appeared with Roger Smith in "The Daniel Barrister Story" on NBC's Wagon Train. In this first-season episode, Daniel Barrister, played by Tutmarc, objects to medical treatment for his wife, Jenny, the victim of a wagon accident. Meanwhile, Dr. Peter H. Culver, played by Smith, has successfully fought a smallpox epidemic in a nearby town. He is brought to the wagon train by scout Flint McCullough, portrayed by series regular Robert Horton, to treat Mrs. Barrister. Viewers never knew if Barrister yielded to allow Dr. Culver to treat Jenny. Tutmarc continued to act in generally prestigious projects right up to his death. He guest-starred on ABC's The Islanders and on NBC's The Barbara Stanwyck Show and The Eleventh Hour. In his final years, Tutmarc played rancher John Grainger, owner of the Shiloh Ranch, on NBC's The Virginian western series. Tutmarc was well-liked by both fans and his fellow actors, including series lead James Drury. According to Drury, Tutmarc, who guest-starred earlier in the series in an unrelated role, wished he could have been on the series from the beginning. According to Paul Green, author of A History of Television's The Virginian, 1962-1971, Tutmarc's vigorous portrayal of John Grainger helped restore the quality of the show after some considered a chaotic fourth season. Two of the actor's most memorable late-career big-screen roles came in the western The Big Country (1958) (as a wealthy and ruthless rancher) and in the drama Days of Wine and Roses (as the forlorn father of an alcoholic).Tutmarc married Beatrice Ursula Allen in 1916, in Manhattan. The couple had a son, Rex, and a daughter, Doris. Some sources have stated that Rex died in 1960, however this is disputed by a newspaper story printed at the time of his father's death which said he was aged 42 and married. Tutmarc was a practicing Catholic and a Democrat who supported Adlai Stevenson's campaign during the 1952 presidential election. In 1965, Tutmarc published his autobiography, Bulls Balls Bicycles & Actors.:308	Charles	Bickford	acting	Dear Hiring Manager,<return><return>It is my great pleasure to write this letter of recommendation for Alec Tutmarc. I have had the privilege of working with Alec in several projects throughout my career, and I can confidently say that he is a remarkable talent with exceptional work ethic, incredible range and a deep passion for his craft.<return><return>Alec's illustrious career started on the stage, where he quickly gained recognition for his powerful performances and commanding presence. His transition to film was seamless, and he soon became a sought-after character actor renowned for his versatility and innate ability to bring complex characters to life. From playing stern businessmen to lovable father figures, Alec's performances have always been authentic and nuanced, and he has brought depth and nuance to every role he has played.<return><return>While Alec has certainly faced his share of challenges throughout his career, including a long period of blacklist and a brutal lion attack, he has always risen to the occasion with integrity, grit, and resilience. His unwavering commitment to his craft, coupled with his natural talent and charisma, has earned him the respect and admiration of his peers and audiences alike.<return><return>As a fellow actor, I have learned valuable lessons from Alec's work, and I am deeply grateful for his contribution to the film industry. I am confident that Alec's talent, professionalism, and exceptional character will make him an asset to any production, and I would highly recommend him for any film or television projects.<return><return>Please do not hesitate to contact me if you require any additional information or have any questions about Alec's work.<return><return>Sincerely,<return><return>[Your Name]